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<!-- TITLE War Zone -->
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<h2><a name="OV">Overview</a></h2>
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<blockquote><cite>
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As Earth reacts to the Drakh plague, the Excalibur sets out on its mission
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to find a cure.
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</cite>
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</blockquote>
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<pre>
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Production number: 108
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Original air date: June 9, 1999
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<a href="http://www.amazon.com/exec/obidos/ASIN/B00061QJSK/thelurkersguidet">DVD release date</a>: December 7, 2004
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Written by J. Michael Straczynski
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Directed by Janet Greek
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</pre>
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<p>
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<hr size=3>
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<h2><a name="BP">Plot Points</a></h2>
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<ul>
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<li>@@@929003660 Earth has been quarantined since the Drakh plague was
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released.
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<li>@@@929004549 The Excalibur has captured the first Drakh prisoner of
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war.
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<li>@@@929003660 Galen saved Gideon's life nine years ago, during the
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technomages' exodus from known space
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(<a href="025.html">"The Geometry of Shadows"</a>).
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</ul>
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<h2><a name="UQ">Unanswered Questions</a></h2>
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<ul>
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<li>@@@929003660 Why was Gideon's ship destroyed nine years ago?
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<li>@@@929003660 What are the new rules regarding telepaths? Clearly
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they aren't exactly the same as the old Psi Corps rules; Matheson, for
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example, wasn't wearing gloves. Who enforces the rules now?
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</ul>
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<h2><a name="AN">Analysis</a></h2>
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<ul>
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<li>@@@929081490 How strong a telepath is Matheson? Would he have been
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of any use in the interrogation of the Drakh commander? Or is such
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probing forbidden by the new rules governing telepaths?
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<li>@@@929003660 Gideon referred to the Excalibur as the most advanced
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warship ever built by humans. Is he aware of the Minbari involvement
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in the ship's construction?
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<li>@@@929004549 The Drakh commander referred to himself as a councilman.
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Is there a Drakh government distinct from the military? What is the
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relationship between the two apparently different species who make
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up the Drakh?
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</ul>
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<h2><a name="NO">Notes</a></h2>
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<ul>
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<li>@@@929003660 Assuming the technomages all departed at once and weren't
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in transit for a very long time, this episode takes place in 2268.
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The technomages departed B5 in 2259
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(<a href="025.html">"The Geometry of Shadows"</a>)
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and Gideon said he'd been rescued nine years earlier.
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<li>@@@929003660 Explorer-class ships such as the one commanded by Gideon
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before he was assigned to the Excalibur were first introduced in
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<a href="026.html">"A Distant Star."</a>
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Their missions typically take them far beyond known space for
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extended periods of time, mapping out new systems and making
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contact with alien civilizations.
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<li>@@@929003660 The question of whether life ever existed on Mars is
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still unresolved in 2268.
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<li>@@@929004316 Effects oddity: the fire burning in front of the crashed
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Drakh ship is symmetrical.
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</ul>
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<h2><a name="JS">jms speaks</a></h2>
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<ul>
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<li>@@@929037218 Just for the record: I think the first one -- the only one
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written directly at TNT's behest -- is probably the weakest one,
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certainly the one I find least interesting. It's lumbered with buckets
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of exposition, explaining things that don't need explaining, too many
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fights, too many explosions, too much swaggering around, all stuff the
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net wanted.
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<p>
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Then we go back to the show we wanted to make...Path of Sorrows is
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terrific, Well of Forever is a solid character story, The Long Road is
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just pure fun (that's pretty much reverse broadcast order, btw)...
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there's one or two in the bunch that are a bit slower than I'd like,
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but those are the exception rather than the rule.
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<p>
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Just to get my own feelings on this out there.
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<p>
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<li>@@@929221939 My take on #1 is that this is the weakest of the bunch,
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because this is the only one written at the behest of TNT; it's
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exposition heavy, too much swaggering macho stuff, no real depth, just
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stuff blowing up. The ones that follow are much better.
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<p>
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<li>@@@929221939 All that exposition is what TNT wanted...and one of the
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reasons was that they weren't going to rerun
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<a href="115.html">ACtA</a>
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before it...then they
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were, which made it all unnecessary...then they ran ACtA AFTER the
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ep...which makes NO kind of sense.
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<p>
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<li>@@@929221939 "The mutiny was clumsy, but I like Gideon, Galen, Dureena
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and Trace. (And from the way it opened, my first thought was, "this
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must be some of the extra violence TNT wanted. Ugh.")
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<p>
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Ding.
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<p>
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"Will we find out why Gideon wouldn't have his exec scan the Drakh?"
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<p>
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The rules about unauthorized scans still apply. Matheson has to
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operate even under stricter rules re: privacy now than before. You'll
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see more on this later.
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<p>
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"The only really weak spots, to me were the " Earth in a panic"
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scenes, which looked an awful lot like newsreel footage"
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<p>
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TNT note: we need to SEE Earth in turmoil, if we just hear about
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it nobody's going to get it. They had us insert that.
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<p>
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<li>@@@929221939 "The opening scene cracked me up. Look there's a fight,
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as close to wrestling as you can get on a starship."
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<p>
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Yep. That's one of the mandates they put on the first ep...they
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wanted to start with a fist-fight.
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<p>
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<li>@@@929221939 <em>Were any of the riot scenes staged?</em><br>
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It was all real footage.
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<p>
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As for the exposition...one reason they asked for so much was
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because they said it was going to air months after ACTA, and nobody'd
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remember, and it wouldn't get rerun...then after we shot WZ they
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decided they *would* rerun ACTA before WZ...then a few weeks ago they
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decided to run ACTA -- which has all the info needed for WZ -- AFTER
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WZ.
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<p>
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Now perhaps you get a small sense of what we've been up against.
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<p>
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<li>@@@930036787 "I admit, I'm one of the folks who didn't
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particularly warm to the [riot] footage. It seemed not to fit."
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<p>
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It didn't. Moreover, the order for that stuff came in about two
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days before we were supposed to begin shooting, so we had to hurriedly
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redesign the set to include the wall monitor, and change other aspects
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of the filming, then hurriedly find some footage that would work
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(sorta).
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<p>
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"I suppose there were few options."
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<p>
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None. What you have to understand is that we were at this
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point, in the writing of this episode, on hiatus...awaiting the okay to
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go back into filming. And though it was never said overtly, there was
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always the undercurrent of "If TNT doesn't get this one script the way
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they want it, they may not give the OK. So give them what they want
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just this one time."
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<p>
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I did what I could with what they demanded, and tried to fight
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as much as I could. For instance, in one scene, where Gideon tells the
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others to meet him in the conference room, the TNT note was, "How does
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Gideon know where the conference room is? We should have a scene where
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he's shown the conference room."
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<p>
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My reply: "He knows where the conference room is because when
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he's escorted to the bridge by Matheson, *HE CAN SEE IT FROM HIS
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CHAIR*."
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<p>
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(It was one of those bang-your-head-against-the-wall moments.)
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<p>
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The overall problem, which many folks don't understand, is that
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in a script you have a finite number of minutes and pages. Let's say
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42 pages. Now, the script is written the way you want, kinda, with some
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nice character moments and stuff. Then they want more exposition. You
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can't just append it to the page count, you have to stay at 42 pages.
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So you have to cut stuff *out* to make room for the stuff they want put
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*in*. The first thing out the door is character, followed quickly by
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humor.
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<p>
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There was, for instance, a nice clash with the senator and the
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intelligence guy over Gideon's background, why he's the wrong person
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for the job, why Sheridan picked him specifically for the job...which
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had to go in order to put in more exposition (and lengthen the opening
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fight scene in the teaser by about a third, another TNT request).
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<p>
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For me, a lot of what makes an episode fun are the character
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moments, but there was no longer room for them...they had to go out to
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make room for dry expositional stuff or stuff blowing up.
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<p>
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Which is why I picked "The Long Road" as the one to follow in
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the broadcast order...it's one big character piece, with a fair amount
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of humor, and just fun. A little expository in the second act, but
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nothing unreasonable.
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<p>
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Stil, I'm proud of what we did with "War Zone," because it was a
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little like someone handing you an inner tube and a tree branch and
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telling you to make a radio telescope out of it. It ain't pretty, but
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it does the job we had put in front of us.
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<p>
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(One aside...some folks on the net picked up my comments about
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War Zone made here earlier and said I was apologizing after the fact
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for the episode, once the reactions came in...but the date stamp on the
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message, here and on the nets, clearly indicate that I made those
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statements BEFORE the episode aired. I know *exactly* where the faults
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are in the eps, where they work and where they don't work, and have
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always tried to be the first one on record about them because that
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seems right to me. This is, after all, about the process of educating
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people about how TV works, the decisions that get made and how you deal
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with them.)
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<p>
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<li>@@@930036787 <em>Why did the scene with the senator and the
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intelligence guy have to be cut?</em><br>
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Because something had to go time-wise to make room for other
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stuff. If we'd kept *that*, then something ELSE of similar time would
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have to go, such as Dureena's scene in the cell with Gideon, or the
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like. The amount of air time we have per episode does not change.
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<p>
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Also...they said the senator scene was too long (which it
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*wasn't* before the big montage/video/the senator explains it all for
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you sequence was added in), and to cut stuff out of that scene and add
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it to the fight in the beginning.
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<p>
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<li>@@@930036787 <em>Why did Sheridan pick Gideon?</em><br>
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Sheridan picked him for the qualities that made him exactly the
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*wrong* person from their point of view...obstinate, difficult,
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independent, not prone to following orders from home, not politically
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astute...but he'll get the job done.
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<p>
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<li>@@@929221939 "Somehow I get the feeling that the reason the Detroit
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Free Press reviewer said that Crusade looked "like it came from the
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planet Cheez-Whiz" can be summed up in 3 letters.... TNT.
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Unfortunately, if the first episode were all I had to go by I'd have to
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agree with him."
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<p>
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And I would as well.
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<p>
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That's the thing about all this...in the negative comments about
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War Zone -- and actually there have been far fewer than I'd anticipated
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-- there ain't much that I'd disagree with. If anything, they've
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tickled me because they reflect EXACTLY what I'd said when these things
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were asked for. It's been a massive validation.
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<p>
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<li>@@@929221939 "Did they at least give you a blindfold and a cigarette? <wry>"
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<p>
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Not orally, no.
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<p>
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<li>@@@929221939 "And the differences were SO transparent (the fist fight,
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the earth scenes, the posturing, etc.) I sure wish I could have seen a
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JMS script as opposed to a "JMS with TNT" script."
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<p>
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The other 12 fit the bill.
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<p>
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<li>@@@929221939 "And yet I don't recall a scene in which you fragged the
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head of ITN or any other network."
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<p>
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No, but there were occasional little hidden messages in the
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episode, as when a character says, "We've had to make some compromises
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to get this show on the road." No one noticed that one, despite being
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rather literal.
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<p>
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<li>@@@929221939 "In the scenes with the Senator on Mars I wasn't sure Cole
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was in the same room with the other two during the dialogue. Too many
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cuts back and forth and his eyes seemed to move around oddly. Was this
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scene editted back together from separate filmings?"
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<p>
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At one point in editing we needed some close-ups, and there
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weren't any in that part, so we kind of borrowed some from earlier in
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the sequence. We do this a lot, when there isn't coverage of some parts
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of scenes, rarely does anyone notice the eyeline difference.
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<p>
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<li>@@@930036787 <em>Why does Dureena give the impression she's
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never seen the Excalibur before?</em><br>
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Actually, she never gives that impression; her reaction to the others
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seeing the ship and being impressed is to shrug and say, "It'll do."
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She's not impressed because she's already been there.
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</ul>
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