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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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ISN sends a team to do a second story about Babylon 5. [15]Jeff
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Griggs as Dan Randall.
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[16]P5 Rating: [17]7.56
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Production number: 408
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Original air week: February 17, 1997
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Written by J. Michael Straczynski
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Directed by Stephen Furst
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_________________________________________________________________
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Plot Points
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* Clark has reinstated the Earth Senate in some form. It has begun
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investigating alleged alien influence in the entertainment
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industry and extracting confessions and lists of collaborators
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from writers and directors.
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* Sheridan's father was a diplomat. The family farm has been burned
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to the ground, and his father's whereabouts are unknown.
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* Earth, according to ISN, is slowly retaking Mars from the rebels
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who took over when Clark's forces attacked ([18]"Severed Dreams.")
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Unanswered Questions
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* Will the newscast prove convincing to people on Earth?
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* Where is Sheridan's father? What about his mother?
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* What names did Sheridan give his father?
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* Is Garibaldi's salvage business as it appears, or is he using it
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as a cover for other activities?
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* How did Randall get into the cryogenic freezer area? If it's
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really restricted as he says, someone must have let him in.
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Analysis
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* Psi Corps presumably now knows the fate of the telepaths; two of
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their names are plainly visible behind Randall (see [19]Notes.)
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Will the Corps try to come after them? What about the allies of
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the Shadows, who may have some interest in the telepaths'
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implants? If Shadow ships were left behind (not unlikely,
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considering there were lots of them buried underground) they'll
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need pilots who've gone through the proper preparation
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([20]"Messages From Earth") and the telepaths are ready-made
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candidates.
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* Garibaldi seems to have turned against Sheridan completely, going
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so far as to allude to him as "the devil." Is that a direct result
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of his programming (or whatever was triggered by the message in
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[21]"Epiphanies") or is there some other reason?
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* ISN's new title sequence reflects the provincial, Earth-centric
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views of the Clark government: after a flight through space, the
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sequence ends up centered on Earth and the Moon.
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Notes
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* The newscast was broadcast on April 12, 2261. Four historical
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events were cited as taking place on the same date: Yuri Gagarin's
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flight into space (April 12, 1961,) President Clinton's
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establishment of a "Commission on the Future" in 1999, the start
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of construction of the first lunar colony in the Sea of
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Tranquility in 2018, and the founding of the Psi Corps in 2161.
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* The confession of the director bore strong resemblance to the
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confessions extracted by the House Un-American Activities
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Commission in the US during the 1950s. In that case it was
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Communists and homosexuals, not aliens, but the focus on
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entertainers was the same, as was the practice of demanding lists
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of collaborators. Those who refused to cooperated were
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"blacklisted," and found themselves unable to get work in
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Hollywood.
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In fact, the names cited are based on actual people blacklisted in
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the 1950s. Beth Trumbo is likely a reference to writer Dalton
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Trumbo, Adrian Mostel to producer Adrian Scott and actor Zero
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Mostel, and Carleton Jarrico to writer Paul Jarrico.
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Paul Jarrico died in an automobile accident on October 28, 1997,
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the day after receiving a standing ovation at a Hollywood ceremony
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honoring the surviving blacklisted screenwriters.
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* Two names are visible on the cryogenic freezers during Randall's
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report. One, Carolyn Sanderson, is Bester's love ([22]"Ship of
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Tears.") The other is John Flinn III, one of the show's directors.
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* The psychological phenomenon of hostages sympathizing with their
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captors is called the Stockholm syndrome, not the Helsinki
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syndrome as stated in the episode.
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* The newscast misspelled Yuri Gagarin's name; it was spelled
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"Gargarin" on the screen.
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jms speaks
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* It's a good and creepy episode. I like it when things get creepy.
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* Stephen has directed before, yes, though he hasn't done that much
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episodic TV work.
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The final shot was strictly described in the script; the monitor
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POV, the relative positions of everyone, the slight fisheye look
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and the absolute silence.
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* _Was Garibaldi's flashback shot in advance?_
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Somtimes, yeah, we'll gang together shots in one location that
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will spill across several episodes, and definitely did that in
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Garibaldi's case. I just figure out what's coming, and write those
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specific additional scenes prior to the rest of the scripts.
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* _Where did the Starfury model Sheridan was looking at in the war
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room come from?_
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Actually, I think the Starfury model was an illegal one we
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confiscated.
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Waste not, want not...
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* _Was the psychologist reading from a teleprompter?_
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Actually, no, he wasn't reading off a teleprompter at all. His
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eyes may have been moving, but there was no reading involved.
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* "In the Delenn/Sheridan interview, there is a change in the vocal
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acoustics of the journalist for the "new" questions he asked."
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And not just in the voice quality...look at the footage again.
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He's sitting in a different chair, in a different room.
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* _About the names cited in the confession_
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Yes, they're based on the real names of writers who were
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blacklisted, Dalton Trumbo and Paul Jarrico.
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* Parks (the person who's naming names) was also named after one of
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those who testified before HUAC.
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* _Were the names dubbed in?_
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Only Jarrico was dubbed, because it was mispronounced.
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* It's a period too few people really know much about, and it never
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hurts to point to the past in order to warn about the future.
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* This ep is one that'll be discussed a lot, but not rewatched a
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lot, because it's just really hard to watch, knowing what's
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coming. It really does tend to upset people.
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* If it's a little close to home...you have to remember I came out
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of journalism, that was where I cut my teeth as a writer, working
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for newspapers and magazines. You see a lot of the tricks, some
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good, some not so good, used for purposes that are sometimes good
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or not so good, distortions on the left and distortions on the
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right. So it wasn't hard to just tweak it a bit.
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Thing to remember, though, is that this isn't ISN as we've known
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it in the past, at least not to this extreme. If anything, this ep
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should point to the difference between journalism, albeit biased,
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and propaganda, which is all ISN is now, and how only an informed
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viewership can prevent the one from sliding into the other.
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* _Aren't there networks besides ISN?_
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ISN is the one network that can handle *interstellar* broadcasts,
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which reqire a massive amount of energy, logistics, setup...there
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are other, local, planetary networks around Earth, and a few
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specialized channels for military and some commercial use...but
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ISN is the biggest, and because of that is very much in Earthgov's
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pocket.
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* It was most definitely difficult and painful for me to write. I I
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am as much involved with these characters as anyone else, and
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doing this kind of thing to them is hard. And you have to put
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yourself in the minds of those doing this, and that's a dark place
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to be.
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And yeah, I know people who were harmed in the blacklist, and I've
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seen others, and myself, sometimes harmed by those who like to
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twist things around to their own benefit.
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* "FWIW, that was your most courageous episode yet, IMHO."
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I appreciate the sentiment, so don't take this as lack of
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gratitude on my part; I'm happy you perceive it that way.
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But courageous? No.
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Courageous as an apellation belongs to the South American writers
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who insist on telling the truth about their governments, who risk
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death on a daily basis for doing so...and to other writers doing
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similar work in other countries.
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Yeah, it was kind of a shot to the midsection for some groups,
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with a certain element of biting the hand that feeds you, but the
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truth is, ain't nobody gonna come to my door in the middle of the
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night with death squads, take me away, and torture me. If you want
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to hear about real courage, join PEN International, or Amnesty
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International. They can always use the help.
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* "This B5 episode should be required viewing in University media
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and history classes."
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Funny thing is, I've since received several requests from
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instructors at various colleges asking if they could use the show
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in their classroom to illustrate the points raised. Kinda nice....
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* I don't make any blanket condemnations of journalists. For one
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thing, there's a difference between portraying journalism in a
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relatively free society, and one that's operating under a
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dictatorship, a la President Clark. It's the difference between
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journalism and propaganda.
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In "Midnight on the Firing Line," we had a reporter there doing a
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straight-ahead story; in "Point of No Return" we had the Good
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Journalists fighting to reveal the truth even as Clark was
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shutting them down.
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There have been favorable portrayals; it's just that under the
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current regime, they don't have access to the media.
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* I am definitely *not* anti-reporter...I'm against the *control* of
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truth by any government or political agenda. We are made stronger
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by a multiplicity of voices, and the more those voices are allowed
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access to a level playing field, the more often the truth will
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come out to play.
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The third name was Jarrico, after Paul Jarrico, also blacklisted.
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* The ISN cameras are not capable of autonomous operation, but they
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can be progammed within a parameter set. The wand is a control
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device to change those parameters. Thus, one operator, two cameras
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(or more!)
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There was a distinct anti Minbar/Minbari sentiment among this
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particular crew, as evidenced by the later parts of the show, and
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it isn't hard to imagine that the bumping was at the behest of the
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wand wielder. If Lennier was simply annoyed, advantage ISN. If he
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reacted violently, advantage ISN. I'm sure that footage will be
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used on another ISN propoganda broadcast. (You can see it on
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Channel 134 of your cable)(Oh, sorry, Channel 134 is not availbale
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in all sectors after curfew)
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George Johnsen
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CoProducer, B5
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[28][Next]
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[29]Last update: October 29, 1997
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/074.shtml
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4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/074.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/074.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
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8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/075.html
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9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#OV
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10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#NO
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14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#JS
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15. http://us.imdb.com/M/person-exact?+Griggs,+Jeff
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16. file://localhost/lurk/p5/intro.html
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17. file://localhost/lurk/p5/074
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18. file://localhost/home/woodstock/hyperion/docs/lurk/guide/054.html
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19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#NO.names
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20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/052.html
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21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
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22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/058.html
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23. file://localhost/lurk/lurker.html
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24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#TOP
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25. file://localhost/cgi-bin/uncgi/lgmail
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26. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
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28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/075.html
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29. file://localhost/lurk/lastmod.html
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