The Lurker's Guide to Babylon 5
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  1. JMS (and coproducer George Johnsen) Usenet messages for August 1997.
  2. Date: 25 Jul 1997 02:25:20 -0400
  3. Subject: Re: ATTN JMS: Likelihood of CC guest appearance in S5?
  4. I don't think it's a matter of reconciliation, though a number of folks in
  5. the cast are more than a bit upset with her decision. But that aside....
  6. In fifth year terms, given the situation, and contractual problems in
  7. bringing a departed regular in to guest star...my guess is that the odds
  8. are slim and none. It'll almost certainly have to wait for either the
  9. third TNT movie or feature projects.
  10. jms
  11. Date: 25 Jul 1997 02:25:39 -0400
  12. Subject: Re: My last word on CC (hopefully)
  13. I've already stated that we will keep the door open for the third TV movie
  14. and the feature, should that happen.
  15. jms
  16. Date: 25 Jul 1997 20:57:20 -0400
  17. Subject: Re: ATTN JMS: Claudia'n'residuals
  18. Claudia's statement that the actors were asked to give up their
  19. residuals now makes sense ... to me, anyway, and I'm writing to ask
  20. where or if I'm wrong in this deduction ... in that the actors *were*
  21. asked to give up residuals that might be able to cover their rent for
  22. a month in exchange for residuals that might be able to cover lunch.
  23. Her statement about "giving up residuals" could be taken as a bit
  24. of exaggeration, as, by the previous scale, the basic cable residuals
  25. *are* pretty much nonexistent on a making-a-living basis."
  26. Prior to getting the S5 renewal, we called in as many actors as were
  27. present and explained that shows made for basic cable are, according to
  28. the Screen Actors Guild Basic Agreement, different in many ways from
  29. syndication, as syndication is different than network, in terms of
  30. residuals.
  31. In network, the fees generally start higher, and the residuals start at a
  32. higher percentage of that fee as well . In syndication, the fees are
  33. smaller, and the residuals start at a lower percentage. (For writers, for
  34. instance, I think the going fee for a network script is about $26-30,000
  35. and the first rerun gets a high percentage of that back to the writer; in
  36. syndication, the script fee is about $15-16,000 and the first rerun starts
  37. at an even lower percentage of that fee.)
  38. For basic cable, things get more complicated. The fees paid stay the same
  39. as syndication, so across the board actors' fees, directors and writers
  40. don't get touched. But the various Guilds gave basic cable a break in
  41. terms of encouraging original production, and in rerunning
  42. network/syndication fare. For instance, there's one formula for something
  43. made for network/syndication and later run on cable, and another for
  44. something made *specifically* for basic cable.
  45. And it's the latter that we had to explain to the actors, because under
  46. SAG regs, again as part of the various guilds' decision to give cable a
  47. break to get it up and viable (so that it can later be brought up to par
  48. with syndication), the formula is that the amount paid to an actor above
  49. double-scale is credited against residuals. Once that is burned through,
  50. residuals accrue to the actor again.
  51. That was the ONLY item mentioned in terms of residuals. Bear in mind in
  52. ALL this that we *cannot* make ANY deal that contravenes what is
  53. established by the various guilds, so asking any actor to give up
  54. residuals forever, as some have suggested, cannot be done by us or ANYone
  55. because we are Guild signatories.
  56. jms