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483 lines
27 KiB
483 lines
27 KiB
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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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Fourth season finale. A look back at the impact of Babylon 5 from
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100, 500, 1000, and 1000000 years in the future.
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[15]P5 Rating: [16]8.50
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Production number: 422 (but see [17]Notes)
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Original air week: October 27, 1997
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Written by J. Michael Straczynski
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Directed by Stephen Furst
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_Warning: This episode contains spoilers for future episodes, as it's
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mostly in the form of retrospectives from future viewpoints._
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_________________________________________________________________
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Plot Points
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* Some people on Earth are highly skeptical that the Interstellar
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Alliance will work, and distrust Sheridan's motives and ability.
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* The station will be under the command of a Captain Lochley in
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2262.
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* With Sheridan's permission, a colony of telepaths will be
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established on Babylon 5 sometime in 2262. Eventually they will
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turn against him.
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* Garibaldi will be held hostage, possibly by the telepaths, in
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2262. The hostage situation will end in gunfire.
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* Babylon 5 will be destroyed (though under what circumstances isn't
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clear) in 2282.
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* Sheridan will die in 2282 under mysterious circumstances that will
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still be debated 80 years later. Popular opinion will hold that he
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died on Minbar, but not everyone will agree. Later legend will
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hold that he was carried bodily into heaven.
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* Delenn will live until at least 2362, though she'll spend many of
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the intervening years out of public view, leading some to wonder
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if she's still alive.
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* In 2762, Earth will again be divided into two factions, one in
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favor of breaking away from the Interstellar Alliance and another
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in favor of remaining. The two sides will launch a devastating
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war, rendering the surface of the Earth nearly uninhabitable.
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* In 3262, the survivors of that war, now known as the "Great Burn,"
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will largely have lost all records of the time before the war. At
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least one order of monks, marginally part of the Roman Catholic
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Church, will work to gather and preserve historical records.
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They'll be aided in secret by agents of the Rangers, who will
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slowly "discover" pieces of pre-Burn technology to inch Earth's
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people back toward the stars.
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* The Rangers will still exist in some form a million years hence,
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and will still consider Sheridan and Delenn to be their founders.
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They will be involved in the building of something called "New
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Earth," though what that is isn't clear.
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* One million years in the future, humans will apparently have
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evolved into noncorporeal entities (like Lorien, [18]"Into the
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Fire") and will make use of Vorlon-style encounter suits and
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organic ships.
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* Earth's sun will go nova in a million years.
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Unanswered Questions
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* Is Garibaldi back on B5 to stay? What about Lise?
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* Who were the people holding Garibaldi hostage? The telepaths?
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* Who, if anyone, did Garibaldi's captor shoot? Or was the shot
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fired by someone else?
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* What was the incident with Sheridan and Delenn's son?
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* What happened to Mars and Earth's other colonies during the Great
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Burn?
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* Why did the sun go nova? As the sun isn't expected to do so
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naturally for billions of years, if at all (according to
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20th-century astrophysics, anyway) did someone or something cause
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it to happen?
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Analysis
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* Among the crowd greeting Sheridan and Delenn as they returned to
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B5 was a man holding a sign reading, "Sic transit gloria mundis."
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That translates approximately to, "Worldly glory/fame is
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transitory." That could be viewed as a negative comment,
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expressing the opinion that whatever they build will be temporary.
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On the other hand, that's also the Latin phrase spoken to a newly
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elected Pope after the ballots are burned and the ashes dropped
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before him, a reminder that a greater purpose is being served and
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any individual's contribution is small in comparison. In any case,
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it appears at least one human agrees with Londo's opinion that
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marriage celebrations should include somber reflection.
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* Though the implication was that the gunshot at the end of the
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video clip in 2362 was directed at Garibaldi, that's not certain.
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It could as easily have been someone else firing at one of his
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captors to prevent his death.
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* The 2362 historians' interpretation of the outcome of Sheridan
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allowing telepaths to set up a colony of Babylon 5 -- the worst
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mistake of his career, they claimed he as much as said -- may have
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been shaded by their less than cheritable views about Sheridan.
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The actual events may have been much less disastrous than they
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implied.
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* It's possible Delenn's appearance in 2362 wasn't entirely a
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coincidence. The moderator appeared to be sympathetic to her point
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of view (though he could have just been playing devil's advocate
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to spark discussion) and may have warned her of the upcoming
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broadcast and its likely tone.
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* The holographic simulation of Franklin was trying to create
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alien/human hybrids, the same accusation that was leveled against
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B5 by the Clark administration's propagandists ([19]"The Illusion
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of Truth.")
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* The Ranger said he still had time to join "the celebration" before
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the sun went nova. What was being celebrated? The Earth's
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destruction? New Earth's creation?
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* Londo said when he came aboard the station that jubilant
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celebration was how Centauri celebrated a funeral. Perhaps the
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humans of a million years hence took up that custom, and were
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celebrating the death of their homeworld Centauri-style. If so, it
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would provide a subtle symmetry between the beginning of the
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episode and the end.
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* The Ranger's rush to send the records to New Earth would seem to
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imply that the sun going nova wasn't an expected event, which in
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turn implies that it was artificially induced. If the nova were a
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natural event, there would presumably have been years -- more
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likely centuries -- of warning, plenty of time to evacuate people
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and historical records.
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* The Ranger's effort to preserve Earth's history echoes Sinclair's
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comment in [20]"Infection" that all of humanity's accomplishments
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would be lost when the sun died unless people took to the stars.
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* The Ranger's parting line, "This is how the world ends. Swallowed
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in fire, but not in darkness," echoes Kosh's reply to Emperor
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Turhan ([21]"The Coming of Shadows") that the situation would end
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in fire.
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* One other event was predicted to occur in a million years: it's
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when Jason Ironheart said he'd see Sinclair again ([22]"Mind
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War.") Coincidence, or does Ironheart (or Sinclair) play some part
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in whatever is happening in the distant future? The Ranger
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appeared to be noncorporeal, implying perhaps that the rest of
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humanity took a million years to catch up to Ironheart's level of
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development.
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Notes
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* The 2262 newscast referred to Sheridan's visit to the Dalai Lama
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in Tibet. But the picture shown was of a group of Buddhist monks
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with golden robes, typical of the Golden Triangle area (Vietnam,
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Thailand, Cambodia.) Tibetan Buddhist monks wear maroon robes. Of
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course, it's possible that changed between the 20th and 23rd
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centuries.
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* The first question in the 2362 sequence was asked by someone named
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Ray Winston. This may be a reference to the cartoon "The Real
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Ghostbusters," on which JMS served as producer. Ray and Winston
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were the names of two of the characters.
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* The insignia on Daniel's uniform in 2762 was nearly identical to
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the logo of the Nazi SS organization.
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* Daniel's language (e.g. "realfacts" and "goodfacts") is a
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reference to George Orwell's "1984," which introduced terms such
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as "doublespeak" and dealt heavily with the relation between
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language and propaganda.
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* Daniel also made a brief mention of "psychohistory," which is a
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reference to Isaac Asimov's "Foundation" novels. In the novels,
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psychohistory is a science that can predict large-scale human
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societal behavior.
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* It's possible Garibaldi is responsible for the Great Burn. The war
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between Earth's two factions might have proceeded the same way
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with or without Garibaldi's subterfuge. But it's not inconceivable
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that if Daniel's superiors had made the first strike, the other
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side might have capitulated, or the war might have been over more
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quickly for other reasons. Of course, it's also possible that it
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would have been even worse, perhaps wiping out Earth altogether.
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* The 3262 sequence may be a nod to Walter Miller's novel "A
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Canticle for Leibowitz," about an order of monks trying to
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preserve the knowledge of the past after a devastating war.
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* During the 3262 sequence, the Roman numerals in the lower left
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corner appear to be camera numbers; they corresponded to the
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different angles from which the scene was shown. Presumably the
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cameras were all well-hidden.
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* The caption under the picture of the Ranger in the book Brother
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Stephen is illuminating appears to say, "Rangers eis nomen est,"
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which translates to, "Their name is Rangers."
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* Although this episode is part of the fifth-season production run,
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it's actually the fourth-season finale. The fifth-season finale,
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[23]"Sleeping in Light," was shot during the fourth-season
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production run because it wasn't clear that the show was being
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renewed; once the renewal was announced, another episode had to be
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substituted. For some reason the onscreen credits at the end of
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the episode don't reflect that; they list a production number of
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422 rather than the more accurate 501.
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* The title sequence was changed slightly from the regular season
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four sequence. A clip of the Agamemnon flying through the
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explosion of the defense platform in [24]"Endgame" was inserted
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just before the cast credits, and Claudia Christian's name was
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removed from the cast list.
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* The episode's dedication: "Dedicated to all the people who
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predicted that the Babylon Project would fail in its mission.
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Faith manages." This is probably a dig at pundits on Usenet and
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elsewhere who confidently said every year that B5 wouldn't be
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renewed for another season.
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* Shooting began August 18, 1997.
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jms speaks
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* _Why was Claudia Christian's name taken out of the credits but
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Jason Carter's left in?_
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We had no choice. Contractually, when we moved "Sleeping in Light"
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into the fifth season, we had to move her credit from
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"Deconstruction" or incur an additional episode's payment. We
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didn't even realize this until WB called and put us on notice
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about this literally 3 days before the episode was uplinked. It
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wasn't a choice we had; they said that it had to be moved. We
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could leave Jason in the credits because he didn't appear in SiL.
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* _Any significance to the Agamemnon clip used to replace her
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credit?_
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It seemed an appropriate placeholder when WB told us we had to
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omit Claudia's credit because she also appears in (the new) 522,
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"Sleeping in Light," to avoid incurring fees.
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* _Since this episode was numbered 422 rather than 501, will the
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production numbers of season 5 episodes be changed too?_
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Yes, the S5 episodes will be renumbered prior to broadcast.
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More Soviet Revisionism in action....
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* _Do you ever get the urge to thumb your nose at people on the net
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who predict B5's demise?_
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Nope...no intentions of doing that.
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I have something MUCH better in mind....
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* It's discreet...but not obscure.
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And best of all...it's eternal...and the whackos who've bugged me
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for five years are not.
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* A few people have interpreted the final card as "meanspirited"
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(when it's on one level a reaction *to* five years of constant
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carping and meanspiritedness from lots of sectors, from the nets
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to the press and elsewhere)...but what it is, is a statement of
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hope. That whenever you try something different, there are going
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to be naysayers, and people who say it can't be done, and
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certainly can't be done by *you*.
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It ain't just B5, it's any dream out there.
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And in the end, they are wrong.
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Faith manages.
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That's the message of the card.
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That, and the truth that in 10 years the naysayers will be
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forgotten, and made irrelevant...but the show, the *show*...goes
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on. And will be around long after they and I have gone to dust.
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And all people will know when they see that card, 50 years from
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now, was that some jerks said it couldn't be done, and they were
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wrong, because they are *always* wrong. If you have the dream, the
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ability and the passion, you can bring your dreams to life despite
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overwhelming opposition. That's the message.
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But for those on the other side, they will never see anything
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other than meanspiritedness because that's all they can *ever*
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see...because that's all they can bring to the table.
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There's an old saying about books, which I'll rephrase to include
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B5: Babylon 5 is like a book, and a book is like a mirror: if an
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ass peers in, you can't exactly expect an apostle to peer out.
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* There will always be short-term setbacks, but as long as we climb
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back a few inches higher than we were before we fell down, we keep
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moving toward the goal of becoming a better people, and getting
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off the planet. Taking our place among the stars. While it's
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vaguely possible that I may *see* a Mars colony sometime within my
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lifetime, I know that I will never live there...but that ain't the
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point, it isn't a victory if *I* do it, and a failure if *I*
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don't, it's if *we* do it or not. Maybe we'll do it today, maybe
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we'll do it tomorrow, the point is to decide to DO it, and then by
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god DO IT.
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And yeah, that little closing card is going to remain on the show
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for its life...which will be long, long after its detractors (and
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admittedly myself) have gone to dust. On the one hand, it is a
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statement of hope to anyone else out there who has a dream, to
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follow it no matter who speaks against you, no matter the odds, no
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matter what they say to or about you, no matter what roadblocks
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they throw in your way. What matters is that you remain true to
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your vision.
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On the other hand, for the reviewers and the pundits and the
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critics and the net-stalkers who have done nothing but rag on this
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show for five years straight, it is also a giant middle finger
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composed of red neon fifty stories tall, that will burn forever in
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the night.
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In billiards, we call that a bank-shot.
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* _Does the Great Burn mean the B5 crew ultimately failed?_
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It depends on your point of view.
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The fact, as I see it, is that no one and nothing will ever solve
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all of our problems at once, now and forever. People will always
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be people. You can't wave a magic wand and fix it all.
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Yes, there was another war...but had the Shadows not been stopped
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by our characters, there likely wouldn't have been a human race at
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ALL anymore.
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Yes, there was a war, and many died in it...as tends to happen in
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war...but the nominal right side in it came out on top, which
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would not have been the case but for Garibaldi's simulacra giving
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them a leg up on things.
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We have had, continue to have, and will always have wars, and
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grief, and struggle...we will climb up and fall down...but each
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time we climb a little higher, and in the end, we *do* build the
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world that our ancestors would have wanted for us...we *do* leave
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the cradle at last, and we take our place among the stars teaching
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those who follow us.
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For my money, that's as happy an ending as we or anyone can ever
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hope for.
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* _You spoiled the events of season five!_
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As with anything else, B5 (in whatever incarnation) is about
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*process*. You saw Londo being strangled by G'Kar...but you didn't
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know how they got there. You know the result of the Earth/Minbari
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war...but I suspect there will be a lot of surprises in "In the
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Beginning."
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As with all things, the joy is in the going. We all know we're
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going to die, that as the poet said, "we are born astride the
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grave." But knowing that inevitable reality has never stopped
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human endeavor before....
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It's the journey and the doing that matters.
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* Re: speechwriters and others hanging around after the fall...look
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at the remains of the Soviet Union. After the fall of the
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communist party, you'd think they would all have been run out of
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town on a rail. But many of them just shifted over and found
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similar positions, or kept the communist party going, after
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everything they'd done.
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The problem with most people is that they don't hold a grudge near
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long enough.
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I'd have to check, but yeah, I believe we stuck a ranger symbol on
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the encounter suit.
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* _About the 2362 sequence_
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Stephen filmed that sequence by having all of the cast on the set
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at the same time, running multiple film cameras to get each
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version "live."
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* _From a discussion of a 1997 convention featuring Stephen Furst_
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BTW, if you want to flip Stephen out, and you get this before
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leaving the con, give him the following message from me (I don't
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have the hotel info at hand). Tell him Joe says this:
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"Don't worry anymore about using mainly securecam style coverage
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in act 3, I've just come up with another approach where I can
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cover it in dialogue to let you do whatever you want with the
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camera, so you'll have all the flexibility there you want."
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Here's a use of a convention you haven't seen much before....
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* _The "Just Married" label was missing from the shuttle when it
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docked._
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The painted letters were on the *right* side of the shuttle as it
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went in. The CGI inside the bay showed the left side.
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We don't miss these things.
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* _How did Delenn get into the studio?_
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Most TV studios that I've seen have back doors that open out onto
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the back lot or the outside for fire control reasons. You can get
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into any of the 3 B5 stages from the outside in, oh, about 5
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seconds through any of a number of doors. (Note to anyone looking
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on: yes, those stage doors are secured, and there are guards, and
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unless you're a Minbari you're not getting in.) And most of the TV
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studios I've been in have been the same.
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* It was mainly Earth that bore the burden of the great Burn, and
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yes, that was the one Garibaldi got into....
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* _Wouldn't the colonies offer Earth some help?_
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Some probably would offer to help...but if technology is now
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suspect, some might not want that help...other colonies might be
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of the "screw 'em, they got what they deserved"
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perspective...often politics gets in the way of charity.
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* "By any chance, is the post-apocalyptic religious order shown in
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"Deconstruction . ." a direct decendant of Brother Theo's order on
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Babylon 5?"
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It's altogether possible....
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And Theo is only awaiting a story worth bringing him in for.
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* Interesting aside...for the last 6-8 months, I've been doing a
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fair amount of research into medieval England, especially the
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medieval church, for a play I'm writing (which may become a novel
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if I'm not careful). Dumped several hundred dollars on a massive
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order from Amazon.com back a few months ago to fill out what I
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needed. That was what tangentially led me into the post-Burn
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sequence in "Deconstruction." My brain has been full of monks for
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the last 8 months or so, and knowing the role they played in
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maintaining secular knowledge from about 500 AD and for some time
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thereafter, that seemed the perfect route to go that would also
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resonate with the look of the Rangers and the religious caste
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Minbari and the whole feel we were setting up.
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It was only when I was about halfway into the act that I thought,
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"Oh, crud, this is the same area Canticle explored." And for
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several days I set it aside and strongly considered dropping it,
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or changing the venue (at one point considered setting it in the
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ruins of a university, but I couldn't make that work
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realistically...who'd be supporting a university in the ruins of a
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major nuclear war? Who'd have the *resources* I needed? The
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church, or what would at least LOOK like the church. My sense of
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backstory here is that the Anla-shok moved in and started little
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"abbeys" all over the place, using the church as cover, but rarely
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actually a part of it, which was why they had not gotten their
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recognition, and would never get it. Rome probably didn't even
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know about them, or knew them only distantly.)
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Anyway...at the end of the day, I decided to leave it as it was,
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since I'd gotten there on an independent road, we'd already had a
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number of monks on B5, and there's been a LOT of theocratic
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science fiction written beyond Canticle...Gather Darkness, aspects
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of Foundation, others.
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* The future wasn't being transmitted back; we were seeing the
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records of the past from the point of view of the final character,
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one million years hence, who has come to collect them prior to the
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final chapter in Earth's history.
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* "My personal nit is that JMS has the sun going nova in only a
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million years. This seems several orders of magnitude too soon for
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me."
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Actually, the computer voice specifies that it is continuing to
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note atypical solar emissions...atypical meaning something unusual
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is going on.
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* And what if you, say, interfered substantially with the mass of
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the sun by, say, causing a series of jump points to open up
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*inside* the sun across several days?
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* You'd also substantially decrease the mass of Sol, which as I
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understand it, would result in the sun going nova.
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* A lot of folks have found the eventual "going out" of Sol to be
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depressing...but as was stated 'way back in our VERY FIRST
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EPISODE, this is the one thing we can be sure WILL happen, sooner
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or later (probably later). _Ed. note: "Infection" was indeed the
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first episode shot, but aired fourth._
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All the more reason to get off the planet, asap.
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* _Did the future humans leave the galaxy as the Vorlons did?_
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No point in leaving the galaxy; stars go nova, it only affects the
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immediate vicinity (big as that is). By this point, they were in
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the position of the Vorlons, and now have to take their (our)
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place guiding the younger races, the next wave, while not getting
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in the way and remembering the lesson of the shadow/vorlon
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conflict.
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* _[[2/16]]_ _What about the other races?_
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The Minbari eventually make it; the Narn and Centauri do not. They
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don't die out, they just don't hit a state of First One-ishness,
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which is darn close to immortality (barring violence).
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* _Was Sinclair prescient? Did you have the sun's destruction mapped
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|
out way back in season one?_
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One needn't be prescient...it's *going* to happen one day.
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And to the second half...yeah, Deconstruction (or at least the
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events that would go into it) was mapped out back then.
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* I think it's fair to say that Sinclair has been in large measure
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forgotten by Earth by the time of Deconstruction...but Valen lives
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on in the memories of the Minbari...a reasonable trade-off.
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* _They were speaking English a million years in the future?_
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That's what you heard, that doesn't mean that's what it was; same
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as when you go to Minbar, they're not speaking English, that's
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just our hearing of it.
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_Since when do news anchors quote the Bible?_
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|
Ted Koppel.
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_Why were Sheridan's childhood photos in black and white?_
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Even now portraits are often done in black and white just for
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artistic merit.
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_NYU is still around in the future?_
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Trinity College is a working college in Ireland that dates back to
|
|
the American Revolution.
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* _Did Lise and Garibaldi get married?_
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No, they're not yet married.
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|
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[30][Next]
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[31]Last update: February 16, 1998
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/088.shtml
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4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/088.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/088.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/087.html
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8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/089.html
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9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#OV
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10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#NO
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14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#JS
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15. file://localhost/lurk/p5/intro.html
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16. file://localhost/lurk/p5/088
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17. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#NO.prodnum
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18. file://localhost/home/woodstock/hyperion/docs/lurk/guide/072.html
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19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html
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20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html
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21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/031.html
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22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
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23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/110.html
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24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/086.html
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25. file://localhost/lurk/lurker.html
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26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/088.html#TOP
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27. file://localhost/cgi-bin/uncgi/lgmail
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28. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/087.html
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30. file://localhost/home/woodstock/hyperion/docs/lurk/guide/089.html
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31. file://localhost/lurk/lastmod.html
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