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Messages from Babylon 5 executive producer J. Michael Straczynski on the
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Usenet newsgroup rec.arts.sf.tv.babylon5.
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Date: 1 Jul 1995 01:20:31 -0400
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Subject: Re: ATTN JMS: Fleer B5 Cards!
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The cards will cover all of B5, from the pilot to the present.
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jms
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Date: 1 Jul 1995 00:28:49 -0400
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Subject: Lestat going to jail? ***** IM
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Insofar as I know, there's nothing in the B5 faq that could cause
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any problems for WB.
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jms
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Date: 1 Jul 1995 01:20:40 -0400
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Subject: Some products I noticed:
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I'm never as anyone pictures me. I like it that way.
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jms
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Date: 4 Jul 1995 03:25:03 -0400
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Subject: Lestat reprieved (Send forth y
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Uh-oh.
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When I saw faq in your inquiry to me, insofar as I knew, we were just
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discussing a Frequently Asked Questions (FAQ) file, the same as we've seen
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many times before. I did NOT know that it was essentially a note saying
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that mass reproduction services were being offered for episodes.
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Whether money is charged or not is not the issue; if someone is making
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group copies of episodes for others, that is an infringement of copyright,
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and *believe me*, Warners will come down hard on anyone doing this.
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It's common practice to make 1-2 copies of something for an archive, or
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for a friend, but to make multiples like this and supply them in htis
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(this) fashion is going to put you in deep legal shit with the suits at
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WB, *trust* me on this.
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I would strongly urge you to reconsider. Your heart is in the right
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place, as far as enthusiasm for the show goes, but to do this on the
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scale you are suggesting breaks not only US and UK laws individually, but
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collectively as well, and you could end up in serious trouble.
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jms
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Date: 4 Jul 1995 03:27:25 -0400
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Subject: Attn JMS: Is B5 Limited to the
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For all intents and purposes, our story pretty much takes place
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within the Milky Way Galaxy.
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jms
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Date: 4 Jul 1995 03:27:51 -0400
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Subject: Attn JMS: Would you attend a p
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If fans would be willing to endure such a terrible burden, I would
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kind have to share it. I just can't imagine anyone willingly thinking
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that this was a Good Thing. I mean, sitting through 112 hours of ANYthing
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is a very daunting notin.
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Or notion.
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jms
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Date: 4 Jul 1995 03:28:16 -0400
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Subject: Re: Dave Shao's post bites
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In my orignal reply to Davaid Shao, I specifically asked that people
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NOT pile on him because of this. It's resolved. I'm now on a moderated
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newsfeed, and all is well. No story ideas can now reach me from this
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service. Over, done, forgotten.
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jms
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Date: 4 Jul 1995 03:30:40 -0400
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Subject: ATTN JMS: Us nitpicking netter
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I'm not entirely sure I understand the question. Some "nitpicks" have
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contained valid points; some haven't. Some have been based on incorrect
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perceptions that are easily corrected. Some are factual. I
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am not entirely sure what you mean by "not taken into account."
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jms
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Date: 4 Jul 1995 03:32:54 -0400
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Subject: ATTN JMS: What will we see ag
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That would be telling....
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jms
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Date: 6 Jul 1995 01:24:43 -0400
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Subject: JMS: did Delenn's transformati
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Yes, one might well believe that the transformation has had an effect
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on Delenn's lifespan.
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jms
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Date: 6 Jul 1995 01:24:19 -0400
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Subject: So WHO are the "Klingons"?
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I went to *great pains* to indicate that the Fed-co-opted-by-Klingons
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analogy was NOT a one-to-one analogy, only something to indicate the
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magnitude of the change. So this discussion has no bearing on the
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situation.
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jms
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Date: 6 Jul 1995 05:19:23 -0400
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Subject: Attn:jms San Diego Comicon
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The only thing I know for sure is that I'm doing a lengthy B5
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appearance that Saturday at 11 a.m. The rest I haven't heard definitively
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yet.
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jms
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Date: 6 Jul 1995 05:19:43 -0400
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Subject: death of a dream
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Don't give up the dream yet; the next Star Wars movies will use CGI
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and digitech exhaustively; and the word is he's doing to re-do all the
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EFX in the first SW movie this way, as well.
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jms
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Date: 7 Jul 1995 01:40:14 -0400
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Subject: ATTN JMS: Question about Cath
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They did not get married, due to Sinclair's new posting; it was put
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on hold.
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jms
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Date: 7 Jul 1995 01:44:41 -0400
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Subject: Re: Big Bang
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Eric: BB was *not* a fan-run con, it was a for-profit con, and those
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who put it on made *considerable* mention of the notion that they had done
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Gen-Con for previous years, and thus were absolutely skilled at this.
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jms
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Date: 7 Jul 1995 01:45:01 -0400
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Subject: Attn JMS: Thank You
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Thanks. It was honestly no trouble at *all*. It was great fun.
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jms
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Date: 7 Jul 1995 01:45:31 -0400
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Subject: ATTN:JMS - Carolyn Seymour
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We've never had any conversations with Carolyn Seymour re: B5.
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jms
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Date: 7 Jul 1995 01:47:55 -0400
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Subject: JMS: Casino Painting?
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It's a progress mural, starting with early civilization, the pyramids
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and stuff in the lower right corner, through the development of agrarian
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cultures, technology, cars, planes, jets, all moving left to right on the
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canvas, through space flight and finally, in the upper-right corner, B5.
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jms
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Date: 7 Jul 1995 01:47:31 -0400
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Subject: S4C and the last 4 eps
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The first new ep in the UK airs July 25; the remaining 3 after that
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each subsequent Tuesday.
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jms
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Date: 7 Jul 1995 01:47:06 -0400
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Subject: !HEY JMS!: The *B4* Thread?
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The B4 thread will be resolved in detail, yes.
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jms
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Date: 7 Jul 1995 04:19:42 -0400
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Subject: JMS: Do you read the novel or
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I read both. The Ivanova/Talia thing wasn't handled exactly as I
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had thought it would, and missed some parts of it (it was very late that
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night), and by the time I caught some of it, it was too late. The comics
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version shows creatures that are not the shadows themselves but some of
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the many creatures who serve them. I try to catch all I can. I sent the
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third book back for a *total* rewrite which put it behind a couple of
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months, but that's okay by me. Better right than on time.
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jms
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Date: 7 Jul 1995 04:26:59 -0400
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Subject: - PTEN - ** double sigh **
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Difference is, Kung Fu started a while *after* we began airing our
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second season, so they had some in the bank, as it were, for July.
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jms
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Date: 7 Jul 1995 18:08:15 -0400
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Subject: It's Official ! B5 Comics Get
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Nope. The CBG info is old. I was just told yesterday that the
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contract for the B5 comic has been extended through 24 issues total, not
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the 11 noted in the article, which gives us a year and a half or so to
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build the audience further for the book. It's doing well, and having only
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been out for six issues, needs a fair shot at finding its audience.
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jms
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Date: 7 Jul 1995 18:47:38 -0400
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Subject: Lestat gives up (Victory for t
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Lestat, nothing is served by public displays of self-pity. On the
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electronic screen, it simply comes off as indulgent and "poor me,"
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whether that is the intent or not.
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You say you have been judged by others, and you think unfairly so.
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I have pointed out, as have others, that if you make mass copies of this
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show, for distribution to others, *free or otherwise*, it's illegal, and
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you will get nailed by Warner Bros. This is not judgment, it's a fact.
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It's like saying, "I'm going to take this book from this store and
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not pay for it," and everyone says, "But that's shoplifting," and you
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come back with anger because you're being judged. No, those are the laws,
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and it doesn't matter if you intended to simply give it to someone else
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without cost to yourself.
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Spending months mass-copying B5 episodes from the UK to the US is
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patently illegal; you not only violate US and UK copyright laws
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individuallly, but collectively; you would even violate the federal laws
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regulating the transport of illegal goods via interstate mail. You could
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be *hurt*, and badly. And believe me, if WB found out about it, you
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WOULD be, for doing this on the scale you describe.
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We've recently run into someone who was selling unlicensed B5 tapes
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here in the US. Mass produced. This person has been identified, and
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evidence gathered, and now this person is going to be prosecuted, and
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subpoenad, and spend months in courthouses and giving depositons and
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paying fines and potentially doing time, depending on the breaks. The
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only difference is that one does it for money, the other doesn't, but THAT
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isn't the core of the problem, it's copyright infringement.
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People here, myself included, have gone out of our way to tell you
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that what you proposed was illegal, and would get you in massive amounts
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of trouble, to *save you from getting hurt*. You could be standing on a
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ledge, about to jump, with people telling you not to do it, and then turn
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around and yell at them for interfering in your own business. Well, it
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ain't just your business, and it is for your own good. If you cannot see
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that, it's nobody's fault but your own.
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jms
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Date: 7 Jul 1995 18:47:12 -0400
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Subject: ATTN JMS: Series shown out of
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You may want to call your station and tell them to check with WB
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International Distribution, which knows and understands that they are to
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be shown in broadcast order, and will help them to know what that is.
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jms
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Date: 7 Jul 1995 23:15:05 -0400
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Subject: ATTN JMS: Apologies!
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No problem, Bob.
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jms
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Date: 7 Jul 1995 23:26:19 -0400
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Subject: ATTN JMS: If you don't mind br
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Okay, lemme see...we're on in Singapore, Thailand, Italy, Germany,
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England, Australia, France, Middle-East TV (covering Israel, Jordan and
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some other places in that area), Greece, parts of South America, and a
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few more beyond. That's all I can recall offhand.
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jms
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Date: 7 Jul 1995 23:28:07 -0400
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Subject: - Attn. JMS: 3rd-hand nun stor
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I'd love to get more information on this; heck, we can use it for PR
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if nothing else. I'd particularly love to know what specifically they
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like about/watch for in the show.
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(In thinking about this, there's some stuff in the second or so
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episode of year three that they're absolutely gonna *love*. All I can say
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is that I hope I get a product placement notation from the Vatican. BTW,
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there were real nuns in the line in "Parliament of Dreams.")
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jms
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Date: 8 Jul 1995 06:00:40 -0400
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Subject: JMS at San Diego Comic Con?
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Yes, I'll be at SDCC, giving a 2-hour presentation that Saturday.
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jms
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Date: 8 Jul 1995 06:00:28 -0400
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Subject: More sci-fi on TV!
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I saw a promo (4-mins) for Space at Chicago Comic Con; my first
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thought was that the CGI was *awfully* blurry/low res, I hope that was
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only test footage for the promo reel. Other than that, with Morgan and
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Wong backing it, at least I have good hopes for the writing.
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jms
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Date: 9 Jul 1995 04:48:43 -0400
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Subject: ATTN JMS : Has the Great War a
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Wars generally don't just *begin*, they roll into one another and
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grow. When did WW II begin? When Germany annexed the Sudetenland? When
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they invaded Poland? When England got into it? When Pearl Harbor got
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bombed? Did it in a sense begin with the assassination of Archduke
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Ferdinand, which led to WW I, which with a minor pause led into WW II?
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jms
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Date: 10 Jul 1995 02:30:49 -0400
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Subject: ATTN JMS: Crystal storage...
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There's a number imbedded inside the crystal; the only way to change
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it is to shatter the crystal. Also, if you pop it in an conventional
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crystal port, it can project the entire directory, source material, and
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other information instantly.
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jms
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Date: 10 Jul 1995 03:38:19 -0400
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Subject: ATTN: JMS - will comics spoil
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There's only one case of this conflict, so if you want to avoid any
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spoilers, here's my recommendation: when the last issue of this current
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story arc comes out, resolving the Mars/Sinclair/Garibaldi thread, pick
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up that last issue and stick it in a bag until after the first new ep
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airs in October. THEN read it. You'll know it when you find it.
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jms
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Date: 10 Jul 1995 03:38:33 -0400
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Subject: Re: Elana leads B5 Group at We
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Okay, Elena, you can be Queen of B5 Fans.
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But I get to wear the tiara.
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*^^^*
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Date: 10 Jul 1995 03:40:48 -0400
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Subject: B5 Fan Name? (was Re: Attn JMS
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Two most frequently used terms: Babylonians and the Grid Epsilon
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Irregulars, for the station's location.
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jms
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Date: 10 Jul 1995 20:12:53 -0400
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Subject: Attn JMS: When it all over, in
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I'd kinda like to take *all* the remaining months off that are
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allotted to me, and just write when I want to.
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Which, sadly, knowing me, will probably be full-time anyway.
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jms
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Date: 10 Jul 1995 20:13:55 -0400
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Subject: ATTN JMS: L. Ron Hubbard and D
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Never read Dilbert. As for ElRon...I know people who were there the
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night of the party, decades ago, when L. Ron -- then making a penny a word
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for westerns and SF and other genres -- was told, "Look, you want to make
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REAL money, get into the religion biz." That night, he went home and
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began cranking out Dianetics, written on butcher paper (his usual medium,
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which he kept on a roll behind his typewriter, and would rip as needed).
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jms
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Date: 10 Jul 1995 20:14:30 -0400
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Subject: JMS.more viewers!!
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I have, alas, zip control over promos; they're done by the station
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there, and WB. We're not authorized to do that.
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jms
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Date: 11 Jul 1995 01:34:48 -0400
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Subject: ATTN JMS: Unanswered Questions
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For their own purposes, the shadows chose to stay on this side of the
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Rim. The other questions will be answered soon enough.
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jms
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Date: 11 Jul 1995 01:41:47 -0400
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Subject: You know you've been watching
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Similarly, I saw "Norton utilities for people," and my brain saw,
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"Morden utilities for people."
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I've been writing too much.
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jms
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Date: 11 Jul 1995 02:02:42 -0400
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Subject: Chicago ComiCon Report (!SPOIL
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BTW, Mark, as promised, we amalgamed your name and Julie's into one
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name (Julie Musante), and that has now been used as a major character in
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"Voices of Authority," as per the auction. It's a big role, and a very
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memorable character who has some...intriguing scenes with Sheridan.
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jms
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Date: 11 Jul 1995 02:02:57 -0400
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Subject: B5 Analysis
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Message received, but not much I can comment on; probably better to
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let the questions be answered in the show than here.
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jms
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Date: 11 Jul 1995 05:25:12 -0400
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Subject: Att JMS: No sidestepping now,
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Yes, Harlan returns next season as our consultant. And believe me,
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he's been VERY busy, mainly with his comic from Dark Horse, DREAM
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CORDIDOR. He's written new stories for every issue, plus all the
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interstitial pages, in addition to his work with me on B5, plus several
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other new stories, a script for a new Showtime anthology that's a
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knockout which has a bunch of big-name directors fighting over it.
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jms
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Date: 11 Jul 1995 05:49:41 -0400
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Subject: Mr. JMS: Kosh = Anagram?
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No, no anagram intended in KOSH.
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jms
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Date: 11 Jul 1995 05:49:50 -0400
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Subject: Mr. JMS: Outer Limits/Twilight
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My favorites from the Outer Limits...Soldier, Demon With a Glass
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Hand, Cold Hands Warm Heart, and others whose titles I've forgotten
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(the sentient tumbleweeds, the house where nobody got old, the kid and
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his alien tutor, and the Zanti misfits, natch).
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From Twilight Zone...Walking Distance, One For the Angels, just
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about all the Serling episodes, actually. In general, TZ is one of my
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overall high-points in TV. Very few drones.
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What often gets ignored is Night Gallery, which had some very decent
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stuff in it, most specifically They're Tearing Down Tim Reilly's Bar,
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which I always fire up when I think I'm getting too confident in my own
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writing. Brilliant. Absolutely brilliant writing.
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jms
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Date: 11 Jul 1995 23:59:35 -0400
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Subject: AAITN Question
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The Streib saw an alliance between Earth and Minbar at that moment,
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which is the LAST thing they wanted to go up against. Also, you don't go
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to war at the drop of a hat just because somebody sinks or shoots down
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one of your ships. This is one of the cliches in storytelling. And what
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the Streibs were doing was totally unjustifiable in any event. Do you
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gear up for the massive hassle of total war -- supply lines, fleets, all
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the rest -- because of this incident? Remember, the purpose of the ship
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was to find races weak enough for them to attack with impunity; they don't
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want to go up against a force that can strike back.
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jms
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Date: 12 Jul 1995 02:25:17 -0400
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Subject: Looking for Captain Power
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Yeah, the Siskel and Ebert thing was great. For those who didn't
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hear about this...we worked *very* hard to make Captain Power nominally a
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show for grownups, screw the toys. And we got hammered in the press,
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mainly by people who hadn't watched the show. So one day, I'm watching
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SisBert doing their collective thing, a video round-up installment of
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their review show...and suddenly they say, look, we don't normally talk
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about TV series, but there's this one show you gotta check out, it's got
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a dopey name, and forget the toys, but there's something Going On with
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this show, it's really got a great story.
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It was, alas, too little too late for CP.
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jms
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Date: 12 Jul 1995 02:01:43 -0400
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Subject: B5 Novels....
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The third B5 book from Dell is due out sometime in the next 4-6
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weeks.
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Dell has licensed another 5 novels, and is currently considering
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proposals/outlines *from established SF pros* (with several novels
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published, preferably not just media tie-ins) for these books.
|
|
|
|
jms
|
|
|
|
Date: 12 Jul 1995 02:26:50 -0400
|
|
Subject: ATTN JMS: Mars colony
|
|
|
|
Well, the Mars colony grew over time, from a few people to cities.
|
|
It covers about 150 years, though the first 50 of that were very small in
|
|
nature.
|
|
|
|
jms
|
|
|
|
Date: 12 Jul 1995 02:27:01 -0400
|
|
Subject: ATTN JMS: Chicago CC?
|
|
|
|
I *greatly* enjoyed the Chicago ComicCon. Lots of fun, many good
|
|
people, a hard-working staff dedicated to making sure things go well, a
|
|
terrific operation. This was only my second year there; I went for the
|
|
first time a year ago, dragged along by Harlan. Glad I went.
|
|
|
|
High-points for this convention...helping pile on a shoplifter (me
|
|
and another guy, the one who ran the booth in the dealer's room) trying
|
|
to escape, the two of us holding this guy, struggling to get away, for
|
|
the cops, and a con organizer saying to him, "Hey, you've just been
|
|
arrested by a celebrity," and the shoplifter's response, "Fuck you"....
|
|
the B5 reception, even *with* the MST3Kification of one of my episodes...
|
|
the pleasant, friendly, enthusiastic fans who were a joy to meet...it was
|
|
an unvarnished terrificness.
|
|
|
|
jms
|
|
|
|
Date: 12 Jul 1995 01:53:14 -0400
|
|
Subject: Big Bang Refunds (aka CMC meet
|
|
|
|
To hear that the two numbers for Big Bang/CMC are alternately
|
|
disconnected or no longer answering is most disconcerting. I can't recall
|
|
hearing of anyone getting refunds that weren't put through quite some
|
|
time ago.
|
|
|
|
I strongly urge all people who have not yet received refunds from
|
|
these people to get together and jointly consider what actions you might
|
|
take, particularly in terms of the VIP tickets. Because with current
|
|
reports, plus the non-payment of Michael O'Hare's $5,000, I have grave
|
|
concerns about anyone getting their money out of this.
|
|
|
|
jms
|
|
|
|
Date: 12 Jul 1995 05:18:55 -0400
|
|
Subject: Re: Lestat gives up (Victory f
|
|
|
|
Elizabeth: you're correct, in that nothing can stop individual copies
|
|
from floating across the Atlantic. That's going to happen, and has
|
|
happened, for some time. What sent off fireworks and red flags was the
|
|
notion of *mass producing* these things. That's the kind of thing that
|
|
gets you raided by the FBI.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 01:57:03 -0400
|
|
Subject: Dressed in Black
|
|
|
|
There is no significance to the clothing; that's just what they were
|
|
wearing when Sheridan called.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 01:57:08 -0400
|
|
Subject: Keep your day job Vir!!
|
|
|
|
Re: the SPACE cgi being blurry...I'm kinda surprised. I'd seen the
|
|
demo reel at Chicago ComicCon, and saw that it was blurry there, even hard
|
|
to focus on, but figured it was a low-res test they used in the earlyl
|
|
promotion reel. I was sure they'd go to something a bit more high-res for
|
|
the real thing. I'm astonished.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 04:27:18 -0400
|
|
Subject: Re: B5 Novels....
|
|
|
|
Of course it's a pain in the ass. It's a PROFOUND pain in the ass to
|
|
keep track of all this. But it's kinda in the job description. As far as
|
|
the novels go, an outline comes in, on spec, and I work with it to make it
|
|
fit in continuity, or at least not contradict anything being done in the
|
|
series. Sometimes that means major changes, sometimes it's minor stuff,
|
|
but something always needs to be done. And done again, as much as can be,
|
|
when the actual manuscript comes in. It's one more thing, but then my
|
|
life is generally "one more thing."
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:08:04 -0400
|
|
Subject: Commander roles in war
|
|
|
|
Eric: a very good analysis/contrasting of the roles of the two
|
|
characters. Very much dead-on.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:24:22 -0400
|
|
Subject: ATTN JMS: Vorlon Homeworld(s)
|
|
|
|
We'll see the Vorlon homeworld eventually.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:24:28 -0400
|
|
Subject: ATTN JMS: Selling your soul to
|
|
|
|
That's a very hard question to answer, if I'm going to try and answer
|
|
it totally honestly. Sitting here now, at this moment, with year 3 a go,
|
|
I'd say, "If they said replace Ivanova and Sheridan, I'd refuse, even if
|
|
it were a condition of pickup." That's what I'd like to think I'd say. I
|
|
hope that it's what I *would* say. At least, at this moment.
|
|
|
|
But now I try to put myself in that future frame of mind...I have 200
|
|
or so people who work for me, who'd be out of jobs. The story would be
|
|
aborted, and the series ultimately a failure because it didn't go to term.
|
|
Everything we'd built so carefully these last 2-3 years would be down the
|
|
toilet. We'd have to dismantle the sets, sell old props, vacate the
|
|
stage...emotionally, it would be devastating. Many careers would be hurt.
|
|
|
|
At that point, it would come down to, Do I hurt 2 people or 200?
|
|
|
|
So I guess, really, the answer is...I don't know. I know what I'd
|
|
like to do, particularly if I felt strongly that I could get them to back
|
|
down. It's a question of who blinks first. Fortunately, WB and PTEN are
|
|
VERY happy with our cast, feel they're doing great jobs, and we're on the
|
|
cusp of breaking through, so I gravely doubt that decision would ever have
|
|
to be made.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:24:33 -0400
|
|
Subject: JMS: Question on Rangers
|
|
|
|
There are female rangers, yes.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:24:38 -0400
|
|
Subject: Re: Looking for Captain Power
|
|
|
|
Thus far, SisBert do not seem to have noticed B5. Re: The Real
|
|
Ghostbusters, that 78 episode first season was a lot of fun...the first
|
|
opportunity I had to just go nuts and do anything I wanted to do, and the
|
|
producers stood by me, however nuts I got.
|
|
|
|
jms
|
|
|
|
Date: 13 Jul 1995 05:24:43 -0400
|
|
Subject: UK SPOILERS: Courtesy and Cons
|
|
|
|
What could also help is if there are specific questions among the
|
|
UK viewers based on the final four, what you can do is send it to me via
|
|
private email, I'll reply, and it can then be reposted openly to the UK
|
|
group.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 03:14:09 -0400
|
|
Subject: JMS: A question about photos
|
|
|
|
There's no real hidden meaning in the photos.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 03:14:20 -0400
|
|
Subject: Att JMS: Your Thoughts on the
|
|
|
|
The net is like any form of technology; it can be used for good or
|
|
ill depending on who's behind the keyboard.
|
|
|
|
On another level (if I can mix metaphors for a moment), the net is
|
|
like a large, and very capricious beast. If you show the least fear, it
|
|
will eat you. It's very clear that most of the folks at ST are afraid of
|
|
the nets, they HATE the nets, because info they don't want out GETS out,
|
|
the criticism can be very harsh...it's tough. In the case of B5, we work
|
|
WITH the nets, to the extent that even after showing an episode, giving
|
|
people new information, and information = power on the nets, if I ask that
|
|
it not be posted publicly until the show airs, in virtually every case
|
|
that request has been granted. Because you know who I am...and I know who
|
|
YOU are. That dialogue doesn't exist with ST.
|
|
|
|
For those not plugged in, it can be terrifying. Mira Furlan has
|
|
commented, in one on-line message, that the nets can be very cruel. This
|
|
is true. People forget sometimes that there's a person at the other end
|
|
of the keyboard, and especially when critiquing actors, do so in terms so
|
|
often cruel and unnecessary and hurtful. Michael O'Hare recently commented
|
|
at Chicago comic con that he was *deeply* hurt by many of the things said
|
|
about him on the nets...here in particular.
|
|
|
|
So it takes a *very* tough skin to stick it out here, lemme tell you.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 03:42:57 -0400
|
|
Subject: ATTN JMS: A few quick question
|
|
|
|
Basically, G'Kar is both laughing and crying in that scene; in
|
|
essence, he's having a nervous breakdown right in front of your eyes.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:23:54 -0400
|
|
Subject: Stupid question for JMS
|
|
|
|
Who she's attracted to depends on who bought dinner....
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:24:00 -0400
|
|
Subject: JMS: Comics spoilers #9+?
|
|
|
|
There are no spoilers that I'm aware of in the next 3 issues.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:24:05 -0400
|
|
Subject: ATTN JMS: B5 comic #8 question
|
|
|
|
I think that non-memory of the event is a good assumption.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:36:18 -0400
|
|
Subject: ATTN JMS: Licensing Pins/Patch
|
|
|
|
All somebody has to do is approach WB licensing and license the stuff.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:36:24 -0400
|
|
Subject: Horns on the station..?????
|
|
|
|
The projections are for stabalizing, and repairing, ships bringing
|
|
in cargo.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:36:35 -0400
|
|
Subject: Re: Looking for Captain Power
|
|
|
|
Yeah, I walked off the show when they a) decided to emphasize Slimer,
|
|
and b) make Janine a "mommie" character rather than the hard-as-nails,
|
|
sharp, sarcastic person she'd always been. It wasn't a show I wanted to
|
|
do anymore.
|
|
|
|
I've actually walked off a *lot* of shows in my time, something I only
|
|
really realized lately. Walked of The Real Ghostbusters when they softened
|
|
it down and knocked all the corners off; walked off Captain Power when the
|
|
toy company got too much control over the stories; zipped off Jake and the
|
|
Fatman when my exec producers got screwed over (if they went, I went);
|
|
finally left Murder, She Wrote to do B5. All but the last were over story
|
|
control/story integrity. My agent is frequently driven to distraction over
|
|
this. Money doesn't work to hold me. If it ain't right, it ain't right.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:36:47 -0400
|
|
Subject: ATTN JMS: Don't forget us
|
|
|
|
You're right. Henceforth I shall be sure to separate Britain from
|
|
Scotland, to avoid upset.
|
|
|
|
Lord knows, you upset the Scots, you're likely to get kilt.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:36:55 -0400
|
|
Subject: Rumors about character changes
|
|
|
|
I don't suppose you could give me the name of this particular SF
|
|
editor (I suspect I know who it is) who's spreading around this particular
|
|
bit of nonsense...?
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:37:03 -0400
|
|
Subject: JMS: Reruns during the long dr
|
|
|
|
Alas, ain't squat we can do about this, it's a PTEN decision.
|
|
|
|
jms
|
|
|
|
Date: 14 Jul 1995 05:51:20 -0400
|
|
Subject: B5 writer(s)
|
|
|
|
Re: "he writes at close to Asimov's speed."
|
|
|
|
One thing I miss here, and wish there was more of, was more on the
|
|
task of writing. I think there's a good opportunity here for more on the
|
|
technical side of all this...the writing, how the different departemtns
|
|
(departments) come together, all the production stuff nobody tells you.
|
|
|
|
So on the writing speed issue, a little something that may be of
|
|
use.
|
|
|
|
Mark Twain said, "Never write a scene until you have finished it to
|
|
your satisfaction." Meaning in your head. You should always play the
|
|
scene over and over in your head, filling it out further and further each
|
|
time, until you can play it like a movie. Then, when it's all worked
|
|
out, you sit down and transcribe it.
|
|
|
|
This is kinda how I work. I finish a scene, load up what I need to
|
|
do in the next scene...and distract myself, here on the boards, doing
|
|
something else, and gradually filling out the scene over and over until
|
|
it's crystal clear. Then when you sit down to write it, it goes quickly.
|
|
|
|
Also helps to type 120 wpm, but the other helps a *lot*.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 00:26:07 -0400
|
|
Subject: JMS: Cause & Effect? (Comic 8
|
|
|
|
You didn't *really* expect a public answer on this one, did you...?
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 03:48:50 -0400
|
|
Subject: Quickie from jms
|
|
|
|
The weekend of July 29th, I'll be doing a presentation at San Diego
|
|
Comic Con that Saturday from 11 a.m. - 1 p.m. If you're anywhere in the
|
|
area, I suggest you try and be there. You may need to get there a bit
|
|
early; each time I've done one of these presentations, even though they
|
|
keep giving me progressively bigger rooms, they keep filling up.
|
|
|
|
Couple more merchandising items in the works, looks like they might
|
|
be kinda cool.
|
|
|
|
As noted in a side-topic, and thus probably missed, Dell has signed
|
|
to do 5 more B5 novels.
|
|
|
|
The B5 stage is getting busier every day, as more folks begi
|
|
reporting back to work. The first batch of scripts are being broken down
|
|
by the Assistant Directors into shooting schedules, construction is going
|
|
bigtime on a couple new sets and a total redesign of another (Medlab), all
|
|
continues on-track for day one of shooting on July 31st.
|
|
|
|
To the best of my knowledge, Michael O'Hare has *still* not been paid
|
|
the balance of his fee for appearing at Big Bang, a total of $5,000. Nor
|
|
has there even been any contact from them. Phone calls remain unreturned.
|
|
|
|
We hope, in a few weeks, to be announcing, finally, an official
|
|
Babylon 5 Fan Club, which will offer some items not available anywhere
|
|
else. (Some of them will be made by the same people who make the real
|
|
props themselves, thus guaranteeing 100% authenticity to what'd done in
|
|
the show.) (Make that *what's*.)
|
|
|
|
We hope that, within a year or so of the fan club getting going, to
|
|
put together a *proper* B5 convention, with not only the actors, but
|
|
people from every department, giving them the chance to show what they
|
|
do, and how, and allow a chance to interact with viewers.
|
|
|
|
Lately, from published figures, B5's overnights have been above those
|
|
of Voyager (3.4 compared to 2.7 or thereabouts). Much to the surprise of
|
|
people at PTEN, B5 episodes which have now aired multiple times are still
|
|
doing very well. This is very unusual in reruns.
|
|
|
|
There *may* be some movement on the videocassette issue. More on this
|
|
as it develops.
|
|
|
|
Finally, expect a big online presence/push for the October/November
|
|
period, possibly with a B5 web page and other new on-line resources
|
|
(multimedia and the like) provided by PTEN.
|
|
|
|
My sense is that right now, we're *just* about where X-Files was just
|
|
before it broke through. I think we'll finally break through that glass
|
|
ceiling in our third season.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:08:12 -0400
|
|
Subject: Attn JMS - writing CGI ?
|
|
|
|
Nothing can be storyboarded until it's written in the script first;
|
|
so usually it's something like
|
|
|
|
EXT. NARN HOMEWORLD (CGI)
|
|
|
|
A giant space aardvark emerges from a jump-point, snarling and spitting.
|
|
|
|
There's only been one case where all I wrote was, "They fight. Ron,
|
|
go nuts." Other than that, it's always scripted shot-for-shot, often as:
|
|
|
|
ANGLE - SHERIDAN'S STARFURY
|
|
|
|
As it blows TOWARD CAMERA, and we
|
|
|
|
REVERSE - HIS POV
|
|
|
|
The giant space aardvark turns, prepares to fight.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:08:55 -0400
|
|
Subject: JMS: Delenn Question
|
|
|
|
I'd suggest that, in "There All the Honor Lies," it's implied that
|
|
Delenn's reproductive system has come to function more closely to that of
|
|
a human female.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:08:17 -0400
|
|
Subject: Attn JMS: About your writing
|
|
|
|
Sherry: er, uhm...yeah, that's...kinda...it.
|
|
|
|
Um.
|
|
|
|
In which tree would you like me to leave the money at midnight?
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:19:26 -0400
|
|
Subject: Re: ATTN JMS: Real Ghostbuster
|
|
|
|
Yes, the events as described in the article you describe (it was in
|
|
"Penthouse") are correct, and happened as written. (I should know, I
|
|
wrote it.)
|
|
|
|
When I sent the article in to Penthouse (knowing full it would
|
|
forever firebomb any chance of ever working in animation again), they asked
|
|
why on *earth* I sent an article on kid's TV to *PENTHOUSE* for
|
|
chrissakes.
|
|
|
|
"Because I want the creeps at Broadcast Standards and Practices,
|
|
who turn white at the slightest hint of anything improper, to have to
|
|
flip through Penthouse to get to the article about them." The woman at
|
|
the other end of the phone just about croaked laughing.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:19:33 -0400
|
|
Subject: Re: B5 writer(s) NOW ATT: JMS:
|
|
|
|
Yeah, I think that kind of educational approach would be a hoot.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:36:03 -0400
|
|
Subject: ATTN: JMS Why all the dreams?
|
|
|
|
Dreams function on many levels. Some cultures use them as a kind of
|
|
second, or parallel reality. They make good literary devices. Also,
|
|
there's a fair amount of thematic undercurrent about free will vs.
|
|
predestination, and one of the ways to tap into that is to use dreams as
|
|
subtext and metaphor.
|
|
|
|
My own dreams are not particularly noteworthy, except in one respect:
|
|
about 90% of them take place in the same place. See, I always moved around
|
|
when I was a kid, spending as little as 6 months, sometimes a full year,
|
|
moving with my family from town to city to state from one end of the
|
|
country to the other. (Don't ask.) So I think in large measure to counter
|
|
that sense of rootlessness, my brain kinda created this "home town" and
|
|
that's where I spend much of my dreamtime. I know the layout of the
|
|
place, where the stores are, my favorite comics/magazine shop, the same
|
|
house (in which the renovations are *finally* finished to the second
|
|
floor, I'm happy to say, and now they've gone on to doing some landscaping
|
|
and suchlike outside), there are even a couple of theaters in which I see
|
|
movies I *almost* remember the next morning. (I actually wrote down one
|
|
of them in some detail, a Star Trek movie, belive it or not; did the
|
|
whole outline beat for beat from the dream. Not bad. Not good, but not
|
|
bad.) We had a third theater in town, but it got cobbled into a mini-mall
|
|
and it's just too much of a mess.
|
|
|
|
And *nothing* extraordinary happens there. It's pretty much just a
|
|
mirror for what I do in my waking hours. Story problems I'm working on
|
|
during the day, I'm working on "over there" at night, just in a different
|
|
mental place.
|
|
|
|
Back to the show...I have, at times, used early dream images. The
|
|
shot of Londo looking up to seeing huge ships passing overhead in "The
|
|
Coming of Shadows" is a direct dream-steal from years ago.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:44:13 -0400
|
|
Subject: Re: ATTN JMS: Selling your sou
|
|
|
|
There's always been a side-story that could spin off from B5, but the
|
|
main core story is over at the five-year mark.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:44:18 -0400
|
|
Subject: JMS: The Process of Card Makin
|
|
|
|
Re: the Fleer process...I approve the selection of photos, and the
|
|
text, and will approve the final look of the cards as well.
|
|
|
|
The process has been wondefully painless, Fleer has been nothing
|
|
but helpful and cooperative. Not much has been omitted. And as for
|
|
why do them: I figured they'd be cool...and I think they will be.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:44:23 -0400
|
|
Subject: ATTN JMS: Talk Show Help?
|
|
|
|
Frankly, our folks just aren't *asked* much, because the talk shows
|
|
think nobody's interested in B5.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:44:27 -0400
|
|
Subject: ATTN JMS: WoH
|
|
|
|
I am woefully and dreadfully ignorant on virtually ALL anime, WOH
|
|
included.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:44:33 -0400
|
|
Subject: + Attn: JMS - Shadows' Timel
|
|
|
|
All good answers come to those who wait....
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:46:40 -0400
|
|
Subject: Re: Looking for Captain Power
|
|
|
|
I have nothing but good things to say about Angela Lansbury. She is
|
|
probably one of the classiest performers I've worked with, fiercely loyal,
|
|
takes responsibility, wonderfully talented...I think she knew that I was
|
|
flattered and impressed to be working with her, and I kinda suspect she
|
|
thought it was kinda cute, in a dopey kind of way.
|
|
|
|
Our offices were not far from the shooting stages on the Universal
|
|
lot, and most of the time I was stuck behind the keyboard. But when it
|
|
was one of my scripts on the floor, I'd try to get out there once or
|
|
twice, just for a few moments. I'd slip in, watch for a little bit, and
|
|
then vanish again...and one day Angela came out and pulled me in, saying
|
|
that she was intrigued by the way I'd just materialize and vanish again,
|
|
that it was like some magical white horse appearing out of nowhere, and
|
|
then vanishing. She and her husband Peter were both very kind to me.
|
|
|
|
They even put my novel, OtherSyde, on the bookshelf in the set of
|
|
her New York apartment; it can be seen occasionally in some shots.
|
|
|
|
She's tough, but fair.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 06:50:51 -0400
|
|
Subject: Re: B5 writer(s)
|
|
|
|
Putting the characters through pain is never a problem for me.
|
|
That's where all the *interesting* stuff happens. And growth only comes
|
|
through pain and struggle. So it's for their own good, really.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:08:15 -0400
|
|
Subject: JMS - your agent?
|
|
|
|
I generally don't give out my agent's name. That information is
|
|
available to those who know how to find it, and have a reason for finding
|
|
it.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:08:21 -0400
|
|
Subject: Attn. JMS: Novels, comics, etc
|
|
|
|
We've certainly had a substantial number of older actors and
|
|
characters on the show, from June Lockhart to Turhan Bey and Michael
|
|
Ansara and many others. My sense is that with advances in medicine,
|
|
you can be active a LOT longer than is currently considered to be the
|
|
case, so it isn't much of an issue in B5.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:21:04 -0400
|
|
Subject: ATTN JMS: Re: UK Newsgroup gat
|
|
|
|
If it wouldn't be too much of a pain in the ass, if you could just
|
|
forward the reviews of the episodes (first one in each new string), that
|
|
would be more than sufficient, thanks.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:21:23 -0400
|
|
Subject: Chrysalis - Did anyone notice?
|
|
|
|
The security guard's reaction was due to the chain of command solely.
|
|
We don't let our people off that easily, that it was due to being mentally
|
|
influenced.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:37:41 -0400
|
|
Subject: ATTN: JMS! (from Elana) The B5
|
|
|
|
I'm sorry, the number you have just dialed has been disconnected,
|
|
and there is no new number. Please check your number and dial again.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:39:53 -0400
|
|
Subject: B5 Blooper Reel.
|
|
|
|
If we can get the B5 fan club up and running (or when, as it looks
|
|
now), we hope to offer the blooper reel, or a version thereof.
|
|
|
|
jms
|
|
|
|
Date: 15 Jul 1995 22:40:03 -0400
|
|
Subject: JMS: How bad is the #8 spoiler
|
|
|
|
Alas, to tell how bad a spoiler it is, would be to put it into
|
|
context...to put it into context spoils the episode even FURTHER.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:32:59 -0400
|
|
Subject: Re: Attn JMS - writing CGI ?
|
|
|
|
That was kinda the problem; Sinclair didn't really *have* a direct
|
|
or personal connection to the Shadows. I figured it'd be too much to do
|
|
that on top of his direct, personal connection to so much else of the B5
|
|
storyline. I figured he'd get into it by virtue of his involvement with
|
|
so many others touched by it; problem is, very soon that turns you into
|
|
an expositional sounding-board or a problem-solver, with the other person
|
|
at the core of the story. It's one of those things you don't really see
|
|
until you're well into the writing of the story, as with any novel.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:33:05 -0400
|
|
Subject: Re: Attn JMS - writing CGI ?
|
|
|
|
The "They fight; Ron, go nuts" was in "Coming of Shadows," I believe.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:57:54 -0400
|
|
Subject: Attn JMS:Online presence?
|
|
|
|
I think the coming B5 web page will have links with other pre-existing
|
|
web pages, though there will probably have to be understandings and
|
|
the like made before any such site can be even nominally "endorsed" by the
|
|
link. Like a minimum of non-authorized uploaded material (in terms of
|
|
avi files and the like).
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:57:59 -0400
|
|
Subject: Re: Att JMS: Your Thoughts on
|
|
|
|
Jeannette: I saw a great commencement speech today by Tom Brokaw on
|
|
CSPAN...he had a lot to say about the Internet, interestingly enough,
|
|
and a great term for the more offensive among us...the "petty
|
|
dysfunctional."
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:58:03 -0400
|
|
Subject: Re: ATTN: JMS Why all the drea
|
|
|
|
Yeah, I've discussed this here before; sometimes things come up more
|
|
than once around here in answer to questions.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 04:58:07 -0400
|
|
Subject: ATTN JMS: Just a Few Questions
|
|
|
|
All our CGI was being done on Amigas; I think they've now totally
|
|
transitioned to a PC base.
|
|
|
|
Re: my computer...I have two, one at my home office, the other at the
|
|
B5 main stage office. They're both pretty much the same, though: Dell
|
|
Pentium 90s, 32 megs ram, 1 gig drive (office) vs. 2 gig drive (home),
|
|
4x CD Rom, 17" monitor (Nanao vs. Supermatch), 28.8 modem, Imagine 128
|
|
bit video card (office) vs. 64bit #9gxePro (home), Soundblaster 16....
|
|
these systems didn't just arrive, guys with orange vests and cones helped
|
|
them taxi into place.
|
|
|
|
If B5 runs it total five years, I'll most likely retire from TV.
|
|
|
|
None of the other B5 actors are on the Internet that I know of,
|
|
though some do get printouts from folks.
|
|
|
|
Currently, I watch X-Files (though lately it has seemed much in need
|
|
of a good fourth-act every episode), which is about the only genre stuff
|
|
I have time to watch consistently.
|
|
|
|
To the last question, authors I'd recommend: Michael Bishop, Jonathan
|
|
Carroll, Connie Willis, Ed Bryant, any of James Blish's stuff (though he's
|
|
no longer with us)...that's all that comes to mind offhand, but there are
|
|
a bunch more I'll think of the second I get offline.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 06:19:47 -0400
|
|
Subject: JMS: does Sheridan have a thou
|
|
|
|
Joseph Campbell is good if you're looking to analyze something AFTER
|
|
the fact; to do so before the fact, or while you're creating, makes the
|
|
result too by-the-numbers. You have to try NOT to become too aware of the
|
|
myth-process in fiction, or you become like the centipede asked which leg
|
|
goes first.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 06:37:31 -0400
|
|
Subject: JMS: Script ownership
|
|
|
|
This is a grey area. The WGA says that the show owns the characters
|
|
and the situation unique to the show; but the writer owns the physical
|
|
script. The studios say they own it ALL. This will probably never be
|
|
clearly resolved.
|
|
|
|
jms
|
|
|
|
Date: 16 Jul 1995 06:37:38 -0400
|
|
Subject: Attn. JMS: Planning B5 Music
|
|
|
|
We have an Audio Spotting Session. At this, I sit down with John
|
|
Copeland, Chris Franke, George Johnsen, and screen the newly-finished
|
|
episode (it's been edited and on-lined). I call out the time-code for
|
|
the beginning and endings of sections where I want music. E.g, "Okay,
|
|
in at 03:23:15 (three minutes, 23 seconds, 15 frames), out at 04:15:23."
|
|
Sometimes I will have specific ideas on the kind of music ("I think we
|
|
need to go soft here, mainly strings, some brass, but *light*"), other
|
|
times I just leave it to Chris to get what the sense of the scene is. If
|
|
there is a big EFX sequence going on at the same time, as in a battle
|
|
scene, the sound design people (also in the meeting) and I go over the
|
|
scene with Chris, and decide which elements will be carried by sound, and
|
|
which by music, making sure each carves out sufficient space in either the
|
|
high-end or the low-end to accommodate the other.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 04:50:00 -0400
|
|
Subject: Attn JMS: In your copious free
|
|
|
|
Probably the author I'm biggest on in general, with a very few
|
|
lapses, is Jonathan Carroll, a contemporary dark fantasist who does things
|
|
with language I can't figure out for the life of me; the closest thing in
|
|
literature to close-up magic. It's *right there* but you can't see how he
|
|
created that image. Beyond that, alas, I don't have much time for reading
|
|
right now....
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:07:23 -0400
|
|
Subject: ATTN: JMS About the Emmys...
|
|
|
|
What're the odds of B5 getting anything other than a technical Emmy?
|
|
|
|
Oh...about the same odds as B5 ever getting produced, back when I
|
|
came up with it in 1986/7.
|
|
|
|
Didn't stop me then, either.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:09:33 -0400
|
|
Subject: Re: Attn JMS - writing C
|
|
|
|
Oh, there's a scripted CGI sequence from "Twilight" that I think
|
|
you'll like even MORE, Scott....
|
|
|
|
Two, actually.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:09:37 -0400
|
|
Subject: ATTN JMS: More to the music???
|
|
|
|
I work very closely with Chris Franke. As for themes, most of hte
|
|
(the) major characters have their own themes, and there's a B5 theme
|
|
which often gets interpolated in various ways, sometimes in minor chords
|
|
(as in "Signs and Portents"), here and there.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:11:44 -0400
|
|
Subject: Re: ATTN: JMS Why all the drea
|
|
|
|
I think I picked up 1 or 2 books of the "Worlds Collide" series,
|
|
couldn't make heads nor tails of it, and moved on.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:16:46 -0400
|
|
Subject: Big Bang Con Reports, Please?
|
|
|
|
Just heard that, on top of Michael getting stiffed for $5,000 of his
|
|
speaking fee, Mark Hammil's second check for the balance of his fee, a
|
|
remainder of $10,000...bounced. As did the check for his travel
|
|
expenses. As did Walter Koenig's second check (though in his case he was
|
|
lucky in that it happened *before* the convention and he was able to get
|
|
it, at threat of not showing up). These people are amazing.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:16:51 -0400
|
|
Subject: B5 theorys & thoughts
|
|
|
|
"I'd come to the conclusion that we were witnessing the continuing
|
|
battle between good and evil."
|
|
|
|
Half-right. The other half involes *defining* what good and evil
|
|
ARE, and are not.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:16:55 -0400
|
|
Subject: Re: JMS: Script ownership
|
|
|
|
It is conceivable that WB, owning the rights to B5, could take and
|
|
create a sequel of its own, without my participation, except that there
|
|
would have to be payments/arrangements made. I *may* have some clause
|
|
regarding ancillary programs in my contract as far as participation is
|
|
concerned, but not in preventing it from happening in the first place.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:19:02 -0400
|
|
Subject: Re: ATTN JMS: Real Ghostbuster
|
|
|
|
I've written something on the order of maybe 500 published articles;
|
|
far too much for anyone to start going after or organizing.
|
|
|
|
jms
|
|
|
|
(And most of 'em were stupid, in retrospect.)
|
|
|
|
Date: 17 Jul 1995 05:19:06 -0400
|
|
Subject: JMS: Souls & God in B5
|
|
|
|
Be careful in ascribing too much of an author's work to an author's
|
|
personal beliefs. I do not have to believe in Minbari to write about
|
|
them. Ditto for souls, god, or anything else.
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 05:19:10 -0400
|
|
Subject: Attn JMS: How did you develop
|
|
|
|
My main thought on developing Sheridan was to make more of an arc
|
|
to him; Sinclair had already gone on the hero's journey to some
|
|
extent, and where he was was pretty much where he was...in the case of
|
|
Sheridan, I wanted someone who would at first not be up to the challenge
|
|
of what was ahead, and who would grow into that. (Look at Luke
|
|
Skywalker in the first SW movie, then in Jedi; that's the hero's
|
|
journey.)
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 10:20:05 -0400
|
|
Subject: Re: Quickie from jms
|
|
|
|
(first progress on tapes, then:) "What about the laser disks...?"
|
|
|
|
Let me first move this mountain to Mohammed, then we'll worry about
|
|
that one over there....
|
|
|
|
jms
|
|
|
|
Date: 17 Jul 1995 10:20:20 -0400
|
|
Subject: Re: Quickie from jms
|
|
|
|
Some smaller sets, called "swing sets," do get dismantled at various
|
|
times, including hiatuses (hiatusi?). This is called a "fold-and-hold."
|
|
The bigger sets stay up at all times. They only came down once, briefly,
|
|
after the pilot, because we changed facilities.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:26:41 -0400
|
|
Subject: 2 Questions for JMS (or anyone
|
|
|
|
We're still negotiating/discussing tapes; definately would like to
|
|
get more into what future-music might sound like.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:27:18 -0400
|
|
Subject: ATTN: JMS - Congrats on Progre
|
|
|
|
Thanks. We keep trying, every season, to make it better than the
|
|
one before....
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:27:14 -0400
|
|
Subject: JMS at San Diego Comic-con
|
|
|
|
It'll be that Saturday from 11 a.m. to 1 p.m.
|
|
|
|
Be there.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:31:28 -0400
|
|
Subject: Re: Joe and the Forces of Mark
|
|
|
|
Y'know, I really wish I could agree, and say yeah to the "correct
|
|
spelling of integrity is straczynski" notion, but the god's honest truth
|
|
of it is..."the correct spelling for pain-in-the-ass is straczynski."
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:31:35 -0400
|
|
Subject: ATTN JMS: Naming Babylon
|
|
|
|
Not bad, not bad....
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:33:44 -0400
|
|
Subject: JMS: CGI cover for comic #9?
|
|
|
|
Yes, Ron did a CGI cover, though I've only seen a B&W repro, and
|
|
can't vouch for it in detail.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:33:53 -0400
|
|
Subject: STAR TREK/BABYLON 5 ratings?
|
|
|
|
Lately, our overnights have been slightly better than Voyager's,
|
|
interestingly enough.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:52:17 -0400
|
|
Subject: JMS: Dumb Trivia Query re: Mur
|
|
|
|
No idea on the Bill Mumy question. Re: M,SW...yes, I believe that
|
|
Cabot Cove was fairly close to Portland.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:54:28 -0400
|
|
Subject: ATTN JMS: CHICAGO COMICON QUES
|
|
|
|
Individuals paid anywhere from $600-$900 in the auction, designed to
|
|
help make up the shortfall when Big Bang stiffed Michael to the tune of
|
|
$5,000. The total from the auction raised $3,800, to which I added
|
|
$1,200. This does not, in my mind, defer CMC's responsibility to make
|
|
good on the balance of his payment; my hope is that it would show what the
|
|
fan community is REALLY made of, and to shame CMC into doing the right
|
|
thing. So far, from CMC...dead silence.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:54:34 -0400
|
|
Subject: TV guide B5 art.out
|
|
|
|
Here's how my karma works, though...we *finally* get a good article
|
|
on B5 in TV Guide. That kind of press has a brief, week-long effect on
|
|
raising ratings in many cases. So I learn that in quite a few markets,
|
|
including LA, B5 is pre-empted next week, so it's a wash.
|
|
|
|
I must've *really* pissed somebody off in a prior life.
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 07:54:39 -0400
|
|
Subject: Re: B5 writer(s)
|
|
|
|
Re: your (Vinay's) experiences lately with doctors and x-rays, here's
|
|
one I don't know if I've mentioned or not before.
|
|
|
|
About, oh, a year ago, I went in for my usual checkup, and my doctor
|
|
took a chest x-ray (I was kinda stressed, and he wanted to take a look).
|
|
So the x-ray comes in, and he says, "You have a shadow across your
|
|
heart."
|
|
|
|
"What the hell does THAT mean?" I asked.
|
|
|
|
"I don't know," he said, "I've never seen anything quite like it. I
|
|
can't tell if it's an enlarged vessel casting a shadow, or some unusual
|
|
muscle tissue, or what. So I took it downstairs to a cardiologist and
|
|
asked for his opinion."
|
|
|
|
"So what'd he say?"
|
|
|
|
"He said, "The guy's got a shadow across his heart."
|
|
|
|
There've been several x-rays since, no change, nothing ominous,
|
|
except they can't quite figure it out.
|
|
|
|
Ah, modern medicine....
|
|
|
|
jms
|
|
|
|
Date: 18 Jul 1995 08:03:40 -0400
|
|
Subject: ATTN JMS: Happy Birthday, Joe!
|
|
|
|
That was *just* good enough that I'll probably let you live.
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 03:36:13 -0400
|
|
Subject: Re: Attn JMS - writing CGI ?
|
|
|
|
No, there was never a one-to-one correspondence between Sinclair and
|
|
Sheridan. Catherine Sakai would never have developed the shadow link.
|
|
Bear in mind, if it's a straight transposition from A to B, then there's
|
|
no NEED for B. The whole idea was to bring in someone who could be put
|
|
into situations Sinclair couldn't without straining credulity.
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 03:36:20 -0400
|
|
Subject: ATTN JMS: Questions from book
|
|
|
|
The starfuries drop for the same reason a bucket flies away from
|
|
you when you're swinging it and let go; the rotation causes the pressure
|
|
of gravity, which pushes the fighters out the bays. Very simple, and
|
|
factually based.
|
|
|
|
The scan of Ivanova in the book was a bit more than I'd wanted, but
|
|
that one bit slipped by me.
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 03:48:49 -0400
|
|
Subject: JMS: animals on b5
|
|
|
|
Haven't really gotten into this question on the show; probably should.
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 03:48:59 -0400
|
|
Subject: ATTN JMS: opening narration
|
|
|
|
Laurel was transferred; the narration was always intended to change
|
|
between characters each season.
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 17:00:16 -0400
|
|
Subject: Curious about JMS thoughts
|
|
|
|
I think I generally get a good sense of fan thoughts here without
|
|
having to poke the bear to excess....
|
|
|
|
jms
|
|
|
|
Date: 19 Jul 1995 17:00:30 -0400
|
|
Subject: ATTN: JMS What's it like befo
|
|
|
|
It's really kind of hard to explain; it's a mix of many things, some
|
|
tension (everything has to be ready to go on July 31st, no delays, no
|
|
revisions, no backsies); it's a bit like going back to school after a long
|
|
summer break (less so for me, since my "summer break" is filled with
|
|
the summer school of writing scripts)....
|
|
|
|
A dead stage is a dark, depressing thing. No actors, no sound, just
|
|
H8xX[Jedifices standing and waiting for someone to give them life. Now, slowly,
|
|
you have carpenters appearing, set dressers appearing, lighting crews
|
|
appearing, and there's sound, hammers banging and cranes lifting and drills
|
|
whirring...people walking from set to set discussing revisions,
|
|
improvements...the previously empty halls are populated by runners, PAs,
|
|
directors, staff, crew...it's like this huge engine slowly beginning to
|
|
turn, and every day you hear the turbine whine growing just a little
|
|
louder until you know the sucker's about ready to take off.
|
|
|
|
So there's a LOT to do; but overall it's a very good time. As of
|
|
now, five scripts have been published in-house and in WB, and everyone is
|
|
nuts about them; the set improvements are great; the actors are excited,
|
|
and everyone's ready to kick butt. It's cool.
|
|
|
|
jms
|
|
|
|
Date: 20 Jul 1995 02:52:32 -0400
|
|
Subject: ATTN JMS: Your dream....
|
|
|
|
"You seem to accept the concept of dream predictions."
|
|
|
|
Nope. Dreams are ways of working out elements of one's day, problem
|
|
solving, self-analysis and escape. I don't believe they can predict much
|
|
of anything. I used it because it was a very striking image, and the
|
|
subconscious can come up with stuff that resonates. And yes, the image
|
|
long predates B5.
|
|
|
|
jms
|
|
|
|
Date: 20 Jul 1995 03:25:41 -0400
|
|
Subject: ATTN JMS: Ambassadors
|
|
|
|
Londo: nobody else wanted the job, it was considered low-priority.
|
|
Delenn: it was the calling of her heart. G'Kar: a good career move to
|
|
ally new forces, and he was an up-and-comer. Kosh: is.
|
|
|
|
jms
|
|
|
|
Date: 20 Jul 1995 04:01:11 -0400
|
|
Subject: ATTN jms : Some questions...
|
|
|
|
The eagle is a traditional Russian eagle/symbol, commonly used in
|
|
Russian heraldry. Draal is, indeed, the minbari who took custody of
|
|
Epsilon 3. We stomped the noisy cricket.
|
|
|
|
jms
|
|
|
|
Date: 20 Jul 1995 04:06:48 -0400
|
|
Subject: ATTN JMS: The comic book again
|
|
|
|
Last I heard, we're still on for 24 issues.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 04:29:13 -0400
|
|
Subject: Re: Why is Ford in rastb5?
|
|
|
|
There are any number of simple reasons why Ford is on the nets.
|
|
He is here because he is a petty, vicious, vindictive person who takes
|
|
personal joy in assaulting his "victims" as he puts it on AOL. You want
|
|
to see the true face of FT? Go over to the Neutral Zone in the Star Trek
|
|
main area on AOL. He uses that phrase to describe those he disagrees
|
|
with.
|
|
|
|
He's here because he likes the attention, because if he can make you
|
|
angry, it somehow validates his existence, makes him feel important, gives
|
|
him a sick thrill. It is the same mentality witnessed in the juvenile
|
|
who throws a stink bomb into the girls locker room to watch them scurry
|
|
and get mad.
|
|
|
|
He's here because he's offended by the very notion that the opinion
|
|
of ANYone else should be considered in any way more valuable, informed or
|
|
popular than his own. If a question is asked of me, he's upset and stamps
|
|
his little foot...why should I be asked for an opinion if HE wasn't? My
|
|
opinion *can't* matter any more than his, the very notion is abhorrent to
|
|
him. He is that sort of creature noted by Kurt Vonnegutt in "Welcome to
|
|
the Monkey House," who if he cannot see well, insists that others be
|
|
blinkered; if he cannot run quickly, others must be hobbled. There is
|
|
just room enough in Ford's universe for Ford; anything else must be
|
|
attacked, dismissed, ridiculed, abused.
|
|
|
|
He's here because he's a net-stalker after someone with notoriety,
|
|
no different than the kind of person who follows around celebrities and
|
|
leaves harrassing notes, and when he doesn't like what they say, snarls
|
|
and accuses them of one thing or another. He is here because he's a
|
|
bigot, stating that because of someone's job description -- producer or
|
|
writer -- that person is, de facto, a liar, untrustworthy. A socio
|
|
economic racist. If he were to say such things about jews, or african
|
|
americans, as a class, he would be instantly seen for what he is, but he
|
|
can hide his bigotry behind the notion of accepted cliche.
|
|
|
|
He's here because he feels he has a *right* to be here, to say
|
|
anything he wants, and anybody who says otherwise, who squeaks any kind
|
|
of protest, is attacking his freedom, is a kneejerk worshipper of
|
|
the object of his hateful obsession...but who has no compunction
|
|
against sending faxes of my messages to Warner Bros., as he has done, to
|
|
try and force them to force me off the nets and shut off MY opinion.
|
|
Because the universe should rightly favor the opinion of Ford and nobody
|
|
else.
|
|
|
|
He's here because he can enjoy the privilege of striking from
|
|
the shadows, of making statements without the least factual proof behind
|
|
them, vanishing when convenient and lashing out when convenient, all from
|
|
the warm recesses of blessed anonymity, because nobody here monitors his
|
|
activities, his words, his job, his off-line truthfulness.
|
|
|
|
He makes pretense of being open-minded and fair...but again, those
|
|
on AOL, just go check out the messages referenced above to see his true
|
|
face. He posts ratings when they show B5 not in the top 20, because
|
|
it's rerun time, and carefully omits noting that B5's overnights are now
|
|
higher than Voyager's (1.7 from Voyager to 2.9 for B5, both in reruns),
|
|
because he has staked his opinion on the often-repeated assertion that
|
|
ratings = quality, and the universe of Ford cannot allow, cannout
|
|
countenance, the notion that B5 might be rating higher than Voyager.
|
|
Hence the telling omission.
|
|
|
|
He does not sow, neither does he reap. He exists here only to be
|
|
difficult, to insult, to enrage, to inflame and excorciate and belittle
|
|
because it makes him feel like a big man, makes him feel like he's done
|
|
something with his life...he *enjoys* it when the folks here get mad. He
|
|
gets off on it. The worst thing you can do is get upset because that's
|
|
what he likes. You're doing *exactly* what he wants you to do.
|
|
|
|
The only thing to do with him is to simply ignore him, and do not
|
|
respond directly. I do not read his messages, I only sometimes run into
|
|
bounce-backs in a quoted message from somebody else. Because he is, in
|
|
the end, a sad and pitiable figure, our resident Gollum who bites and
|
|
snaps because he can do no other, because he sees in the world at large
|
|
only a reflection of himself...it fills his world, and reinforces what he
|
|
believes the world to be.
|
|
|
|
If I were to ask *anything* of this group, and I've rarely asked
|
|
much of anything...it'd be to simply ignore him. Don't respond, because
|
|
no matter what you say, however logical or reasoned your argument, it
|
|
will be twisted and turned and distorted, returned with insult and
|
|
derision, regardless of your statement's merit. If you know that going
|
|
in, then it becomes clear that there's no point, really, in writing or
|
|
saying anything to him, because you know what the response will be
|
|
even before you write it. Just leave him be. If he consistently fails
|
|
to find the sustence his obsession demands, he will soon enough leave to
|
|
lick his wounds elsewhere, and complain about the mean people who
|
|
refused out of spite to validate his existence and his opinions by virtue
|
|
of response. He is that kind of person who must verify his existence by
|
|
the echo produced by his shoutings. Do not be that echo.
|
|
|
|
(And perhaps this should be reposted when next he comes round, if
|
|
anyone cares to archive it; I frankly can think of nothing else to say
|
|
to or about him or his ilk. If I say anything, it's "Why should HIS
|
|
opinion matter?" If someone else says anything, it's "Why are you talking
|
|
on his behalf?" No win. So maybe keeping this around, and pointing to
|
|
his more obvious tricks, will help keep this a tidier and more pleasant
|
|
place to hang out.)
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 04:31:25 -0400
|
|
Subject: B5's emmy nominations
|
|
|
|
Three Emmy nominations is great, from where we sit; we got one on
|
|
the pilot movie (and won), two on the first season (won another), and
|
|
now three on the second season...and there are several vital categories
|
|
we haven't heard from yet, which won't be decided for another couple or
|
|
three weeks: directing, sound editing, music and visual EFX, and we have
|
|
hopes of nailing at least one more in that group.
|
|
|
|
It's sobering when you stop to realize that of all the shows on
|
|
network and syndication, only *eleven* dramatic series were chosen for
|
|
nomination in various categories...with B5 earning as many nomations, or
|
|
in some cases more than, Lois And Clark, Murphy Brown, Murder She Wrote,
|
|
The Tonight Show, DS9 (with 2), the Simpsons and many others.
|
|
|
|
Actors *always* get overlooked in genre shows, that's unfortunately
|
|
the nature of the beast. So that aside, we're nothing but pleased.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 04:37:38 -0400
|
|
Subject: ATTN: BABYLON 5 EMMY NOMINATIO
|
|
|
|
Which reminds me...I wanted to note that just about everyone
|
|
involved with B5 is *ecstatic* over X-File's nomination as best series.
|
|
It's a terrific show, and deserves the nod. It's also maybe only the
|
|
second or so time a genre/nominally SF show has gotten that nomination,
|
|
and that bodes nothing but good for the SF-TV business.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 04:55:18 -0400
|
|
Subject: Attn JMS: Your thoughts on TV
|
|
|
|
The lead paragraph notwithstanding...I'm quite pleased by the TV
|
|
Guide article, all things considered. There are a few things one can
|
|
nitpick, but the overall tenor and tone is very complimentary, and after
|
|
all the hassles with Jarvis (now gone, I hear), I think we have a chance
|
|
to get a leg up on next season and some decent PR.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:06:12 -0400
|
|
Subject: JMS: Evidence and *witnesses*?
|
|
|
|
Certainly a lot of people would like to get to the Vorlon homeworld
|
|
sometime and look around....
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:06:20 -0400
|
|
Subject: Adventures of Petey and Joey a
|
|
|
|
I was kind of aghast when I saw that Peter had printed what happened
|
|
in the dealer's room at ComicCon, when I helped tackle and bring down a
|
|
shoplifter, holding him for the cops for about ten minutes while he was
|
|
hoping to get away. I found out about it when I went into my local comics
|
|
store and the owner came over and said he felt a lot safer seeing me
|
|
there...and I wondered what the hell he was saying, he was obviously
|
|
kidding on the square...then I found out. Ah, well....
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:20:42 -0400
|
|
Subject: ATTN JMS -- Comic #8 Design yo
|
|
|
|
I didn't get too much into that one shot in the comic; it seemed
|
|
reasonable under the circumstances. The one panel where I *did* get
|
|
screwed was saying, "Hey, look, this here episode's going to air just
|
|
before the book comes out, so why don't we REALLY tie the book and the
|
|
show together by inserting this one panel I came up with here...."
|
|
|
|
Sometimes I outsmart myself.....
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:20:49 -0400
|
|
Subject: ATTN JMS: Full or part time o
|
|
|
|
It really depends on the breaks. Sometimes a regular cast member
|
|
can be there every day; sometimes they get a day or two off here and there
|
|
within the course of an episode.
|
|
|
|
Guest actors are booked by days needed, or if it's a major part, then
|
|
a full-week deal is made.
|
|
|
|
What most folks probably don't know is that when you shoot an episode
|
|
you first begin by doing a production board, and what scenes are shot in
|
|
which order is determined by *where the scenes take place.*
|
|
|
|
For instance: we have 3 stages. So in the morning, we'll shoot all
|
|
the scenes that take place in medlab. If that takes all day, then that's
|
|
how long we're there. Once we finish, if it's say around lunchtime, we'll
|
|
generally try and stay in the same stage to minimize the hassles of going
|
|
from stage A to C, because then you've got to re-rig and set up and that
|
|
kills time. Sometimes you'll change stages if you've got Actor B only for
|
|
3 days under contract, and you have to adjust.
|
|
|
|
We take it as a matter of pride that in 44 episodes, we've had only
|
|
about 8 days of overtime on a shoot, and never once have we done a forced
|
|
call on an actor.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:49:57 -0400
|
|
Subject: JMS: The Child is Father to Th
|
|
|
|
I've just written...oh...about 20 messages in the last hour, from
|
|
questions here...none of them stopped me. This one did. I guess I
|
|
didn't see it coming. Some personal stuff I don't generally get into on
|
|
the nets. I'll sometimes talk about it at conventions, but I try not to
|
|
drag it in here. But since it's come up, I guess I can handle the
|
|
answer.
|
|
|
|
No, I didn't have a particularly great upbringing. I grew up within
|
|
an abusive, alcoholic, wife-beating environment. We moved every six
|
|
months or every year, trying to stay one step ahead of creditors, used the
|
|
last name "Stark" when Straczynski was too "hot." I really didn't
|
|
understand the situation much; I figured every family was like this. I
|
|
didn't begin to really get a sense of how crummy it was until I began to
|
|
see how other families *did* have normal lives.
|
|
|
|
My feeling about it overall is...don't whine or whinge about it,
|
|
deal with it and move on. Too many people use crummy childhoods to
|
|
explain away crummy behavior in the present. That doesn't wash with me.
|
|
Does that "emotional baggage" still "haunt" me, to use your terms? No,
|
|
not really. Am I still pissed about some of it? Hell yes. Why not?
|
|
|
|
There's a line in a Billy Joel song..."You still have a rage inside
|
|
you / That you carry with a certain pride / It's the only part / Of a
|
|
broken heart / You could ever save." That's kinda it, but not quite so
|
|
maudlin or self-indulgent. Anybody who had a perfect, blemish-free
|
|
youth and adolescence raise your hand....
|
|
|
|
That's what I figured. So we deal with it.
|
|
|
|
(Great joke...when Jesus intervened in the stoning of a woman and
|
|
said, "Let you who are without sin cast the first stone," and suddenly a
|
|
rock comes flying into frame, and he says, "Mommmmmmmm!")
|
|
|
|
I do tend to use some of it in my work, because it grounds me in
|
|
reality, and the reality of *the scene*. I used a lot of it in an
|
|
episode I wrote for TWILIGHT ZONE, "Acts of Terror," about a wife
|
|
beater...which ended up being used (and is still used) at some shelters
|
|
for battered women in counseling centers, about how to find your own
|
|
power and authority. But that's what a writer does; I've used bits and
|
|
pieces of my life all over the show, including the scene between Sinclair
|
|
and Catherine Sakai when they get back together for the first time, which
|
|
is almost verbatim from stuff I've gone through.
|
|
|
|
If there's anything that has stayed with me, it's manifested itself
|
|
in a fierce loyalty to friends, because when you move every 6-12 months,
|
|
you don't get much chance to find them. I grew up in the streets of Newark
|
|
and less terrific places, and you learn a little something about sticking
|
|
together when you grow up in the streets. Anytime somebody wants to take
|
|
on a friend, they have to go through me first. Hurt me and I'll hurt you
|
|
back in equal proportion; hurt a *friend* and I'll tear your fucking head
|
|
off. And then I'll get nasty.
|
|
|
|
Is that a particularly salutory trait? No, not really. It sounds
|
|
good on paper, but it puts me into constant trouble. I've tried to
|
|
moderate that a little...but how do you moderate loyalty? When the phone
|
|
rings at 3 a.m. and it's someone you know in pain or in trouble or in
|
|
jail...how do you quantify and decide *this* time you'll go but *next*
|
|
time you won't?
|
|
|
|
So yeah, I've had a tough ride. I sacrificed a lot to get here; I
|
|
have zero social life, except for my pal Harlan. I haven't been to a
|
|
party in something like two years; don't get out to see movies but maybe
|
|
4-6 times a year; when I was breaking in, I had to choose often between
|
|
food and writing supplies...and always chose the latter, and if you look
|
|
in one of the back issues of WD, you'll see a picture of me from taht
|
|
period, at 6'5" weighing about 150-160 pounds. But that was my *choice*.
|
|
We all gotta do what we gotta do; I decided that I'd either make it as a
|
|
writer, or I wouldn't make it at *all*.
|
|
|
|
Because sometimes, kiddo, that's what it takes.
|
|
|
|
But with all of that...the present-tense reality is that I'm pretty
|
|
reasonably content. I'm doing the only thing in the world I'm the least
|
|
goddamned good at, and people are actually *paying* me to do that which
|
|
I'd have to do for free otherwise, because I can do no other. I have a
|
|
nice house, and I work on a show I enjoy, I write what I want...so I'm not
|
|
angry all the time, as I was once before. Most days I figure that's a
|
|
good thing; other times, I worry if it's taken the edge off the work. But
|
|
in the interim consideration...I'm content.
|
|
|
|
As for pursuing a Psychology degree...wasn't out of any particular
|
|
desire to understand myself. Hell, at that time, I hardly even wanted to
|
|
associate with myself, much less understand myself. No, I just went in
|
|
with the assumption that you should never major in writing if you really
|
|
want to BE a writer...learn other stuff, read other books, see other kinds
|
|
of lives...become a generalist, so you can apply a little bit of everything
|
|
to the work. That seemed most conducive to being a generalist.
|
|
|
|
Until Skinner came along and suddenly math was involved.
|
|
|
|
But that's another story for another time....
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:50:06 -0400
|
|
Subject: JMS, JV, et al.: Writing
|
|
|
|
The two keys in creating characters for TV are: allies and enemies,
|
|
you create people who you know will come into conflict with one another,
|
|
because conflict is a huge part of drama, not the whole of it, but a
|
|
necessary ingredient. So you also build some who can be sympathetic, or
|
|
funny by turns, but you don't want to minimize or throw away a character,
|
|
you add a layer of depth to it to give meat to the humor when used.
|
|
|
|
It's kind of like planning a military campaign, really.
|
|
|
|
The world and the characters of B5 kind of came together at the
|
|
same time, one feeding off another until they took on a life of their
|
|
own. And building both was a joy.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:50:12 -0400
|
|
Subject: Re: ATTN: JMS What's it like
|
|
|
|
The tracking of people, notifying and confirming hirings is the job
|
|
jointly of the Unit Production Manager (Kevin Cremin last season, Skip
|
|
Beaudine this season), and the Line Producer (John Copeland). When we
|
|
gear up, everyone is checked on availabilities, and if there's nay
|
|
(any) problem, they have plenty of time to adjust. Usually there are
|
|
lots of folks in that department who can give recommendations, and there
|
|
is quite a list of folks who want to work with us.
|
|
|
|
When there *is* a major change in crew or staff, Doug and I are
|
|
brought into it, to confirm and ratify. If it were a really big change,
|
|
as in a cinematographer, then WB would get into the approvals process.
|
|
|
|
jms
|
|
|
|
Date: 21 Jul 1995 05:50:17 -0400
|
|
Subject: Attn JMS: non-television B5 be
|
|
|
|
Ask me again in 3 years; I'll probably have a good answer then.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 01:49:55 -0400
|
|
Subject: Re: JMS: The Child is Father t
|
|
|
|
No, I don't really think trauma is a requirement for artistry; I
|
|
know a number of writers who had nearly idyllic backgrounds.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:21:01 -0400
|
|
Subject: JMS:Openning music
|
|
|
|
Chris: the point you make is exactly right. The music for each
|
|
season is designed to reflect the progression of that season; some feel
|
|
they don't like season two as much as one, because it doesn't summon up
|
|
the same feelings. But that's the intent; it's not supposed to summon
|
|
up the same emotions. It's kind of the equivilant of creating a
|
|
different cover for every new installment of a series of connected
|
|
novels.
|
|
|
|
What do I have in mind for season three? What I indicated to Chris
|
|
Franke was to look at a piece of music he did in "The Long, Twilight
|
|
Struggle" and interpolate some elements of that into the main theme, with
|
|
a very hard sound. The piece in question is about the middle of the
|
|
first really...um...busy scene after the act break.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:25:05 -0400
|
|
Subject: Attn:JMS:Emmys in Promos?
|
|
|
|
We do hope the noms are used in promos, yes.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:25:08 -0400
|
|
Subject: Eastern Washington - B5 Is Bac
|
|
|
|
Are you *sure* they're not going to show the final 4? Last I heard,
|
|
all the stations were going to show them. Could this be a mis-heard
|
|
bit of info about the delay to October?
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:37:16 -0400
|
|
Subject: ATTN: JMS Questions on Ghostbu
|
|
|
|
"Ulysses" is probably the most moving of Tennyson's work, for my
|
|
money. It speaks to something profoundly entrenched in the human
|
|
spirit. It's something I try to put in front of people at any
|
|
opportunity.
|
|
|
|
As for Janine...the change bothered the hell out of me, to go from
|
|
a strong, smart, fashion-aware (in a weird way), independent woman...to
|
|
a mommy-character. And, in time, they kinda realized that I was right,
|
|
and the consultants were wrong...mainly when the mailbags filled with
|
|
angry letters from mothers and young girls raising ten kinds of hell.
|
|
|
|
But by then they didn't have any solution except just change her
|
|
without explanation *again*...which is when I chimed in and said, "I
|
|
can fix this. But you've got to let me do this MY way." They did, and
|
|
it was done.
|
|
|
|
I was somewhat disappointed by Ghostbusters II. It took an awful
|
|
long time to get going, and then just fell back on much of what it had
|
|
done in the first movie. It made the producers nuts when they got
|
|
audience responses from lots of people saying that they like the TV
|
|
series better than the movie, and that the movie was "just for kids."
|
|
|
|
One of my favorite moments from that was writing an episode called
|
|
"Take Two," in which Hollywood producers come to the guys and say they
|
|
want to make a movie about the team...so they go to LA, have a little
|
|
adventure...and the episode ends with actual footage from the first
|
|
movie...with the result that millions of kids were convinced, totally
|
|
conVINced, that the series *preceded* the first movie.
|
|
|
|
It was one of the more wonderfully sick things I've done.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:37:18 -0400
|
|
Subject: Re: Why is Ford in rastb5?
|
|
|
|
John: I don't think FT cares about winning the argument at all;
|
|
it's just pissing in other people's tea that gets him off. And yes, he
|
|
has as much *right* to be here as anyone; that wasn't my point, so much
|
|
as pointing out the contradiction between his feeling that he should be
|
|
here, and his actions to get me off because I don't have that same
|
|
right. The operative term is hypocrisy.
|
|
|
|
jms
|
|
|
|
Date: 22 Jul 1995 02:20:58 -0400
|
|
Subject: BABYLON FIVE BEEF!
|
|
|
|
This was one of the problems created early on by reporters looking to
|
|
create a feud. What I *said* was, "We hope to kick Star Trek's butt, by
|
|
providing some real competition, and they can kick ours, and in this
|
|
process of each trying to out do the other, the ultimate beneficiary is
|
|
the audience." It's the same point I've made here again and again.
|
|
|
|
It's amazing what can happen to a quote when you leave off part of
|
|
it.
|
|
|
|
jms
|
|
|
|
Date: 23 Jul 1995 01:54:15 -0400
|
|
Subject: Re: JMS, JV, et al.: Writing
|
|
|
|
Yes, you're correct, the alignments in B5 vary depending on whose
|
|
agenda is in force at that moment; and they change with time. But in
|
|
general you always need conflict, especially in TV, and to varying degrees
|
|
in other works. It's the seed from which drama emanates. When I was on
|
|
Murder, She Wrote, you couldn't just have Jessica go to somebody and get
|
|
the information easily. There had to be some conflict involved, there had
|
|
to be *work* to pry it loose. Otherwise it just falls flat.
|
|
|
|
jms
|
|
|
|
Date: 23 Jul 1995 01:56:34 -0400
|
|
Subject: Re: ATTN JMS: Full or part ti
|
|
|
|
Recurring actors can be dealt with in any number of ways; if it's
|
|
a person who appears in, say, 8 episodes, we make a deal for that number
|
|
in general, and have first call on them when needed; if it's a part that
|
|
occurs maybe 2-3 times in a season, you can't make that deal, but in our
|
|
case, I tend to know which episodes a character will appear in long before
|
|
the scripts or outlines are ever written, so we make a deal for those
|
|
specific dates.
|
|
|
|
jms
|
|
|
|
Date: 23 Jul 1995 01:56:43 -0400
|
|
Subject: Attn JMS - The ship that got S
|
|
|
|
No, the ship at Sigma 957 was definitely NOT a shadow vessel.
|
|
|
|
jms
|
|
|
|
Date: 23 Jul 1995 11:35:13 -0400
|
|
Subject: ATTN JMS: Episode title questi
|
|
|
|
"The Geometry of Shadows" seemed to me a good metaphor for the
|
|
technomages; a mix of science with something dark and mysterious. How do
|
|
you work out the geometry of something that in one sense doesn't really
|
|
exist, but is a projection of something else that DOES exist? That
|
|
seemed to me as good a notion of technomagic as anything else.
|
|
|
|
jms
|
|
|
|
Date: 23 Jul 1995 11:38:21 -0400
|
|
Subject: Attn JMS: Speaking in Parables
|
|
|
|
I think that, by all rights, anybody should be able to "get" each
|
|
episode. The only thing that varies is their degree of..er...getness.
|
|
|
|
Getnosity?
|
|
|
|
Whatever.
|
|
|
|
The stucture is fairly straightforward: the primary story in any
|
|
given episode is relatively self-contained and self-explanatory. You can
|
|
see that one episode, and no others, and be able to follow it. If you
|
|
CANNOT do this, then the episode has failed. The key, as I've noted from
|
|
the start, is that the MORE you see, or know, the MORE you can get out of
|
|
any episode.
|
|
|
|
The impact of Talia's situation should be the same whether you saw
|
|
the comic or not. (And, remember, the idea was that the comic would come
|
|
out AFTER the remaining year 2 episodes, as a nice little frisson, not as
|
|
required data.)
|
|
|
|
I continue to get email and snail mail from people who are still just
|
|
now finding the show...and they watch one episode, and that's fine, then
|
|
they watch a couple/three more, and THEN they realize that there's an
|
|
overall arc, that this is a bigger story than first appears. For those
|
|
who dig out every last detail, it's hard to imagine following the shw
|
|
(show) minus all this...but it's absolutely possible, and happens
|
|
consistently. It's your *perception* that has altered by virtue of now
|
|
knowing what more is there. If you don't know the rest, you can still
|
|
enjoy pretty much everything there on its most basic level, as an action
|
|
or character story.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 00:06:25 -0400
|
|
Subject: Even Quicker Notes from jms
|
|
|
|
Last reminder: next Saturday is San Diego Comic Con, 11 a.m. to 1 p.m.
|
|
and if you're in the area, you may want to drop by for the B5 presentation
|
|
scheduled for that time.
|
|
|
|
A company is in the process of licensing a slick, full-color B5
|
|
magazine; looks pretty good. More as this develops.
|
|
|
|
For those into this sort of thing...the literary SF review,
|
|
FOUNDATION, published out of England, is doing a whole issue on media SF,
|
|
with particular attention to B5. I've turned in what they say will be the
|
|
ceterpiece of the issue, a 28 page, 7600 word article titled "Approaching
|
|
Babylon." Although it contains a few things mentioned on the nets, about
|
|
90% of is it new stuff, background info, personal observations and the
|
|
like.
|
|
|
|
Finally, one week from tomorrow, we start filming on year three, with
|
|
episode #301, "Matters of Honor," which also introduces a new recurring
|
|
character named Marcus.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 02:52:03 -0400
|
|
Subject: Attention JMS Re: increasing
|
|
|
|
There is generally an increase in action when large groups of
|
|
populations go to war....
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 02:52:26 -0400
|
|
Subject: ATTN JMS - Long Twilight Strug
|
|
|
|
As noted here a while back, yes, the title derives from Kennedy's
|
|
speech.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 02:52:13 -0400
|
|
Subject: Re: JMS: Passing Through Geths
|
|
|
|
Before one judges the relevance or applicability of a given title to
|
|
a given episode, it might be wise if one first SEES the episode, don't
|
|
you think...?
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 02:52:40 -0400
|
|
Subject: JMS - Actors?
|
|
|
|
If I had an unlimited budget...Sean Connery, Peter O'Toole, Jerry
|
|
Lewis, Arnold Schwarzeneggar and Sigourney Weaver.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 03:10:57 -0400
|
|
Subject: ATTN JMS: Re Babylon quiz
|
|
|
|
I can't really get involved with the quiz on any level.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 03:48:58 -0400
|
|
Subject: ATTN JMS: Scripting
|
|
|
|
Eventually we may sell scripts of the show; we'll see.
|
|
|
|
Re: fourth acts...they're difficult to pull off on the best of days,
|
|
because you've got to pull together a lot of stuff in a very short amount
|
|
of time, and make everything make sense. And sometimes, in the last season
|
|
or thereabouts, I kinda got the feeling that some of the X-Files eps I saw
|
|
somewhat fell apart in the fourth act, where it didn't come together, or
|
|
things happened too conveniently, or what it WAS was less interesting than
|
|
it was SUPPOSED to be. It happens.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 03:49:25 -0400
|
|
Subject: JMS: A comment
|
|
|
|
Thanks; I've tentatively decided to keep the beard, I think it's okay.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 03:49:14 -0400
|
|
Subject: ATTN JMS: Patrick McGoohan on
|
|
|
|
Nothing would make me happier than to someday use Patrick in an ep.
|
|
|
|
Well, maybe 10 million dollars in small bills....
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 17:27:08 -0400
|
|
Subject: ATTN JMS: Cap. Power writing
|
|
|
|
No, I pointedly had zip to do with anything concerning CP
|
|
merchandising.
|
|
|
|
jms
|
|
|
|
Date: 24 Jul 1995 21:44:18 -0400
|
|
Subject: ATTN JMS: Any clues to Final F
|
|
|
|
Yeah, several of the elements you raise will be dealt with in the
|
|
final four.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 01:08:31 -0400
|
|
Subject: ATTN JMS: Sinclair Focus?
|
|
|
|
Delenn is not Sinclair's "romantic consort," to use the phrase you
|
|
invoke. There was a closeness between them, and a relationship there,
|
|
but not romantic. Several of your questions are based on assumptions
|
|
that are not necessarily correct.
|
|
|
|
A goodly portion of the Sinclair/Minbar thread will be dealt with
|
|
this coming season.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 11:28:11 -0400
|
|
Subject: ATTN JMS: Dreams (again)
|
|
|
|
There's a difference between what I believe dreams mean, what the
|
|
Centauri believe dreams mean, and what dreams mean to the Centauri, in
|
|
that universe, and what they mean to me in our universe.
|
|
|
|
I suspect the truth lay somewhere between Shroedinger and Jung.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 12:19:10 -0400
|
|
Subject: Attn JMS: Episodes away from B
|
|
|
|
We do plan to continue our practice of getting more ambitious each
|
|
season; we saw virtually none of the homeworlds in year one; in year two
|
|
we began to see more of Narn, and Centauri Prime, with some locations in
|
|
the latter. We will continue to expand in each following year; in year
|
|
three, we plan to show Minbar, more of Centauri Prime, the Narn
|
|
homeworld, Earth and *maybe* the Vorlon homeworld, if I can figure out how
|
|
to do it at this stage without totally imploding the show.
|
|
|
|
jms
|
|
|
|
(Oh, yeah, and Z'ha'dum....)
|
|
|
|
Date: 26 Jul 1995 11:48:33 -0400
|
|
Subject: ATTN JMS: ReadMe!
|
|
|
|
I think the Kosh stuff is *very* cool...but I don't want to over-sell
|
|
it; best to see it cold.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 11:09:36 -0400
|
|
Subject: Re: Even Quicker Notes from jm
|
|
|
|
I think that's mainly because I hadn't settled on a name at the time.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 11:37:32 -0400
|
|
Subject: Re: Why is Ford in rastb5?
|
|
|
|
Well, I see that the individual who goes by the handle Rev.
|
|
Commander Wayne has come into the fray, fresh from fabricating nonsense
|
|
on AOL. For those not aware, they're quite a clique these three: Wayne,
|
|
Ford, and a fellow named Randy Hall. Those of you with AOL access should
|
|
go check out their screeds in the Anti-B5 topic on the ST Neutral Zone
|
|
board, and in the ST vs. B5 area in the TV section. Basically, you've
|
|
got 3 people who write dozens and dozens of messages to each other, in
|
|
open forum, as though by doing so they create a sense of there being
|
|
others of similar inclination.
|
|
|
|
Another one for those with killfiles. Anyone with the *least*
|
|
suspicion that maybe they have something open-minded to say about
|
|
anything, check out the areas noted above. They're trolls pure and
|
|
simple, folks. We just wasted a lot of time with them over on AOL,
|
|
believe me.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 11:48:59 -0400
|
|
Subject: ATTN JMS: Rangers in Season 3?
|
|
|
|
Yes, the Rangers will play a more important part in year three, and
|
|
Sinclair's part in it will be revealed.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 11:54:48 -0400
|
|
Subject: ATTN JMS: What are your inspir
|
|
|
|
I didn't look to any writers or other works for inspiration for B5;
|
|
I came up with the story mine own self. To "look for inspiration" always
|
|
sounds deliberate to me, "Hmm...whose template can I use...?" I don't
|
|
work that way. It's basically the product of all the stuff I've seen and
|
|
read over the years, my interest in politics, philosophy, literature,
|
|
sagas, SF, language, culture, history...it's this huge, honking stew
|
|
which I more or less fitted into the B5 statin.
|
|
|
|
jms (station)
|
|
|
|
Date: 26 Jul 1995 19:30:46 -0400
|
|
Subject: JMS: Telepaths in prison?
|
|
|
|
Expect more on this topic in third season.
|
|
|
|
jms
|
|
|
|
Date: 26 Jul 1995 19:43:36 -0400
|
|
Subject: Clearing the air.
|
|
|
|
Good heavens, I was virtually unaware of the degree to which this
|
|
had escalated. To add, quietly, my two-cents...when I found one of my
|
|
posts had been edited by Jay for spoilers, I inquired of him privately
|
|
and indicated that this might not be A Good Thing, since I'd been fairly
|
|
careful in my phraseology. He accepted that, and apologized, and was
|
|
quite gracious about it.
|
|
|
|
For my money, you can't keep spoilers out of here, protected or
|
|
unprotected, except by virtue of shared kindness and understanding. The
|
|
whole REASON for my getting a moderated newsfeed, as I now do, was to
|
|
PREVENT the need to moderate the newsgroup for content. It thus seems
|
|
to me slightly unproductive that it's now done for spoilers when we took
|
|
this step of moderating my feed, and inconveniencing many of the rastB5
|
|
Rangers, to avoid moderation.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:51:41 -0400
|
|
Subject: JMS: imposed tv sf format?
|
|
|
|
Most TV shows in the 60s were one-story episodes. The medium became
|
|
a bit more complex as time went on, and people wanted to learn more about
|
|
the characters and the world. We've done some episodes that didn't have
|
|
a B or C story at all; it's whatever the story requires.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 02:52:30 -0400
|
|
Subject: ATTN: jms non-B5 Ques
|
|
|
|
My scriptwriting book is not currently in print, though a) it's
|
|
still available in many libraries, and b) I hope to have the new edition
|
|
turned in shortly. Yes, it deals with the agent/writer relationship.
|
|
And currently we're not looking at specs for B5 due to the fact that the
|
|
stories are all pretty much worked out.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:21:19 -0400
|
|
Subject: Attn jms: Suspension of Disbel
|
|
|
|
I dunno...one can make the argument, as you do, that because I don't
|
|
believe in relgion, or telepathy, and have thus no axe to grind or agenda
|
|
to advance, I can do so equitably...but something about that logic sounds
|
|
a little too slick and self=contratulatory...so I'll just leave it at...
|
|
I dunno....
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:21:26 -0400
|
|
Subject: ATTN JMS: SD ComicCon: will "s
|
|
|
|
I don't think there'll be much problem getting in the door or getting
|
|
comic con tickets; but: come early, because the con has 27,000 people or5
|
|
more attending, and the lines to buy tickets can be absolutely hideous.
|
|
Arrive at *minimum* an hour early (10 a.m. or better).
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:23:38 -0400
|
|
Subject: ATTN JMS: OtherSyde
|
|
|
|
It was okay for a second novel; I can do better, though, I think.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:23:44 -0400
|
|
Subject: ATTN JMS: Season 3 Q's & Div.
|
|
|
|
My guess is that C4 will begin carrying season 3 in the spring.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:23:51 -0400
|
|
Subject: ATTN JMS: SPOILERS for Divided
|
|
|
|
No, nothing was edited out by C4 or anyone; the footage we had to
|
|
work with in editing had a *slight* matching problem.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:23:57 -0400
|
|
Subject: JMS: Pronunciation of "Straczy
|
|
|
|
struh-zin-ski
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 03:24:03 -0400
|
|
Subject: How do I submit story ideas?
|
|
|
|
We *have* our story ideas for the show. Five years worth. Bear in
|
|
mind that Star Trek is the exception to the rule of how TV series work;
|
|
no other show accepts story ideas from folks out there.
|
|
|
|
(I'm speaking specifically of non-established writers. Spec scripts
|
|
can sometimes get through on shows, but nobody else really looks for just
|
|
story ideas. On B5, all but 2 freelance scripts have been based on
|
|
story ideas I've assigned out.)
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 02:47:58 -0400
|
|
Subject: ATTN JMS: Zack Allen
|
|
|
|
You'll be seeing more of Zack next season, definitely.
|
|
|
|
jms
|
|
|
|
Date: 28 Jul 1995 02:48:04 -0400
|
|
Subject: ATTN: JMS Psicorps badge
|
|
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No, the Psi Corps symbol is not based on the Cummunist hammer and
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sickle; it's the Greek letter psi which stands for the mind.
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jms
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Date: 26 Jul 1995 19:48:32 -0400
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Subject: + Attn: JMS: Thanks! +
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Just doin' what I do, don't know no other way....
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jms
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Date: 26 Jul 1995 20:03:45 -0400
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Subject: ATTN JMS: Divided Loyalties
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Absolutely *nothing* from prior seasons/episodes has been discarded.
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So if that's your concern...don't worry about it.
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Nothing was trimmed by C4. There was a slight matching problem in
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the footage, that's all.
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In very tense situations, some people feel compelled to somehow break
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the tension. Hence, that sequence.
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jms
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Date: 29 Jul 1995 03:54:30 -0400
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Subject: Attn JMS: Your secret writing
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I'm not *sure* I wrote that episode of TRGBs; I know I story edited
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it, but it may have had another writer.
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jms
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Date: 30 Jul 1995 23:59:19 -0400
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Subject: JMS: "Pitching a Winner"
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The short story I'd done in high school -- god, do you *really* want
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to know this? -- was a comic story about the Lady of the Lake popping up
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again in the present to offer Prince Charles Excalibur...and him not quite
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knowing what to do about it, then security was called and...well, it got
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quite interesting, particularly since she'd popped up in his bathtub.
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jms
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Date: 31 Jul 1995 00:04:08 -0400
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Subject: ATTN JMS: Favorite Dictionary?
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For everyday use, I tend to yank out the Oxford American Dictionary,
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which is nearest at hand, and I find it very complete; for real, serious
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writing stuff, then I go to my copy of the Oxgord English Dictionary,
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which is sort of the Mount Olympus of dictionaries, both in complexity
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and sheer weight. Other books...Roget's Thesaurus, What's What, and a
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shelf load of books on mythology, history, politics and psychology.
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jms
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Date: 31 Jul 1995 17:36:45 -0400
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Subject: Re: Attn jms: Suspension of Di
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Although there have been many interesting anecdotal studies on
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telepathy, in any laboratory model it has not yet been shown consistently
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and reliably to exist. So I'm holding the subject in personal abeyance
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until the day when somebody can walk into a research lab at MIT or
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elsewhere and get 10 out of 10 cards right *consitently* and *repeatedly*
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under strict laboratory conditions.
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jms
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(consistently, that is)
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Date: 31 Jul 1995 17:37:09 -0400
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Subject: ATTN: JMS Will Peter David be
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Peter is currently busy doing not just his comics, but co-writing
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every episode of HIS new TV series, Space Cases, with Bill Mumy...but if
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there's room in there somewhere, we've discussed the possibility.
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jms
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Date: 31 Jul 1995 17:37:37 -0400
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Subject: Attn:JMS Face on Mars
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It's actually a pak'ma'ra butt.
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jms
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Date: 31 Jul 1995 17:39:05 -0400
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Subject: ATTN JMS: X-Files et al
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Actually, my guess is that X-Files does have a larger budget than we
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do, since they do a LOT of location filming, which is very expensive (als0
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David Duchovney just got a bump in salary to $100,000 an episode). And
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yes, one may discuss "Twilight" with those across the pond who've seen it
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here.
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jms
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Date: 31 Jul 1995 17:43:06 -0400
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Subject: Correspondence Note from jms
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To all those who've sent, or are planning to send, any mail to the
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actors, crew or others involved with Babylon 5 at the snail mail address
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14431 Ventura Boulevard, Suite 260, Sherman Oaks, CA 91423....
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BE SURE to have somewhere on the envelope the words C/O BABYLON 5,
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or it may very well be returned. This is not the main studio address,
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which is not disseminated, and sometimes the addresses/names get kind
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of obscure. This will allow the mail to be routed properly. If you do
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not include this line, it may never reach its destination.
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jms
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