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| This text is compiled from posts by J. Michael Straczynski on the Usenet
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| group alt.tv.babylon-5. This document contains material Copyright 1994
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| J. Michael Straczynski. He has given permission for his words to be
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| redistributed online, as long as they are marked as being copyright JMS.
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| This document, as well as other Babylon-5 related material, is available
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| by anonymous FTP at ftp.hyperion.com.
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 04:14:51 -0500
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Subject: Scientific nit-picking
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Your description of Earth Standard Time (EST) is fairly accurate.
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RE: the Raider ships...they turned by a less effective system of thrusters
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put in here and there, not nearly as powerful as the systems used by the
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Starfuries. The reason -- verifiable by the shape of the Raider ships --
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is that Raider ships are handicapped by the fact that they're made to
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function both in space *and* within an atmosphere (hence the aerodynamic
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wing shapes), which gives it something of a problem when dealing with the
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Starfuries, which are made ONLY for fighting in space, and are most
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ideally suited to it. The Raider ships make compromises for greater
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utility, which is generally okay unless they run into superior forces of
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ships designed for spaceborne combat.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 04:17:14 -0500
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Subject: Midnight Impressions (Possible
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The quote is correct. And thanks for the feedback, and glad you
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enjoyed the show. I think it's going to be quite a ride....
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 04:32:40 -0500
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Subject: Re: CRITICAL COMMENTS: "Midnig
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We did the title sequence in letterbox as a partial nod to the fact
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that we're shooting the series in that aspect ratio, though for now only
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the regular portion is being broadcast.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 04:35:18 -0500
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Subject: *SPOILERS*: MOTFL Episode guid
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My suggestion: classify "Soul Hunter" under "Suspense."
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 06:09:58 -0500
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Subject: query to JMS.......
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I don't believe in monolithic aliens who all talk exactly alike,
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with the same accents, any more than I believe in humans who all talk
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exactly alike. Hence, the difference between Vir and Londo.
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When they're together in their quarters, they're talking in Centauri,
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which we hear as English, as in WW II movies, the Germans are obviously
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talking to each other in German, but we hear it in English. (The only
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other alternative is to subtitle whole lengthy segments of the show, which
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is both unworkable, awkward, and unfair to blind viewers.)
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 06:10:51 -0500
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Subject: sinclair piloting a fighter in
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You'll get a pretty good glimpse into why Sinclair jumps into a
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fighter any chance he can get in "Infection." Part of it is to escape
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from stuff...the other goes much deeper, and much darker....
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 07:42:38 -0500
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Subject: Re: +/- Review: Midnight (SPOI
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The whole idea of Talia calling the Psi Corps and having Ivanova
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removed for not liking her is, as you state, utterly absurd. Life is
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like this...sometimes people don't get along. What do you do, call the
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cops?
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Second, Talia works for the Psi Corps, which is a *civilian*
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organization regulated by the government (though it certainly makes it
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(its) pretensions to military in dress and attitude). Ivanova is a
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military officer. A civilian has no authority over that. The Psi Corps
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does not issue orders to the Earthforce Military.
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The problem that I see so often, with some exceptions, is that people
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haven't stopped to think things through. They think, "Well, they should
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just be able to go in and make things right." Wrong. This not only
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doesn't happen in real life, it doesn't happen in 99% of all fiction.
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It is an ST artifact that doesn't touch reality at any two contiguous
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points.
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Just about half of the questions raised could be answered with a
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little thought, such as this one. Similarly, the "Why didn't the Council
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see that Carn Mollari was being forced to read the statement, and act,"
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without stopping to consider a) that not all aliens read human
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expressions properly or well, b) suspicion isn't the same thing as
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proof, c) the smaller worlds would be loathe to take on the Narns, and
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d-f, which I'll list another time. The attitude again is, "Well, this
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is *obviously* what's right, so they should do it." People rarely do
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what is obviously right...and sometimes when they *do*, it's for the
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wrong reasons.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 07:45:23 -0500
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Subject: Re: Opening Narration
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The rotating narrator thing was something that I mentioned en
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passant at the LosCon screening of "Midnight." What I noted was that I
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was considering rotating the narrators each season; Londo for the pilot;
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Sinclair for year one; Ivanova for year two; Garibaldi for year three;
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G'Kar for year four; and Delenn for year five. Haven't decided yet if
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I'm going to do it or not....
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 18:49:49 -0500
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Subject: PRESSURE SUITS: COOL!!
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Actually, as you'll see in "Sky," sometimes the Good Guys *do* get
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their ships hit; sometimes they blow up and kill the person (as you will
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see), and sometimes they do damage without destroying the ship, in which
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case there is an eject mechanism that separates the cockpit part from
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the rest of the fighter, which contains the volatile reactors.
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So in those circumstances, a flight suit is a *very* good idea....
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 18:50:33 -0500
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Subject: WILL WE VISIT ANY PLANETS?
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We will be visiting a planet in the two parter, "A Voice in the
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Wilderness."
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 18:51:00 -0500
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Subject: Re: Midnight Comments (*SPOILE
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The inconsistency you mention is not an inconsistency. One fighter
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is always kept in lowered, launch-position when the others are out, so
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that it's ready to drop at a moment's notice. The fighter you saw was
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moving into standby position in case needed quickly.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 18:58:14 -0500
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Subject: Transportation on Earth in the
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There are *definitely* no transporters in the B5 universe.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 19:00:09 -0500
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Subject: Series premier thoughts (some
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Just a quick note re: the idea of sending B5 ships out to safeguard
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all incoming ships...can't really be done. There are only a very small
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number of fighters (comparatively speaking) on B5, and a *LOT* of ships
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coming in on a daily basis. Once they're through the last gate, to B5,
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they're safe. But there are gates in between, where they're vulnerable.
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You'd have to safeguard the whole galaxy, practically. Can't be done.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 19:06:27 -0500
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Subject: MOTFL's Title
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"Midnight on the Firing Line" as a title was more my feelings about
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the episode and the series. I knew we'd come under considerable fire,
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figured it was cool.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 21:10:07 -0500
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Subject: MOTFL Credits...
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There are definitely more credits at the end of the episode; the
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station is NOT alloweed to cut credits like that. They should be put on
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notice. Call them, and tell us who did it.
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jms
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From: straczynski@genie.geis.com
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Date: 1 Feb 1994 21:21:19 -0500
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Subject: Re: BABYLON 5 To Include Gay/B
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I have not *made* a big issue out of this, and do not intend to do
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so. In addition, when a certain characteristic is revealed in someone,
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it won't be in the center of a story or made into a treatise because at
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the time of our story it *isn't* an issue anymore, any more than being
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left or right handed. No one frankly cares. And it will not be given
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any more weight than that. It will be treated fairly off-handedly.
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A note to those who have taken up this issue to popularize it: there
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is a Monty Python sketch called "The Value of Not Being Seen." Those
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who've seen it will get the reference. To the rest...until something is
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done in a show, particularly something along these lines, it's best to
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keep a fairly subdued profile, because if people start getting hincky
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about something before we've shown how something is actually going to be
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handled -- with taste, discretion and subtlty -- it might cause some folks
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to bring pressure *not* to do it.
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Let's all do one thing at a time...and let me do this according to
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the schedule that's set out for this. Don't jump the gun.
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jms
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From: straczynski@genie.geis.com
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Date: 2 Feb 1994 06:06:55 -0500
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Subject: Babylon 5 Writers Guide Re: Mi
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Your pyramid of something happens, it's critical, confrontation,
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resolution, is not something *bad* in shows...it happens to be universal
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dramatic structure. Introduction of the problem, rising action, climax,
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and denouement. If you don't think this is appropriate, then you are
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dismissing literally 95% of all literature, all movies, ever created in
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the history of mankind. So B5 meets the standards applied to literature.
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I don't see a problem here.
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The rest of your note is little more than specious and petty. And I
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would defy you to find *any* way to categorize "The Parliament of Dreams"
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by this breakdown. Is there anything that you would *not* just go ahead
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and classify as a soap opera device? From your list, anything you decide
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is soap opera goes on the list.
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Specious and petty.
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jms
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From: straczynski@genie.geis.com
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Date: 2 Feb 1994 06:08:28 -0500
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Subject: Re: Question to JMS (was Excel
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Yeah, I keep flip-flopping on "Purple" and "Midnight" for the number
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4 and 5 spots...they're prety close.
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jms
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From: straczynski@genie.geis.com
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Date: 2 Feb 1994 16:04:48 -0500
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Subject: Re: About the RFD Process
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Since you raised the question about the explosion of messages...I
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have a small suggestion. Right now, when I log onto GEnie and get the
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alt messages in my email via the Internet gateway, there are now about
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200+ messages a day. I do read them all, but it's going to get a lot
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busier.
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If there is a message out there by someone that requires a response,
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or is a specific question for me, if you could begin the note with JMS,
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in the subject header, I'll know to read that one first. Others may have
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to sit in the box for a day or so until I can do a massive read.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 14:47:29 -0500
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Subject: Question about Kosh for JMS
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Correct, Christopher Franke designed Kosh's voice.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 14:51:42 -0500
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Subject: New GIFs
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BTW, have named an Earth Alliance Cruiser Hyperion, in notation of
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the library....
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 15:10:07 -0500
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Subject: Question re Earth Alliance
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You are correct in that the Earth Alliance consists in the main of
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humans. Aliens are generally not integrated into the system, except in
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very low-level stuff. (In some bronze-tech worlds where humans have come
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in and pulled an India/England relationship, you may have colonial
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governors who are native aliens, but are basically puppets.) There's
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more than just Mars, Earth and the Sol colonies; there are a number of
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other worlds and systems out there into which Earth has made a dent.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 15:10:17 -0500
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Subject: Re: Pain in the butt?
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"...at least it has a fricative."
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HEY!
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Watch that kind of language.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 15:11:11 -0500
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Subject: Re: USA Today Review--Londo is
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Re: Londo as a romantic character...bless your heart. You are the
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first to have nailed it absolutely on the head. If I had to write a
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description of the character, I doubt I could have done any better than
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what you just wrote. There are a *lot* of episodes that bring this out
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in him, including the next one up, "Born to the Purple," which I suspect
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will end virtually all of the hair jokes once and for all.
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Anyway...yes, and thank you, that's it *precisely*.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 15:11:12 -0500
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Subject: Re: Centauri Hair??? (attn: JM
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Generally speaking, yes, hair = status. Very peacock-ian (to coin a
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phrase). Certainly, you could wear your hair longer than your status
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permits, but it's like pretending to a status you don't have, which is
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viewed as pathetic.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 15:31:16 -0500
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Subject: My personal review of the B5 p
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Sinclair's line, "Cut accelleration," was in regards to forward
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momentum, so he could more easily spin the fighter around.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 16:59:51 -0500
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Subject: Midnight on the Firing Li
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Thanks. What you say is correct; we have to look to the past, and
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determine its influence, and either learn from it, or be destroyed by
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it.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:04:46 -0500
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Subject: Millenial...?
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The turn of the century with B5's conclusion is coincidence.
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Mostly.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:05:07 -0500
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Subject: BABYLON 5 PILOT EPISODE ON CFT
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Most B5 viewers that I've heard from call themselves Fivers, when
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they identify themselves as anything other than what they are, people of
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infinite taste and sensibility....
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:05:17 -0500
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Subject: MOTFL's title (was Re: Musings
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Ah, another Chapin fan. Yes, I definitely love his work, albet
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there is, sadly, not nearly enough of it. Also Billy Joel, Indigo Girls,
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everything except country.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:11:04 -0500
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Subject: TV Guide advertisments?
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Local ads are placed by local stations, not Warners. If there's no
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ad in your local TV Guide edition, the problem lay with the local station.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:11:42 -0500
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Subject: Centauri Precognition and Mili
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Re: precog and Centauri...here, as best I can recall, is exactly
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what I wrote for Londo: "My people, we have a way, you see...we know how,
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and *SOMETIMES* even *when* we are going to die...."
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:14:34 -0500
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Subject: Questions for JMS
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Starfuries dock in the central docking bay, are repaired, prepped
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and lowered into the cobra bays. And yes, you'll see this.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 17:58:42 -0500
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Subject: Midnight Complaints?
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To have a station commander *and* a rep for Earth can be cumbersome
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in many ways, when someone has to give orders. It's cleaner this way;
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and no different than any of the sailing vessels of the 18th century and
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before, when each captain was viewed as, and expected to perform as, the
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official representative of his country.
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There is, however, a second agenda at work here, which you'll find
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out about a bit in "Raiding Party."
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Re: Sinclair taking risks...watch "Infection" and its tag. As for
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jumping in a fighter every show...no, that we don't do. Of the 17 or
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so episodes we've shot to date, Sinclair only goes out in a fighter in
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maybe 3 episodes. Ivanova, Garibaldi, or other fighter pilots go out
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elsewhere.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 18:01:53 -0500
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Subject: questions...
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The item on the back of Sinclair's hand is a Link, which is their
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personal communications system/powerbook/mainframe access system/pager.
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The blue and green painting on the Starfury is probably the Sea
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Witch, a personal design. The stylized EA seen on the wings, and on the
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EA command staff, is the Earth Alliance symbol. (The EA silhouette is
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then altered within the lines to accommodate different divisions, command
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with a crosshatching, security with a gun sight, and so on.)
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No comment.
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Some alien fonts, yes.
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 18:10:48 -0500
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Subject: Re: Musings from my Garden. SP
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Here's what I find curious (not necessarily in direct response to
|
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anything you said, but in general on this topic)...is that when Ivanova
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makes her remark to Garibaldi about snapping his hands off at the
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wrists, many people have assumed that she was insulting him, berating
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him, being bitchy, truly disliking and threatening him.
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But the same words, put in the mouth of another male, wouldn't have
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drawn that reaction, and would've been classified under, "kidding
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around" or affable sarcasm.
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Which is exactly what it is in this case. In this place and this
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time, they're comfortable enough to mess with each other without it being
|
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taken seriously (among these characters, that is). There are times they
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kinda like to phuque with each other a bit, just for the hell of it, as
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comrades will sometimes do. ("Babylon Squared" has a great example of
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Sinclair and Garibaldi messing with Ivanova.)
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jms
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From: straczynski@genie.geis.com
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Date: 3 Feb 1994 20:35:26 -0500
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Subject: nit-picking, my 2 cents worth.
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We considered for a while using lots of subtitles, but the problem
|
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is that this is a fairly dialogue-intensive show, and after about 10
|
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exchanges of dialogue, it becomes hard to keep up with subtitles. The
|
|
other problem is that there is a large viewership, particularly in SF
|
|
circles, of blind people, and thus subtitles seemed a bit unfair.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 3 Feb 1994 23:20:38 -0500
|
|
Subject: Starfury launch sequence and m
|
|
|
|
Incorrect. The Starfuries are launched from the rotating part of
|
|
the station. They're launched from the cobra bays, which are the cobra
|
|
shaped projections alongside the round front of the station, and attached
|
|
to it. They definitely rotate.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 4 Feb 1994 01:20:44 -0500
|
|
Subject: So when does the merchandising
|
|
|
|
Frankly, I'm not in any hurry to see the show merchandised, though
|
|
we're up to our ears in inquiries. I think it's important, at least in
|
|
the early stages, to keep all that stuff at arm's length. Otherwise you
|
|
end up in a situation where the tail begins wagging the dog. Let's make
|
|
the series as good as we can, first, and then worry about the toys later.
|
|
|
|
jms*
|
|
|
|
(*who already has his B5 patches, watch, shirt, belt, mug....)
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 4 Feb 1994 21:30:37 -0500
|
|
Subject: Kosh's First Words
|
|
|
|
The scene was trimmed for time. It may show up again later.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 4 Feb 1994 21:46:42 -0500
|
|
Subject: What are those blue fins?
|
|
|
|
The blue fins at the back of B5 are, as I recall, for the purpose
|
|
of radiating internal heat out of and from B5.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 5 Feb 1994 06:43:00 -0500
|
|
Subject: Re: Opening Narration
|
|
|
|
Nope, "Purple" wasn't moved up to replace "Infection." The former
|
|
was always scheduled for #3, followed by the latter. The episodes for
|
|
this first batch were put together to alternate action/character,
|
|
so "Midnight" has lots of action, there's a fair amount in "Soul," so
|
|
we give a break in "Purple." Then lots of action in "Infection," not as
|
|
much in "Parliament," and "Mind War" is an absolute blow out.
|
|
|
|
These first six are really very much stand-alones, and fairly
|
|
straightforward. Starting with "Parliament," we *really* begin to cook,
|
|
though. The concern was that if we started out too complex, we might
|
|
lose a lot of people. Better to bring them in gradually. Starting from
|
|
"Parliament" onward, each episode gets more ambitious as well, in terms
|
|
of character, story, EFX, sets, you name it, to where we've got 3
|
|
stories running in "Mind War," all interesting, all with great
|
|
performances, nifty character moments, and killer EFX. That's why I've
|
|
made it a point to say, just stick with us for the first six. If you
|
|
don't like what you see after that...you're not going to. I don't think
|
|
anyone should support a show just because it's SF.
|
|
|
|
(Though that's not much of a risk here; I've *seen* "Parliament" and
|
|
"Mind War," y'see....)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 6 Feb 1994 18:52:28 -0500
|
|
Subject: MOTFL: Mars Colony & G'Kar's f
|
|
|
|
Just as an advisory, I'd ask you to be more careful in your
|
|
language, "...makes me wonder if JMS has lifted some ideas and milieu
|
|
from Kim Stanley Robinson's 'Red Mars.'"
|
|
|
|
I do not "lift" ideas. My ideas are my own. The B5 storyline goes
|
|
back 7 years. There seems to be some conception in the public eye that
|
|
TeeVee folks just sorta go out there, look at books, and start lifting
|
|
things. This is not only inaccurate, but I find it personally offensive.
|
|
|
|
Partly because I *know* Kim Stanley Robinson, albeit slightly.
|
|
|
|
I know you meant no harm, so don't take this as a flame. I just felt
|
|
that it required a response.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 02:15:55 -0500
|
|
Subject: prejudice in B5(was:Re: BABYLO
|
|
|
|
You may perceive "alien" as a negative word. It is also a correct
|
|
word. Now, one could refer to them as "atmospherically challenged," or
|
|
"genetically other-abled," or "adhering to DNAlternatives," but among
|
|
humans, talking to one another...they're aliens. And to them, WE'RE
|
|
aliens. No, it ain't polite. Who said it had to be?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 03:18:46 -0500
|
|
Subject: Replay in LA
|
|
|
|
B5 is replayed on Channel 13 at 11 p.m. Sunday nights.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 10:32:56 -0500
|
|
Subject: Clive Revill on next week's ep
|
|
|
|
Correct, Clive Revill is in "Born to the Purple" this week. We've
|
|
actually had a *lot* of quality actors, drawn by the material, in our
|
|
first season: Clive, David McCallum, David Warner, June Lockhart,
|
|
Theodore Bickell, Morgan Shepherd, William Sanderson, Judson Scott and
|
|
Walter Koenig, to name but a few.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 11:59:19 -0500
|
|
Subject: Re: Opening Narration
|
|
|
|
So who says that that order was final or official....?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 12:32:15 -0500
|
|
Subject: Where's JMS
|
|
|
|
The Genie/Internnet gateway was down for a few days, hence the
|
|
silence.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 7 Feb 1994 16:35:43 -0500
|
|
Subject: B5 comments (spoilers)
|
|
|
|
Just quickie responses: to your charge of sexism -- no female security
|
|
guards, no female pilots -- you've only seen two shows so far. In further
|
|
episodes, we DO have female security guards, AND female pilots (including
|
|
Ivanova, who goes into combat), AND female doctors (one of whom is
|
|
Hispanic, and plays a major part in an episode), and females in every
|
|
other capacity on board the station. Virtually every female shown on this
|
|
show has a career, responsibility, and for the most part is as content
|
|
with that career as the men are.
|
|
|
|
Further, not only are our cast members equally male and female,
|
|
we've taken this *behind* the camera...half or a little over half our crew
|
|
are female, many in non-traditional jobs (traditionally male in Hollywood
|
|
terms, in any event). It's not just wardrobe and makeup, it's set
|
|
and prop design, set *construction*, editorial, you name it.
|
|
|
|
As for the militarism needing to be repressed...there are already two
|
|
other shows which feature repressed (or absent) military aspects; let's
|
|
have something a little different. I don't think all SF shows should look
|
|
and feel alike.
|
|
|
|
As for the notion that it could use "a little of Trek's humanism,"
|
|
I don't much like the way that's been defined there. Seems to me that
|
|
that version of "humanism" is placid, unpassionate, orderly and for the
|
|
most part, with some exceptions, bloodless. To me, humanism means
|
|
embracing our flaws as well as our nobilities, and saying that we don't
|
|
have to shed our basic humanity in order to go to the stars, but that we
|
|
remain *humans*, with all that entails. And we somehow persevere in SPITE
|
|
of our flaws. I find the process of overcoming more interesting, and more
|
|
human, than assuming that we've already overcome everything.
|
|
|
|
The kind of humanism you're referring to isn't humanism, by my book.
|
|
It's "we should all be nice to one another, and nobody should have any
|
|
problems except the ones forced on us by bad guy aliens"...it's humanity
|
|
as written by Barney the Dinosaur.
|
|
|
|
In any event -- and none of this is directed at you, it's more
|
|
generic woolgathering than anything else -- my feeling is that you've GOT
|
|
two shows already that advance that kind of thinking. We're not Trek, we
|
|
have no obligation to BE Trek, and if we just do what Trek is doing, what
|
|
is the point? It just becomes the same old thing. I didn't fight for
|
|
seven years to get this show on the air, to do Trek's vision of the
|
|
future.
|
|
|
|
(The funny thing, of course, is that when TNG went on the air, people
|
|
complained roundly about the lack of militarism and action in the show,
|
|
that Picard surrendered too quickly, that it was too passive and too
|
|
let's-all-be-nice. Now a show that has action and an element of military
|
|
is told that now we have to be like TNG is. TNG was faulted for not being
|
|
TOS. We're faulted for not being TNG. This stuff goes 'round and 'round.
|
|
The series will find its niche.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 8 Feb 1994 05:33:28 -0500
|
|
Subject: Soul Hunter -- B+ / D (Spoiler
|
|
|
|
When you say that you don't understand how the small thrust of the
|
|
coffin could've carried it away from the statino since "anything
|
|
released from the statin must also be in orbit," I can't help but wonder
|
|
how closely you were paying attention. A shuttle leaves B5, and moves
|
|
well away from the station, and the coffin is launched from the shuttle,
|
|
NOT from B5.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 8 Feb 1994 12:02:25 -0500
|
|
Subject: Music change from Gathering to
|
|
|
|
Copeland decided he wanted to tour, and do another album. That
|
|
kinda took care of doing this season. And in the long run, it's worked
|
|
out well, because Christopher Franke has in many ways, I think, far
|
|
exceeded what Stewart did for us, good as that was. There's some killer
|
|
stuff coming, very aggressive, very moving and powerful. His piece for
|
|
"And the Sky Full of Stars," -Requiem for the Line-, is brilliant, sad,
|
|
emotional, brave...just nifty.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 8 Feb 1994 13:07:08 -0500
|
|
Subject: Re: Midnight: thoughts...
|
|
|
|
Actually, only a portion of the music for any given episode of B5
|
|
consists of synthesized music. Much of it is performed by Christopher's
|
|
orchestra in Berlin, which is hooked via digital lines to his studio here
|
|
in town. Not all, certainly, but more than you might think is from that
|
|
live orchestra.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 8 Feb 1994 16:11:59 -0500
|
|
Subject: Re: Thoughts on why some "just
|
|
|
|
Your theory that the two different internal-mind views are
|
|
inconsistent is, of course, *entirely* contingent upon the assumption
|
|
that all minds work -- human and alien alike -- work the same way, see
|
|
themselves in the same way, perceive the world around them and their part
|
|
in that world in exactly the same way.
|
|
|
|
And, of course, if all minds thought exactly the same...we wouldn't
|
|
be having this disagreement about inconsistency, yes?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 00:55:55 -0500
|
|
Subject: teeny problem with soul hunter
|
|
|
|
There *is* a beep there; it's just soft. We learned after making
|
|
that episode that some stations crunch down the sound a bit, dropping the
|
|
highs. We later bumped up the lows to make it more apparent. It can be
|
|
heard in most stations, unless they crunch the sound.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 00:56:11 -0500
|
|
Subject: Ivanavah is my hero
|
|
|
|
I like Ivanova as well; she's got a very sly, very *sharp*
|
|
intelligence going there. She can deadpan you and whap you upside the
|
|
head with a comment delivered almost as an aside, or an afterthought.
|
|
It's the difference between wit and humor. She doesn't tell jokes, but
|
|
she's got a great sense of wit.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 00:59:40 -0500
|
|
Subject: soul hunter, ferengis & fired
|
|
|
|
First, I'm not "star trekkin" anyone re: the translation on the soul
|
|
hunter (not needing a machine). He *has* been to earth. Whether or not
|
|
I have the opportunity down the road to get into this, that happens to
|
|
be the truth within the B5 "backstory" that's been created. In other
|
|
episodes, when a translation machine is required, it's used. (In
|
|
addition to Kosh's and n'grath's translation devices, we use them in
|
|
other shows, as in "Legacies" with a race called the Pak'ma'ra.) In this
|
|
one instance, he knew the words. I don't consider that "star trekkin'
|
|
anybody.
|
|
|
|
Re: your statement that the headwear of the S.H. is "stolen" from
|
|
the Ferengi...may I be so bold as to respond to your rather loud note with
|
|
some volume of my own? To wit: watch something other than Star Trek, and
|
|
maybe spend a little time learning stuff about your own world. The
|
|
headware is based upon the kind used in various african and aboriginal
|
|
tribes. Trek didn't invent it; we have photos of its use through
|
|
history, as well as sketches going back further. As it happens, the
|
|
costume designer has never seen "DS9," doesn't watch TNG, has no idea
|
|
what a Ferengi is. Neither do I intend to not do something, based in
|
|
real history, just because some other show has done drawn on that same
|
|
background.
|
|
|
|
You clearly think that if something appeared in ST, then ST must have
|
|
|
|
invented it, and that if it appears anywhere else, it must've been
|
|
influence by ST. Wrong on both counts. I would suggest that you have
|
|
been watching too much ST, and not nearly enough of the Discovery
|
|
Channel.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 01:05:44 -0500
|
|
Subject: Q to JMS: Make-up Time
|
|
|
|
Makeup takes anywhere from 2-3 hours for our main characters on a
|
|
regular basis. In some cases, we've done something pretty close to full
|
|
body prosthetics on G'Kar, and that is nearly double the normal time.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 01:14:54 -0500
|
|
Subject: Re: Religion in B5 vs religion
|
|
|
|
Yes, ST says that religion is dead by the 23rd century, but a) this
|
|
ain't ST, and b) I think it's hogwash. I'm an atheist, and certainly I
|
|
wouldn't object to more people sharing that attitude. But the reality
|
|
is that the religious/spiritual impulse has been with us for as long as
|
|
we've been alive, and it's not going to just stop suddenly in the next
|
|
200 years. If anything, if you look at Eastern Europe, you're seeing a
|
|
resurgence there.
|
|
|
|
Your statement is predicated upon a) something massive and profound
|
|
permanently changing the belief system of b) every person on the planet.
|
|
At what point does it change for every single person on the planet? And
|
|
elsewhere? Where is the switch thrown?
|
|
|
|
People run into problems in extrapolation when they make the
|
|
assumption that things will be *drastically* different (barring some kine
|
|
(kind) of real disaster, obviously; if a meteor crashes into the central
|
|
United States, it's going to have a pretty substantial affect on the
|
|
people living there) from what's going on now. Fr'instance...the B&W
|
|
SF *musical* "Just Imagine," made in the 1930s, set in the 1980s. In
|
|
the movie, people have numbers instead of names, they eat pills instead
|
|
of food, all the usual cliches. And, of course, they were wrong.
|
|
|
|
You're looking at 200-300 years as if it's a long time, which is a
|
|
uniquely American point of view. Go to Europe some time, stand in
|
|
buildings that've been around longer than this nation, five, six, seven
|
|
hundred years. Go to New Grange in Ireland, stand as I did in the burial
|
|
mound, the oldest man-made structure in the *world*, made before metal
|
|
tools had been invented...and you get a sense of what *time* is. 300
|
|
years is a blink.
|
|
|
|
I am an atheist. But I'm also a writer. And a writer is charged
|
|
with the responsibility of being as honest as he can in his work. The
|
|
religious impulse, little as it appeals to me, remains one part of our
|
|
species' attempt to define itself, and our place in the universe. And
|
|
it must be dealt with with a modicum of respect, and honesty. What you
|
|
like in ST may be more what you like, what you hope, but neither of us
|
|
genuinely *knows* for certain what's going to happen 250 years from now,
|
|
so they're both equally valid views.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 01:14:54 -0500
|
|
Subject: Ship Type Grumbling
|
|
|
|
Re: non-sleek starships...the commercial transports we use (like the
|
|
one attacked in MOTFL), the Iksha Battleglobe ("Deathwalker"), a very
|
|
interesting ship in "Mind War," and a few others.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 09:41:35 -0500
|
|
Subject: Re: BABYLON 5 To elicit attent
|
|
|
|
"Tell you what, as soon as JMS publishes a note to the effect that
|
|
he's going to have a realistic hetero character, I'll send him a nice
|
|
note of appreciatoin and support, and see if I can get all the hetero
|
|
newspapers to carry articles about why we should give B5 a chance,
|
|
because it will have unfashionable hetero types in it."
|
|
|
|
I'm going to have a realistic hetero character in B5. Several, in
|
|
fact.
|
|
|
|
Your serve.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 09:53:42 -0500
|
|
Subject: JMS: Larry DiTillio, RPG?
|
|
|
|
No word yet on any B5 RPGs, though it would be a perfect candidate.
|
|
And Larry's the right one to write it (assuming I'm not keeping him busy
|
|
on other stuff).
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 10 Feb 1994 10:02:46 -0500
|
|
Subject: Re: USA Today Review--Londo is
|
|
|
|
The hairpiece used for Londo is woven backwards, so it'll hang
|
|
upward, for lack of a better term. Held in place with spray. The
|
|
costume is notable for its detail work...lots of medals, intricate
|
|
symbols (scarab/beetle type jewels on the shoulder and collar), with many
|
|
layers. Beyond that,it's kinda hard to describe.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 01:10:38 -0500
|
|
Subject: Re: BABYLON 5 To Include Gay/B
|
|
|
|
I must admit that I am amazed by your ability to fortell the future.
|
|
This must come in very handy in Vegas.
|
|
|
|
You start with an assumption of what I might do -- your opinion
|
|
based on what someone else has said -- then make that into a fact that I
|
|
AM going to do it, and then say you have trouble with my decision; you
|
|
assume it's going to be handled in a certain fashion, and then condemn
|
|
that fashion; you say that issues are going to be raised, and you have
|
|
trouble with that issue; you say the genetic factor will be brought up,
|
|
which hasn't been proven, and then question the ethics of doing so.
|
|
|
|
Let me state this as simply as possible:
|
|
|
|
1) You are wrong in just about every particular. You do not know
|
|
what I am going to do. To make a guess, based on zip from me, then
|
|
condemn actions based on a guess that is TOTALLY INACCURATE is truly
|
|
the ultimate straw-man. Let me restate: you are completely and totally
|
|
wrong in your speculations on the issues, and how this will be handled.
|
|
You don't have to guess, you don't have to assume, I'm telling you
|
|
straight out: you're wrong.
|
|
|
|
2) You're a boob. Please try to refrain from prophesy until and
|
|
unless you are biblically empowered by a considerably higher source.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 02:18:39 -0500
|
|
Subject: Re: BABYLON 5 To Include Gay/B
|
|
|
|
Let me respond only to two points in your message. The rest seem
|
|
hardly worthy of response.
|
|
|
|
I am not, as you imply, going for "brownie points" from anyone. I
|
|
am telling a story. I am telling the story that I've wanted to tell for
|
|
seven years. I have no interest in currying favor from any group, any
|
|
organization, any fringe or mainstream elements. You don't work for seven
|
|
years to create the chance to tell your own story just to turn it over to
|
|
the influence of others.
|
|
|
|
Did it every occur to you -- for even a *smidgen* of a second -- that
|
|
maybe, just maybe, what I'm doing with B5 is being done BECAUSE IT ADVANCES
|
|
THE STORY? Because it is a legitimate part of the story? You seem to
|
|
think that if someone does something in this area, it HAS to proceed from
|
|
either a personal political agenda, or the enforced agenda of others.
|
|
|
|
Which is a load of absolute and utter crap. I don't care who signs
|
|
on board, or who's offended. That's not my concern. My concern is in
|
|
telling a story, as best as I am able. Period.
|
|
|
|
To your second point, that if violence on TV is open to congressional
|
|
inquiry, then nothing is wrong in "questioning (how) political and social
|
|
issues are presented in entertainment programming."
|
|
|
|
Well, I'm glad someone has finally come out of the woodwork on this
|
|
one.
|
|
|
|
This is exactly what happens in this situation. Everybody waves the
|
|
big VIOLENCE bugaboo around to get pressure built behind them...and then
|
|
they begin to use this huge stick to go after their OTHER agendas, the
|
|
legislation of ideas, curtailment of notions and issues that they don't
|
|
personally like. It's happened again and again, in comics, in kid's
|
|
programs, in libraries across the country, in the recording industry, and
|
|
now they're trying to do it to TV.
|
|
|
|
The hard part is always getting them to ADMIT that this is on their
|
|
minds.
|
|
|
|
Thank you for breaking the silence.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 06:07:47 -0500
|
|
Subject: Questions to JMS
|
|
|
|
The only meaning to "All alone in the night" is in its surface; no
|
|
hidden subtext. But it is a cool image.
|
|
|
|
There's simply nothing that I can say about Kosh just now.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 18:44:20 -0500
|
|
Subject: Re: Mojo answers FX question
|
|
|
|
Mojo is incorrect. The regular footage of live-action stuff on B5
|
|
is shot widescreen, with the regular aspect ratio emphasized generally
|
|
for initial broadcast in that format. We picked footage from various
|
|
scenes already shot for use in the main title sequence; compare Delenn
|
|
and Sinclair walking in the central corridor in the main title, with the
|
|
same identical shot in "Soul Hunter." The widescreen is not a cropped
|
|
image; there's more on either side. Ditto other shots in that opening.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 18:44:23 -0500
|
|
Subject: JMS: Starfury question
|
|
|
|
The engines being placed on the ends of the wings was primarily a
|
|
decision based on maneuverability; but as you say, it would also make
|
|
maintenance easier as well.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 18:44:42 -0500
|
|
Subject: Mojo answers FX question
|
|
|
|
Mojo...Mojo...c'mere, Mojo...I wanna talk to you...siddown...no,
|
|
look, I'm not gonna hurt you, Mojo...Mojo...we don't film the live
|
|
action stuff on this show in 3:1 aspect ratio. It's widescreen, Mojo.
|
|
Super 1:78:1. Go pick up a copy of dailies, Mojo, it's right at the
|
|
start of the tape. We crop the sides for normal broadcast. Look at the
|
|
main title, Mojo, notice a slight difference between the main title
|
|
shots from "Parliament" and the broadcast version in the episode
|
|
itself...like...IT'S SUBSTANTIALLY WIDER AT EITHER END?!
|
|
|
|
Don't run, Mojo...come back...stand still...it's just a baseball
|
|
bat, Mojo...we're gonna play a little game...Mojo...Mojo...COME BACK HERE!
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 18:45:05 -0500
|
|
Subject: JMS: Outtakes?
|
|
|
|
Yes, we're keeping the outtakes...somewhere. I should check, see
|
|
how much we've got now. Very funny stuff.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 11 Feb 1994 18:45:21 -0500
|
|
Subject: Re: Music change from Gatherin
|
|
|
|
The "Requiem for the Line" music appears in "And the Sky Full of
|
|
Stars," which airs in about 5 weeks.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 02:24:01 -0500
|
|
Subject: Re: soul hunter, ferengis & fi
|
|
|
|
You're correct; information is *not* willingly shared among the
|
|
various races. It's hoarded and used and sold. And yes, humans would
|
|
probably have *heard* of Soul Hunters, distantly, as a legend. I see no
|
|
reason why they would believe they existed, particularly with a title
|
|
like that, unless and until actually encountering one.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 02:27:57 -0500
|
|
Subject: JMS : Babylon 5 legal question
|
|
|
|
It's never come up, and probably never will, but in terms of
|
|
backstory, yes, it was legalized quite some time ago. There are only a
|
|
certain number of drugs not allowed on B5; those which would lead to
|
|
destructive, violent behavior that would disrupt the station, and Dust,
|
|
about which you won't be hearing for a while.
|
|
|
|
Near as I can figure, all grass makes you want to do is sit around
|
|
eating pizza and watching old Lucy reruns....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 02:28:29 -0500
|
|
Subject: JMS? Who's Vice-Pres.? :-)
|
|
|
|
The Earth Alliance Vice-President is a character named Morgan
|
|
Clark.
|
|
|
|
But you don't need to know that for a while yet....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 02:30:27 -0500
|
|
Subject: Re: Universe Today on paper?!
|
|
|
|
It's very easy to show things being different 250 years from now.
|
|
You just have people running around using numbers instead of names, have
|
|
people eating pills instead of hard food, using personal flyers, having
|
|
their children raised entirely by machine....
|
|
|
|
In fact, all of that has been done...in an SF musical called "JUst
|
|
Imagine," made in the 1930s, about life....in the 1980s. And it was
|
|
completely, totally off-base.
|
|
|
|
There's plenty of extrapolation in this show...phased plasma weapons,
|
|
hyperspace, the Psi Corps, other political areas, on and on...and that has
|
|
some great interest for me. But for me, what the show is *most* about is
|
|
how we are the same, not how we are different. A key theme in this series
|
|
is that this is US out there, in the stars, recognizeably US.
|
|
|
|
You cite the date 1721 as how things were "different." People got
|
|
married, held jobs, raised children, separated, had affairs, fought in
|
|
wars, read books and the few pamphlets that were available, corresponded,
|
|
on and on. We do those same things today. The *chrome* of technology has
|
|
changed, but our basic human nature has not. Nor will it in the next
|
|
250 years.
|
|
|
|
Re: "Universe Today." It's recycled material, light and portable,
|
|
read it and trash it. Even Asimov noted that there is nothing quite so
|
|
portable as a piece of paper, or as efficient. Computers were supposed to
|
|
end the paper mountains inside corporate offices. Have they? No. One
|
|
look at my (or any) office shows that computers have cause MORE paper
|
|
mountains, not fewer. So why not extrapolate to "newspapers" that are
|
|
tied into a major web, printed fresh in your quarters or thereabouts every
|
|
day, with all the news you'd like to see printed, and the stuff you don't
|
|
much care about left out? Customized newspapers, skewed toward your
|
|
interests. THAT is "UT." I just don't much want to sit there and explain
|
|
the darned thing because it's just more exposition.
|
|
|
|
And who says the Dodgers won't be here 200 years from now? They're
|
|
still going (reasonably) strong after nearly a century already. What
|
|
will suddenly happen in the world that all the world's baseball teams will
|
|
simply vanish? There seems to be this sense that at some point in the
|
|
coming future, somebody will throw a switch, and suddenly 90% of the
|
|
things we're familiar with will just vanish...and I think that's nonsense.
|
|
|
|
What I want to do with this show is to connect our past, our present,
|
|
and our future, melding familiar images with new ones. This isn't what
|
|
you're used to seeing. But it's what I want to *do* with it. Otherwise
|
|
all you have are unattainable futures about people who we barely recognize
|
|
as being humans, doing things we can't relate to. I'm sorry, but that
|
|
just doesn't interest me.
|
|
|
|
There's plenty of extrapolation coming down the road. The first and
|
|
foremost mistake people make about this show is seeing one or three
|
|
episodes, that this is all there's going to be. Wrong.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 05:15:04 -0500
|
|
Subject: Re: Concerns about Scientific
|
|
|
|
Re: the question of consistency/inconsistency in the B5 universe:
|
|
where you get inconsistency is generally when you have more than one
|
|
voice in the show, creation by committee or different administrations.
|
|
B5 is my show, and it's as consistent as I am...which means sometimes
|
|
you'll catch something small, a glitch between scripts written far apart
|
|
(calling the main console Station One instead of the Primary Console),
|
|
but on the big issues...I doubt very much it'll happen. I've thought out
|
|
this universe pretty thoroughly over the last 7 years.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 12 Feb 1994 05:17:03 -0500
|
|
Subject: June Lockhart (sp?)
|
|
|
|
June Lockhart is *not* a regular or recurring character on B5; she
|
|
appears in one episode, "The Quality of Mercy."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 00:42:08 -0500
|
|
Subject: Questions re Centauris in "Pur
|
|
|
|
The correct term is the Centauri Republic. It can be called an
|
|
empire, but that's the name. Trakis, Adira's owner, was not a Centauri,
|
|
but (and this is something we may bring up at some point down the road),
|
|
was at one point a Centauri slave.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:41:27 -0500
|
|
Subject: Shoes & foreheads
|
|
|
|
Don't know if GAribaldi's shoes have a custom tread or not; it's
|
|
possible. Londo's spots don't vary with stress; sometimes they come
|
|
through more depending on the lighting.
|
|
|
|
And yeah, I love the costuming.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:41:35 -0500
|
|
Subject: Commentary
|
|
|
|
Yes, I try to log on here about once a day, and though it's getting
|
|
tougher, I still read through *all* the messages in this area, though at
|
|
times I skim a bit. From my perspective, I try not to get in the way of
|
|
the discussion, by either encouraging or discouraging positive or
|
|
negative comments. If I think someone is being unfair, or is just coming
|
|
in to lob in a firecracker, watch everyone scatter and yell, and then run
|
|
away (as the occasional spineless mindfucker among us is wont to do), I
|
|
either fire back, or simply ignore the post.
|
|
|
|
The one major reason I decided to begin this interaction, despite
|
|
CONSIDERABLE discourgement and disbelief from my peers, is that I think it
|
|
may be of some use, and because I think that one should be willing to
|
|
stand publicly with what you create, and because though many criticisms
|
|
are issues of taste or subjective preference, sometimes (fairly often,
|
|
actually), I learn something from the discussion, or I'm corrected in
|
|
something, and that realignment is eventually reflected in the show. I'm
|
|
giving some serious thought to either revamping n'grath or killing him off
|
|
given the reaction (paired with my own). I won't be dictated to, but in
|
|
some cases, as with n'grath, I may be uncertain, but willing to try and
|
|
see if the experiment works. Sometimes it does, sometimes it doesn't, and
|
|
the general perception here seems close to my own. In addition, I was
|
|
initially going to gloss over some of the legal aspects of the Psi Corps
|
|
in "The Quality of Mercy," but when so many people expressed interest in
|
|
how that worked, and when I saw some measure of confusion about it, I
|
|
took the time to indicate how the legal aspects work when it came time to
|
|
complete that script, thus answering the questions.
|
|
|
|
Sure, there've been more hostile or abusive or insulting messages
|
|
posted here, primarily to get a reaction...I've seen that game before, and
|
|
I'm neither impressed nor annoyed. The general level of the discussion
|
|
-- pro AND con -- is still generally of a high level, and quite
|
|
revealing. The experiment continues.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:48:40 -0500
|
|
Subject: Re: Soul Hunter
|
|
|
|
Re: Delenn's alien-esque qualities...I have two photos from the set
|
|
that are favorites. I was walking through the offices to the stage, when
|
|
I saw Mira in full make up in her Grey Council robes, picking up the day's
|
|
shooting schedule. I saw her, said hi from down the hall, raised the
|
|
camera. I snapped a picture. Raised the camera again. And in that one
|
|
instant, she straightened, lowered her chin, something about her face and
|
|
her body language absolutely altered. I snapped a second photo.
|
|
|
|
Photo #1 is a picture of Mira Furlan made up to look like a Minbari.
|
|
Photo #2 is a picture of Delenn.
|
|
|
|
Damndest thing I'ved ever seen....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:50:06 -0500
|
|
Subject: JMS-questions for ya
|
|
|
|
There's still rock and roll, plus other new musical forms that have
|
|
come along, and still some franchises. TZ3 is being played on various
|
|
local stations, but not everywhere.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:50:15 -0500
|
|
Subject: JMS? Actors & Arcs
|
|
|
|
Some of the cast know the full extent of their character's story,
|
|
some know a little, some know very little. In those cases where we need
|
|
to set stuff up for down the line, we have to explain some of these
|
|
things. Some of the cast want to know their future, some don't.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 06:57:23 -0500
|
|
Subject: B5 Newbie with Brilliant
|
|
|
|
Correct: Tristan Rodgers makes an appearance in "The War Prayer."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 21:12:24 -0500
|
|
Subject: How much does one episode cost
|
|
|
|
The B5 budget is, alas, classified. As for more gif files...I
|
|
wouldn't be surprised to see them down the road a piece.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 21:12:29 -0500
|
|
Subject: Re: Starfury Launching
|
|
|
|
Negative. If you'll look to the right of your ascii drawing,
|
|
you'll see a square (round in the series) section. Several cobra-shaped
|
|
arms surround that section. That's where the fighters are launched.
|
|
|
|
You'll get a better view of this area as we go along, particularly in
|
|
an episode called "Survivors."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 21:22:37 -0500
|
|
Subject: Re: Ban on creative works? Huh
|
|
|
|
Let me put this another way, to see if this may have more influence
|
|
on your thoughts.
|
|
|
|
BABYLON 5 is owned by PTEN. The names, the characters, *and the
|
|
situations* are all part of what is owned through copyright, trademark
|
|
and other legal means. It can then choose to whom to license the right,
|
|
for a fee, to produce material within that universe...novels, comics,
|
|
whatever. That sub-entity then has the legal right to publish works that
|
|
use the B5 universe. (And it's not just the names; if every character is
|
|
the same, and the context is the same, and a work appears within that
|
|
context with the names just changed, it is still copyright infringement.)
|
|
|
|
It is in the vested interests of PTEN to maintain ownership of its
|
|
copyright and trademarks. Otherwise why should any publisher pay for the
|
|
rights to, say, publish novels in that universe? If a work appears in the
|
|
public domain, using copyrighted characters/situations, and is NOT gone
|
|
after legally, then that portion of the original creation has itself
|
|
slipped into public domain. PTEN is currently going after several of the
|
|
companies that have provided services to B5, and then have gone around and
|
|
published ads in various magazines using photos from B5 *without* the
|
|
PTEN copyright notice. Those specific images run the risk now of becoming
|
|
part of the public domain. This has to be stopped and will be stopped, by
|
|
PTEN.
|
|
|
|
I understand the need, the utility, and the fun of fanzines. I've
|
|
read many and own many. I, however, am not PTEN. I understand the
|
|
desire to play with the characters, in electronic or printed form. But
|
|
that has nothing to do with PTEN's desire to protect its copyright. The
|
|
electronic medium -- BBSing -- has been found in several court hearings
|
|
to constitute a form of publication. There are, in fact, now several
|
|
electronic publishers who circulate books/stories via this medium. Any
|
|
work appearing in this medium is subject to commonlaw copyright, so that
|
|
the writer of that work owns it...which brings that writer into direct
|
|
conflict if that work infringes upon the copyright of someone else.
|
|
|
|
If a flood of B5 stories (or camoflaged clones) began to appear on
|
|
this or any other net, it would force PTEN to intervene legally with
|
|
injunctions, cease-and-desist letters, and so on. My own feelings about
|
|
this really don't enter into it.
|
|
|
|
It becomes a two-sided risk. On my behalf, I would simply have to
|
|
withdraw rather than run the risk of being sued for something somebody
|
|
might write that I might have seen. It doesn't have to be proven that I
|
|
even saw it as long as I had *access* to seeing it. On the other hand,
|
|
those doing so run the risk of entanglements of their own.
|
|
|
|
Is it fun? No. Not for either of us. Part of the reason I created
|
|
the B5 universe was to see what other people would do with it. But this
|
|
is the law. And the law doesn't have to be fair. It simply is.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 21:22:38 -0500
|
|
Subject: Harlan Ellison and Babylon 5
|
|
|
|
Harlan is our conceptual consultant. His job is to sit perched on
|
|
my shoulder like Jiminy Cricket and point out to me the chuckholes,
|
|
detours, and disasters-in-the-making that I might otherwise stumble into
|
|
as I galumph my way through this show...and to harangue me and keep me
|
|
on the SF straight and narrow and to challenge me constantly to do better.
|
|
|
|
He also reviews stories, helped write the opening narration, has
|
|
given us several good concepts on the running of the B5 station, and
|
|
otherwise...well...consults conceptually.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 13 Feb 1994 22:17:43 -0500
|
|
Subject: Why do B5 command staff go out
|
|
|
|
Why Sinclair goes out on missions: someone here just left a far
|
|
better reply than I could write. Check it out.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Feb 1994 17:58:00 -0500
|
|
Subject: Did one need USA Today's Permi
|
|
|
|
"Universe Today" is a fictional newspaper, and thus no permission
|
|
was required.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Feb 1994 17:58:01 -0500
|
|
Subject: Babylon-5 Fan Clubs?
|
|
|
|
Since the series began to air, there's been a flood of mail and calls,
|
|
so some kind of organization will be necessary to handle this, though no
|
|
framework has been finalized yet.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Feb 1994 20:31:55 -0500
|
|
Subject: Re: B5 comments (spoilers)
|
|
|
|
You ask, "Why would the Earth Alliance act this way?" The question
|
|
is, why *wouldn't* they? Minus some limited supplementary contributions
|
|
from the Centauri and the Minbari, the EA pays for this. It's their
|
|
dollar, they get to call the shots. This isn't the Federation, where
|
|
everyone's equally part of things. The EA provides B5 as a service to
|
|
other species, and as a meeting place. It reflects the priorities and
|
|
to some extent the prejudices of those who built it. No, it's not a
|
|
perfect or polite setup. Nobody said it had to be. Nor do I feel it HAS
|
|
to be perfect or polite.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 15 Feb 1994 20:43:26 -0500
|
|
Subject: Soul Hunter and General
|
|
|
|
Sinclair gets into some real strong arguments in many episodes; he
|
|
is almost *constantly* at odds with Dr. Franklin in "Believers" (and just
|
|
about loses it at one point), he's arguing and exhausted nearly the entire
|
|
episode for "By Any Means" (and *does* lose it at one point, in a way
|
|
that says get-the-hell-out, and is also weirdly funny). Anyway, it's
|
|
definitely there.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 15 Feb 1994 22:17:47 -0500
|
|
Subject: I like everything but....
|
|
|
|
Errr....when the ships are hit, they don't just vanish/get totally
|
|
consumed; debris *does* fly off. Check again.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 15 Feb 1994 22:32:37 -0500
|
|
Subject: Re: +/- Review: Midnight
|
|
|
|
The symbol Talia wears isn't a Link or any other kind of
|
|
communications system; it is *strictly* a form of identification, tagging
|
|
her as a telepath and a member of the Psi Corps. It serves no other
|
|
function.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 15 Feb 1994 22:32:42 -0500
|
|
Subject: Soul Hunter comments
|
|
|
|
In my original B5 material, the leader of the Grey Council was always
|
|
Dukhat, going back 7 years. I saw no reason to change it. The moment I
|
|
begin whipsawing my show back and forth to avoid tripping over somebody
|
|
else, I'm just going to end up tripping over my own two feet.
|
|
|
|
And that was Johnny Sekka's actual accent (he's Nigerian-born).
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:26:25 -0500
|
|
Subject: JMS Question: Earth Alliance
|
|
|
|
The EA is fairly large, but not on a par with the Centauri at this
|
|
point. There are various space platforms/colonies, colonies on the Moon,
|
|
Mars, a major transfer point off Io...they've gone in and "helped" a
|
|
number of bronze-tech worlds (that happened to have certain resources
|
|
useful to EA), and are generally spreading like mice in a cheese factory.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:26:34 -0500
|
|
Subject: JMS: What else is tabu here be
|
|
|
|
Fairly fleshed out stories or detailed suggestions are really the
|
|
only thing that would cause a problem...everything else seems to be fair
|
|
game.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 16 Feb 1994 05:46:18 -0500
|
|
Subject: Re: +/- Review: Midnight
|
|
|
|
She wore the Psi symbol on her belt.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Feb 1994 10:53:30 -0500
|
|
Subject: B5 Versus Tekwar in LA
|
|
|
|
Forget B5 vs. Tekwar in the ratings...I just realized that one of our
|
|
best episodes in this first batch, "The Parliament of Dreams," is going
|
|
to go right up against the Tonya Harding/Nancy Kerrigan skating part of
|
|
the Olympics.
|
|
|
|
We're doomed.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Feb 1994 11:04:14 -0500
|
|
Subject: Re: JMS: Centauri Republic or
|
|
|
|
Sinclair functions within the parameters of Earthforce Command, but
|
|
much in the way as a provisional governor might function. He is answerable
|
|
both to his superior officers in Earthforce, *as well as* the Babylon 5
|
|
Senate Oversight and Appropriations Committee. A senatorial liaison often
|
|
works between Sinclair and Earthdome (the EA capital city).
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 16 Feb 1994 11:09:35 -0500
|
|
Subject: JMS: Centauri Republic or Empi
|
|
|
|
It was a slip of the tongue, to some extent; it's the Centauri
|
|
Republic. And very definitely there's a Roman influence on that
|
|
particular civilization.
|
|
|
|
Re: scripts...a topic for another time....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 02:18:40 -0500
|
|
Subject: "Bab" prefix
|
|
|
|
Re: your concern about putting "bab" in front of everything (the
|
|
message to which you responded mentioned babcommand, babalert, babguard
|
|
and so on)...it's not, and we don't. There is only one thing with that
|
|
previx, BabCom. That's all. There ain't no more. The person who
|
|
thought he heard bab-alert misheard MedAlert.
|
|
|
|
The concern as raised has *nothing* to do with our show.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 17 Feb 1994 03:35:48 -0500
|
|
Subject: Christy Marx
|
|
|
|
Yes, this Christy Marx is the same as the one who writes games and
|
|
has written comics as well.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 17 Feb 1994 03:35:39 -0500
|
|
Subject: Re: What are those blue fins?
|
|
|
|
For the record: B5 is *not* purely solar-powered. There's a HUGE
|
|
fusion reactor at the far end of the station that takes up almost that
|
|
entire long section.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 07:12:15 -0500
|
|
Subject: Babylon 5 '89
|
|
|
|
Don't really remember what the plan would've been if we'd gotten
|
|
the Go order years earlier; but one way or another we would've made it,
|
|
that's all I know. Nothing's stopping this thing.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Feb 1994 07:36:15 -0500
|
|
Subject: Re: Ban on creative works? Huh
|
|
|
|
"Why can't I write a story using the characters from B5 and publish
|
|
it here for all to read?"
|
|
|
|
Because it's a violation of copyright and trademark. What part of
|
|
that sentence don't you understand?
|
|
|
|
If you write a story and -- using your own terms -- "publish it here"
|
|
that instance of commonlaw copyright is a violation of the PTEN copyright
|
|
and trademark. My own personal feelings notwithstanding, *it's the law*.
|
|
|
|
The only thing that really bothers me in this whole conversation is
|
|
that I didn't want to get into a discussion of legalities, or lawyers, or
|
|
copyright infringement...all I said at the beginning was that I would like
|
|
to be here, to stay here, to participate in this experiment. And I asked,
|
|
as a courtesy, to be kept away from any story ideas because it opens me
|
|
up to legal liability. That's all. Just a courtesy, in exchange for the
|
|
3 hours a day I spend on this system, reading 500 messages a day now, to
|
|
keep the lines of communication open.
|
|
|
|
Why is the request for a courtesy insufficient, and people have to
|
|
go to the legal aspect?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 07:12:15 -0500
|
|
Subject: Babylon 5 '89
|
|
|
|
Don't really remember what the plan would've been if we'd gotten
|
|
the Go order years earlier; but one way or another we would've made it,
|
|
that's all I know. Nothing's stopping this thing.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Feb 1994 17:47:25 -0500
|
|
Subject: JMS Question: Where Were They?
|
|
|
|
The Centauri Republic tended to go after species where they could get
|
|
some advantage; they'd find a world on the fringe of being able to hit
|
|
space, with a technological base, move in and take over. It's sharper
|
|
and easier than taking over a world without tech; not much to offer. By
|
|
the time we got to that point, they had begun the decline of their
|
|
empire, and basically greeted us with a shrug. And there is no EA rule
|
|
about non-interference. The only real rule applies to surveying distant
|
|
worlds for mineral resources, and a restriction against strip-mining
|
|
worlds that contain sentient life.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 17 Feb 1994 21:15:59 -0500
|
|
Subject: JMS: "Infection" -- no spoiler
|
|
|
|
Thanks. Sinclair's final speech there is the simplest truth about
|
|
space exploration that I can think of...and the most compelling..and the
|
|
most overlooked. As Henry Kissinger once said, "It has the added benefit
|
|
of being true."
|
|
|
|
jms
|
|
10716
|
|
::::::::::::::
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 02:42:35 -0500
|
|
Subject: Born to the Purple (Minor Spo
|
|
|
|
Fabiana didn't shave her head to play Adira; that's a prosthetic
|
|
head piece. Ditto with all our Centauriy women. (Funnily enough, the one
|
|
time we DID have a bald woman as a background extra, those not in the
|
|
know on stage kept commenting on how fake the bald-cap looked....)
|
|
|
|
The planet behind B5 ain't the moon. This is a LOT further out.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 02:57:58 -0500
|
|
Subject: To JMS: They still use paper?
|
|
|
|
It's not a paper,but synthetic material. A customized (to each
|
|
person) copy of UT comes out in your quarters, you take it with you, read
|
|
it, dump it in the recycler and get it again the next day. And the
|
|
"help" given by EA to bronze-tech worlds is on a "whether you want it or
|
|
not" basis. No prime directive here.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 03:36:05 -0500
|
|
Subject: The annoying little space shot
|
|
|
|
We did a lot of exterior transitional shots in the first few eps of
|
|
B5 to reinforce where we are and what this is; it diminishes in frequency
|
|
the deeper into the series you get.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 04:42:36 -0500
|
|
Subject: Concerns about Scientific real
|
|
|
|
Let me ask you a question: let's say we zip back in time for a
|
|
moment. It's now the year 1944. Someone writes a science fiction story
|
|
about life 50 years from now, 1994. And in the course of that story,
|
|
which gets into nuclear powered vessels, Mars probes, space shuttles and
|
|
laser surgery...you get references to such outrageous ideas as Psychic
|
|
hotlines, crop circles, and other things.
|
|
|
|
Does it stop being a science fiction story? Perhaps...but it is
|
|
fundamentally more *real* than if you pretended none of that existed, or
|
|
tried to explain it all away. The universe it too big, and 110 episodes
|
|
is too short, to try and explain away *everything*. I think that there
|
|
should be mysteries.
|
|
|
|
Because mysteries will always be with us...and any attempt at SF that
|
|
tries to deny that basic element of our existence is being untruthful to
|
|
the history of human experience.
|
|
|
|
The whole science fiction/science fantasy argument is fairly recent
|
|
in SF, as various parties drew up sides and closed ranks. There's the
|
|
Analog crowd, and the F&SF crowd...prior to Campbell and a few others
|
|
really hammering down a set of rules, SF encompassed a whole *range* of
|
|
ideas, and freely crossed borders, using various elements. The classic
|
|
Mark Twain story, "Sold to Satan" (I'm pretty sure that's the title)
|
|
combines SF elements (the purposes of this new discovery called radium)
|
|
with the supernatural (said component is a prime ingredient in Satan's
|
|
physiology).
|
|
|
|
Now obviously I'm not going to do that, I have no desire to go that
|
|
far. But I don't think that you have to sit down and quantify every single
|
|
mystery in life and reduce it to a catchphrase or some technobabble; why
|
|
can't there still be wonders and mysteries and the unsolved in 2258, as
|
|
we have them today?
|
|
|
|
Because you could write that 1944 story about 1994 without crop
|
|
circles, or dial-a-psychic hotlines...and maybe it would be (by the
|
|
lights of some) valid SF, it would *not* be valid extrapolation. It would
|
|
ESPECIALLY not be valid social extrapolation. It comes down to: do you
|
|
want an agenda behind a story, or do you want a story about where people
|
|
may be in 200 years, and the kinds of things they might experience?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 05:22:29 -0500
|
|
Subject: (attn JMS) The New Group Debat
|
|
|
|
Correct: when we've told our five year story, the B5 series comes to
|
|
an end in terms of original episodes, and then will, like all other TV
|
|
series, go into long-term reruns. There's one possible spin-off that
|
|
has always been feasible, but it would not be a B5 series, rather following
|
|
one thread in a different direction. But that also has a definite end,
|
|
after which there *can't* be any more followups, for reasons I can't now
|
|
go into.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 06:11:25 -0500
|
|
Subject: Q: JMS: Station ownership
|
|
|
|
The EA has owned all of the Babylons; 1-3 were sabotaged early in
|
|
construction, so it wasn't too much of a loss. They dumped a BIG budget
|
|
into B4, and when that died, barely passed the budget for #5, skimping all
|
|
the way, cutting it down to bare bones operating expenses. They will and
|
|
would never approve a #6.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 11:17:48 -0500
|
|
Subject: JMS Query; ref n'grath
|
|
|
|
Garibaldi is quite aware of n'grath...and knowing that if he just
|
|
vanished, somebody'd take his place in five minutes, prefers the trouble
|
|
he knows to the trouble he'd have to track down.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 18 Feb 1994 17:35:18 -0500
|
|
Subject: Re: Ban on creative works? Huh
|
|
|
|
Obviously, I can't say anything officially here saying "Go write
|
|
fanfic to your heart's content." Because PTEN would (correctly) stick my
|
|
head on a pike in the middle of downtown Hollywood. However, let me be
|
|
ABSOLUTELY clear in this: I have NEVER said, "Don't write it." All that
|
|
I have EVER said is, "Don't put it in a place where I can see it or
|
|
stumble over it."
|
|
|
|
Email is a private system; so is a closed mailing list. I'm not
|
|
here to be PTEN's eyes and ears; I really don't care what happens out
|
|
there in that respect. My only real concern is that whatever it is that's
|
|
happening, *I don't see it.* It's better for all concerned if I don't
|
|
see it, or don't have access to it.
|
|
|
|
So on a personal level, I have no real problem with what you propose.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 20 Feb 1994 05:29:46 -0500
|
|
Subject: Infection (spoilers)
|
|
|
|
I allow a small smile...in the course of any given script, I put in
|
|
little things that I figure nobody will ever notice, but which for me
|
|
help just a bit to keep on track with the character, and which may
|
|
resonate to anyone paying attention. You cite Sinclair's line about
|
|
joining Garibaldi "on the LINE," and Garibaldi noting that Sinclair keeps
|
|
putting his life "on the LINE," and the similarity to the phrase "the
|
|
Battle of the Line."
|
|
|
|
It was a throwaway...but a conscious one.
|
|
|
|
He's still fighting the same battle. He's never stopped. In one way
|
|
or another, he keeps putting himself out there, caught in a loop....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 20 Feb 1994 05:59:26 -0500
|
|
Subject: Re: Talia's badge
|
|
|
|
The Psi Corps identification is worn both with pride and as a
|
|
warning or advisory to others. No bikini-tags yet.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 20 Feb 1994 05:59:40 -0500
|
|
Subject: JMS: Psi Corps Symbol
|
|
|
|
Er...the symbol Lyta wears isn't "an interconnected IU that looks
|
|
an awful lot like the greek 'psi,'" ...it *IS* the Greek letter Psi, as
|
|
is appropriate for a group of telepaths. That was always our intent.
|
|
(Funnily enough, while in college getting my first degree in Clinical
|
|
Psychology, I belonged to Psi Chi, the national honor society in
|
|
psychology. Small world.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 20 Feb 1994 21:04:34 -0500
|
|
Subject: Little touches I live for (spo
|
|
|
|
Re: "That kind of direction." Not to be nit-picky, but it was
|
|
scripted that we would come to G'Kar just as she got to that line. Not
|
|
everything is from the director....
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 20 Feb 1994 21:05:30 -0500
|
|
Subject: JMS - two questions...
|
|
|
|
Don't know re: Harlan's photo. The reader doing the Tennyson piece
|
|
was just a regular voice-over actor. The piece is from "Ulysses."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 01:18:43 -0500
|
|
Subject: JMS: Generic EZ Q's
|
|
|
|
The Earth/Minbari war started with a Minbari first encounter (by us)
|
|
that went tragically wrong and resulted in a firefight, in which the
|
|
leader of the Grey Council was killed.
|
|
|
|
Kosh's ship is still on B5, except when he takes it out.
|
|
|
|
Virtually all of the B5 story takes place within one galaxy.
|
|
|
|
Yes, Earth religions have had to come to grips with the existence of
|
|
alien cultures; and religions from both sides have filtered into human an
|
|
alien life. We won't be dealing with that this season because we deal
|
|
with the topic of religion a lot this season, and don't want to get too
|
|
bogged down with it.
|
|
|
|
Franklin's associate wasn't a Foundationist, no.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 03:42:16 -0500
|
|
Subject: "Infections" vs. Guyver (spoi
|
|
|
|
I've never been a big fan of japanese animation, and have never heard
|
|
of Guyver before it came up in this discussion. (I actually thought that
|
|
the Guyver references were some kind of reference to McGuyver for a long
|
|
time, until finally I began to suss out that we were talking animation
|
|
here.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 04:47:58 -0500
|
|
Subject: Re: Infection <spoilers>
|
|
|
|
Re: the scene in which Sinclair tells an INS reporter that humanity
|
|
has to stay in space because eventually our local star will go out and
|
|
make futile our million-year struggle through evolution and blood, you
|
|
say, "It's also been done a zillion times before."
|
|
|
|
Name five.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 16 Feb 1994 04:47:25 -0500
|
|
Subject: Re: Babylon 5 Grade Report: "M
|
|
|
|
For what it's worth, in "Raiding Party," there's a line or two of
|
|
dialogue mentioning that the Raider ships are meant for atmospheric and
|
|
space maneuvering, with the recommendation that someone "aim for the
|
|
airfoils," as that's the most vulnerable spot. So that *is* specified at
|
|
one point.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
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Date: 16 Feb 1994 04:47:31 -0500
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Subject: JMS (et al.) A treatise on Cha
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|
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Your analysis sounds just about right on from where I sit....
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jms
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From: straczynski@genie4.geis.com
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|
Date: 16 Feb 1994 04:47:35 -0500
|
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Subject: I liked it.
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|
|
Re: the shape of the doors...they're set to notch into the wall,
|
|
and in the case of depressurization, bolts shoot through the "teeth" that
|
|
insert into the wall, to lock it securely into place. It's much more
|
|
airtight that way than a conventional door that swings or opens in the
|
|
middle in case of an accident that opens a portion of the station to
|
|
vacuum.
|
|
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jms
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|
|
From: straczynski@genie4.geis.com
|
|
Date: 16 Feb 1994 04:47:39 -0500
|
|
Subject: Re: "Midnight" reactions
|
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|
|
There was a problem with the initial episodes using the garden: we
|
|
kept turning in good looking shots, and couldn't figure out why they
|
|
looked weird later. Turns out that the people at the color lab/video
|
|
transfer facility (one person in particular) kept adjusting the color and
|
|
gamma TO MATCH HIS MONITOR. We finally found out about this and yelled.
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jms
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From: straczynski@genie4.geis.com
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|
Date: 16 Feb 1994 04:47:42 -0500
|
|
Subject: Re: RFD: rec.arts.sf.tv.babylo
|
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|
|
"I certainly hope B5 can do (Battlestar Galactica) justice!"
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(whoah...must've hit him harder than I thought....)
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jms
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|
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From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:24:06 -0500
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Subject: Re: query to JMS.......
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|
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There are no immediate plans to expand on the Sinclair Aircraft
|
|
piece; some things are best just left there. The logo is real, btw; we
|
|
found it, and got permission to use it.
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jms
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|
|
From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:24:13 -0500
|
|
Subject: Soul Hunter - A review of sort
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|
|
Doing the intro was something that PTEN wants for all its shows; if
|
|
you check out Trax and Kung Fu, you'll see it there, as well. It's my
|
|
hope that we can trim the narration down by 1/2 in second and subsequent
|
|
seasons.
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jms
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|
|
From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:24:57 -0500
|
|
Subject: WILL WE VISIT THE VEGITATED IN
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|
|
Yes, we will. In addition to the Zen garden, and the Fresh Air
|
|
Restaurant, we'll be seeing the Orchard, the Pavillion, and the Maze,
|
|
though you won't see the last one there for some time. I don't think it
|
|
shows up until "Chrysalis."
|
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jms
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|
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From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:25:00 -0500
|
|
Subject: JMS at Icon?
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|
|
Yes, at this point, I do plan to be at Icon....
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jms
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From: straczynski@genie5.geis.com
|
|
Date: 16 Feb 1994 05:26:22 -0500
|
|
Subject: Transfer point at Io
|
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|
|
The transfer point off Io is a Jump Gate, the one most generally
|
|
used by Earthforce.
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jms
|
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|
|
(It's not on Io, it's on a station *off* Io.)
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|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 02:18:40 -0500
|
|
Subject: "Bab" prefix
|
|
|
|
Re: your concern about putting "bab" in front of everything (the
|
|
message to which you responded mentioned babcommand, babalert, babguard
|
|
and so on)...it's not, and we don't. There is only one thing with that
|
|
previx, BabCom. That's all. There ain't no more. The person who
|
|
thought he heard bab-alert misheard MedAlert.
|
|
|
|
The concern as raised has *nothing* to do with our show.
|
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jms
|
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|
|
From: straczynski@genie5.geis.com
|
|
Date: 17 Feb 1994 02:18:39 -0500
|
|
Subject: Re: BABYLON 5 To Include Gay/B
|
|
|
|
Let me respond only to two points in your message. The rest seem
|
|
hardly worthy of response.
|
|
|
|
I am not, as you imply, going for "brownie points" from anyone. I
|
|
am telling a story. I am telling the story that I've wanted to tell for
|
|
seven years. I have no interest in currying favor from any group, any
|
|
organization, any fringe or mainstream elements. You don't work for seven
|
|
years to create the chance to tell your own story just to turn it over to
|
|
the influence of others.
|
|
|
|
Did it every occur to you -- for even a *smidgen* of a second -- that
|
|
maybe, just maybe, what I'm doing with B5 is being done BECAUSE IT ADVANCES
|
|
THE STORY? Because it is a legitimate part of the story? You seem to
|
|
think that if someone does something in this area, it HAS to proceed from
|
|
either a personal political agenda, or the enforced agenda of others.
|
|
|
|
Which is a load of absolute and utter crap. I don't care who signs
|
|
on board, or who's offended. That's not my concern. My concern is in
|
|
telling a story, as best as I am able. Period.
|
|
|
|
To your second point, that if violence on TV is open to congressional
|
|
inquiry, then nothing is wrong in "questioning (how) political and social
|
|
issues are presented in entertainment programming."
|
|
|
|
Well, I'm glad someone has finally come out of the woodwork on this
|
|
one.
|
|
|
|
This is exactly what happens in this situation. Everybody waves the
|
|
big VIOLENCE bugaboo around to get pressure built behind them...and then
|
|
they begin to use this huge stick to go after their OTHER agendas, the
|
|
legislation of ideas, curtailment of notions and issues that they don't
|
|
personally like. It's happened again and again, in comics, in kid's
|
|
programs, in libraries across the country, in the recording industry, and
|
|
now they're trying to do it to TV.
|
|
|
|
The hard part is always getting them to ADMIT that this is on their
|
|
minds.
|
|
|
|
Thank you for breaking the silence.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 17 Feb 1994 03:35:39 -0500
|
|
Subject: Re: What are those blue fins?
|
|
|
|
For the record: B5 is *not* purely solar-powered. There's a HUGE
|
|
fusion reactor at the far end of the station that takes up almost that
|
|
entire long section.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie4.geis.com
|
|
Date: 17 Feb 1994 03:35:48 -0500
|
|
Subject: Christy Marx
|
|
|
|
Yes, this Christy Marx is the same as the one who writes games and
|
|
has written comics as well.
|
|
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|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 08:10:21 -0500
|
|
Subject: B-5: What are they wearing on
|
|
|
|
The devices on the backs of their hands are Links, which function as
|
|
communications devices, interface with the B5 central computer, can access
|
|
the PA system and so on. They slap on and off easily.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 08:10:21 -0500
|
|
Subject: Re: Concerns about Scientific
|
|
|
|
Just a minor correction: I was never involved with the production or
|
|
writing of the original V series or miniseries; I was hired by Warners to
|
|
write a new (and as yet unproduced) 4-hour miniseries to revive the V
|
|
series in syndication. The project was shelved when it was realized that
|
|
it would be too expensive to try it for the syndicated market.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 21:57:42 -0500
|
|
Subject: JMS: Parliament?
|
|
|
|
A parliament is a gathering of officials, of representatives, which
|
|
matches the story in terms of representatives of different places, and
|
|
beliefs. The dreams are the belief systems.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 21 Feb 1994 22:10:25 -0500
|
|
Subject: B5 and Cronos
|
|
|
|
The only Cronos movie that I know of is "Kronos," a mexican-filmed
|
|
black and white film in which an alien device crash-lands and grows to
|
|
skyscraper size and begins stomping its way across Mexico...looked like
|
|
a cross between a rubik's cube and a peppermill.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 02:57:23 -0500
|
|
Subject: Re: Concerns about Scientific
|
|
|
|
"I object to the PSI stuff because the show was said to be SF."
|
|
|
|
Yes, and telepathy has been dealt with considerably throughout the
|
|
long history of SF. One of the finest novels in the genre is Alfred
|
|
Bester's "The Demolished Man." Telepathy has also been used as a valid
|
|
plot device in SF by Ray Bradbury, Larry Niven, Kurt Vonnegut, Brian
|
|
Aldiss, John Brunner, Kate Wilhelm, Robert Sheckley, Eric Frank Russell,
|
|
Walter M. Miller, Anne McCaffrey, Richard Matheson, Fritz Leiber and
|
|
Samuel Delaney, to name but a FEW.
|
|
|
|
If you want to argue that telepathy isn't a valid area for SF, or
|
|
doesn't qualify as SF, then your argument is with them, not with me.
|
|
|
|
And you'd lose.
|
|
|
|
(With luck, this will close this discussion once and for all.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 04:24:31 -0500
|
|
Subject: Re: No more gay talk and Ivano
|
|
|
|
Actually, Ivanova gets to play hero a *lot* in this first season;
|
|
in "Raiding Party," a little in "War Prayer," more in "Believers," and
|
|
"A Voice in the Wildereness," and "Legacies," and a whole bunch more.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 04:24:44 -0500
|
|
Subject: Stupid Question in "Infection"
|
|
|
|
Actually, the reporter's question was *not* (from a 2258 point of
|
|
view) stupid. Earth is far enough from the other major races not to
|
|
have to worry about iminent invasion. At the time of the story, there is
|
|
a VERY strong isolationist movement growing back home, which you'll hear
|
|
more about as we go in. Space travel is *expensive*, even in 2258, and
|
|
there are still a lot of problems to be resolved back home. While the
|
|
Earth administration in Earthdome keeps pressing to go further and
|
|
further, various nation/states in the Earth senate are taxed further to
|
|
finance explorations which they don't always share in equally, the Mars
|
|
Colony is threatening secession...things are falling apart by degrees.
|
|
So in light of all that, the question is *absolutely* valid.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 04:25:17 -0500
|
|
Subject: Re: MOJO responds to FX chat
|
|
|
|
Re: boring textbooks and keeping you away from physics....
|
|
|
|
Ladies and gentlemen, the Amazing MOJO, one of the leading minds of
|
|
the 14th century.
|
|
|
|
I gotta get a bigger ball-bat.
|
|
|
|
Go ahead. Tell Ron you just wrote that here. But wait until I get
|
|
there first. This one I'd *pay* to see.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 04:25:31 -0500
|
|
Subject: Re: ALIEN ACCENTS
|
|
|
|
I quote your message verbatim: "What kind of accent (besides FAKE and
|
|
FORCED) does the membari (spelling?) lady use? I mean, what country on
|
|
earth did they model her character's accent from?"
|
|
|
|
(rolling up sleeves) Allow me to show you why you are an idiot.
|
|
|
|
There is a tendency, among the cerebrally impaired, to automatically
|
|
decide that whatever they don't like is fake, or forced, or cheesy, when
|
|
they are simply ignorant of what it means, or what it is. Because it
|
|
isn't instantly familiar, doesn't instantly match what they've seen before,
|
|
they -- like you -- assume it's being done incorrectly.
|
|
|
|
Mira Furlan is a native-born Yugoslavian (back when that was the
|
|
name of the country). She came to this country only a year or two ago,
|
|
fleeing for her life. She had been that nation's premiere actress, having
|
|
won any number of major awards, including the Palm d'Or at Cannes. But
|
|
because she refused to endorse either side in that bloodbath, she was
|
|
hunted by both.
|
|
|
|
The "fake and forced" accent to which you refer...is her native
|
|
accent.
|
|
|
|
Maybe next time you will take the required moment to *think* before
|
|
shooting off your mouth, and phrase your question in order to get the
|
|
required information before making allegations based on your own lack of
|
|
said information. One doesn't always have to attack something unfamiliar
|
|
or insult someone's ability just because you don't like something.
|
|
|
|
Because from time to time, you'll prove yourself a boob.
|
|
|
|
Like this time.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 04:26:45 -0500
|
|
Subject: Did you need Loyd's of London'
|
|
|
|
No need for Lloyd's permission, just for a casual reference.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 22 Feb 1994 23:16:20 -0500
|
|
Subject: (JMS) Research Grants
|
|
|
|
Thanks. And agreed; the state of research grants, particularly for
|
|
pure-research, but even for more practical applications, is in sorry
|
|
shape. Other nations invest *massive* amounts of money into research and
|
|
development, we invest pennies...and we wonder why we're falling behind.
|
|
No one's looking ahead. It's tragic, and worse than tragic, it's
|
|
dirt-stick-stone stupid. My condolences.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 00:32:10 -0500
|
|
Subject: SPOILERS:The Parliament of Dre
|
|
|
|
"There was one big plot hole: Na'Toth should not have had such an
|
|
easy time convincing the assassin that she had been assigned as backup."
|
|
|
|
Hmm...as I recall the episode, she *didn't* convince him at all, and
|
|
in fact was inches away from having him blow her brains out when G'Kar
|
|
came barrelling down the hall at them....
|
|
|
|
Just a thought.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 00:32:49 -0500
|
|
Subject: JMS: INFLUENCES BESIDES CLASSI
|
|
|
|
In terms of visual-media SF, there have been a lot of influences over
|
|
the years, mainly in informing my views of what constitutes SF. There are
|
|
the obvious influences from Twilight Zone and the Outer Limits, as well as
|
|
Blake's 7 and the Prisoner. Also loved Night Gallery, and still hold some
|
|
measure of appreciation for the Invaders. My favorite SF films are still
|
|
(for the most part) those from the fifties and sixties; 2001, The Day The
|
|
Earth Stood Still, Twenty Million Years to Earth and so on, though clearly
|
|
there's been a lot of good work since, with Aliens and the Terminator
|
|
films being favorites.
|
|
|
|
Anime has never really done much for me, I'm afraid. It's hard to
|
|
really say why; it's not that it offends me or anything, it just hasn't
|
|
pushed the same buttons for me that other venues have.
|
|
|
|
jms
|
|
::::::::::::::
|
|
gain, putting in
|
|
phasing problems and other stuff. We're trying to backtrack further and
|
|
keep it from happening again. (Part of the problem apparently sets in
|
|
when they do the closed-captioning duping.)
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 15:50:16 -0500
|
|
Subject: Re: BABYLON 5 To Include Gay/B
|
|
|
|
Let me put this as simply as I can...in the year 2258, nobody *cares*
|
|
about your sexual orientation. It doesn't come up. No one makes an issue
|
|
out of it. There are no discussions, no proclamations, no inquiries, no
|
|
"how will they react?" It's like being left-handed or right-handed; no
|
|
one really cares one way or another.
|
|
|
|
Can we now move on past all of this?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 15:53:58 -0500
|
|
Subject: B5mojo: Some things I want to
|
|
|
|
You've already got your wish. You'll see big ships going *boom* in
|
|
"A Voice in the Wilderness" and firing at each other, and the between the
|
|
fins movement and other stuff even more outrageous in "Raiding Party."
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 16:25:38 -0500
|
|
Subject: "Collision course" in SH (spoi
|
|
|
|
Re: why soul hunter #1's ship was out of control...the second soul
|
|
hunter comments that they've been tracking him, and caught up with him a
|
|
few days ago. They attacked, "and he escaped, his ship damaged." That
|
|
is what brought him here...and led his pursuers to this place as well.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 23 Feb 1994 19:27:51 -0500
|
|
Subject: JMS: talkshows
|
|
|
|
Jerry Doyle was recently on the Dini Petty show up in Canada, but as
|
|
far as I know, no talk show bookings yet, though a few things are in the
|
|
discussions phase.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Feb 1994 05:24:35 -0500
|
|
Subject: Re: JMS: Are you pulling a "St
|
|
|
|
In your complaints regarding the commander flying off on occasional
|
|
missions (and he only does it about 3 times out of 22 episodes, so I
|
|
hardly see this as a problem), you are forgetting several other *realities*
|
|
of military life. If you're a pilot, even as a commander, you have to
|
|
log in X-number of hours flying time per month in order to continue to
|
|
qualify for flight pay. This is a *requirement*. And it doesn't just
|
|
mean flying around the station a few times.
|
|
|
|
Second, many commanders -- as recently as Vietnam and afterward --
|
|
did and continue to go out on missions and sorties because it is rather
|
|
expected of them, and because it maintains the respect of the rest of
|
|
the squadron(s).
|
|
|
|
Third, and possibly most important, Earthforce is the same as the
|
|
contermporary Air Force in one important respect: promotion up the ranks
|
|
is tied *directly* to combat experience and, in this case, combat
|
|
flying. That's why women fighter pilots and helicopter pilots have been
|
|
fighting so *vigorously* to be allowed to fly combat missions; they know
|
|
that they can't be promoted fully up the line without that. Sinclair has
|
|
no desire to be a commander all his life, he'd like to move on. Hence
|
|
it behooves him to get in combat time whenever possible.
|
|
|
|
Your statement that it "doesn't wash" has nothing to do with how
|
|
the military *actually* works, and everything to do with the skewed and
|
|
inaccurate portrayal of the military that you get from Trek. This is
|
|
absolutely legitimate, and the B5 mailbox these days is partly crammed
|
|
with letters from vets thanking us for getting this part right.
|
|
|
|
I suppose I could mention this in passing in dialogue, but then it
|
|
becomes a matter of sticking in dialogue not because it's important to an
|
|
episode, but because some folks would like things explained to them. I
|
|
don't think that's my responsibility.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 24 Feb 1994 10:49:18 -0500
|
|
Subject: JMS: Are you pulling a "Star
|
|
|
|
I answered you elsewhere here on this topic earlier this evening. To
|
|
just nit for a moment, to say that Sinclair picks up "every derelict
|
|
ship" seems a little unfair...he's picked up *one*, and only one, and
|
|
only picks up one this entire season. Why him? A) Because he's good at
|
|
it, B) he could use the flight pay, C) it'll look good on his record, and
|
|
D) because as he says as he leaves, it's a potential first-contact
|
|
situation. (NOt to mention E, that he has a death-wish.)
|
|
|
|
I would submit to you that this is NOT the same as having one
|
|
character do a zillion different jobs on the station. I think that you're
|
|
reacting to something you've seen on Trek, and are assuming based on an
|
|
example of one that we're doing it in B5 as well. We're not. Also, in
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"Purple," Garibaldi sends a different team out to handle the gunfire, so
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there are others who do things. Question becomes, how many new and
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recurring characters do you want to introduce? There are currently *14*
|
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regular and recurring characters on B5, and there are many folks who are
|
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saying that's too many. As it is, we do introduce an aide to Garibaldi
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who takes care of some stuff for him. Just as Sinclair delegates to
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Ivanova, and Ivanova delegates to the observation dome techs.
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I just feel that you're leaping to a conclusion based on a paucity of
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evidence, built upon your experiences with another show. We're simply not
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doing this.
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jms
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From: straczynski@genie.geis.com
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Date: 24 Feb 1994 10:49:19 -0500
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Subject: Earthdome: where is it?
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Earthdome is on Earth. In what used to be Geneva.
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jms
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From: straczynski@genie.geis.com
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Date: 25 Feb 1994 00:42:46 -0500
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Subject: JMS: Parliament? Dreams?
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You'll get more on the varied Narn beliefs in "By Any Means
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Necessary."
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jms
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From: straczynski@genie.geis.com
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Date: 25 Feb 1994 00:42:50 -0500
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Subject: General questions for JMS
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I could've written B5 as a novel per se, as you say, having written
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|
published novels before...and it would've been one more SF novel. No one
|
|
has really attempted this kind of multi-year story, on this kind of scale
|
|
before for American TV. (The closest I can come to in terms of other
|
|
shows is, interestingly enough, "Brisco County Jr." I've been very
|
|
pleased to see them developing a real story over time.) It's more of a
|
|
real challenge to try and do it for TV, for starters, and B5 has always
|
|
struck me as better *suited* for TV. Generally I can get a good sense of
|
|
what medium a story belongs in, and this one felt like TV.) I enjoy
|
|
challenges, and doing a show like B5 for TV is a *real* challenge.
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|
|
As for the characters, for the largest part they were created new
|
|
when they came into replace those characters who were removed from the
|
|
story arc. There's not much carry-over.
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jms
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|
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From: straczynski@genie.geis.com
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|
Date: 25 Feb 1994 10:08:16 -0500
|
|
Subject: Re: JMS: "See you next Wednesd
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|
|
No, Wednesday was just the day she was due to return; she mentions
|
|
that her next job has to be finished by Tuesday, and this makes
|
|
Wednesday the next day she could see him.
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|
|
|
I'm not terribly enamored of Landis, and would not deliberately
|
|
stick ANY reference to his work in an episode of mine.
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jms
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|
|
From: straczynski@genie.geis.com
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|
Date: 25 Feb 1994 10:08:45 -0500
|
|
Subject: Something I'd like to see (was
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|
|
You've already seen a non-O2 alien wearing a breather in an O2
|
|
section; one of the two victims walking down a hall in "Infection" just
|
|
before they get smeared. Also an alien or two in the gallery in
|
|
"Midnight," though I don't know how clearly they can be seen. We do it
|
|
from time to time....
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jms
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|
From: straczynski@genie.geis.com
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|
Date: 25 Feb 1994 10:08:49 -0500
|
|
Subject: Telepath a bad idea?
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|
|
The point you raise is exactly correct; which is why we've set up
|
|
the Psi Corps in such a way as to *prevent* them from becoming a deus ex
|
|
machina all the time. This is what's always bothered me about the way
|
|
"empaths" are treated on ST; it's a terrible invasion of privacy. The Psi
|
|
Corps has strict rules about who can and can't be scanned, and under what
|
|
conditions. In "Purple," she couldn't just go scan Trakis; she had to be
|
|
hired, had to be already engaged in a business capacity, and had to find
|
|
it *only* in surface thoughts, no deliberate poking. And this is the ONLY
|
|
-- repeat, the ONLY -- time this is done in the entire season, aside from
|
|
the accidental run-in with Londo in the pilot episode.
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|
|
We'll get deeper into the rules and regs of the Psi Corps as we go,
|
|
further establishing that there's a lot they're expressly forbidden from
|
|
doing by law.
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jms
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|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Feb 1994 10:10:12 -0500
|
|
Subject: JMS: Some questions
|
|
|
|
We won't see G'Kar's mate this season. In time. And yes, we will
|
|
learn a little more about telepaths in the other species, and how they
|
|
work, in "Legacies" and in "Eyes."
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|
jms
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|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Feb 1994 13:36:29 -0500
|
|
Subject: RE: BTTP and semi-clad women (
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|
|
|
I confess I don't see the problem. In real life, some women are
|
|
scientists, and doctors, and atheletes...and some women dance in bars,
|
|
some women hook part- or full-time. Some men are scholars and diplomats
|
|
and teachers...and some men are gigolos and thieves and *also* dance in
|
|
bars. Where exactly is the problem in portraying both sides of this?
|
|
Have we become so concerned with being politically correct that we can
|
|
not show a legitimate part of human existence?
|
|
|
|
B5 has all kinds, and both sides of all kinds. Male and female,
|
|
equally. I "chose" exotic dancers for a kind of sleazy, not-entirely
|
|
legitimate operation, a backroom club. What would one *expect* to find
|
|
there? Opera singers? You look at the situation, and you choose
|
|
what is *appropriate to the situation*.
|
|
|
|
I would also point out that the dancers didn't "eagerly rush
|
|
forward to betray their friend." Londo was trying to find Adira in hopes
|
|
of helping her. He didn't say he was going to do anything bad to her,
|
|
and he was probably known to more than a few of them. He was simply
|
|
trying to find her. The coin was an added incentive. Back when I was an
|
|
investigative reporter, I did some research on strip joints while I was
|
|
living in SAn Diego. Spent a LOT of time talking to nude dancers (when
|
|
they had their clothes on, I hasten to add). And 99.9% of them had a
|
|
rule: you want to ask questions, you pay. That simple. That's how this
|
|
stuff *works*. My job is to keep the B5 reality as close as possible to
|
|
our reality in that respect.
|
|
|
|
Some of them probably wanted to help, knowing Londo was okay. Some
|
|
probably didn't care. And some probably would've betrayed her at the
|
|
tip of a coin. Life's like that. So again, where in this is the
|
|
problem?
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Feb 1994 16:35:53 -0500
|
|
Subject: Re: JMS Attn -- Re: Babylon 5
|
|
|
|
The video noise and audio problem is apparently happening between
|
|
the time we deliver the episode on D2s and when it's uplinked to the
|
|
stations. Apparently the show goes through 5 more generations, in order
|
|
to add in commercials (1 pass), add in closed-captioning (another copy),
|
|
and so on. We're trying to track it down and see where in the process
|
|
the glitch is happening.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 25 Feb 1994 16:56:35 -0500
|
|
Subject: Comments on "Infection"
|
|
|
|
In your review of "Infection," you ask where are the floating
|
|
recorders we saw in the pilot. Just as a point of reference...they were
|
|
in "Infection," in the last scene with the reporter.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 26 Feb 1994 00:23:58 -0500
|
|
Subject: Where is that weapon?
|
|
|
|
The weapon to which you refer was not part of B5; it was on Space
|
|
Rangers, and was shown as part of an overall SF-TV report.
|
|
|
|
jms
|
|
|
|
From: straczynski@genie.geis.com
|
|
Date: 26 Feb 1994 06:12:53 -0500
|
|
Subject: What's Spoo?
|
|
|
|
Re: your desire to make and eat spoo at home...deponds on whether or
|
|
not you ever want to have children later....
|
|
|
|
jms
|
|
|