|  | JMS (and coproducer George Johnsen) Usenet messages for August 1997. | 
						
						
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							|  | Date: 25 Jul 1997 02:25:20 -0400 | 
						
						
							|  | Subject: Re: ATTN JMS: Likelihood of CC guest appearance in S5? | 
						
						
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							|  | I don't think it's a matter of reconciliation, though a number of folks in | 
						
						
							|  | the cast are more than a bit upset with her decision.  But that aside.... | 
						
						
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							|  | In fifth year terms, given the situation, and contractual problems in | 
						
						
							|  | bringing a departed regular in to guest star...my guess is that the odds | 
						
						
							|  | are slim and none.  It'll almost certainly have to wait for either the | 
						
						
							|  | third TNT movie or feature projects. | 
						
						
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							|  |  jms | 
						
						
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							|  | Date: 25 Jul 1997 02:25:39 -0400 | 
						
						
							|  | Subject: Re: My last word on CC (hopefully) | 
						
						
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							|  | I've already stated that we will keep the door open for the third TV movie | 
						
						
							|  | and the feature, should that happen. | 
						
						
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							|  |  jms | 
						
						
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							|  | Date: 25 Jul 1997 20:57:20 -0400 | 
						
						
							|  | Subject: Re: ATTN JMS: Claudia'n'residuals | 
						
						
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							|  |  Claudia's statement that the actors were asked to give up their | 
						
						
							|  | residuals now makes sense ... to me, anyway, and I'm writing to ask  | 
						
						
							|  | where or if I'm wrong in this deduction ... in that the actors *were* | 
						
						
							|  | asked to give up residuals that might be able to cover their rent for | 
						
						
							|  | a month in exchange for residuals that might be able to cover lunch. | 
						
						
							|  | Her statement about "giving up residuals" could be taken as a bit  | 
						
						
							|  | of exaggeration, as, by the previous scale, the basic cable residuals | 
						
						
							|  | *are* pretty much nonexistent on a making-a-living basis." | 
						
						
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							|  | Prior to getting the S5 renewal, we called in as many actors as were | 
						
						
							|  | present and explained that shows made for basic cable are, according to | 
						
						
							|  | the Screen Actors Guild Basic Agreement, different in many ways from | 
						
						
							|  | syndication, as syndication is different than network, in terms of | 
						
						
							|  | residuals. | 
						
						
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							|  | In network, the fees generally start higher, and the residuals start at a | 
						
						
							|  | higher percentage of that fee as well .  In syndication, the fees are | 
						
						
							|  | smaller, and the residuals start at a lower percentage.  (For writers, for | 
						
						
							|  | instance, I think the going fee for a network script is about $26-30,000 | 
						
						
							|  | and the first rerun gets a high percentage of that back to the writer; in | 
						
						
							|  | syndication, the script fee is about $15-16,000 and the first rerun starts | 
						
						
							|  | at an even lower percentage of that fee.) | 
						
						
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							|  | For basic cable, things get more complicated.  The fees paid stay the same | 
						
						
							|  | as syndication, so across the board actors' fees, directors and writers | 
						
						
							|  | don't get touched.  But the various Guilds gave basic cable a break in | 
						
						
							|  | terms of encouraging original production, and in rerunning | 
						
						
							|  | network/syndication fare.  For instance, there's one formula for something | 
						
						
							|  | made for network/syndication and later run on cable, and another for | 
						
						
							|  | something made *specifically* for basic cable. | 
						
						
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							|  | And it's the latter that we had to explain to the actors, because under | 
						
						
							|  | SAG regs, again as part of the various guilds' decision to give cable a | 
						
						
							|  | break to get it up and viable (so that it can later be brought up to par | 
						
						
							|  | with syndication), the formula is that the amount paid to an actor above | 
						
						
							|  | double-scale is credited against residuals.  Once that is burned through, | 
						
						
							|  | residuals accrue to the actor again. | 
						
						
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							|  | That was the ONLY item mentioned in terms of residuals.  Bear in mind in | 
						
						
							|  | ALL this that we *cannot* make ANY deal that contravenes what is | 
						
						
							|  | established by the various guilds, so asking any actor to give up | 
						
						
							|  | residuals forever, as some have suggested, cannot be done by us or ANYone | 
						
						
							|  | because we are Guild signatories. | 
						
						
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							|  |  jms | 
						
						
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