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| This text is compiled from posts by J. Michael Straczynski on the Usenet
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| group rec.arts.sf.tv.babylon5. This document contains material Copyright
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| 1994 J. Michael Straczynski. He has given permission for his words to be
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| redistributed online, as long as they are marked as being copyright JMS.
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| This document, as well as other Babylon-5 related material, is available
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| by anonymous FTP at ftp.hyperion.com.
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From: straczynski@genie.geis.com
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Date: 2 Jul 1994 23:58:42 -0400
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Subject: DC Comics B5?
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We are trying to keep the B5 comic part of B5 continuity and canon,k
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though without the requirement that you have to read it to follow the
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show, because that would be vastly unfair. It just *fits*. I.e., we
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establish a prior relationship with a woman on Mars for Garibaldi, and she
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can show up in flashbacks in the book, or in the present. And yes, there
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is complete freedome to use Sinclair in the books since he's not entirely
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gone from the storyline at all, and still will carry a part.
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jms
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From: straczynski@genie.geis.com
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Date: 2 Jul 1994 23:58:45 -0400
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Subject: JMS: hidden allusions and tips
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I think maybe 45-50% of our subtext and allusions have been noted
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to date, which is *real* good.
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jms
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From: straczynski@genie.geis.com
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Date: 4 Jul 1994 01:57:27 -0400
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Subject: Violence-question for JMS
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No, so far the bullet-counters haven't much noticed
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B5, though they will in time, I'm sure.
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jms
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From: straczynski@genie.geis.com
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Date: 4 Jul 1994 01:57:30 -0400
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Subject: Londo based on Brother Theodor
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Actually, no, Londo was not based on Brother Theodore, who I only
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discovered some time later on Letterman. But Harlan and Peter David
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mentioned at the panel that Brother Theodore could make a swell brother
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for Londo in some episode, so this is something I may consider....
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jms
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From: straczynski@genie.geis.com
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Date: 4 Jul 1994 01:57:33 -0400
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Subject: JMS TV 31 cutting previews & c
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Will refer this to Warner Bros. programming on Tuesday. Thanks.
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jms
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From: straczynski@genie.geis.com
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Date: 4 Jul 1994 04:58:33 -0400
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Subject: JMS: Do the actors know?
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Some of the actors know a bit of what will happen well down the
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road; some know what will happen during any given season; some don't want
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to know *anything*, just find it out during shooting. None of them knows
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the full story. And none have asked. I think the concern there is that
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they might begin playing the *result* rather than the process, that this
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prior knowledge might color their current performance, rather than making
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it a clean evolution.
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Sometimes it gets wonky. We filmed "Chrysalis" twelfth in shooting
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order, to air twenty-second. Part of the setup to "Chrysalis" is "Signs
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and Portents," which shot 4 episodes later. Meaning the actors had to
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act familiar with elements they hadn't performed yet, and hadn't seen yet
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in script form. So in that case, I had to sit down and explain what the
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various aspects of "Chrysalis" meant, and where we were going, for it all
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to play. Later, when "Signs" was published in-house, they got to see in
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more detail how the setup fit in with the payoff.
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If asked, I would probably try to refrain from telling any of the
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actors the full story. Let me rephrase: I simply wouldn't do it. If they
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would ask where their individual character is going -- and some have --
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what I do is give them the general arc, but leave out a lot of specifics.
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For instance, Peter knows *in general* that his character is going in a
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darker direction, but not how he's going to get there or what it means to
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the overall story. And that, I think, is as it should be.
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Thus far, only three people other than myself have read the synopsis
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of the full five-year arc, which is 3 people more than I'm comfortable
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with. (One of them is Larry DiTillio, whose response was simply, "You're
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out of your fucking mind. You've *got* to be out of your fucking mind to
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think you can even TRY and do this on TV." Which seemed a pretty fair
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appraisal of the situation.)
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jms
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From: straczynski@genie.geis.com
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Date: 4 Jul 1994 04:58:35 -0400
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Subject: a question
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"How did Sinclair's duck thing get started?"
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Probably by watching an attractive woman walk across the room.
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jm(quack in residence)s
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From: straczynski@genie.geis.com
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Date: 5 Jul 1994 05:27:44 -0400
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Subject: Re: JMS: hidden allusions and
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Though you're correct about the shape of the EA symbol being a bit
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reminiscent of the Star of David...that wasn't the intent going in. We
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took the letter A, stretched it out, put a stylized E over it, and got the
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basic silhouette. The rest is happenstance.
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jms
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From: straczynski@genie.geis.com
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Date: 5 Jul 1994 05:27:46 -0400
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Subject: ATTN JMS: Re-The Best CGI Crea
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Yeah, the Feeder is pretty cool; wrapped up Foundation's rendering
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machines for the better part of a week just to pull that one off. Alas,
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I really can't give out their address, as they'd hurt me badly.
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jms
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From: straczynski@genie.geis.com
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Date: 5 Jul 1994 05:27:48 -0400
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Subject: JMS - yet another small questi
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The bays are called Cobra Bays because that's kind of the shape of
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the bays from the outside as they wrap around the front, round part of the
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station (narrow at one end, flaring out big at the other). The name
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refers to the look of the place, not what's stored inside.
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Will definitely keep on...well, spacin'....
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jms
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From: straczynski@genie.geis.com
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Date: 5 Jul 1994 05:27:50 -0400
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Subject: Q: Naranek
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Aliens with two names: Kosh Naranek (not used yet in the show, but
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it's there), Londo Mollari, Vir Cotto. Single names: Delenn, Lennier.
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Composite names: Ko'Dath, Na'Toth, G'Kar.
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jms
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From: straczynski@genie.geis.com
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Date: 5 Jul 1994 05:27:53 -0400
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Subject: JMS: Queries
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No, the dominant belief system in PoD is that there IS no dominant
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single belief...except our willingness to tolerate our diversity.
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Have never seen any Gundam, so no, no influence there.
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jms
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From: straczynski@genie.geis.com
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Date: 6 Jul 1994 00:47:24 -0400
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Subject: Info gleaned from Chicago Comi
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Minor correction: the first B5 comic issue, "In Darkness Find Me,"
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is the flip side of "Points of Departure," not "Midnight."
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jms
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From: straczynski@genie.geis.com
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Date: 6 Jul 1994 02:59:44 -0400
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Subject: What makes B5 different and sp
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Patrick: a truly excellent and well-thought out presentation.
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jms
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From: straczynski@genie.geis.com
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Date: 6 Jul 1994 02:59:46 -0400
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Subject: What makes B5 different and sp
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Actually, one follow-up...one thing we've been very careful about is
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that when something is referenced in episode 9 that took place in episode
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3, you don't *have* to have seen episode 3 for it to make sense; the
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information you need is collapsed or somehow incorporated into the dialogue
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in episode 9. Meaning that while VCRs and repeated viewings and groups
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can help to *predict* stuff, you don't need to have seen ANY prior episodes
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of the show to enjoy any one episode of the show.
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But the *more* you watch, the more you get out of it.
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jms
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From: straczynski@genie.geis.com
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Date: 6 Jul 1994 03:10:57 -0400
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Subject: points of view in B5 storyboar
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If a story takes place in present tense, we can shift POVs around a
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bit; in the case of "Sky," we were *specifically* dealing with Sinclair's
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memory of events, thus limiting us to his POV.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 00:25:50 -0400
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Subject: Re: Grail SPOILERS
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Actually, no, the "forgery" story with the elderly couple didn't
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hold up, because repeating the steps they took didn't replicate the
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other crop circles. The stalks are bent, never broken, a counter-
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clockwise section beneath a clockwise section, the stalks continue to
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grow, and the bend seems more from heat than pressure. The forgery story
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was itself a fake, and has been largely discredited. Not to say that
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there isn't some other way of doing it, but that ain't it, and thus far,
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no one has been exactly capable of duplicating a proper crop circle.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 00:46:14 -0400
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Subject: Spioilers for "Quality of Merc
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...awwwkkk...don't ever do that to me again...awwwkkkk!
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jm(thud!)s
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 00:47:40 -0400
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Subject: Transport MARY CELESTE ?!
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Yeah, it was a bit of *really* perverse humor...Jinxo survives all
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five Babylon stations, and leaves thinking all is well...on a ship named
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the Marie Celeste?
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We're a sick bunch, but we're fun.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 03:38:54 -0400
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Subject: Re: ATTN JMS: Re-The Best CGI
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Does someone get shot in something other than the shoulder?
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Oh, yes...most definitely....
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 03:38:57 -0400
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Subject: Re: Info gleaned from Chicago
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The comics series is free to bop forward and backward in time, all
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over the B5 universe, wherever the writer wants to take it.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 04:01:50 -0400
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Subject: Re: What makes B5 different an
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Correct; the title of "The War Prayer" is a nod to Twain's piece of
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the same name, which should be ready by *everyone*. Given the growing
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problems with illiteracy, I try to refer not to pop society so much, as
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to literature...Tennyson, Twain, even writers whose last names don't
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begin with T.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 17:49:51 -0400
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Subject: Femme Fatales Article Cancelle
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Your information is behind the times; Femme Fatales magazine ran
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a piece on the Women of Babylon 5 quite some time ago.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 17:49:53 -0400
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Subject: jms: TRG songs?
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Yeah, I wrote all the lyrics for the songs in "The Halloween Door,"
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including Egon's piece, and the lyrical (without music) goodbye to Poe,
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Bradbury and the rest. I've written a few songs here and there, a couple
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of which have actually been recorded, but I won't tell you where.
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 17:49:56 -0400
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Subject: JMS: D.C. Fontana? (+ a flame)
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Dorothy is not exclusive to any other project, so there is every
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reason to expect to see more B5 from her next season (and, in fact, she
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is writing one now).
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jms
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From: straczynski@genie.geis.com
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Date: 8 Jul 1994 17:49:58 -0400
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Subject: Re: DiTillo at Westercon 4/2
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I've conveyed as much of this discussion as I can, never having seen
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the original posting for some reason, to Larry DiTillio, and he is very
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upset about it, feeling that many of his comments have not been represented
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accurately or have been taken out of context. As far as the stations are
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concerned...it's the stations that are in partnership with Warners to form
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PTEN. PTEN "guidance" comes from the Executive Committee, which is a few
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representatives of that group.
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Every network show ever produced must have casting of regulars
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approved by the network. Ditto with the company that creates a
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syndicated show (usually the studio). It is the simple process of
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running the name or names past someone, for their approval, which is
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almost always assured unless the person is *very* controversial or just
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not right for the part. Every show ever produced goes through this
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process, and it is exactly the same with B5. We proposed the names for
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our cast, and they were approved. It's as basic as that. If Larry
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grumped a bit, it was because he was in the process of trying to pass a
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kidney stone at the time, which always makes him cranky.
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jms
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From: straczynski@genie.geis.com
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Date: 9 Jul 1994 02:11:46 -0400
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Subject: JMS: Voting Procedure of Coun
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We didn't have the League of Non-Aligned Worlds up and running for
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the pilot. They get one vote, determined by majority decision. EAch
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mamber of the main Advisory Council gets one vote, equal to that.
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In "Deathwalker," you had one abstention (Kosh), two to try her
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(EA and League), and three against the trial (Narns, Centauri and
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Minbari). Abstentions don't count either way in such a vote; it's the
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negatives vs. the positives, and there were more no's than yes's.
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jms
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From: straczynski@genie.geis.com
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Date: 9 Jul 1994 04:06:14 -0400
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Subject: Re: DiTillo at Westercon 4/2
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Once again, some of this is getting distorted. We are looking for
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the best person to play this new role. Once we decide who it is we want,
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we will run this past PTEN for their approval. It is nothing more or
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less than this. Bostwick, who I personally very much wanted to work with,
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was NOT -- repeat, *not* -- turned down by PTEN. We courted him for a
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bit, but in the final analysis he decided that he didn't want to do a
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syndicated series. We have only this week, for the first time, formally
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presented the name of a prospective actor to PTEN.
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As stated, Larry was in considerable discomfort due to a kidney
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stone, and has been more or less out of the loop, due to working on his
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first script and not formally beginning his term yet as story editor for
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this season. As one example of this...the line that Sinclair will not be
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seen until *after* the second season is also incorrect. We have already
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shot a sequence with Sinclair, which is slated for the second season.
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Larry is very bothered about how this is being distorted, and he told me
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to remind certain people that he specifically said that if any of this
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turned up on the nets, he would find the person responsible, go to their
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home and kill them. Granted, he was on painkillers at the time, but *I*
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certainly wouldn't push it.
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jms
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From: straczynski@genie.geis.com
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Date: 9 Jul 1994 04:06:17 -0400
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Subject: JMS: Minbari Worrior Casts
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Well, we'll be learning more about the warrior caste, that most
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definitely...as for the worrior castes...they're really a bunch of
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downers. "Look, the economy, it's in trouble again...Earthers, hoo boy,
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what a pain they're going to be, we don't want they should move in next
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door, you see how they make noise...is there something on my nose?"
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jms
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From: straczynski@genie.geis.com
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Date: 9 Jul 1994 23:53:54 -0400
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Subject: JMS: opening sequence changes
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I will be better able to comment on changes in the opening montage
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after we have made them.
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jms
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From: straczynski@genie.geis.com
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Date: 9 Jul 1994 23:53:56 -0400
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Subject: EYES <possibly spoilers>
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As story editor, Larry's job is to get it right as much as possible,
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and keep the dialogue natural to the characters once created. He's good
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at this, which is why I work with him.
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And yes, Janet is a *great* director, and will probably do the first
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episode of year two for us. We think she's nifty.
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jms
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From: straczynski@genie.geis.com
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Date: 11 Jul 1994 15:27:34 -0400
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Subject: Reflections on "Grail"
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John Flinn, who is our DP, has at various times also been an actor,
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and so we used him to play Mr. Flinn in the episode as well. A cameo by
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yet another member of our talented and multifaceted production team.
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jms
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From: straczynski@genie.geis.com
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Date: 11 Jul 1994 15:35:46 -0400
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Subject: A problem with S&P
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I hate to burst your bubble, but the Raider ship *was* rotating.
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Look at it again. It's most visible when the ship is being photographed
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from behind with B5 in the background. You can see the round part of the
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ship rotating (with the docking bay at center).
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jms
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From: straczynski@genie.geis.com
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Date: 11 Jul 1994 19:27:53 -0400
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Subject: B5 Ratings
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Just a couple points on the ratings cited...the reruns which were
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being broadcast at that time (and reruns get lower numbers anyway) were
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being killed by the NBA playoffs and finals, which were going on in the
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same timeslot. (Actually, throughout June, everybody was getting hit to
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some degree; we got it worse because we were at 8 in many markets opposite
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the NBA, but it ain't that much of a difference.)
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From the overnights on "Grail," we're pretty much back where we
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were prior to reruns, a definite jump upward...an increase of about two
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ratings points.
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Cost-wise, btw, we're about the same price as "Kung Fu," so there
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isn't much difference in that respect.
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jms
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From: straczynski@genie.geis.com
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Date: 12 Jul 1994 00:32:11 -0400
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Subject: Update to Babylon 5 Dictionary
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Re: no entry for the O...Ombuds.
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jms
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From: straczynski@genie.geis.com
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Date: 12 Jul 1994 00:51:10 -0400
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Subject: JMS:Re: Second Vorlon
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If you ever *do* see a group of Vorlons on this show...run like hell.
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jms
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From: straczynski@genie.geis.com
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Date: 12 Jul 1994 01:09:21 -0400
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Subject: JMS: Please, NOOOOOOO!
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This is getting vastly misrepresented. What we're doing, which is
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something I noted here a long time ago, is trying to balance stuff a
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little. We did a *great* job, I think, creating the alien characters; so
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much so that our human characters kinda got short shrift over the course
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of the first season. Year Two will show us a bit more of the humans on
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the station; that is NOT the same as downplaying the aliens, and we're
|
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most emphatically NOT doing that. In point of fact, *all* of the major
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alien characters will be appearing (by contract) in more episodes than
|
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was the case last year. Even the diplomatic attaches like Vir and Lennier
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go from 6-7 episodes last year to 13 this coming year.
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jms
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From: straczynski@genie.geis.com
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Date: 12 Jul 1994 01:10:48 -0400
|
|
Subject: Attn: JMS What do you want?
|
|
|
|
We'll continue to work at intensifying the relationships across
|
|
the coming episodes. "Eyes" does a lot, as do several more upcoming
|
|
episodes.
|
|
|
|
As for "What do you want?" Morden...yes, he is a very significant
|
|
character, and yes, you will be seeing him again.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Jul 1994 01:12:13 -0400
|
|
Subject: Babylon 5 Filk Singers to Hono
|
|
|
|
Elena...with all due respect...you were a Nazi in a previous life,
|
|
weren't you?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Jul 1994 02:16:16 -0400
|
|
Subject: Who founded the Babylon Projec
|
|
|
|
David...what an absolutely wonderful, wonderful, wonderful, wonderful
|
|
question.
|
|
|
|
I think I'll answer this in an episode next season.
|
|
|
|
It's something that I've known, and just filed away, but yeah, this
|
|
should be dealt with. And I'll do so. (Though now you have to wait to
|
|
see it on TeeVee.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Jul 1994 18:05:59 -0400
|
|
Subject: Uniforms
|
|
|
|
Your initial appraisal of the uniforms seems correct.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Jul 1994 21:47:44 -0400
|
|
Subject: Misinformed
|
|
|
|
The way to defuse your potted pal is as follows:
|
|
|
|
1) DS9 is a direct spinoff of TNG, which is owned by Paramount.
|
|
No one could pitch a ST spinoff elsewhere.
|
|
|
|
2) DS9 was created by Berman/Pillar, who were under contract to
|
|
Paramount working on TNG, and thus would not have pitched it to Warner
|
|
Bros. at any time.
|
|
|
|
3) B5 dates back to 1987. If he would like to see some sneaky
|
|
references to it in print, tell him to go check out a copy of OtherSyde,
|
|
my second novel, published in around 1990, which contains a reference to
|
|
Babylon 5. Also, if he has a bunch of old Starlogs, if he wants to check
|
|
in around 1988, he will find an interview with me in which one of the
|
|
things mentioned is that I'm working to sell a show called Babylon 5. A
|
|
final reference to B5 is in an episode of Captain Power called "Final
|
|
Stand," which I slipped in for funsies.
|
|
|
|
Your potted (to use your phrase) pal's obstinate opinions are
|
|
irrelevant; the facts, in hard print, speak for themselves. He's got
|
|
things in reverse; B5 was pitched to Paramount in 1989; DS9 was never
|
|
pitched to Warners.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Jul 1994 21:47:47 -0400
|
|
Subject: Re: JMS' Real Ghostbusters
|
|
|
|
I believe the episode in question (yes, one of mine) was entitled
|
|
"Take Two," and ended with actual footage of the movie.
|
|
|
|
The wonderful part about that episode of TRGBs -- and this is
|
|
something I kinda aimed at while writing it -- is that there are now
|
|
whole bunches of kids out there who are absolutely *convinced* that the
|
|
animated series came first, THEN the movie based on it.
|
|
|
|
The only thing better than messing with somebody's sense of reality
|
|
is messing with a whole LOTTA people's sense of reality....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Jul 1994 01:11:07 -0400
|
|
Subject: Question about Sinclairs statu
|
|
|
|
Is it a conflict of interest...yes and no. Sinclair functions much
|
|
as a military governor in, for instance, California's past. Someone in
|
|
this position may speak on behalf of his government with neighboring
|
|
countrires, and represent others. Does it sometimes lead into a conflict
|
|
of interest? Yes. Is it sometimes unfair? Yes. Which is kinda like
|
|
life, and that's why I rather like putting him in an awkward position.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Jul 1994 04:09:38 -0400
|
|
Subject: Thanks and praise!
|
|
|
|
jeremy: thanks.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Jul 1994 04:17:45 -0400
|
|
Subject: JMS: .plan files
|
|
|
|
Email between folks is the best way to discuss story ideas; I think
|
|
someone here put together a big list of folks doing it.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Jul 1994 04:30:23 -0400
|
|
Subject: Re: Religion
|
|
|
|
Kevin is correct, I'm an atheist. I'm also a human. Part of my
|
|
job (such as it is) is to try to come up with aliens that are at least
|
|
fairly realistic, and treat them with respect. How then is it any
|
|
different for an atheist to treat religion with respect? Particularly
|
|
when that is all that most atheists request from religionists...that we
|
|
be treated with respect (as opposed to our good old pal George Bush, who
|
|
at a Chicago airport news conference, said in answer to a question that
|
|
he didn't think atheists could really be considered patriots since this
|
|
is supposed to be one nation under god).
|
|
|
|
Many people seem to have commented here on the notion that it is
|
|
remarkable to see an atheist treating religion as much as it gets treated
|
|
here, and as well as it gets treated here. As Kevin originally pointed
|
|
out in his note, we deal with the issue a *lot*, generally in positive
|
|
ways. I don't think it's remarkable at all. A writer's job is to be
|
|
honest, and try to avoid skewing stories to meet some personal agenda.
|
|
Religion has been with us for thousands of years, and it ain't going
|
|
away tomorrow or the day after or in the next 250 years. Individual
|
|
religions may come and go, but the totality of it...no. Won't happen.
|
|
|
|
In addition, on one level it must be respected, if I chose privately
|
|
to disagree with it: it is one more reflection of humanity's desire, its
|
|
need to understand the universe around us. Early man was stunned by the
|
|
sheer wonder of the world around us, stumbled for some way to explain it
|
|
...and, not being able to lay one's hand on a microscope, or an atom
|
|
smasher, or a copy of the Origin of Species, turned to the only tools
|
|
around at the time. The instinct, to explain stuff, is exactly the same
|
|
instinct that drives any scientist or rationalist; only the methodology
|
|
and means of codification vary. The religious explanation remains
|
|
carved in stone (or tablets), where the scientific explanation is in a
|
|
constant state of re-examination and flux. But the intent behind both
|
|
is the same.
|
|
|
|
I do not tolerate religious extremists. Neither do I tolerate
|
|
atheist extremists. This nation was forged in the fires of diversity,
|
|
and it is in a multitude of voices that you can hear the true sound of
|
|
this nation. Or, put slightly differently....do unto others as you would
|
|
have them do unto you.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Jul 1994 05:49:42 -0400
|
|
Subject: Re: ATT: JMS - Happy Birthday!
|
|
|
|
...bah, humbug....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 01:25:05 -0400
|
|
Subject: Question for JMS, Re: Mind War
|
|
|
|
Some of the events in "Mind War" are significant indeed.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 03:43:32 -0400
|
|
Subject: Who is JMS?
|
|
|
|
I often find myself wondering the same thing sometimes....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 03:43:35 -0400
|
|
Subject: Re: Light Brigade
|
|
|
|
My original thought there was Tennyson, but I was also aware of the
|
|
song, which I like as well.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 16:16:15 -0400
|
|
Subject: "Voice"...
|
|
|
|
The preview seen for next week is not for "Voice," but for
|
|
"Legacies," which airs just prior to "Voice."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 16:16:20 -0400
|
|
Subject: JMS: A Starfury Question
|
|
|
|
I believe they are used to control the thrust coming out of the
|
|
engines.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 16:47:56 -0400
|
|
Subject: JMS: "Eyes" Nods and Questions
|
|
|
|
Will have to ask Larry about Interweb, but it could easily have been
|
|
a reference.
|
|
|
|
The masks were the basic (though somewhat modified) tragedy and
|
|
comedy masks, associated with theater. And a couple of times, Ivanova's
|
|
mother does use the Russian nickname for her as well as the English
|
|
version. Susan was taught and raised to a large extent overseas, and
|
|
they always tried to keep her in both worlds.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 16:56:08 -0400
|
|
Subject: Re: *REALLY* Bad Previews
|
|
|
|
Warners sometimes feels the need to "enhance" the shows through the
|
|
promos...and sometimes they enhance them right into an alternate
|
|
dimension....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 14 Jul 1994 16:56:11 -0400
|
|
Subject: Reflections on "Eyes" (SPOILER
|
|
|
|
Yes, Psi Corps members must wear the Psi symbol at all times when
|
|
in public. (Though since Grey was there undercover, that briefly went
|
|
by the boards.)
|
|
|
|
And we've rebuilt the forced perspective in the central corridor for
|
|
year two, using a 3D construction rather than a matte, and it looks a
|
|
hell of a lot better.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Jul 1994 00:46:44 -0400
|
|
Subject: Eyes--maybe a 5. JMS a child o
|
|
|
|
Sorry, but I don't agree with you about the characters being one
|
|
dimensional. (Big surprise.) Londo...sometimes comic figure, sometimes
|
|
tragic figure, in later episodes sometimes hero, and later still,
|
|
something much darker. G'Kar...much the same, but never at the same
|
|
time.
|
|
|
|
As far as government types go...in the episode you cite, we show a
|
|
Psi Corp rep who was *not* an evil type or an asshole. In "Survivors" we
|
|
showed a government agent -- the head of presidential security -- who was
|
|
in fact not a baddie at all. Had some issues, but was at heart okay.
|
|
|
|
I could point to the Soul Hunter, who was doing what he believed was
|
|
right, which others believed was a horror. I could point to "Believers,"
|
|
which was nothing BUT shades of grey.
|
|
|
|
How can you say that the show demonstrates all government employees
|
|
as being evil or stupid when, after all, our main human characters are
|
|
themselves employees of the government?
|
|
|
|
I could go on and on and on...but don't really see much point to it.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Jul 1994 00:46:48 -0400
|
|
Subject: JMS: Grey's Psi rating?
|
|
|
|
Mr. Grey would've been a P10. PsiCops are P12s.
|
|
|
|
PsiCorps administrators at the upper reaches are P11 or better.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 00:10:03 -0400
|
|
Subject: JMS - Credits: An idle questio
|
|
|
|
Credits are negotiated by agents. Starring is basically that, your
|
|
main stars appearing in every episode; also starring are recurring cast
|
|
members; with refers to recurring cast who are pointed to specifically.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 03:40:06 -0400
|
|
Subject: Ed Wasser
|
|
|
|
Guerra was one of the dome techs, who worked down in the pit during
|
|
the Vorlon attack, and during the explosion sequence.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 03:46:58 -0400
|
|
Subject: ATTN JMS: The Ride
|
|
|
|
Yes, in season two, we'll be seeing a lot of the jumpgates from up
|
|
close, and straight through.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 19:15:13 -0400
|
|
Subject: JMS: Speculation
|
|
|
|
It's happened a few times, when someone's speculated too close to a
|
|
coming story, and for reasons of concern over lawsuit, I've dropped it.
|
|
So far it's only involved smaller B stories, but it has its moments of
|
|
inconvenience, yes.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 19:48:49 -0400
|
|
Subject: Re: Drumhead parallels
|
|
|
|
Brett has already uploaded some of my comments from elsewhere on this
|
|
topic. Let me only emphasize some stuff here. As stated, Larry never
|
|
SAW the Drumhead. We generally make it a point NOT to watch what's done
|
|
on ST to avoid being influenced. Second, the basic ending which you feel
|
|
is strictly ST's can be seen in the Caine Mutiny, A Few Good Men and
|
|
others. "Eyes" was a direct consequence of all that preceded it in our
|
|
first season. It came about because Larry suggested that with all that
|
|
Sinclair has done, sooner or later somebody's going to take notice back
|
|
on Earth. There would have to be some kind of investigation. Because
|
|
we are doing some very specific things with the Psi Corps this year and
|
|
next, which I wanted to foreshadow, a PC telepath was inserted into the
|
|
story, to show that they are starting to get a foothold into the military,
|
|
with new laws concerning scans.
|
|
|
|
We knocked the story back and forth for some time, and it went through
|
|
many different permutations. We also figured that the episode should be
|
|
kind of a Cliff's Notes guide to season one, hitting the high points for
|
|
those who joined the series later than those who were here at the
|
|
beginning. The ending also went through various changes, but what made the
|
|
most logical sense was to get the Colonel to admit bias in some fashion or
|
|
another...and the only way to do this really was to get him so angry, so
|
|
furious, that he'd incriminate himself enough, or open the door enough for
|
|
Mr. Grey to verify the bias.
|
|
|
|
That was how the structure was arrived at. I was there. It had
|
|
nothing -- *nothing* -- whatsoever to do with the Drumhead, which I have
|
|
a vague memory was written by Jeri Taylor, who is a friend of mine, and
|
|
further invalidates the very idea.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 19:48:50 -0400
|
|
Subject: Ninja likely *not* paid for
|
|
|
|
Correct; Kawasaki did not pay us a dime to use the bike in the show.
|
|
We called around, to see who would loan us a bike, with the understanding
|
|
that we'd be tearing it apart. Because Kawasaki does advertise with some
|
|
of the PTEN shows, someone there had a relationship with the company, and
|
|
gave us a name. After we tried a couple of other companies, we tried
|
|
Kawasaki, and they agreed...not a donated bike, just a loaner. And
|
|
that's what we used.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Jul 1994 22:16:35 -0400
|
|
Subject: JMS KBVO Fox 42 does voice ove
|
|
|
|
Alas, it ain't no violation....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 00:37:14 -0400
|
|
Subject: CD information
|
|
|
|
I'm sure that once the CD rom is out, this info will get distilled
|
|
into various ftp sites.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 00:50:45 -0400
|
|
Subject: JMS: Laserdisks
|
|
|
|
I don't at this point know when the series will be out on disk; my
|
|
guess it that it won't happen until a third year, when there will be
|
|
enough at one time to make the transfer process from standard-screen to
|
|
original-format widescreen more financially reasonable; do it all in
|
|
bulk.
|
|
|
|
Ironheart blew out the Omega starfuries.
|
|
|
|
And more money for Caitlin wasn't the problem. She wants to do
|
|
more feature films as a leading lady, rather than being a face behind a
|
|
mask. It's that simple.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 04:33:16 -0400
|
|
Subject: JMS: Explain the Eyes trailer?
|
|
|
|
I have nothing to do with the trailers, except to sit in awe and
|
|
astonishment, trying to recognize my episode in the trailer, which is a
|
|
chancy business at best.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 18:21:26 -0400
|
|
Subject: "Eyes" too much like TNG
|
|
|
|
You may want to reconsider your message after you see "Chrysalis."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 18:21:29 -0400
|
|
Subject: JMS: Speculation and Copyright
|
|
|
|
I guess the point where the line gets crossed is where it goes from
|
|
speculation in the form of a question, to speculation in the form of a
|
|
full-blown story suggestion. "Maybe what this means is that in a future
|
|
episode, Sinclair will be changed into a large pink fez, which G'Kar
|
|
finds and sells to Londo, who....." You get the idea.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Jul 1994 21:39:08 -0400
|
|
Subject: Re: JMS' Real Ghostbusters
|
|
|
|
Yeah, I knew Lorenzo Music while we were doing the show, but not
|
|
afterward; we never really hung out or anything. He's a roundish,
|
|
friendly kind of guy. We always had to separate him from Frank Welker
|
|
and Maurice LeMarche in the sound studio, because if they were *ever* in
|
|
close proximity, all kinds of hell would break out. One day they got into
|
|
a competition to do celebrity farts...little Doris Day squibs, a George
|
|
C. Scott roller...we managed to keep it together until Frank let fly with
|
|
his version of a William Conrad thunderer...which went on and on and on...
|
|
windows blew out...buttons flew off shirts...and when it finally came to
|
|
its conclusion, *no one* was able to do *anything* for about twenty
|
|
minutes. Shut *everything* down. No one could keep a straight face or
|
|
get a line out. And Frank just sat there, smiling innocently.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Jul 1994 00:36:32 -0400
|
|
Subject: Re: "Eyes" too much like TNG
|
|
|
|
Re: Sinclair/Garibaldi/Ivanova basically liking each other; this will
|
|
tend to stay, for many reasons. One of the things that grates on mhy
|
|
nerves about some dramatic TV is that they invent phony tensions and
|
|
reasons for the main characters to bitch at each other, that generally
|
|
don't mean a lot. Also, we see a lot of conflict in other shows, but not
|
|
a whole lot of what *friendship* means. And loyalty. These three are
|
|
friends, as well as co-officers; they will go to bat for one another, will
|
|
if necessary die for one another. I find that a lovely emotion. There are
|
|
plenty of others who argue with them, and plenty of other shows in which
|
|
the main characters yell at each other all the time; why not explore the
|
|
other end of the spectrum?
|
|
|
|
I will grant you that this is one of the more idosyncratic parts of
|
|
the show; I have always placed a very high premium on friendship...my
|
|
friends know that they can call me at midnight, and even if they're on the
|
|
other side of the country, or the planet, I'll be there on the first
|
|
plane if they're in trouble. And I know I can do the same with them. For
|
|
some reason friendship, and loyalty, have become kind of passe in TV, and
|
|
movies, and many other areas, as I think of it. So for me, this becomes
|
|
something worth communicating.
|
|
|
|
Bear in mind, though, that after this season, Sinclair goes elsewhere,
|
|
and suddenly there's a new dynamic introduced into the show, which no one
|
|
is entirely sure how to deal with. It disrupts them, and that is for the
|
|
good, I think, as they try and work it out and decide whether or not they
|
|
can trust one another.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Jul 1994 16:15:30 -0400
|
|
Subject: JMS: There he goes again <*>
|
|
|
|
Hey, a man's gotta have *some* fun....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Jul 1994 16:15:33 -0400
|
|
Subject: General question on writing fo
|
|
|
|
I have never seen *any* scriptwriting seminar that was worth $400 for
|
|
a couple days. You would be best advised to take that money and buy $400
|
|
worth of scripts, the best-written scripts you can find. Read every one of
|
|
them three times. By the time you have done that, you will have learned
|
|
far more than you could have *ever* learned in any seminar.
|
|
|
|
And I have my own problems with McKee's school of thought as well,
|
|
but that's another story.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Jul 1994 16:45:15 -0400
|
|
Subject: JMS: WLFLTV 22 Struck by Light
|
|
|
|
Boy, those Paramount guys'll stop at nothing, y'know...?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 19 Jul 1994 00:21:16 -0400
|
|
Subject: Attn: JMS: Local TV Stations
|
|
|
|
We do what we can with the stations, which ain't much. Regarding
|
|
future stuff...any time information is needed from prior episodes in a
|
|
current episode, that information is *always* restated somewhere in the
|
|
current episode, so it doesn't matter really if you miss a prior episode,
|
|
you can follow it just fine.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 21:39:32 -0400
|
|
Subject: I want to see some B5 stuff so
|
|
|
|
We kinda sat on merchandising for the first year; now there's a bit
|
|
coming out. Shirts, mugs and stuff from Creation (and others, whose
|
|
names escape me at the moment), a CDROM in the winter from Compton's, a
|
|
CD soundtrack around November, a comic from DC and some original novels
|
|
from Dell (first one by John Vornholt). Trying to keep it manageable to
|
|
maintain quality control over the stuff.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 21:51:43 -0400
|
|
Subject: Re: Strong women's roles in "L
|
|
|
|
Funny, I kinda thought that Dr. Maya Hernandez in "Believers" was an
|
|
average (in the sense of not being a beauty queen) type person.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 21:53:08 -0400
|
|
Subject: EA/Babylon 5 Uniforms
|
|
|
|
Sinclair and other officers are pure EA military, so they get the
|
|
EA pins on the chest. (Also the techs wear them in the dome, and others
|
|
in charge of various divisions.) Security is under the jurisdiction of
|
|
EA, but are a separate component, staffed under B5 financing. These, and
|
|
medical, and scientific and environmental and other areas have their own
|
|
symbol, which is worn on their chest and shoulder. You can tell who works
|
|
for EA because they have the EA also on their shoulder, whereas those who
|
|
are employed directly by B5 have the B5 symbol on their shoulder.
|
|
|
|
The patches connote specialization: command is a starburst, lines that
|
|
radiate into every area; security is a gunsight/targeting symbol; medical
|
|
is a stylized medicine symbol, and so on.
|
|
|
|
Sinclair and Ivanova wear their officer's bars on their epaulets; not
|
|
the triangular part per se, but the bars at the very far end of the
|
|
epaulet, below the triangles.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 21:53:11 -0400
|
|
Subject: Re: SURROUND Sound.....Oh yeah
|
|
|
|
Just for clarification, while Chris does a great job on the music,
|
|
the sound mix is done in the studio with our regular sound guys, who do
|
|
the surround mix. We spend a *lot* of time getting the mix to sound
|
|
just right, to take full advantage of the surround channels. A lot of the
|
|
credit here goes to George Johnsen, our co-producer, who is an absolute
|
|
perfectionist about this stuff.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 23:33:48 -0400
|
|
Subject: A thought about psi talents...
|
|
|
|
Interesting, innit, how they suddenly blossomed like that...?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 23:33:51 -0400
|
|
Subject: Misinformed
|
|
|
|
Yes, you're exactly right about the references in Writer's Digest;
|
|
I'd totally forgotten about them.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Jul 1994 23:44:54 -0400
|
|
Subject: Babylon 5 Frequently Asked Que
|
|
|
|
What does it do to the grand scheme? Not much, really...except it
|
|
allows us to broaden out the story and expand the scope of things. It all
|
|
still proceeds on track.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Jul 1994 01:50:50 -0400
|
|
Subject: Re: babylon 5 w/o sinclair?
|
|
|
|
Re: Patrick McGoohan...this was a thought I had as well at one point,
|
|
but we forget sometimes about the passing of time; #6 is ageless, but
|
|
Patrick is now in his late 60s/early 70s.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Jul 1994 01:50:54 -0400
|
|
Subject: Season 2 name?
|
|
|
|
Overall title for season two: "The Coming of Shadows."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 26 Jul 1994 00:53:27 -0400
|
|
Subject: Re: I want to see some B5 stuf
|
|
|
|
No model contracts as yet; there have been some inquiries, but I
|
|
don't believe anything's been finalized yet.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 26 Jul 1994 00:55:55 -0400
|
|
Subject: Points of Departure.
|
|
|
|
The idea of a Chrysalis II went by the boards once I really got into
|
|
the script, and realized that C1 had tipped over too many tables to even
|
|
HOPE to resolve them in one follow-up episode. So the threads yanked
|
|
in C1 will be paid off over several episodes, hence no C2; the first
|
|
episode of year two is "Points of Departure."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 26 Jul 1994 00:56:00 -0400
|
|
Subject: Re: Voices in the Wilderniss.
|
|
|
|
Stuff like wearing gloves is only enforced if you're a member of Psi
|
|
Corps; Allysa wasn't. In addition, though she had P10 *potential*, the
|
|
talent was sporadic, came and went.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 00:33:38 -0400
|
|
Subject: Is there an Executive Producer
|
|
|
|
My GEnie/Internet gateway was down for the better part of a week;
|
|
all back now.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 00:33:41 -0400
|
|
Subject: Mars & Psi Corps
|
|
|
|
Actually, the Psi Corp rep did mention that the Free Mars movement
|
|
has been growing over the years, but that no one knew that they were quite
|
|
this well organized, or well-armed, the sign of a good resistance; not
|
|
that they "didn't know anything about the revolt." Just a clarification.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 00:33:44 -0400
|
|
Subject: **JMS: Telepaths (was Voices i
|
|
|
|
Yes, the abilities are often discrete; a TK may not be able to
|
|
scan anyone's thoughts.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 03:11:00 -0400
|
|
Subject: JMS: B5 Editorial: Lamentable
|
|
|
|
So in other words 2001 and Blade Runner don't qualify as decent SF?
|
|
|
|
I put this in the "get a life" category. If seeing a name of a
|
|
product on the back of a wall "consumes the great potential of the
|
|
series," if that's all the person can see...I'm sorry, but that's that
|
|
person's problem, not mine.
|
|
|
|
B5 takes place in the real universe, as much as we can make it such.
|
|
We use language and cultural references that go back hundreds of years.
|
|
One element was for a story point, the other was nominally a gag...deal
|
|
with it. That's part of our culture too.
|
|
|
|
Basically, for somebody to shitcan an entire series because he
|
|
didn't like a sign he saw in the back of a room...hey, stop watching.
|
|
|
|
You're right; "Star Trek does not do this." Which is as much
|
|
incentive as anything else to DO it.
|
|
|
|
Yessir...we've certainly seen how Blade Runner and 2001 and the
|
|
Terminator and Alien Nation and Enemy Mine have been ruined for all time
|
|
by such things.
|
|
|
|
And let me add one other thing: we didn't make a dime off that stuff,
|
|
no one paid Babylonian Productions to include it. How ANYONE can turn to
|
|
me and say with a straight face that this kind of commercialism (done
|
|
twice in one year) will ruin B5 and use STAR TREK -- STAR frigging TREK,
|
|
the single most merchandised, licensed property in the history of
|
|
television -- as an example of SF purity is out of his mind. It was STAR
|
|
TREK, as noted in Engel's book, and Shatner's as well I believe, that
|
|
stuck an IDIC symbol in in order to merchandise it; it's STAR TREK that
|
|
changed Federation costumes between TNG and DS9 specifically so they would
|
|
have another whole set of costumes to merchandise.
|
|
|
|
On our behalf, we have resisted over-licensing, doing only a little,
|
|
if we can exert quality control. I have deliberately fought against this
|
|
show becoming a "franchise."
|
|
|
|
We have *nothing* to apologize for. And I suggest to this person,
|
|
as he sits wearing his Star Trek uniform, and his Star Trek communicator
|
|
pin and his Star Trek phaser, and his Star Trek PJs, beside his collection
|
|
of Star Trek pins, shirts, iron-ons, glow-in-the-dark Kirks and Spocks,
|
|
Enterprise models, books and cutouts...as they say in the bible, take the
|
|
log out of your own eye before you try to remove the splinter from your
|
|
neighbor's eye. To hold up Star Trek: The Franchise as the model of
|
|
untouched non-commercial purity is the most laughable thing I have heard
|
|
in *years*.
|
|
|
|
"B5 has brought the whole ediface crashing down by the blatant
|
|
inclusion of advertising for commercial products."
|
|
|
|
What the hell do you think Star Trek *IS*? (Leaving aside the story
|
|
aspects for the moment, as he does for us.) All the stuff you see on ST
|
|
is for SALE. Phasers, costumes, enterprises, pointy ears...they are ALL
|
|
"commercial products." Which makes the show, on one level, one MASSIVE
|
|
advertisement.
|
|
|
|
Look...I got nothing against ST, or against ST licensing it's brains
|
|
out. I think it's terrific. But for somebody, ANYbody, to use ST in
|
|
this way as wonderful and free of commercial considerations, and hit US
|
|
in this regard...give me a break.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 03:11:03 -0400
|
|
Subject: Re: JMS: B5 Editorial: Lamenta
|
|
|
|
RE: Coke being more "reasonable" in Blade Runner because it's
|
|
closer...that doesn't seem to be the point of the original post. It's
|
|
ANY "commercial product" in a show that ruins it. Extrapolation doesn't6
|
|
seem to enter into it. Which is what makes it, in my view, a doofus note.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 03:12:27 -0400
|
|
Subject: JMS: B5 Editorial: Lamentable
|
|
|
|
And just let me underline this again, on the "the sole motivation
|
|
of this is money" (like Paramount produces ST because they think it'll
|
|
cure cancer)....
|
|
|
|
The Babylon 5 production company received no money from either of
|
|
these companies. Okay?
|
|
|
|
If your "reviewer" is going to start making charges like that, he had
|
|
better learn to get his facts straight.
|
|
|
|
Second, on the notion that current companies won't be around 200
|
|
years from now...there are companies here in the US that go back to the
|
|
1700s; there are companies overseas that go back 500 years or more.
|
|
|
|
This is as absurd as saying, in the 1800s, that by gosh, that
|
|
Guiness company in Dublin won't last past the end of the century....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 04:17:26 -0400
|
|
Subject: B5 in Australia, Infection, S&
|
|
|
|
"Infection" is definitely not indicative of the season overall; that
|
|
is, in my view, one of our weaker, possibly weakest episodes.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 16:26:23 -0400
|
|
Subject: JMS: Recasting Na'Toth Rumour
|
|
|
|
Actually, no, it's not a rumor; I'd mentioned this some time ago, but
|
|
apparently some didn't see it....
|
|
|
|
So to repeat: we'd had to replace Mary Woronov with virtually no
|
|
notice after we found that she really had a hard time with the narn
|
|
prosthetics (wouldn't wear the contacts, and other stuff). In a panic,
|
|
our casting director called in a favor from Caitlin Brown, who is mainly
|
|
a leading-lady type actor. She came in and, in fact, for the first
|
|
episode (shooting almost immediately afterward) wore a variation of the
|
|
Ko'Dath makeup, because there wasn't time to make one specific to her.
|
|
|
|
She came in without being under the 5-year option that generally
|
|
exists in these situations. Did one year, about 9 episodes, as Na'Toth.
|
|
And had to turn down a couple of leading-female parts. During the hiatus,
|
|
she did a romantic lead character in a film with Jack Nicholson and
|
|
Meryl Streep. And had to ask the hard question: do I continue to grow as
|
|
a romantic lead actor in feature films, or play Na'Toth? She is a VERY
|
|
gorgeous woman, and felt awkward hiding behind the mask and cutting
|
|
herself out of leading female parts in feature films to do it.
|
|
|
|
We went 'round and 'round about this for some time, it was a very
|
|
difficult decision for her because she likes the show and everyone here,
|
|
but finally opted out. On one level it's a pain in the butt, but we
|
|
respect her decision. And it *is* her call, not ours.
|
|
|
|
(Quick aside...pfffttthhpplttt to those who, in their theory that
|
|
Sinclair/O'Hare quit, said that I'd naturally say it was mutual because I
|
|
could never say it was the actors choice because somehow I'd get in
|
|
trouble. No, I *would* say it if O'Hare had opted out on his own. And
|
|
in this case, that's exactly what happened.)
|
|
|
|
We didn't recast Sinclair because that character is going somewhere
|
|
from whence he may (and will) return, and because that serves the story;
|
|
in this case, we are recasting Na'Toth. By the end of season one, Na'Toth
|
|
knows stuff that I need that character, G'Kar's aide, to know. (Though I
|
|
was briefly tempted to do the Murphy Brown Secretary line, with G'Kar
|
|
getting a new aide every so often due to terrible airlock accidents...but
|
|
I went to lay down for a while and the notion passed.)
|
|
|
|
So no, it's not a rumor, it's quite true. In fact, we just finished
|
|
up a casting session and found someone who's very right for the part;
|
|
and though we weren't confined to this, is actually about the same height,
|
|
same build, same attitude as Caitlin, and whose voice is very similar. I
|
|
don't think much difference will be noted in the long run, really.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 16:26:26 -0400
|
|
Subject: Re: JMS: B5 Editorial: Lamenta
|
|
|
|
Yes, you're absolutely right; we have maybe half Trek's budget. If
|
|
someone said, as you posit, "Here...stick this futuristic Pepsi can in
|
|
the background of one of your episodes, as was done with Enemy Mine, and
|
|
you'll get five hundred thousand dollars you can use to make a better
|
|
show," I'd do it in a hot second. Absolutely. Because it would let us
|
|
do bigger, and better, and spiffier episodes, tell even grander stories,
|
|
hire REALLY big-name actors for guest spots...yeah, I'd do it.
|
|
|
|
It's just that it didn't happen *here*.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 27 Jul 1994 16:57:28 -0400
|
|
Subject: Re: JMS: B5 Editorial: Lamenta
|
|
|
|
Actually, the idea of Zima lasting even into 1995 is hysterical. I
|
|
keep fighting the urge to have some guy show up on B5, "Zo then I zays to
|
|
him, nize ztation"...and five Narns just jump on him and beat the shit
|
|
out of him, WHAMWHAMWHAMWHAMWHAM!
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 28 Jul 1994 00:25:13 -0400
|
|
Subject: Legacies Dune refer?
|
|
|
|
No, the name was not the same; his title was the Shai Alyt, his name
|
|
was Branmer.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 28 Jul 1994 04:45:09 -0400
|
|
Subject: Cliffhanger city! (A Voice in
|
|
|
|
I don't recall Ivanova ever telling Sinclair not to go exploring a
|
|
planet; could you give me a reference on that one re: the about-face?
|
|
|
|
Re: showing nothing and thus pondering nothing...hey, it's zen!
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 28 Jul 1994 04:45:11 -0400
|
|
Subject: Cry ... Spoiler warning, some
|
|
|
|
As you will discover in part two, the system on the planet is
|
|
breaking down, malfunctioning; there wasn't a concerted, organized
|
|
attack, it was some automatic systems going on their own. The alien
|
|
WANTED to get found, that's why his image appeared, beckoning them, and
|
|
asked them for help. You're composing the problem in terms of an all-out
|
|
offensive; it wasn't. It was one segment of a system that is breaking
|
|
down.
|
|
|
|
(In general, it's a good idea to check out both parts of a two-part
|
|
episode before making story conclusions; some people have already missed
|
|
the boat bigtime on a few things.)
|
|
|
|
A First Contact situation is one unlike any other: you don't want
|
|
junior officers around to screw it up. Remember, the Earth/Minbari WAr
|
|
began when a First Contact situation got screwed up. EA's policy is that
|
|
it's better to risk two people than a full war, and those two people have
|
|
got to be command-level personnel. Soldiers get killed; it happens. And
|
|
yeah, you can leave a backup person at the shuttle...but what if *he's*
|
|
the one to make actual first contact? You're screwed. Ivanova and
|
|
Sinclair have been trained in this; in "Soul Hunter," Sinclair makes
|
|
reference to the rules of First Contact Protocol. If you like, I'll
|
|
elaborate on this in some future episode.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 28 Jul 1994 04:45:13 -0400
|
|
Subject: Re: JMS: B5 Editorial: Lamenta
|
|
|
|
Do not twist my words around. I don't like it.
|
|
|
|
When I said that Zima making it to 1995 was "hysterical," I was not
|
|
making fun of people or kids who are or become alcoholics. I grew up in
|
|
an alcoholic family, and there is *nothing* whatsoever funny in that, nor
|
|
was that intended in my message. It was strictly a comment about the
|
|
product probably not making it past 1994. Period. Don't go off on
|
|
tirades against my message that have nothing to do with what i wrote, and
|
|
then try and blame it on me. That's not what I said, not what I wrote,
|
|
not what was meant.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 29 Jul 1994 00:34:14 -0400
|
|
Subject: "Voice in Wilderness" forbiden
|
|
|
|
Re: the commander and Ivanova going...remember, this is a First
|
|
Contact situation, and that requires the presence of at minimum one
|
|
command officer under EA regs. Two is preferred. You don't want junior
|
|
officers hanging around or taking hostile stances which might provoke
|
|
a fight. Remember that the last major First Contact situation was with
|
|
the Minbari, which went afoul and gave us the Earth/Minbari War. EA
|
|
would rather lose two replaceable officers than start another war via
|
|
misunderstanding or a fouled move. This is a part of their First Contact
|
|
Protocol, referenced in "Soul Hunter." (I should probably expand upon
|
|
this a bit in future episodes.)
|
|
|
|
jms
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|
|
|
From: straczynski@genie.geis.com
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|
Date: 29 Jul 1994 00:34:15 -0400
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|
Subject: Re: "Voice in Wilderness" forb
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|
|
|
RE: the big bridge shot...the storyboard artist came up with 3 shots
|
|
we could use. One of them was a wide shot across a crystalline ground
|
|
like area, through which a path can be seen at ground level, but it
|
|
was narrow and still really didn't convey the scale of what I wanted. One
|
|
other was not much different. The third was a downshot designed to pull
|
|
back, and though I knew it would make folks say "Krell!", I knwe that it
|
|
was the right shot for that scene, so chose that one and decided to live
|
|
with it.
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|
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|
jms
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|
|
|
From: straczynski@genie.geis.com
|
|
Date: 29 Jul 1994 03:38:49 -0400
|
|
Subject: Reflections on "Voice" (part 1
|
|
|
|
Actually, this was not the first B5 or Sinclair had heard about the
|
|
escalating problem on Mars; remember, that was the main reason that Ben
|
|
Zayn had been sent to B5 in "Eyes," smoking out sympathisers with the
|
|
Free Mars movement.
|
|
|
|
Also, the fissure wasn't created by the quakes; Tasaki mentions it
|
|
was artificial, but nudged open by the tremors.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 29 Jul 1994 03:40:14 -0400
|
|
Subject: Was "Voice" the Season Finale?
|
|
|
|
Nope, you've got a few more to go.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 29 Jul 1994 03:47:01 -0400
|
|
Subject: JMS: Re: B-4 and Sinclair
|
|
|
|
No commander had yet been assigned to B4; the highest ranking
|
|
command personnel there was Major Krantz, whose job it was to supervise
|
|
construction. It was barely operational for 48 hours when it blipped out.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 29 Jul 1994 05:00:54 -0400
|
|
Subject: Re: "Voice" (pt 1) quibble (sp
|
|
|
|
Re: your suspenders of disbelief becoming unhitched....
|
|
|
|
You will learn how the alien knows English in the next part of the
|
|
two parter. (Hint: after all, he's been there for a long while, in a
|
|
high-tech machine...you'd think maybe he could monitor transmissions.)
|
|
|
|
I don't think the Sinclair or Ivanova did automatically believe him;
|
|
but they also had no real reason *not* to believe him. And granted the
|
|
place was going to hell, quakes and danger. He wasn't armed, he seems
|
|
rather sick, had to be helped away, almost carried...they won't turn the
|
|
station over to him, they'll keep him isolated on the station, but there
|
|
was no reason *not* to try and help him.
|
|
|
|
How do you know he's a good guy? You don't. But he wasn't exactly
|
|
imprisoned in that thing; it was a support, more than anything else, as
|
|
was shown by the fact that they were able to get him out fairly easily.
|
|
|
|
(And yes, your first guess was correct, it is a life support gizmo.)
|
|
|
|
Regards to your suspenders.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 01:32:45 -0400
|
|
Subject: Interesting lines in "Voice"
|
|
|
|
It seems to me that every generation thinks that things are
|
|
changing, usually for the worse. In some cases, they may be right. The
|
|
B5 story is set at a point in time where things are very much in a state
|
|
of flux. Every so often, the wheel turns. Everybody's feeling a sense
|
|
of growing uncertainty, of the chairs being moved around. They're right.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 03:57:30 -0400
|
|
Subject: JMS: Naming Babylon 5?
|
|
|
|
Started with the notion of prior stations which hadn't worked out,
|
|
made up a rough timeline, and settled on this being the last attempt, at
|
|
#5.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 04:22:44 -0400
|
|
Subject: JMS:Writing "Voice"
|
|
|
|
It was always intended to be a two-parter, and was written that
|
|
way. Background: the B5 2-hour pilot has done VERY well overseas in
|
|
cassette form. Many of the prejudices in the american press that caused
|
|
us problems don't exist overseas (it's done *extremely* well in Japan on
|
|
laserdisk, in Germany, and England, among others). So they asked if we
|
|
could do a two-parter that could be sold as a two-hour episode overseas.
|
|
By all means, sez I. So I structured it accordingly.
|
|
|
|
Bit of B5 trivia: during the dead of winter last year, I got hit by
|
|
the flu as badly as I've ever been hit. Temperature so high that I was
|
|
near delerious at times, but refused to go to the hospital (I don't like
|
|
doctors, and I was under deadline and couldn't afford the potential time
|
|
away.) We're talking mondo sicko here. It was during this time that I
|
|
wrote "The Quality of Mercy," a script which I have *no* memory of ever
|
|
writing. I know it's here, and I know I wrote it on an intellectual
|
|
level, but the process...gone in the fever.
|
|
|
|
It was also around this time -- either at the top or bottom of the
|
|
flu, I can't remember now -- that I wrote the "Voice" two parter. And
|
|
here's the trivia part...this isn't the original two-parter that I wrote.
|
|
My brain already deteriorating, I wrote something that even I could see
|
|
wasn't up to par. Wrote the entire two-hour script. Printed it up, and
|
|
gave it to Doug and John. Before they could even respond, I looked at it
|
|
and decided it had to go. So I trashed the entire script. By now we
|
|
were getting very close to pre-production, and I was getting sicker and
|
|
sicker...but I more or less locked myself in my office, swallowed down
|
|
massive amounts of vitamins (as much as my stomach could handle), kept
|
|
forcing down coffee, and wrote 12 hours a day for about six days, after
|
|
which the original draft was finished. Turned it in; did some mild
|
|
polishes thereafter, but what was filmed was essentially what I turned
|
|
in in first-draft stage. In this case I do remember some of the process
|
|
because the only way I could focus was to keep the stereo up full blast;
|
|
in the writing of "Quality," it didn't help...I was beyond recall.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 04:22:47 -0400
|
|
Subject: <*> Cryptic message to JMS 8)
|
|
|
|
Honest to god, people, I don't know *what* the woman is talking
|
|
about...she's speaking in tongues again....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 04:22:49 -0400
|
|
Subject: Voice in the Wilderness CGI
|
|
|
|
The CGI are definitely getting better. Year One was more or less
|
|
getting used to the software and learning what was capable. They've now
|
|
gotten more sophisticated in their use of the equipment, more artistic
|
|
in some ways...and the preliminary renderings I've seen for stuff in the
|
|
beginning of year two is *very* cool. It has even more of a sense of
|
|
mass, and weight, and solidity.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 19:49:22 -0400
|
|
Subject: Regarding the Voices 2 GIF fil
|
|
|
|
And what, pray tell, is the nature of this unusual gif?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 20:16:45 -0400
|
|
Subject: JMS: San Diego ComicCon Appear
|
|
|
|
Thank you for putting this note up; I wanted to post one myself, but
|
|
am still unsure how to send an original message (not a reply) from GEnie
|
|
to Internet. That said....
|
|
|
|
In addition to whatever panels I'll be on, I will be doing *two*
|
|
Babylon 5 presentations at the San Diego Comic Con this coming weekend
|
|
(August 7-10). The first will be that Friday, from 2-4 p.m. The second
|
|
will be the next day, Saturday, from 11-1.
|
|
|
|
At this point, the only cast member who may or may not be able to
|
|
show up at either panel is Bill Mumy. No others are planned. So it may
|
|
be just me at both. The presentations will be a bit different on the
|
|
two days, but I think the one Saturday may be more interesting if you can
|
|
only attend one. Will probably show the blooper reel (two, actually, one
|
|
on each day), and a previously unseen episode will be debuted.
|
|
|
|
One advisory: at just about every con I've attended and done this
|
|
kind of presentation, the B5 items tends to wind up as either the most
|
|
heavily attended event, or close to it. So if anyone's going, you may want
|
|
to show up a bit early to make sure you get a decent seat. Also, I tend
|
|
to show up a bit early myself, to make sure the video equipment and stuff
|
|
is working correctly, and hang out; sometimes I say stuff I can't say in
|
|
front of a larger group. (Those who were at the Chicago ComicCon on the
|
|
first day can verify this one.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 30 Jul 1994 20:18:09 -0400
|
|
Subject: JMS:questions, queries, posers
|
|
|
|
The Psi question I can't answer at this point in time.
|
|
|
|
Jumpgate travel usually requires a few days within hyperspace,
|
|
if you're going a LONG distance (say, Earth to B5). Only a few minutes
|
|
if you're going to a local gate. That's time outside hyperspace; the
|
|
span seems less when you're inside hyperspace.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 31 Jul 1994 02:14:59 -0400
|
|
Subject: Re: Regarding the Voices 2 GIF
|
|
|
|
It's a duck. Yes, why, of course it's a ducky. Why would I think
|
|
anything else? What a silly question.
|
|
|
|
It's a duck. A texture mapped metallic duck coming out of a
|
|
jumpgate.
|
|
|
|
A duck. Of course. A duck.
|
|
|
|
*
|
|
|
|
AAAAUUUUUUUUUUGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHHH!
|
|
|
|
*
|
|
|
|
(I wanna see it...and I wanna see it now.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 31 Jul 1994 17:50:01 -0400
|
|
Subject: > > JMS: Are You Going to Con
|
|
|
|
No plans currently to go to WorldCon because a) we'll be in the
|
|
midst of filming, and b) we haven't got a chance against Jurassic Park
|
|
anyway.
|
|
|
|
jms
|
|
|