|  | =========================================================================== | 
						
						
							|  | | This text is compiled from posts by J. Michael Straczynski on the Usenet | 
						
						
							|  | | group rec.arts.sf.tv.babylon5.  This document contains material Copyright | 
						
						
							|  | | 1994 J. Michael Straczynski.  He has given permission for his words to be | 
						
						
							|  | | redistributed online, as long as they are marked as being copyright JMS. | 
						
						
							|  | | This document, as well as other Babylon-5 related material, is available | 
						
						
							|  | | by anonymous FTP at ftp.hyperion.com. | 
						
						
							|  | =========================================================================== | 
						
						
							|  | 
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							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 2 Jul 1994 23:58:42 -0400 | 
						
						
							|  | Subject: DC Comics B5? | 
						
						
							|  | 
 | 
						
						
							|  |      We are trying to keep the B5 comic part of B5 continuity and canon,k | 
						
						
							|  | though without the requirement that you have to read it to follow the | 
						
						
							|  | show, because that would be vastly unfair.  It just *fits*.  I.e., we | 
						
						
							|  | establish a prior relationship with a woman on Mars for Garibaldi, and she | 
						
						
							|  | can show up in flashbacks in the book, or in the present.  And yes, there | 
						
						
							|  | is complete freedome to use Sinclair in the books since he's not entirely | 
						
						
							|  | gone from the storyline at all, and still will carry a part. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 2 Jul 1994 23:58:45 -0400 | 
						
						
							|  | Subject: JMS: hidden allusions and tips | 
						
						
							|  | 
 | 
						
						
							|  |      I think maybe 45-50% of our subtext and allusions have been noted | 
						
						
							|  | to date, which is *real* good. | 
						
						
							|  |   | 
						
						
							|  | 	                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 4 Jul 1994 01:57:27 -0400 | 
						
						
							|  | Subject: Violence-question for JMS | 
						
						
							|  | 
 | 
						
						
							|  |      No, so far the bullet-counters haven't much noticed | 
						
						
							|  | B5, though they will in time, I'm sure. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 4 Jul 1994 01:57:30 -0400 | 
						
						
							|  | Subject: Londo based on Brother Theodor | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, no, Londo was not based on Brother Theodore, who I only | 
						
						
							|  | discovered some time later on Letterman.  But Harlan and Peter David | 
						
						
							|  | mentioned at the panel that Brother Theodore could make a swell brother | 
						
						
							|  | for Londo in some episode, so this is something I may consider.... | 
						
						
							|  |   | 
						
						
							|  | 	                                                                  jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 4 Jul 1994 01:57:33 -0400 | 
						
						
							|  | Subject: JMS TV 31 cutting previews & c | 
						
						
							|  | 
 | 
						
						
							|  |      Will refer this to Warner Bros. programming on Tuesday.  Thanks. | 
						
						
							|  |   | 
						
						
							|  |                                                                  jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 4 Jul 1994 04:58:33 -0400 | 
						
						
							|  | Subject: JMS:  Do the actors know? | 
						
						
							|  | 
 | 
						
						
							|  |      Some of the actors know a bit of what will happen well down the | 
						
						
							|  | road; some know what will happen during any given season; some don't want | 
						
						
							|  | to know *anything*, just find it out during shooting.  None of them knows | 
						
						
							|  | the full story.  And none have asked.  I think the concern there is that | 
						
						
							|  | they might begin playing the *result* rather than the process, that this | 
						
						
							|  | prior knowledge might color their current performance, rather than making | 
						
						
							|  | it a clean evolution. | 
						
						
							|  |   | 
						
						
							|  |      Sometimes it gets wonky.  We filmed "Chrysalis" twelfth in shooting | 
						
						
							|  | order, to air twenty-second.  Part of the setup to "Chrysalis" is "Signs | 
						
						
							|  | and Portents," which shot 4 episodes later.  Meaning the actors had to | 
						
						
							|  | act familiar with elements they hadn't performed yet, and hadn't seen yet | 
						
						
							|  | in script form.  So in that case, I had to sit down and explain what the | 
						
						
							|  | various aspects of "Chrysalis" meant, and where we were going, for it all | 
						
						
							|  | to play.  Later, when "Signs" was published in-house, they got to see in | 
						
						
							|  | more detail how the setup fit in with the payoff. | 
						
						
							|  |   | 
						
						
							|  |      If asked, I would probably try to refrain from telling any of the | 
						
						
							|  | actors the full story.  Let me rephrase: I simply wouldn't do it.  If they | 
						
						
							|  | would ask where their individual character is going -- and some have -- | 
						
						
							|  | what I do is give them the general arc, but leave out a lot of specifics. | 
						
						
							|  |  For instance, Peter knows *in general* that his character is going in a | 
						
						
							|  | darker direction, but not how he's going to get there or what it means to | 
						
						
							|  | the overall story.  And that, I think, is as it should be. | 
						
						
							|  |   | 
						
						
							|  |      Thus far, only three people other than myself have read the synopsis | 
						
						
							|  | of the full five-year arc, which is 3 people more than I'm comfortable | 
						
						
							|  | with.  (One of them is Larry DiTillio, whose response was simply, "You're | 
						
						
							|  | out of your fucking mind.  You've *got* to be out of your fucking mind to | 
						
						
							|  | think you can even TRY and do this on TV."  Which seemed a pretty fair | 
						
						
							|  | appraisal of the situation.) | 
						
						
							|  |   | 
						
						
							|  | 	                                                              jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 4 Jul 1994 04:58:35 -0400 | 
						
						
							|  | Subject: a question | 
						
						
							|  | 
 | 
						
						
							|  |      "How did Sinclair's duck thing get started?" | 
						
						
							|  |   | 
						
						
							|  |      Probably by watching an attractive woman walk across the room. | 
						
						
							|  |   | 
						
						
							|  | 	                               jm(quack in residence)s | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 5 Jul 1994 05:27:44 -0400 | 
						
						
							|  | Subject: Re: JMS: hidden allusions and | 
						
						
							|  | 
 | 
						
						
							|  |      Though you're correct about the shape of the EA symbol being a bit | 
						
						
							|  | reminiscent of the Star of David...that wasn't the intent going in.  We | 
						
						
							|  | took the letter A, stretched it out, put a stylized E over it, and got the | 
						
						
							|  | basic silhouette.  The rest is happenstance. | 
						
						
							|  |   | 
						
						
							|  |                                                                             jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 5 Jul 1994 05:27:46 -0400 | 
						
						
							|  | Subject: ATTN JMS: Re-The Best CGI Crea | 
						
						
							|  | 
 | 
						
						
							|  |      Yeah, the Feeder is pretty cool; wrapped up Foundation's rendering | 
						
						
							|  | machines for the better part of a week just to pull that one off.  Alas, | 
						
						
							|  | I really can't give out their address, as they'd hurt me badly. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 5 Jul 1994 05:27:48 -0400 | 
						
						
							|  | Subject: JMS - yet another small questi | 
						
						
							|  | 
 | 
						
						
							|  |      The bays are called Cobra Bays because that's kind of the shape of | 
						
						
							|  | the bays from the outside as they wrap around the front, round part of the | 
						
						
							|  | station (narrow at one end, flaring out big at the other).  The name | 
						
						
							|  | refers to the look of the place, not what's stored inside. | 
						
						
							|  |   | 
						
						
							|  |      Will definitely keep on...well, spacin'.... | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 5 Jul 1994 05:27:50 -0400 | 
						
						
							|  | Subject: Q: Naranek | 
						
						
							|  | 
 | 
						
						
							|  |      Aliens with two names: Kosh Naranek (not used yet in the show, but | 
						
						
							|  | it's there), Londo Mollari, Vir Cotto.  Single names: Delenn, Lennier. | 
						
						
							|  | Composite names: Ko'Dath, Na'Toth, G'Kar. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 5 Jul 1994 05:27:53 -0400 | 
						
						
							|  | Subject: JMS: Queries | 
						
						
							|  | 
 | 
						
						
							|  |      No, the dominant belief system in PoD is that there IS no dominant | 
						
						
							|  | single belief...except our willingness to tolerate our diversity. | 
						
						
							|  |   | 
						
						
							|  |      Have never seen any Gundam, so no, no influence there. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 6 Jul 1994 00:47:24 -0400 | 
						
						
							|  | Subject: Info gleaned from Chicago Comi | 
						
						
							|  | 
 | 
						
						
							|  |      Minor correction: the first B5 comic issue, "In Darkness Find Me," | 
						
						
							|  | is the flip side of "Points of Departure," not "Midnight." | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 6 Jul 1994 02:59:44 -0400 | 
						
						
							|  | Subject: What makes B5 different and sp | 
						
						
							|  | 
 | 
						
						
							|  |      Patrick: a truly excellent and well-thought out presentation. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 6 Jul 1994 02:59:46 -0400 | 
						
						
							|  | Subject: What makes B5 different and sp | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, one follow-up...one thing we've been very careful about is | 
						
						
							|  | that when something is referenced in episode 9 that took place in episode | 
						
						
							|  | 3, you don't *have* to have seen episode 3 for it to make sense; the | 
						
						
							|  | information you need is collapsed or somehow incorporated into the dialogue | 
						
						
							|  | in episode 9.  Meaning that while VCRs and repeated viewings and groups | 
						
						
							|  | can help to *predict* stuff, you don't need to have seen ANY prior episodes | 
						
						
							|  | of the show to enjoy any one episode of the show. | 
						
						
							|  |   | 
						
						
							|  |      But the *more* you watch, the more you get out of it. | 
						
						
							|  |   | 
						
						
							|  |                                                                            jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 6 Jul 1994 03:10:57 -0400 | 
						
						
							|  | Subject: points of view in B5 storyboar | 
						
						
							|  | 
 | 
						
						
							|  |      If a story takes place in present tense, we can shift POVs around a | 
						
						
							|  | bit; in the case of "Sky," we were *specifically* dealing with Sinclair's | 
						
						
							|  | memory of events, thus limiting us to his POV. | 
						
						
							|  |   | 
						
						
							|  |                                                                            jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 00:25:50 -0400 | 
						
						
							|  | Subject: Re: Grail SPOILERS | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, no, the "forgery" story with the elderly couple didn't | 
						
						
							|  | hold up, because repeating the steps they took didn't replicate the | 
						
						
							|  | other crop circles.  The stalks are bent, never broken, a counter- | 
						
						
							|  | clockwise section beneath a clockwise section, the stalks continue to | 
						
						
							|  | grow, and the bend seems more from heat than pressure.  The forgery story | 
						
						
							|  | was itself a fake, and has been largely discredited.  Not to say that | 
						
						
							|  | there isn't some other way of doing it, but that ain't it, and thus far, | 
						
						
							|  | no one has been exactly capable of duplicating a proper crop circle. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 00:46:14 -0400 | 
						
						
							|  | Subject: Spioilers for "Quality of Merc | 
						
						
							|  | 
 | 
						
						
							|  |      ...awwwkkk...don't ever do that to me again...awwwkkkk! | 
						
						
							|  |   | 
						
						
							|  |                                                                  jm(thud!)s | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 00:47:40 -0400 | 
						
						
							|  | Subject: Transport MARY CELESTE ?! | 
						
						
							|  | 
 | 
						
						
							|  |      Yeah, it was a bit of *really* perverse humor...Jinxo survives all | 
						
						
							|  | five Babylon stations, and leaves thinking all is well...on a ship named | 
						
						
							|  | the Marie Celeste? | 
						
						
							|  |   | 
						
						
							|  |      We're a sick bunch, but we're fun. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 03:38:54 -0400 | 
						
						
							|  | Subject: Re: ATTN JMS: Re-The Best CGI | 
						
						
							|  | 
 | 
						
						
							|  |      Does someone get shot in something other than the shoulder? | 
						
						
							|  |   | 
						
						
							|  |      Oh, yes...most definitely.... | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 03:38:57 -0400 | 
						
						
							|  | Subject: Re: Info gleaned from Chicago | 
						
						
							|  | 
 | 
						
						
							|  |      The comics series is free to bop forward and backward in time, all | 
						
						
							|  | over the B5 universe, wherever the writer wants to take it. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 04:01:50 -0400 | 
						
						
							|  | Subject: Re: What makes B5 different an | 
						
						
							|  | 
 | 
						
						
							|  |      Correct; the title of "The War Prayer" is a nod to Twain's piece of | 
						
						
							|  | the same name, which should be ready by *everyone*.  Given the growing | 
						
						
							|  | problems with illiteracy, I try to refer not to pop society so much, as | 
						
						
							|  | to literature...Tennyson, Twain, even writers whose last names don't | 
						
						
							|  | begin with T. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 17:49:51 -0400 | 
						
						
							|  | Subject: Femme Fatales Article Cancelle | 
						
						
							|  | 
 | 
						
						
							|  |        Your information is behind the times; Femme Fatales magazine ran | 
						
						
							|  | a piece on the Women of Babylon 5 quite some time ago. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 17:49:53 -0400 | 
						
						
							|  | Subject: jms: TRG songs? | 
						
						
							|  | 
 | 
						
						
							|  |      Yeah, I wrote all the lyrics for the songs in "The Halloween Door," | 
						
						
							|  | including Egon's piece, and the lyrical (without music) goodbye to Poe, | 
						
						
							|  | Bradbury and the rest.  I've written a few songs here and there, a couple | 
						
						
							|  | of which have actually been recorded, but I won't tell you where. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 17:49:56 -0400 | 
						
						
							|  | Subject: JMS: D.C. Fontana? (+ a flame) | 
						
						
							|  | 
 | 
						
						
							|  |      Dorothy is not exclusive to any other project, so there is every | 
						
						
							|  | reason to expect to see more B5 from her next season (and, in fact, she | 
						
						
							|  | is writing one now). | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 8 Jul 1994 17:49:58 -0400 | 
						
						
							|  | Subject: Re: DiTillo at Westercon 4/2 | 
						
						
							|  | 
 | 
						
						
							|  |      I've conveyed as much of this discussion as I can, never having seen | 
						
						
							|  | the original posting for some reason, to Larry DiTillio, and he is very | 
						
						
							|  | upset about it, feeling that many of his comments have not been represented | 
						
						
							|  | accurately or have been taken out of context.  As far as the stations are | 
						
						
							|  | concerned...it's the stations that are in partnership with Warners to form | 
						
						
							|  | PTEN.  PTEN "guidance" comes from the Executive Committee, which is a few | 
						
						
							|  | representatives of that group. | 
						
						
							|  |   | 
						
						
							|  |      Every network show ever produced must have casting of regulars | 
						
						
							|  | approved by the network.  Ditto with the company that creates a | 
						
						
							|  | syndicated show (usually the studio).  It is the simple process of | 
						
						
							|  | running the name or names past someone, for their approval, which is | 
						
						
							|  | almost always assured unless the person is *very* controversial or just | 
						
						
							|  | not right for the part.  Every show ever produced goes through this | 
						
						
							|  | process, and it is exactly the same with B5.  We proposed the names for | 
						
						
							|  | our cast, and they were approved.  It's as basic as that.  If Larry | 
						
						
							|  | grumped a bit, it was because he was in the process of trying to pass a | 
						
						
							|  | kidney stone at the time, which always makes him cranky. | 
						
						
							|  |   | 
						
						
							|  |                                                                    jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 9 Jul 1994 02:11:46 -0400 | 
						
						
							|  | Subject: JMS:  Voting Procedure of Coun | 
						
						
							|  | 
 | 
						
						
							|  |      We didn't have the League of Non-Aligned Worlds up and running for | 
						
						
							|  | the pilot.  They get one vote, determined by majority decision.  EAch | 
						
						
							|  | mamber of the main Advisory Council gets one vote, equal to that. | 
						
						
							|  |   | 
						
						
							|  |      In "Deathwalker," you had one abstention (Kosh), two to try her | 
						
						
							|  | (EA and League), and three against the trial (Narns, Centauri and | 
						
						
							|  | Minbari).  Abstentions don't count either way in such a vote; it's the | 
						
						
							|  | negatives vs. the positives, and there were more no's than yes's. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 9 Jul 1994 04:06:14 -0400 | 
						
						
							|  | Subject: Re: DiTillo at Westercon 4/2 | 
						
						
							|  | 
 | 
						
						
							|  |      Once again, some of this is getting distorted.  We are looking for | 
						
						
							|  | the best person to play this new role.  Once we decide who it is we want, | 
						
						
							|  | we will run this past PTEN for their approval.  It is nothing more or | 
						
						
							|  | less than this.  Bostwick, who I personally very much wanted to work with, | 
						
						
							|  | was NOT -- repeat, *not* -- turned down by PTEN.  We courted him for a | 
						
						
							|  | bit, but in the final analysis he decided that he didn't want to do a | 
						
						
							|  | syndicated series.  We have only this week, for the first time, formally | 
						
						
							|  | presented the name of a prospective actor to PTEN. | 
						
						
							|  |   | 
						
						
							|  |      As stated, Larry was in considerable discomfort due to a kidney | 
						
						
							|  | stone, and has been more or less out of the loop, due to working on his | 
						
						
							|  | first script and not formally beginning his term yet as story editor for | 
						
						
							|  | this season.  As one example of this...the line that Sinclair will not be | 
						
						
							|  | seen until *after* the second season is also incorrect.  We have already | 
						
						
							|  | shot a sequence with Sinclair, which is slated for the second season. | 
						
						
							|  |   | 
						
						
							|  |   | 
						
						
							|  |      Larry is very bothered about how this is being distorted, and he told me | 
						
						
							|  | to remind certain people that he specifically said that if any of this | 
						
						
							|  | turned up on the nets, he would find the person responsible, go to their | 
						
						
							|  | home and kill them.  Granted, he was on painkillers at the time, but *I* | 
						
						
							|  | certainly wouldn't push it. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 9 Jul 1994 04:06:17 -0400 | 
						
						
							|  | Subject: JMS: Minbari Worrior Casts | 
						
						
							|  | 
 | 
						
						
							|  |      Well, we'll be learning more about the warrior caste, that most | 
						
						
							|  | definitely...as for the worrior castes...they're really a bunch of | 
						
						
							|  | downers.  "Look, the economy, it's in trouble again...Earthers, hoo boy, | 
						
						
							|  | what a pain they're going to be, we don't want they should move in next | 
						
						
							|  | door, you see how they make noise...is there something on my nose?" | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 9 Jul 1994 23:53:54 -0400 | 
						
						
							|  | Subject: JMS:  opening sequence changes | 
						
						
							|  | 
 | 
						
						
							|  |      I will be better able to comment on changes in the opening montage | 
						
						
							|  | after we have made them. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 9 Jul 1994 23:53:56 -0400 | 
						
						
							|  | Subject: EYES <possibly spoilers> | 
						
						
							|  | 
 | 
						
						
							|  |      As story editor, Larry's job is to get it right as much as possible, | 
						
						
							|  | and keep the dialogue natural to the characters once created.  He's good | 
						
						
							|  | at this, which is why I work with him. | 
						
						
							|  |   | 
						
						
							|  |      And yes, Janet is a *great* director, and will probably do the first | 
						
						
							|  | episode of year two for us.  We think she's nifty. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 11 Jul 1994 15:27:34 -0400 | 
						
						
							|  | Subject: Reflections on "Grail" | 
						
						
							|  | 
 | 
						
						
							|  |      John Flinn, who is our DP, has at various times also been an actor, | 
						
						
							|  | and so we used him to play Mr. Flinn in the episode as well.  A cameo by | 
						
						
							|  | yet another member of our talented and multifaceted production team. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 11 Jul 1994 15:35:46 -0400 | 
						
						
							|  | Subject: A problem with S&P | 
						
						
							|  | 
 | 
						
						
							|  |      I hate to burst your bubble, but the Raider ship *was* rotating. | 
						
						
							|  | Look at it again.  It's most visible when the ship is being photographed | 
						
						
							|  | from behind with B5 in the background.  You can see the round part of the | 
						
						
							|  | ship rotating (with the docking bay at center). | 
						
						
							|  |   | 
						
						
							|  |                                                                 jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 11 Jul 1994 19:27:53 -0400 | 
						
						
							|  | Subject: B5 Ratings | 
						
						
							|  | 
 | 
						
						
							|  |      Just a couple points on the ratings cited...the reruns which were | 
						
						
							|  | being broadcast at that time (and reruns get lower numbers anyway) were | 
						
						
							|  | being killed by the NBA playoffs and finals, which were going on in the | 
						
						
							|  | same timeslot.  (Actually, throughout June, everybody was getting hit to | 
						
						
							|  | some degree; we got it worse because we were at 8 in many markets opposite | 
						
						
							|  | the NBA, but it ain't that much of a difference.) | 
						
						
							|  |   | 
						
						
							|  |      From the overnights on "Grail," we're pretty much back where we | 
						
						
							|  | were prior to reruns, a definite jump upward...an increase of about two | 
						
						
							|  | ratings points. | 
						
						
							|  |   | 
						
						
							|  |      Cost-wise, btw, we're about the same price as "Kung Fu," so there | 
						
						
							|  | isn't much difference in that respect. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 00:32:11 -0400 | 
						
						
							|  | Subject: Update to Babylon 5 Dictionary | 
						
						
							|  | 
 | 
						
						
							|  |      Re: no entry for the O...Ombuds. | 
						
						
							|  |   | 
						
						
							|  |                                                               jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 00:51:10 -0400 | 
						
						
							|  | Subject: JMS:Re: Second Vorlon | 
						
						
							|  | 
 | 
						
						
							|  |      If you ever *do* see a group of Vorlons on this show...run like hell. | 
						
						
							|  |   | 
						
						
							|  |                                                                             jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 01:09:21 -0400 | 
						
						
							|  | Subject: JMS:  Please, NOOOOOOO! | 
						
						
							|  | 
 | 
						
						
							|  |      This is getting vastly misrepresented.  What we're doing, which is | 
						
						
							|  | something I noted here a long time ago, is trying to balance stuff a | 
						
						
							|  | little.  We did a *great* job, I think, creating the alien characters; so | 
						
						
							|  | much so that our human characters kinda got short shrift over the course | 
						
						
							|  | of the first season.  Year Two will show us a bit more of the humans on | 
						
						
							|  | the station; that is NOT the same as downplaying the aliens, and we're | 
						
						
							|  | most emphatically NOT doing that.  In point of fact, *all* of the major | 
						
						
							|  | alien characters will be appearing (by contract) in more episodes than | 
						
						
							|  | was the case last year.  Even the diplomatic attaches like Vir and Lennier | 
						
						
							|  | go from 6-7 episodes last year to 13 this coming year. | 
						
						
							|  |   | 
						
						
							|  |                                                               jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 01:10:48 -0400 | 
						
						
							|  | Subject: Attn: JMS  What do you want? | 
						
						
							|  | 
 | 
						
						
							|  |      We'll continue to work at intensifying the relationships across | 
						
						
							|  | the coming episodes.  "Eyes" does a lot, as do several more upcoming | 
						
						
							|  | episodes. | 
						
						
							|  |   | 
						
						
							|  |      As for "What do you want?" Morden...yes, he is a very significant | 
						
						
							|  | character, and yes, you will be seeing him again. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 01:12:13 -0400 | 
						
						
							|  | Subject: Babylon 5 Filk Singers to Hono | 
						
						
							|  | 
 | 
						
						
							|  |      Elena...with all due respect...you were a Nazi in a previous life, | 
						
						
							|  | weren't you? | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 02:16:16 -0400 | 
						
						
							|  | Subject: Who founded the Babylon Projec | 
						
						
							|  | 
 | 
						
						
							|  |     David...what an absolutely wonderful, wonderful, wonderful, wonderful | 
						
						
							|  | question. | 
						
						
							|  |   | 
						
						
							|  |     I think I'll answer this in an episode next season. | 
						
						
							|  |   | 
						
						
							|  |     It's something that I've known, and just filed away, but yeah, this | 
						
						
							|  | should be dealt with.  And I'll do so.  (Though now you have to wait to | 
						
						
							|  | see it on TeeVee.) | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 18:05:59 -0400 | 
						
						
							|  | Subject: Uniforms | 
						
						
							|  | 
 | 
						
						
							|  |       Your initial appraisal of the uniforms seems correct. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 21:47:44 -0400 | 
						
						
							|  | Subject: Misinformed | 
						
						
							|  | 
 | 
						
						
							|  |      The way to defuse your potted pal is as follows: | 
						
						
							|  |   | 
						
						
							|  |      1) DS9 is a direct spinoff of TNG, which is owned by Paramount. | 
						
						
							|  | No one could pitch a ST spinoff elsewhere. | 
						
						
							|  |   | 
						
						
							|  |      2) DS9 was created by Berman/Pillar, who were under contract to | 
						
						
							|  | Paramount working on TNG, and thus would not have pitched it to Warner | 
						
						
							|  | Bros. at any time. | 
						
						
							|  |   | 
						
						
							|  |      3) B5 dates back to 1987.  If he would like to see some sneaky | 
						
						
							|  | references to it in print, tell him to go check out a copy of OtherSyde, | 
						
						
							|  | my second novel, published in around 1990, which contains a reference to | 
						
						
							|  | Babylon 5.  Also, if he has a bunch of old Starlogs, if he wants to check | 
						
						
							|  | in around 1988, he will find an interview with me in which one of the | 
						
						
							|  | things mentioned is that I'm working to sell a show called Babylon 5.  A | 
						
						
							|  | final reference to B5 is in an episode of Captain Power called "Final | 
						
						
							|  | Stand," which I slipped in for funsies. | 
						
						
							|  |   | 
						
						
							|  |      Your potted (to use your phrase) pal's obstinate opinions are | 
						
						
							|  | irrelevant; the facts, in hard print, speak for themselves.  He's got | 
						
						
							|  | things in reverse; B5 was pitched to Paramount in 1989; DS9 was never | 
						
						
							|  | pitched to Warners. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 12 Jul 1994 21:47:47 -0400 | 
						
						
							|  | Subject: Re: JMS' Real Ghostbusters | 
						
						
							|  | 
 | 
						
						
							|  |      I believe the episode in question (yes, one of mine) was entitled | 
						
						
							|  | "Take Two," and ended with actual footage of the movie. | 
						
						
							|  |   | 
						
						
							|  |      The wonderful part about that episode of TRGBs -- and this is | 
						
						
							|  | something I kinda aimed at while writing it -- is that there are now | 
						
						
							|  | whole bunches of kids out there who are absolutely *convinced* that the | 
						
						
							|  | animated series came first, THEN the movie based on it. | 
						
						
							|  |   | 
						
						
							|  |      The only thing better than messing with somebody's sense of reality | 
						
						
							|  | is messing with a whole LOTTA people's sense of reality.... | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 13 Jul 1994 01:11:07 -0400 | 
						
						
							|  | Subject: Question about Sinclairs statu | 
						
						
							|  | 
 | 
						
						
							|  |      Is it a conflict of interest...yes and no.  Sinclair functions much | 
						
						
							|  | as a military governor in, for instance, California's past.  Someone in | 
						
						
							|  | this position may speak on behalf of his government with neighboring | 
						
						
							|  | countrires, and represent others.  Does it sometimes lead into a conflict | 
						
						
							|  | of interest?  Yes.  Is it sometimes unfair?  Yes.  Which is kinda like | 
						
						
							|  | life, and that's why I rather like putting him in an awkward position. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 13 Jul 1994 04:09:38 -0400 | 
						
						
							|  | Subject: Thanks and praise! | 
						
						
							|  | 
 | 
						
						
							|  |      jeremy: thanks. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 13 Jul 1994 04:17:45 -0400 | 
						
						
							|  | Subject: JMS: .plan files | 
						
						
							|  | 
 | 
						
						
							|  |      Email between folks is the best way to discuss story ideas; I think | 
						
						
							|  | someone here put together a big list of folks doing it. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 13 Jul 1994 04:30:23 -0400 | 
						
						
							|  | Subject: Re: Religion | 
						
						
							|  | 
 | 
						
						
							|  |      Kevin is correct, I'm an atheist.  I'm also a human.  Part of my | 
						
						
							|  | job (such as it is) is to try to come up with aliens that are at least | 
						
						
							|  | fairly realistic, and treat them with respect.  How then is it any | 
						
						
							|  | different for an atheist to treat religion with respect?  Particularly | 
						
						
							|  | when that is all that most atheists request from religionists...that we | 
						
						
							|  | be treated with respect (as opposed to our good old pal George Bush, who | 
						
						
							|  | at a Chicago airport news conference, said in answer to a question that | 
						
						
							|  | he didn't think atheists could really be considered patriots since this | 
						
						
							|  | is supposed to be one nation under god). | 
						
						
							|  |   | 
						
						
							|  |      Many people seem to have commented here on the notion that it is | 
						
						
							|  | remarkable to see an atheist treating religion as much as it gets treated | 
						
						
							|  | here, and as well as it gets treated here.  As Kevin originally pointed | 
						
						
							|  | out in his note, we deal with the issue a *lot*, generally in positive | 
						
						
							|  | ways.  I don't think it's remarkable at all.  A writer's job is to be | 
						
						
							|  | honest, and try to avoid skewing stories to meet some personal agenda. | 
						
						
							|  | Religion has been with us for thousands of years, and it ain't going | 
						
						
							|  | away tomorrow or the day after or in the next 250 years.  Individual | 
						
						
							|  | religions may come and go, but the totality of it...no.  Won't happen. | 
						
						
							|  |   | 
						
						
							|  |      In addition, on one level it must be respected, if I chose privately | 
						
						
							|  | to disagree with it: it is one more reflection of humanity's desire, its | 
						
						
							|  | need to understand the universe around us.  Early man was stunned by the | 
						
						
							|  | sheer wonder of the world around us, stumbled for some way to explain it | 
						
						
							|  | ...and, not being able to lay one's hand on a microscope, or an atom | 
						
						
							|  | smasher, or a copy of the Origin of Species, turned to the only tools | 
						
						
							|  | around at the time.  The instinct, to explain stuff, is exactly the same | 
						
						
							|  | instinct that drives any scientist or rationalist; only the methodology | 
						
						
							|  | and means of codification vary.  The religious explanation remains | 
						
						
							|  | carved in stone (or tablets), where the scientific explanation is in a | 
						
						
							|  | constant state of re-examination and flux.  But the intent behind both | 
						
						
							|  | is the same. | 
						
						
							|  |   | 
						
						
							|  |      I do not tolerate religious extremists.  Neither do I tolerate | 
						
						
							|  | atheist extremists.  This nation was forged in the fires of diversity, | 
						
						
							|  | and it is in a multitude of voices that you can hear the true sound of | 
						
						
							|  | this nation.  Or, put slightly differently....do unto others as you would | 
						
						
							|  | have them do unto you. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 13 Jul 1994 05:49:42 -0400 | 
						
						
							|  | Subject: Re: ATT: JMS - Happy Birthday! | 
						
						
							|  | 
 | 
						
						
							|  |                       ...bah, humbug.... | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 01:25:05 -0400 | 
						
						
							|  | Subject: Question for JMS, Re: Mind War | 
						
						
							|  | 
 | 
						
						
							|  |      Some of the events in "Mind War" are significant indeed. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 03:43:32 -0400 | 
						
						
							|  | Subject: Who is JMS? | 
						
						
							|  | 
 | 
						
						
							|  |      I often find myself wondering the same thing sometimes.... | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 03:43:35 -0400 | 
						
						
							|  | Subject: Re: Light Brigade | 
						
						
							|  | 
 | 
						
						
							|  |      My original thought there was Tennyson, but I was also aware of the | 
						
						
							|  | song, which I like as well. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 16:16:15 -0400 | 
						
						
							|  | Subject: "Voice"... | 
						
						
							|  | 
 | 
						
						
							|  |      The preview seen for next week is not for "Voice," but for | 
						
						
							|  | "Legacies," which airs just prior to "Voice." | 
						
						
							|  |   | 
						
						
							|  |                                                                jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 16:16:20 -0400 | 
						
						
							|  | Subject: JMS: A Starfury Question | 
						
						
							|  | 
 | 
						
						
							|  |      I believe they are used to control the thrust coming out of the | 
						
						
							|  | engines. | 
						
						
							|  |   | 
						
						
							|  |                                                                     jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 16:47:56 -0400 | 
						
						
							|  | Subject: JMS: "Eyes" Nods and Questions | 
						
						
							|  | 
 | 
						
						
							|  |      Will have to ask Larry about Interweb, but it could easily have been | 
						
						
							|  | a reference. | 
						
						
							|  |   | 
						
						
							|  |      The masks were the basic (though somewhat modified) tragedy and | 
						
						
							|  | comedy masks, associated with theater.  And a couple of times, Ivanova's | 
						
						
							|  | mother does use the Russian nickname for her as well as the English | 
						
						
							|  | version.  Susan was taught and raised to a large extent overseas, and | 
						
						
							|  | they always tried to keep her in both worlds. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 16:56:08 -0400 | 
						
						
							|  | Subject: Re: *REALLY* Bad Previews | 
						
						
							|  | 
 | 
						
						
							|  |      Warners sometimes feels the need to "enhance" the shows through the | 
						
						
							|  | promos...and sometimes they enhance them right into an alternate | 
						
						
							|  | dimension.... | 
						
						
							|  |   | 
						
						
							|  |                                                                     jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 14 Jul 1994 16:56:11 -0400 | 
						
						
							|  | Subject: Reflections on "Eyes" (SPOILER | 
						
						
							|  | 
 | 
						
						
							|  |      Yes, Psi Corps members must wear the Psi symbol at all times when | 
						
						
							|  | in public.  (Though since Grey was there undercover, that briefly went | 
						
						
							|  | by the boards.) | 
						
						
							|  |   | 
						
						
							|  |      And we've rebuilt the forced perspective in the central corridor for | 
						
						
							|  | year two, using a 3D construction rather than a matte, and it looks a | 
						
						
							|  | hell of a lot better. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 15 Jul 1994 00:46:44 -0400 | 
						
						
							|  | Subject: Eyes--maybe a 5. JMS a child o | 
						
						
							|  | 
 | 
						
						
							|  |      Sorry, but I don't agree with you about the characters being one | 
						
						
							|  | dimensional.  (Big surprise.)  Londo...sometimes comic figure, sometimes | 
						
						
							|  | tragic figure, in later episodes sometimes hero, and later still, | 
						
						
							|  | something much darker.  G'Kar...much the same, but never at the same | 
						
						
							|  | time. | 
						
						
							|  |   | 
						
						
							|  |      As far as government types go...in the episode you cite, we show a | 
						
						
							|  | Psi Corp rep who was *not* an evil type or an asshole.  In "Survivors" we | 
						
						
							|  | showed a government agent -- the head of presidential security -- who was | 
						
						
							|  | in fact not a baddie at all.  Had some issues, but was at heart okay. | 
						
						
							|  |   | 
						
						
							|  |      I could point to the Soul Hunter, who was doing what he believed was | 
						
						
							|  | right, which others believed was a horror.  I could point to "Believers," | 
						
						
							|  | which was nothing BUT shades of grey. | 
						
						
							|  |   | 
						
						
							|  |      How can you say that the show demonstrates all government employees | 
						
						
							|  | as being evil or stupid when, after all, our main human characters are | 
						
						
							|  | themselves employees of the government? | 
						
						
							|  |   | 
						
						
							|  |      I could go on and on and on...but don't really see much point to it. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 15 Jul 1994 00:46:48 -0400 | 
						
						
							|  | Subject: JMS: Grey's Psi rating? | 
						
						
							|  | 
 | 
						
						
							|  |      Mr. Grey would've been a P10.  PsiCops are P12s. | 
						
						
							|  |   | 
						
						
							|  |      PsiCorps administrators at the upper reaches are P11 or better. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 00:10:03 -0400 | 
						
						
							|  | Subject: JMS - Credits: An idle questio | 
						
						
							|  | 
 | 
						
						
							|  |      Credits are negotiated by agents.  Starring is basically that, your | 
						
						
							|  | main stars appearing in every episode; also starring are recurring cast | 
						
						
							|  | members; with refers to recurring cast who are pointed to specifically. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 03:40:06 -0400 | 
						
						
							|  | Subject: Ed Wasser | 
						
						
							|  | 
 | 
						
						
							|  |      Guerra was one of the dome techs, who worked down in the pit during | 
						
						
							|  | the Vorlon attack, and during the explosion sequence. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 03:46:58 -0400 | 
						
						
							|  | Subject: ATTN JMS:  The Ride | 
						
						
							|  | 
 | 
						
						
							|  |      Yes, in season two, we'll be seeing a lot of the jumpgates from up | 
						
						
							|  | close, and straight through. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 19:15:13 -0400 | 
						
						
							|  | Subject: JMS: Speculation | 
						
						
							|  | 
 | 
						
						
							|  |      It's happened a few times, when someone's speculated too close to a | 
						
						
							|  | coming story, and for reasons of concern over lawsuit, I've dropped it. | 
						
						
							|  | So far it's only involved smaller B stories, but it has its moments of | 
						
						
							|  | inconvenience, yes. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 19:48:49 -0400 | 
						
						
							|  | Subject: Re: Drumhead parallels | 
						
						
							|  | 
 | 
						
						
							|  |      Brett has already uploaded some of my comments from elsewhere on this | 
						
						
							|  | topic.  Let me only emphasize some stuff here.  As stated, Larry never | 
						
						
							|  | SAW the Drumhead.  We generally make it a point NOT to watch what's done | 
						
						
							|  | on ST to avoid being influenced.  Second, the basic ending which you feel | 
						
						
							|  | is strictly ST's can be seen in the Caine Mutiny, A Few Good Men and | 
						
						
							|  | others.  "Eyes" was a direct consequence of all that preceded it in our | 
						
						
							|  | first season.  It came about because Larry suggested that with all that | 
						
						
							|  | Sinclair has done, sooner or later somebody's going to take notice back | 
						
						
							|  | on Earth.  There would have to be some kind of investigation.  Because | 
						
						
							|  | we are doing some very specific things with the Psi Corps this year and | 
						
						
							|  | next, which I wanted to foreshadow, a PC telepath was inserted into the | 
						
						
							|  | story, to show that they are starting to get a foothold into the military, | 
						
						
							|  | with new laws concerning scans. | 
						
						
							|  |   | 
						
						
							|  |      We knocked the story back and forth for some time, and it went through | 
						
						
							|  | many different permutations.  We also figured that the episode should be | 
						
						
							|  | kind of a Cliff's Notes guide to season one, hitting the high points for | 
						
						
							|  | those who joined the series later than those who were here at the | 
						
						
							|  | beginning.  The ending also went through various changes, but what made the | 
						
						
							|  | most logical sense was to get the Colonel to admit bias in some fashion or | 
						
						
							|  | another...and the only way to do this really was to get him so angry, so | 
						
						
							|  | furious, that he'd incriminate himself enough, or open the door enough for | 
						
						
							|  | Mr. Grey to verify the bias. | 
						
						
							|  |   | 
						
						
							|  |      That was how the structure was arrived at.  I was there.  It had | 
						
						
							|  | nothing -- *nothing* -- whatsoever to do with the Drumhead, which I have | 
						
						
							|  | a vague memory was written by Jeri Taylor, who is a friend of mine, and | 
						
						
							|  | further invalidates the very idea. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 19:48:50 -0400 | 
						
						
							|  | Subject: Ninja likely *not* paid for | 
						
						
							|  | 
 | 
						
						
							|  |      Correct; Kawasaki did not pay us a dime to use the bike in the show. | 
						
						
							|  | We called around, to see who would loan us a bike, with the understanding | 
						
						
							|  | that we'd be tearing it apart.  Because Kawasaki does advertise with some | 
						
						
							|  | of the PTEN shows, someone there had a relationship with the company, and | 
						
						
							|  | gave us a name.  After we tried a couple of other companies, we tried | 
						
						
							|  | Kawasaki, and they agreed...not a donated bike, just a loaner.  And | 
						
						
							|  | that's what we used. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 16 Jul 1994 22:16:35 -0400 | 
						
						
							|  | Subject: JMS KBVO Fox 42 does voice ove | 
						
						
							|  | 
 | 
						
						
							|  |      Alas, it ain't no violation.... | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 00:37:14 -0400 | 
						
						
							|  | Subject: CD information | 
						
						
							|  | 
 | 
						
						
							|  |      I'm sure that once the CD rom is out, this info will get distilled | 
						
						
							|  | into various ftp sites. | 
						
						
							|  |   | 
						
						
							|  |                                                                     jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 00:50:45 -0400 | 
						
						
							|  | Subject: JMS: Laserdisks | 
						
						
							|  | 
 | 
						
						
							|  |       I don't at this point know when the series will be out on disk; my | 
						
						
							|  | guess it that it won't happen until a third year, when there will be | 
						
						
							|  | enough at one time to make the transfer process from standard-screen to | 
						
						
							|  | original-format widescreen more financially reasonable; do it all in | 
						
						
							|  | bulk. | 
						
						
							|  |   | 
						
						
							|  |      Ironheart blew out the Omega starfuries. | 
						
						
							|  |   | 
						
						
							|  |      And more money for Caitlin wasn't the problem.  She wants to do | 
						
						
							|  | more feature films as a leading lady, rather than being a face behind a | 
						
						
							|  | mask.  It's that simple. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 04:33:16 -0400 | 
						
						
							|  | Subject: JMS: Explain the Eyes trailer? | 
						
						
							|  | 
 | 
						
						
							|  |      I have nothing to do with the trailers, except to sit in awe and | 
						
						
							|  | astonishment, trying to recognize my episode in the trailer, which is a | 
						
						
							|  | chancy business at best. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 18:21:26 -0400 | 
						
						
							|  | Subject: "Eyes" too much like TNG | 
						
						
							|  | 
 | 
						
						
							|  |      You may want to reconsider your message after you see "Chrysalis." | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 18:21:29 -0400 | 
						
						
							|  | Subject: JMS: Speculation and Copyright | 
						
						
							|  | 
 | 
						
						
							|  |      I guess the point where the line gets crossed is where it goes from | 
						
						
							|  | speculation in the form of a question, to speculation in the form of a | 
						
						
							|  | full-blown story suggestion.  "Maybe what this means is that in a future | 
						
						
							|  | episode, Sinclair will be changed into a large pink fez, which G'Kar | 
						
						
							|  | finds and sells to Londo, who....."  You get the idea. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 17 Jul 1994 21:39:08 -0400 | 
						
						
							|  | Subject: Re: JMS' Real Ghostbusters | 
						
						
							|  | 
 | 
						
						
							|  |      Yeah, I knew Lorenzo Music while we were doing the show, but not | 
						
						
							|  | afterward; we never really hung out or anything.  He's a roundish, | 
						
						
							|  | friendly kind of guy.  We always had to separate him from Frank Welker | 
						
						
							|  | and Maurice LeMarche in the sound studio, because if they were *ever* in | 
						
						
							|  | close proximity, all kinds of hell would break out.  One day they got into | 
						
						
							|  | a competition to do celebrity farts...little Doris Day squibs, a George | 
						
						
							|  | C. Scott roller...we managed to keep it together until Frank let fly with | 
						
						
							|  | his version of a William Conrad thunderer...which went on and on and on... | 
						
						
							|  | windows blew out...buttons flew off shirts...and when it finally came to | 
						
						
							|  | its conclusion, *no one* was able to do *anything* for about twenty | 
						
						
							|  | minutes.  Shut *everything* down.  No one could keep a straight face or | 
						
						
							|  | get a line out.  And Frank just sat there, smiling innocently. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 18 Jul 1994 00:36:32 -0400 | 
						
						
							|  | Subject: Re: "Eyes" too much like TNG | 
						
						
							|  | 
 | 
						
						
							|  |      Re: Sinclair/Garibaldi/Ivanova basically liking each other; this will | 
						
						
							|  | tend to stay, for many reasons.  One of the things that grates on mhy | 
						
						
							|  | nerves about some dramatic TV is that they invent phony tensions and | 
						
						
							|  | reasons for the main characters to bitch at each other, that generally | 
						
						
							|  | don't mean a lot.  Also, we see a lot of conflict in other shows, but not | 
						
						
							|  | a whole lot of what *friendship* means.  And loyalty.  These three are | 
						
						
							|  | friends, as well as co-officers; they will go to bat for one another, will | 
						
						
							|  | if necessary die for one another.  I find that a lovely emotion.  There are | 
						
						
							|  | plenty of others who argue with them, and plenty of other shows in which | 
						
						
							|  | the main characters yell at each other all the time; why not explore the | 
						
						
							|  | other end of the spectrum? | 
						
						
							|  |   | 
						
						
							|  |      I will grant you that this is one of the more idosyncratic parts of | 
						
						
							|  | the show; I have always placed a very high premium on friendship...my | 
						
						
							|  | friends know that they can call me at midnight, and even if they're on the | 
						
						
							|  | other side of the country, or the planet, I'll be there on the first | 
						
						
							|  | plane if they're in trouble.  And I know I can do the same with them.  For | 
						
						
							|  | some reason friendship, and loyalty, have become kind of passe in TV, and | 
						
						
							|  | movies, and many other areas, as I think of it.  So for me, this becomes | 
						
						
							|  | something worth communicating. | 
						
						
							|  |   | 
						
						
							|  |      Bear in mind, though, that after this season, Sinclair goes elsewhere, | 
						
						
							|  | and suddenly there's a new dynamic introduced into the show, which no one | 
						
						
							|  | is entirely sure how to deal with.  It disrupts them, and that is for the | 
						
						
							|  | good, I think, as they try and work it out and decide whether or not they | 
						
						
							|  | can trust one another. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 18 Jul 1994 16:15:30 -0400 | 
						
						
							|  | Subject: JMS: There he goes again <*> | 
						
						
							|  | 
 | 
						
						
							|  |      Hey, a man's gotta have *some* fun.... | 
						
						
							|  |   | 
						
						
							|  |                                                                    jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 18 Jul 1994 16:15:33 -0400 | 
						
						
							|  | Subject: General question on writing fo | 
						
						
							|  | 
 | 
						
						
							|  |      I have never seen *any* scriptwriting seminar that was worth $400 for | 
						
						
							|  | a couple days.  You would be best advised to take that money and buy $400 | 
						
						
							|  | worth of scripts, the best-written scripts you can find.  Read every one of | 
						
						
							|  | them three times.  By the time you have done that, you will have learned | 
						
						
							|  | far more than you could have *ever* learned in any seminar. | 
						
						
							|  |   | 
						
						
							|  |      And I have my own problems with McKee's school of thought as well, | 
						
						
							|  | but that's another story. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 18 Jul 1994 16:45:15 -0400 | 
						
						
							|  | Subject: JMS: WLFLTV 22 Struck by Light | 
						
						
							|  | 
 | 
						
						
							|  |      Boy, those Paramount guys'll stop at nothing, y'know...? | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 19 Jul 1994 00:21:16 -0400 | 
						
						
							|  | Subject: Attn: JMS: Local TV Stations | 
						
						
							|  | 
 | 
						
						
							|  |      We do what we can with the stations, which ain't much.  Regarding | 
						
						
							|  | future stuff...any time information is needed from prior episodes in a | 
						
						
							|  | current episode, that information is *always* restated somewhere in the | 
						
						
							|  | current episode, so it doesn't matter really if you miss a prior episode, | 
						
						
							|  | you can follow it just fine. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 21:39:32 -0400 | 
						
						
							|  | Subject: I want to see some B5 stuff so | 
						
						
							|  | 
 | 
						
						
							|  |      We kinda sat on merchandising for the first year; now there's a bit | 
						
						
							|  | coming out.  Shirts, mugs and stuff from Creation (and others, whose | 
						
						
							|  | names escape me at the moment), a CDROM in the winter from Compton's, a | 
						
						
							|  | CD soundtrack around November, a comic from DC and some original novels | 
						
						
							|  | from Dell (first one by John Vornholt).  Trying to keep it manageable to | 
						
						
							|  | maintain quality control over the stuff. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 21:51:43 -0400 | 
						
						
							|  | Subject: Re: Strong women's roles in "L | 
						
						
							|  | 
 | 
						
						
							|  |      Funny, I kinda thought that Dr. Maya Hernandez in "Believers" was an | 
						
						
							|  | average (in the sense of not being a beauty queen) type person. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 21:53:08 -0400 | 
						
						
							|  | Subject: EA/Babylon 5 Uniforms | 
						
						
							|  | 
 | 
						
						
							|  |      Sinclair and other officers are pure EA military, so they get the | 
						
						
							|  | EA pins on the chest.  (Also the techs wear them in the dome, and others | 
						
						
							|  | in charge of various divisions.)  Security is under the jurisdiction of | 
						
						
							|  | EA, but are a separate component, staffed under B5 financing.  These, and | 
						
						
							|  | medical, and scientific and environmental and other areas have their own | 
						
						
							|  | symbol, which is worn on their chest and shoulder.  You can tell who works | 
						
						
							|  | for EA because they have the EA also on their shoulder, whereas those who | 
						
						
							|  | are employed directly by B5 have the B5 symbol on their shoulder. | 
						
						
							|  |   | 
						
						
							|  |      The patches connote specialization: command is a starburst, lines that | 
						
						
							|  | radiate into every area; security is a gunsight/targeting symbol; medical | 
						
						
							|  | is a stylized medicine symbol, and so on. | 
						
						
							|  |   | 
						
						
							|  |      Sinclair and Ivanova wear their officer's bars on their epaulets; not | 
						
						
							|  | the triangular part per se, but the bars at the very far end of the | 
						
						
							|  | epaulet, below the triangles. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 21:53:11 -0400 | 
						
						
							|  | Subject: Re: SURROUND Sound.....Oh yeah | 
						
						
							|  | 
 | 
						
						
							|  |      Just for clarification, while Chris does a great job on the music, | 
						
						
							|  | the sound mix is done in the studio with our regular sound guys, who do | 
						
						
							|  | the surround mix.  We spend a *lot* of time getting the mix to sound | 
						
						
							|  | just right, to take full advantage of the surround channels.  A lot of the | 
						
						
							|  | credit here goes to George Johnsen, our co-producer, who is an absolute | 
						
						
							|  | perfectionist about this stuff. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 23:33:48 -0400 | 
						
						
							|  | Subject: A thought about psi talents... | 
						
						
							|  | 
 | 
						
						
							|  |      Interesting, innit, how they suddenly blossomed like that...? | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 23:33:51 -0400 | 
						
						
							|  | Subject: Misinformed | 
						
						
							|  | 
 | 
						
						
							|  |      Yes, you're exactly right about the references in Writer's Digest; | 
						
						
							|  | I'd totally forgotten about them. | 
						
						
							|  |   | 
						
						
							|  |                                                                            jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 24 Jul 1994 23:44:54 -0400 | 
						
						
							|  | Subject: Babylon 5 Frequently Asked Que | 
						
						
							|  | 
 | 
						
						
							|  |      What does it do to the grand scheme?  Not much, really...except it | 
						
						
							|  | allows us to broaden out the story and expand the scope of things.  It all | 
						
						
							|  | still proceeds on track. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 25 Jul 1994 01:50:50 -0400 | 
						
						
							|  | Subject: Re: babylon 5 w/o sinclair? | 
						
						
							|  | 
 | 
						
						
							|  |      Re: Patrick McGoohan...this was a thought I had as well at one point, | 
						
						
							|  | but we forget sometimes about the passing of time; #6 is ageless, but | 
						
						
							|  | Patrick is now in his late 60s/early 70s. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 25 Jul 1994 01:50:54 -0400 | 
						
						
							|  | Subject: Season 2 name? | 
						
						
							|  | 
 | 
						
						
							|  |      Overall title for season two: "The Coming of Shadows." | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 26 Jul 1994 00:53:27 -0400 | 
						
						
							|  | Subject: Re: I want to see some B5 stuf | 
						
						
							|  | 
 | 
						
						
							|  |      No model contracts as yet; there have been some inquiries, but I | 
						
						
							|  | don't believe anything's been finalized yet. | 
						
						
							|  |   | 
						
						
							|  |                                                                    jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 26 Jul 1994 00:55:55 -0400 | 
						
						
							|  | Subject: Points of Departure. | 
						
						
							|  | 
 | 
						
						
							|  |      The idea of a Chrysalis II went by the boards once I really got into | 
						
						
							|  | the script, and realized that C1 had tipped over too many tables to even | 
						
						
							|  | HOPE to resolve them in one follow-up episode.  So the threads yanked | 
						
						
							|  | in C1 will be paid off over several episodes, hence no C2; the first | 
						
						
							|  | episode of year two is "Points of Departure." | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 26 Jul 1994 00:56:00 -0400 | 
						
						
							|  | Subject: Re: Voices in the Wilderniss. | 
						
						
							|  | 
 | 
						
						
							|  |      Stuff like wearing gloves is only enforced if you're a member of Psi | 
						
						
							|  | Corps; Allysa wasn't.  In addition, though she had P10 *potential*, the | 
						
						
							|  | talent was sporadic, came and went. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 00:33:38 -0400 | 
						
						
							|  | Subject: Is there an Executive Producer | 
						
						
							|  | 
 | 
						
						
							|  |      My GEnie/Internet gateway was down for the better part of a week; | 
						
						
							|  | all back now. | 
						
						
							|  |   | 
						
						
							|  |                                                                     jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 00:33:41 -0400 | 
						
						
							|  | Subject: Mars & Psi Corps | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, the Psi Corp rep did mention that the Free Mars movement | 
						
						
							|  | has been growing over the years, but that no one knew that they were quite | 
						
						
							|  | this well organized, or well-armed, the sign of a good resistance; not | 
						
						
							|  | that they "didn't know anything about the revolt."  Just a clarification. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 00:33:44 -0400 | 
						
						
							|  | Subject: **JMS: Telepaths (was Voices i | 
						
						
							|  | 
 | 
						
						
							|  |      Yes, the abilities are often discrete; a TK may not be able to | 
						
						
							|  | scan anyone's thoughts. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 03:11:00 -0400 | 
						
						
							|  | Subject: JMS: B5 Editorial: Lamentable | 
						
						
							|  | 
 | 
						
						
							|  |      So in other words 2001 and Blade Runner don't qualify as decent SF? | 
						
						
							|  |   | 
						
						
							|  |      I put this in the "get a life" category.  If seeing a name of a | 
						
						
							|  | product on the back of a wall "consumes the great potential of the | 
						
						
							|  | series," if that's all the person can see...I'm sorry, but that's that | 
						
						
							|  | person's problem, not mine. | 
						
						
							|  |   | 
						
						
							|  |      B5 takes place in the real universe, as much as we can make it such. | 
						
						
							|  | We use language and cultural references that go back hundreds of years. | 
						
						
							|  | One element was for a story point, the other was nominally a gag...deal | 
						
						
							|  | with it.  That's part of our culture too. | 
						
						
							|  |   | 
						
						
							|  |      Basically, for somebody to shitcan an entire series because he | 
						
						
							|  | didn't like a sign he saw in the back of a room...hey, stop watching. | 
						
						
							|  |   | 
						
						
							|  |      You're right; "Star Trek does not do this."  Which is as much | 
						
						
							|  | incentive as anything else to DO it. | 
						
						
							|  |   | 
						
						
							|  |      Yessir...we've certainly seen how Blade Runner and 2001 and the | 
						
						
							|  | Terminator and Alien Nation and Enemy Mine have been ruined for all time | 
						
						
							|  | by such things. | 
						
						
							|  |   | 
						
						
							|  |      And let me add one other thing: we didn't make a dime off that stuff, | 
						
						
							|  | no one paid Babylonian Productions to include it.  How ANYONE can turn to | 
						
						
							|  | me and say with a straight face that this kind of commercialism (done | 
						
						
							|  | twice in one year) will ruin B5 and use STAR TREK -- STAR frigging TREK, | 
						
						
							|  | the single most merchandised, licensed property in the history of | 
						
						
							|  | television -- as an example of SF purity is out of his mind.  It was STAR | 
						
						
							|  | TREK, as noted in Engel's book, and Shatner's as well I believe, that | 
						
						
							|  | stuck an IDIC symbol in in order to merchandise it; it's STAR TREK that | 
						
						
							|  | changed Federation costumes between TNG and DS9 specifically so they would | 
						
						
							|  | have another whole set of costumes to merchandise. | 
						
						
							|  |   | 
						
						
							|  |      On our behalf, we have resisted over-licensing, doing only a little, | 
						
						
							|  | if we can exert quality control.  I have deliberately fought against this | 
						
						
							|  | show becoming a "franchise." | 
						
						
							|  |   | 
						
						
							|  |      We have *nothing* to apologize for.  And I suggest to this person, | 
						
						
							|  | as he sits wearing his Star Trek uniform, and his Star Trek communicator | 
						
						
							|  | pin and his Star Trek phaser, and his Star Trek PJs, beside his collection | 
						
						
							|  | of Star Trek pins, shirts, iron-ons, glow-in-the-dark Kirks and Spocks, | 
						
						
							|  | Enterprise models, books and cutouts...as they say in the bible, take the | 
						
						
							|  | log out of your own eye before you try to remove the splinter from your | 
						
						
							|  | neighbor's eye.  To hold up Star Trek: The Franchise as the model of | 
						
						
							|  | untouched non-commercial purity is the most laughable thing I have heard | 
						
						
							|  | in *years*. | 
						
						
							|  |   | 
						
						
							|  |      "B5 has brought the whole ediface crashing down by the blatant | 
						
						
							|  | inclusion of advertising for commercial products." | 
						
						
							|  |   | 
						
						
							|  |      What the hell do you think Star Trek *IS*?  (Leaving aside the story | 
						
						
							|  | aspects for the moment, as he does for us.)  All the stuff you see on ST | 
						
						
							|  | is for SALE.  Phasers, costumes, enterprises, pointy ears...they are ALL | 
						
						
							|  | "commercial products."  Which makes the show, on one level, one MASSIVE | 
						
						
							|  | advertisement. | 
						
						
							|  |   | 
						
						
							|  |      Look...I got nothing against ST, or against ST licensing it's brains | 
						
						
							|  | out.  I think it's terrific.  But for somebody, ANYbody, to use ST in | 
						
						
							|  | this way as wonderful and free of commercial considerations, and hit US | 
						
						
							|  | in this regard...give me a break. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 03:11:03 -0400 | 
						
						
							|  | Subject: Re: JMS: B5 Editorial: Lamenta | 
						
						
							|  | 
 | 
						
						
							|  |      RE: Coke being more "reasonable" in Blade Runner because it's | 
						
						
							|  | closer...that doesn't seem to be the point of the original post.  It's | 
						
						
							|  | ANY "commercial product" in a show that ruins it.  Extrapolation doesn't6 | 
						
						
							|  | seem to enter into it.  Which is what makes it, in my view, a doofus note. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 03:12:27 -0400 | 
						
						
							|  | Subject: JMS: B5 Editorial: Lamentable | 
						
						
							|  | 
 | 
						
						
							|  |      And just let me underline this again, on the "the sole motivation | 
						
						
							|  | of this is money" (like Paramount produces ST because they think it'll | 
						
						
							|  | cure cancer).... | 
						
						
							|  |   | 
						
						
							|  |      The Babylon 5 production company received no money from either of | 
						
						
							|  | these companies.  Okay? | 
						
						
							|  |   | 
						
						
							|  |      If your "reviewer" is going to start making charges like that, he had | 
						
						
							|  | better learn to get his facts straight. | 
						
						
							|  |   | 
						
						
							|  |      Second, on the notion that current companies won't be around 200 | 
						
						
							|  | years from now...there are companies here in the US that go back to the | 
						
						
							|  | 1700s; there are companies overseas that go back 500 years or more. | 
						
						
							|  |   | 
						
						
							|  |      This is as absurd as saying, in the 1800s, that by gosh, that | 
						
						
							|  | Guiness company in Dublin won't last past the end of the century.... | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 04:17:26 -0400 | 
						
						
							|  | Subject: B5 in Australia, Infection, S& | 
						
						
							|  | 
 | 
						
						
							|  |      "Infection" is definitely not indicative of the season overall; that | 
						
						
							|  | is, in my view, one of our weaker, possibly weakest episodes. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 16:26:23 -0400 | 
						
						
							|  | Subject: JMS: Recasting Na'Toth Rumour | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, no, it's not a rumor; I'd mentioned this some time ago, but | 
						
						
							|  | apparently some didn't see it.... | 
						
						
							|  |   | 
						
						
							|  |      So to repeat: we'd had to replace Mary Woronov with virtually no | 
						
						
							|  | notice after we found that she really had a hard time with the narn | 
						
						
							|  | prosthetics (wouldn't wear the contacts, and other stuff).  In a panic, | 
						
						
							|  | our casting director called in a favor from Caitlin Brown, who is mainly | 
						
						
							|  | a leading-lady type actor.  She came in and, in fact, for the first | 
						
						
							|  | episode (shooting almost immediately afterward) wore a variation of the | 
						
						
							|  | Ko'Dath makeup, because there wasn't time to make one specific to her. | 
						
						
							|  |   | 
						
						
							|  |      She came in without being under the 5-year option that generally | 
						
						
							|  | exists in these situations.  Did one year, about 9 episodes, as Na'Toth. | 
						
						
							|  | And had to turn down a couple of leading-female parts.  During the hiatus, | 
						
						
							|  | she did a romantic lead character in a film with Jack Nicholson and | 
						
						
							|  | Meryl Streep.  And had to ask the hard question: do I continue to grow as | 
						
						
							|  | a romantic lead actor in feature films, or play Na'Toth?  She is a VERY | 
						
						
							|  | gorgeous woman, and felt awkward hiding behind the mask and cutting | 
						
						
							|  | herself out of leading female parts in feature films to do it. | 
						
						
							|  |   | 
						
						
							|  |      We went 'round and 'round about this for some time, it was a very | 
						
						
							|  | difficult decision for her because she likes the show and everyone here, | 
						
						
							|  | but finally opted out.  On one level it's a pain in the butt, but we | 
						
						
							|  | respect her decision.  And it *is* her call, not ours. | 
						
						
							|  |   | 
						
						
							|  |      (Quick aside...pfffttthhpplttt to those who, in their theory that | 
						
						
							|  | Sinclair/O'Hare quit, said that I'd naturally say it was mutual because I | 
						
						
							|  | could never say it was the actors choice because somehow I'd get in | 
						
						
							|  | trouble.  No, I *would* say it if O'Hare had opted out on his own.  And | 
						
						
							|  | in this case, that's exactly what happened.) | 
						
						
							|  |   | 
						
						
							|  |      We didn't recast Sinclair because that character is going somewhere | 
						
						
							|  | from whence he may (and will) return, and because that serves the story; | 
						
						
							|  | in this case, we are recasting Na'Toth.  By the end of season one, Na'Toth | 
						
						
							|  | knows stuff that I need that character, G'Kar's aide, to know.  (Though I | 
						
						
							|  | was briefly tempted to do the Murphy Brown Secretary line, with G'Kar | 
						
						
							|  | getting a new aide every so often due to terrible airlock accidents...but | 
						
						
							|  | I went to lay down for a while and the notion passed.) | 
						
						
							|  |   | 
						
						
							|  |      So no, it's not a rumor, it's quite true.  In fact, we just finished | 
						
						
							|  | up a casting session and found someone who's very right for the part; | 
						
						
							|  | and though we weren't confined to this, is actually about the same height, | 
						
						
							|  | same build, same attitude as Caitlin, and whose voice is very similar.  I | 
						
						
							|  | don't think much difference will be noted in the long run, really. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 16:26:26 -0400 | 
						
						
							|  | Subject: Re: JMS: B5 Editorial: Lamenta | 
						
						
							|  | 
 | 
						
						
							|  |      Yes, you're absolutely right; we have maybe half Trek's budget.  If | 
						
						
							|  | someone said, as you posit, "Here...stick this futuristic Pepsi can in | 
						
						
							|  | the background of one of your episodes, as was done with Enemy Mine, and | 
						
						
							|  | you'll get five hundred thousand dollars you can use to make a better | 
						
						
							|  | show," I'd do it in a hot second.  Absolutely.  Because it would let us | 
						
						
							|  | do bigger, and better, and spiffier episodes, tell even grander stories, | 
						
						
							|  | hire REALLY big-name actors for guest spots...yeah, I'd do it. | 
						
						
							|  |   | 
						
						
							|  |      It's just that it didn't happen *here*. | 
						
						
							|  |   | 
						
						
							|  |                                                              jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 27 Jul 1994 16:57:28 -0400 | 
						
						
							|  | Subject: Re: JMS: B5 Editorial: Lamenta | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, the idea of Zima lasting even into 1995 is hysterical.  I | 
						
						
							|  | keep fighting the urge to have some guy show up on B5, "Zo then I zays to | 
						
						
							|  | him, nize ztation"...and five Narns just jump on him and beat the shit | 
						
						
							|  | out of him, WHAMWHAMWHAMWHAMWHAM! | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 28 Jul 1994 00:25:13 -0400 | 
						
						
							|  | Subject: Legacies Dune refer? | 
						
						
							|  | 
 | 
						
						
							|  |      No, the name was not the same; his title was the Shai Alyt, his name | 
						
						
							|  | was Branmer. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 28 Jul 1994 04:45:09 -0400 | 
						
						
							|  | Subject: Cliffhanger city!  (A Voice in | 
						
						
							|  | 
 | 
						
						
							|  |      I don't recall Ivanova ever telling Sinclair not to go exploring a | 
						
						
							|  | planet; could you give me a reference on that one re: the about-face? | 
						
						
							|  |   | 
						
						
							|  |      Re: showing nothing and thus pondering nothing...hey, it's zen! | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 28 Jul 1994 04:45:11 -0400 | 
						
						
							|  | Subject: Cry ... Spoiler warning, some | 
						
						
							|  | 
 | 
						
						
							|  |      As you will discover in part two, the system on the planet is | 
						
						
							|  | breaking down, malfunctioning; there wasn't a concerted, organized | 
						
						
							|  | attack, it was some automatic systems going on their own.  The alien | 
						
						
							|  | WANTED to get found, that's why his image appeared, beckoning them, and | 
						
						
							|  | asked them for help.  You're composing the problem in terms of an all-out | 
						
						
							|  | offensive; it wasn't.  It was one segment of a system that is breaking | 
						
						
							|  | down. | 
						
						
							|  |   | 
						
						
							|  |      (In general, it's a good idea to check out both parts of a two-part | 
						
						
							|  | episode before making story conclusions; some people have already missed | 
						
						
							|  | the boat bigtime on a few things.) | 
						
						
							|  |   | 
						
						
							|  |      A First Contact situation is one unlike any other: you don't want | 
						
						
							|  | junior officers around to screw it up.  Remember, the Earth/Minbari WAr | 
						
						
							|  | began when a First Contact situation got screwed up.  EA's policy is that | 
						
						
							|  | it's better to risk two people than a full war, and those two people have | 
						
						
							|  | got to be command-level personnel.  Soldiers get killed; it happens.  And | 
						
						
							|  | yeah, you can leave a backup person at the shuttle...but what if *he's* | 
						
						
							|  | the one to make actual first contact?  You're screwed.  Ivanova and | 
						
						
							|  | Sinclair have been trained in this; in "Soul Hunter," Sinclair makes | 
						
						
							|  | reference to the rules of First Contact Protocol.  If you like, I'll | 
						
						
							|  | elaborate on this in some future episode. | 
						
						
							|  |   | 
						
						
							|  |                                                                          jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 28 Jul 1994 04:45:13 -0400 | 
						
						
							|  | Subject: Re: JMS: B5 Editorial: Lamenta | 
						
						
							|  | 
 | 
						
						
							|  |      Do not twist my words around.  I don't like it. | 
						
						
							|  |   | 
						
						
							|  |      When I said that Zima making it to 1995 was "hysterical," I was not | 
						
						
							|  | making fun of people or kids who are or become alcoholics.  I grew up in | 
						
						
							|  | an alcoholic family, and there is *nothing* whatsoever funny in that, nor | 
						
						
							|  | was that intended in my message.  It was strictly a comment about the | 
						
						
							|  | product probably not making it past 1994.  Period.  Don't go off on | 
						
						
							|  | tirades against my message that have nothing to do with what i wrote, and | 
						
						
							|  | then try and blame it on me.  That's not what I said, not what I wrote, | 
						
						
							|  | not what was meant. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 00:34:14 -0400 | 
						
						
							|  | Subject: "Voice in Wilderness" forbiden | 
						
						
							|  | 
 | 
						
						
							|  |      Re: the commander and Ivanova going...remember, this is a First | 
						
						
							|  | Contact situation, and that requires the presence of at minimum one | 
						
						
							|  | command officer under EA regs.  Two is preferred.  You don't want junior | 
						
						
							|  | officers hanging around or taking hostile stances which might provoke | 
						
						
							|  | a fight.  Remember that the last major First Contact situation was with | 
						
						
							|  | the Minbari, which went afoul and gave us the Earth/Minbari War.  EA | 
						
						
							|  | would rather lose two replaceable officers than start another war via | 
						
						
							|  | misunderstanding or a fouled move.  This is a part of their First Contact | 
						
						
							|  | Protocol, referenced in "Soul Hunter."  (I should probably expand upon | 
						
						
							|  | this a bit in future episodes.) | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 00:34:15 -0400 | 
						
						
							|  | Subject: Re: "Voice in Wilderness" forb | 
						
						
							|  | 
 | 
						
						
							|  |      RE: the big bridge shot...the storyboard artist came up with 3 shots | 
						
						
							|  | we could use.  One of them was a wide shot across a crystalline ground | 
						
						
							|  | like area, through which a path can be seen at ground level, but it | 
						
						
							|  | was narrow and still really didn't convey the scale of what I wanted.  One | 
						
						
							|  | other was not much different.  The third was a downshot designed to pull | 
						
						
							|  | back, and though I knew it would make folks say "Krell!", I knwe that it | 
						
						
							|  | was the right shot for that scene, so chose that one and decided to live | 
						
						
							|  | with it. | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 03:38:49 -0400 | 
						
						
							|  | Subject: Reflections on "Voice" (part 1 | 
						
						
							|  | 
 | 
						
						
							|  |      Actually, this was not the first B5 or Sinclair had heard about the | 
						
						
							|  | escalating problem on Mars; remember, that was the main reason that Ben | 
						
						
							|  | Zayn had been sent to B5 in "Eyes," smoking out sympathisers with the | 
						
						
							|  | Free Mars movement. | 
						
						
							|  |   | 
						
						
							|  |      Also, the fissure wasn't created by the quakes; Tasaki mentions it | 
						
						
							|  | was artificial, but nudged open by the tremors. | 
						
						
							|  |   | 
						
						
							|  |                                                                  jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 03:40:14 -0400 | 
						
						
							|  | Subject: Was "Voice" the Season Finale? | 
						
						
							|  | 
 | 
						
						
							|  |      Nope, you've got a few more to go. | 
						
						
							|  |   | 
						
						
							|  |                                                                   jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 03:47:01 -0400 | 
						
						
							|  | Subject: JMS: Re: B-4 and Sinclair | 
						
						
							|  | 
 | 
						
						
							|  |      No commander had yet been assigned to B4; the highest ranking | 
						
						
							|  | command personnel there was Major Krantz, whose job it was to supervise | 
						
						
							|  | construction.  It was barely operational for 48 hours when it blipped out. | 
						
						
							|  |   | 
						
						
							|  |                                                                       jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 29 Jul 1994 05:00:54 -0400 | 
						
						
							|  | Subject: Re: "Voice" (pt 1) quibble (sp | 
						
						
							|  | 
 | 
						
						
							|  |      Re: your suspenders of disbelief becoming unhitched.... | 
						
						
							|  |   | 
						
						
							|  |      You will learn how the alien knows English in the next part of the | 
						
						
							|  | two parter.  (Hint: after all, he's been there for a long while, in a | 
						
						
							|  | high-tech machine...you'd think maybe he could monitor transmissions.) | 
						
						
							|  |   | 
						
						
							|  |      I don't think the Sinclair or Ivanova did automatically believe him; | 
						
						
							|  | but they also had no real reason *not* to believe him.  And granted the | 
						
						
							|  | place was going to hell, quakes and danger.  He wasn't armed, he seems | 
						
						
							|  | rather sick, had to be helped away, almost carried...they won't turn the | 
						
						
							|  | station over to him, they'll keep him isolated on the station, but there | 
						
						
							|  | was no reason *not* to try and help him. | 
						
						
							|  |   | 
						
						
							|  |      How do you know he's a good guy?  You don't.  But he wasn't exactly | 
						
						
							|  | imprisoned in that thing; it was a support, more than anything else, as | 
						
						
							|  | was shown by the fact that they were able to get him out fairly easily. | 
						
						
							|  |   | 
						
						
							|  |      (And yes, your first guess was correct, it is a life support gizmo.) | 
						
						
							|  |   | 
						
						
							|  |      Regards to your suspenders. | 
						
						
							|  |   | 
						
						
							|  |                                                                           jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 01:32:45 -0400 | 
						
						
							|  | Subject: Interesting lines in "Voice" | 
						
						
							|  | 
 | 
						
						
							|  |      It seems to me that every generation thinks that things are | 
						
						
							|  | changing, usually for the worse.  In some cases, they may be right.  The | 
						
						
							|  | B5 story is set at a point in time where things are very much in a state | 
						
						
							|  | of flux.  Every so often, the wheel turns.  Everybody's feeling a sense | 
						
						
							|  | of growing uncertainty, of the chairs being moved around.  They're right. | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 03:57:30 -0400 | 
						
						
							|  | Subject: JMS: Naming Babylon 5? | 
						
						
							|  | 
 | 
						
						
							|  |      Started with the notion of prior stations which hadn't worked out, | 
						
						
							|  | made up a rough timeline, and settled on this being the last attempt, at | 
						
						
							|  | #5. | 
						
						
							|  |   | 
						
						
							|  |                                                                  jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 04:22:44 -0400 | 
						
						
							|  | Subject: JMS:Writing "Voice" | 
						
						
							|  | 
 | 
						
						
							|  |      It was always intended to be a two-parter, and was written that | 
						
						
							|  | way.  Background: the B5 2-hour pilot has done VERY well overseas in | 
						
						
							|  | cassette form.  Many of the prejudices in the american press that caused | 
						
						
							|  | us problems don't exist overseas (it's done *extremely* well in Japan on | 
						
						
							|  | laserdisk, in Germany, and England, among others).  So they asked if we | 
						
						
							|  | could do a two-parter that could be sold as a two-hour episode overseas. | 
						
						
							|  | By all means, sez I.  So I structured it accordingly. | 
						
						
							|  |   | 
						
						
							|  |      Bit of B5 trivia: during the dead of winter last year, I got hit by | 
						
						
							|  | the flu as badly as I've ever been hit.  Temperature so high that I was | 
						
						
							|  | near delerious at times, but refused to go to the hospital (I don't like | 
						
						
							|  | doctors, and I was under deadline and couldn't afford the potential time | 
						
						
							|  | away.)  We're talking mondo sicko here.  It was during this time that I | 
						
						
							|  | wrote "The Quality of Mercy," a script which I have *no* memory of ever | 
						
						
							|  | writing.  I know it's here, and I know I wrote it on an intellectual | 
						
						
							|  | level, but the process...gone in the fever. | 
						
						
							|  |   | 
						
						
							|  |      It was also around this time -- either at the top or bottom of the | 
						
						
							|  | flu, I can't remember now -- that I wrote the "Voice" two parter.  And | 
						
						
							|  | here's the trivia part...this isn't the original two-parter that I wrote. | 
						
						
							|  | My brain already deteriorating, I wrote something that even I could see | 
						
						
							|  | wasn't up to par.  Wrote the entire two-hour script.  Printed it up, and | 
						
						
							|  | gave it to Doug and John.  Before they could even respond, I looked at it | 
						
						
							|  | and decided it had to go.  So I trashed the entire script.  By now we | 
						
						
							|  | were getting very close to pre-production, and I was getting sicker and | 
						
						
							|  | sicker...but I more or less locked myself in my office, swallowed down | 
						
						
							|  | massive amounts of vitamins (as much as my stomach could handle), kept | 
						
						
							|  | forcing down coffee, and wrote 12 hours a day for about six days, after | 
						
						
							|  | which the original draft was finished.  Turned it in; did some mild | 
						
						
							|  | polishes thereafter, but what was filmed was essentially what I turned | 
						
						
							|  | in in first-draft stage.  In this case I do remember some of the process | 
						
						
							|  | because the only way I could focus was to keep the stereo up full blast; | 
						
						
							|  | in the writing of "Quality," it didn't help...I was beyond recall. | 
						
						
							|  |   | 
						
						
							|  |                                                                    jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 04:22:47 -0400 | 
						
						
							|  | Subject: <*> Cryptic message to JMS  8) | 
						
						
							|  | 
 | 
						
						
							|  |      Honest to god, people, I don't know *what* the woman is talking | 
						
						
							|  | about...she's speaking in tongues again.... | 
						
						
							|  |   | 
						
						
							|  |                                                                    jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 04:22:49 -0400 | 
						
						
							|  | Subject: Voice in the Wilderness CGI | 
						
						
							|  | 
 | 
						
						
							|  |      The CGI are definitely getting better.  Year One was more or less | 
						
						
							|  | getting used to the software and learning what was capable.  They've now | 
						
						
							|  | gotten more sophisticated in their use of the equipment, more artistic | 
						
						
							|  | in some ways...and the preliminary renderings I've seen for stuff in the | 
						
						
							|  | beginning of year two is *very* cool.  It has even more of a sense of | 
						
						
							|  | mass, and weight, and solidity. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 19:49:22 -0400 | 
						
						
							|  | Subject: Regarding the Voices 2 GIF fil | 
						
						
							|  | 
 | 
						
						
							|  |      And what, pray tell, is the nature of this unusual gif? | 
						
						
							|  |   | 
						
						
							|  |                                                                        jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 20:16:45 -0400 | 
						
						
							|  | Subject: JMS: San Diego ComicCon Appear | 
						
						
							|  | 
 | 
						
						
							|  |       Thank you for putting this note up; I wanted to post one myself, but | 
						
						
							|  | am still unsure how to send an original message (not a reply) from GEnie | 
						
						
							|  | to Internet.  That said.... | 
						
						
							|  |   | 
						
						
							|  |      In addition to whatever panels I'll be on, I will be doing *two* | 
						
						
							|  | Babylon 5 presentations at the San Diego Comic Con this coming weekend | 
						
						
							|  | (August 7-10).  The first will be that Friday, from 2-4 p.m.  The second | 
						
						
							|  | will be the next day, Saturday, from 11-1. | 
						
						
							|  |   | 
						
						
							|  |      At this point, the only cast member who may or may not be able to | 
						
						
							|  | show up at either panel is Bill Mumy.  No others are planned.  So it may | 
						
						
							|  | be just me at both.  The presentations will be a bit different on the | 
						
						
							|  | two days, but I think the one Saturday may be more interesting if you can | 
						
						
							|  | only attend one.  Will probably show the blooper reel (two, actually, one | 
						
						
							|  | on each day), and a previously unseen episode will be debuted. | 
						
						
							|  |   | 
						
						
							|  |      One advisory: at just about every con I've attended and done this | 
						
						
							|  | kind of presentation, the B5 items tends to wind up as either the most | 
						
						
							|  | heavily attended event, or close to it.  So if anyone's going, you may want | 
						
						
							|  | to show up a bit early to make sure you get a decent seat.  Also, I tend | 
						
						
							|  | to show up a bit early myself, to make sure the video equipment and stuff | 
						
						
							|  | is working correctly, and hang out; sometimes I say stuff I can't say in | 
						
						
							|  | front of a larger group.  (Those who were at the Chicago ComicCon on the | 
						
						
							|  | first day can verify this one.) | 
						
						
							|  |   | 
						
						
							|  |                                                               jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 30 Jul 1994 20:18:09 -0400 | 
						
						
							|  | Subject: JMS:questions, queries, posers | 
						
						
							|  | 
 | 
						
						
							|  |      The Psi question I can't answer at this point in time. | 
						
						
							|  |   | 
						
						
							|  |      Jumpgate travel usually requires a few days within hyperspace, | 
						
						
							|  | if you're going a LONG distance (say, Earth to B5).  Only a few minutes | 
						
						
							|  | if you're going to a local gate.  That's time outside hyperspace; the | 
						
						
							|  | span seems less when you're inside hyperspace. | 
						
						
							|  |   | 
						
						
							|  |                                                                      jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 31 Jul 1994 02:14:59 -0400 | 
						
						
							|  | Subject: Re: Regarding the Voices 2 GIF | 
						
						
							|  | 
 | 
						
						
							|  |      It's a duck.  Yes, why, of course it's a ducky.  Why would I think | 
						
						
							|  | anything else?  What a silly question. | 
						
						
							|  |   | 
						
						
							|  |      It's a duck.  A texture mapped metallic duck coming out of a | 
						
						
							|  | jumpgate. | 
						
						
							|  |   | 
						
						
							|  |      A duck.  Of course.  A duck. | 
						
						
							|  |   | 
						
						
							|  |      * | 
						
						
							|  |   | 
						
						
							|  |      AAAAUUUUUUUUUUGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHHH! | 
						
						
							|  |   | 
						
						
							|  |      * | 
						
						
							|  |   | 
						
						
							|  |      (I wanna see it...and I wanna see it now.) | 
						
						
							|  |   | 
						
						
							|  |                                                                         jms | 
						
						
							|  | 
 | 
						
						
							|  | From: straczynski@genie.geis.com | 
						
						
							|  | Date: 31 Jul 1994 17:50:01 -0400 | 
						
						
							|  | Subject: > >  JMS: Are You Going to Con | 
						
						
							|  | 
 | 
						
						
							|  |      No plans currently to go to WorldCon because a) we'll be in the | 
						
						
							|  | midst of filming, and b) we haven't got a chance against Jurassic Park | 
						
						
							|  | anyway. | 
						
						
							|  |   | 
						
						
							|  |                                                                            jms | 
						
						
							|  | 
 |