The Lurker's Guide to Babylon 5
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  1. [1][ISMAP]-[2][Home]
  2. ### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
  3. List] [7][Previous] [8][Next]
  4. _Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
  5. - [13]Notes - [14]JMS
  6. _________________________________________________________________
  7. Overview
  8. ISN sends a team to do a second story about Babylon 5. [15]Jeff
  9. Griggs as Dan Randall.
  10. [16]P5 Rating: [17]7.56
  11. Production number: 408
  12. Original air week: February 17, 1997
  13. Written by J. Michael Straczynski
  14. Directed by Stephen Furst
  15. _________________________________________________________________
  16. Plot Points
  17. * Clark has reinstated the Earth Senate in some form. It has begun
  18. investigating alleged alien influence in the entertainment
  19. industry and extracting confessions and lists of collaborators
  20. from writers and directors.
  21. * Sheridan's father was a diplomat. The family farm has been burned
  22. to the ground, and his father's whereabouts are unknown.
  23. * Earth, according to ISN, is slowly retaking Mars from the rebels
  24. who took over when Clark's forces attacked ([18]"Severed Dreams.")
  25. Unanswered Questions
  26. * Will the newscast prove convincing to people on Earth?
  27. * Where is Sheridan's father? What about his mother?
  28. * What names did Sheridan give his father?
  29. * Is Garibaldi's salvage business as it appears, or is he using it
  30. as a cover for other activities?
  31. * How did Randall get into the cryogenic freezer area? If it's
  32. really restricted as he says, someone must have let him in.
  33. Analysis
  34. * Psi Corps presumably now knows the fate of the telepaths; two of
  35. their names are plainly visible behind Randall (see [19]Notes.)
  36. Will the Corps try to come after them? What about the allies of
  37. the Shadows, who may have some interest in the telepaths'
  38. implants? If Shadow ships were left behind (not unlikely,
  39. considering there were lots of them buried underground) they'll
  40. need pilots who've gone through the proper preparation
  41. ([20]"Messages From Earth") and the telepaths are ready-made
  42. candidates.
  43. * Garibaldi seems to have turned against Sheridan completely, going
  44. so far as to allude to him as "the devil." Is that a direct result
  45. of his programming (or whatever was triggered by the message in
  46. [21]"Epiphanies") or is there some other reason?
  47. * ISN's new title sequence reflects the provincial, Earth-centric
  48. views of the Clark government: after a flight through space, the
  49. sequence ends up centered on Earth and the Moon.
  50. Notes
  51. * The newscast was broadcast on April 12, 2261. Four historical
  52. events were cited as taking place on the same date: Yuri Gagarin's
  53. flight into space (April 12, 1961,) President Clinton's
  54. establishment of a "Commission on the Future" in 1999, the start
  55. of construction of the first lunar colony in the Sea of
  56. Tranquility in 2018, and the founding of the Psi Corps in 2161.
  57. * The confession of the director bore strong resemblance to the
  58. confessions extracted by the House Un-American Activities
  59. Commission in the US during the 1950s. In that case it was
  60. Communists and homosexuals, not aliens, but the focus on
  61. entertainers was the same, as was the practice of demanding lists
  62. of collaborators. Those who refused to cooperated were
  63. "blacklisted," and found themselves unable to get work in
  64. Hollywood.
  65. In fact, the names cited are based on actual people blacklisted in
  66. the 1950s. Beth Trumbo is likely a reference to writer Dalton
  67. Trumbo, Adrian Mostel to producer Adrian Scott and actor Zero
  68. Mostel, and Carleton Jarrico to writer Paul Jarrico.
  69. Paul Jarrico died in an automobile accident on October 28, 1997,
  70. the day after receiving a standing ovation at a Hollywood ceremony
  71. honoring the surviving blacklisted screenwriters.
  72. * Two names are visible on the cryogenic freezers during Randall's
  73. report. One, Carolyn Sanderson, is Bester's love ([22]"Ship of
  74. Tears.") The other is John Flinn III, one of the show's directors.
  75. * The psychological phenomenon of hostages sympathizing with their
  76. captors is called the Stockholm syndrome, not the Helsinki
  77. syndrome as stated in the episode.
  78. * The newscast misspelled Yuri Gagarin's name; it was spelled
  79. "Gargarin" on the screen.
  80. jms speaks
  81. * It's a good and creepy episode. I like it when things get creepy.
  82. * Stephen has directed before, yes, though he hasn't done that much
  83. episodic TV work.
  84. The final shot was strictly described in the script; the monitor
  85. POV, the relative positions of everyone, the slight fisheye look
  86. and the absolute silence.
  87. * _Was Garibaldi's flashback shot in advance?_
  88. Somtimes, yeah, we'll gang together shots in one location that
  89. will spill across several episodes, and definitely did that in
  90. Garibaldi's case. I just figure out what's coming, and write those
  91. specific additional scenes prior to the rest of the scripts.
  92. * _Where did the Starfury model Sheridan was looking at in the war
  93. room come from?_
  94. Actually, I think the Starfury model was an illegal one we
  95. confiscated.
  96. Waste not, want not...
  97. * _Was the psychologist reading from a teleprompter?_
  98. Actually, no, he wasn't reading off a teleprompter at all. His
  99. eyes may have been moving, but there was no reading involved.
  100. * "In the Delenn/Sheridan interview, there is a change in the vocal
  101. acoustics of the journalist for the "new" questions he asked."
  102. And not just in the voice quality...look at the footage again.
  103. He's sitting in a different chair, in a different room.
  104. * _About the names cited in the confession_
  105. Yes, they're based on the real names of writers who were
  106. blacklisted, Dalton Trumbo and Paul Jarrico.
  107. * Parks (the person who's naming names) was also named after one of
  108. those who testified before HUAC.
  109. * _Were the names dubbed in?_
  110. Only Jarrico was dubbed, because it was mispronounced.
  111. * It's a period too few people really know much about, and it never
  112. hurts to point to the past in order to warn about the future.
  113. * This ep is one that'll be discussed a lot, but not rewatched a
  114. lot, because it's just really hard to watch, knowing what's
  115. coming. It really does tend to upset people.
  116. * If it's a little close to home...you have to remember I came out
  117. of journalism, that was where I cut my teeth as a writer, working
  118. for newspapers and magazines. You see a lot of the tricks, some
  119. good, some not so good, used for purposes that are sometimes good
  120. or not so good, distortions on the left and distortions on the
  121. right. So it wasn't hard to just tweak it a bit.
  122. Thing to remember, though, is that this isn't ISN as we've known
  123. it in the past, at least not to this extreme. If anything, this ep
  124. should point to the difference between journalism, albeit biased,
  125. and propaganda, which is all ISN is now, and how only an informed
  126. viewership can prevent the one from sliding into the other.
  127. * _Aren't there networks besides ISN?_
  128. ISN is the one network that can handle *interstellar* broadcasts,
  129. which reqire a massive amount of energy, logistics, setup...there
  130. are other, local, planetary networks around Earth, and a few
  131. specialized channels for military and some commercial use...but
  132. ISN is the biggest, and because of that is very much in Earthgov's
  133. pocket.
  134. * It was most definitely difficult and painful for me to write. I I
  135. am as much involved with these characters as anyone else, and
  136. doing this kind of thing to them is hard. And you have to put
  137. yourself in the minds of those doing this, and that's a dark place
  138. to be.
  139. And yeah, I know people who were harmed in the blacklist, and I've
  140. seen others, and myself, sometimes harmed by those who like to
  141. twist things around to their own benefit.
  142. * "FWIW, that was your most courageous episode yet, IMHO."
  143. I appreciate the sentiment, so don't take this as lack of
  144. gratitude on my part; I'm happy you perceive it that way.
  145. But courageous? No.
  146. Courageous as an apellation belongs to the South American writers
  147. who insist on telling the truth about their governments, who risk
  148. death on a daily basis for doing so...and to other writers doing
  149. similar work in other countries.
  150. Yeah, it was kind of a shot to the midsection for some groups,
  151. with a certain element of biting the hand that feeds you, but the
  152. truth is, ain't nobody gonna come to my door in the middle of the
  153. night with death squads, take me away, and torture me. If you want
  154. to hear about real courage, join PEN International, or Amnesty
  155. International. They can always use the help.
  156. * "This B5 episode should be required viewing in University media
  157. and history classes."
  158. Funny thing is, I've since received several requests from
  159. instructors at various colleges asking if they could use the show
  160. in their classroom to illustrate the points raised. Kinda nice....
  161. * I don't make any blanket condemnations of journalists. For one
  162. thing, there's a difference between portraying journalism in a
  163. relatively free society, and one that's operating under a
  164. dictatorship, a la President Clark. It's the difference between
  165. journalism and propaganda.
  166. In "Midnight on the Firing Line," we had a reporter there doing a
  167. straight-ahead story; in "Point of No Return" we had the Good
  168. Journalists fighting to reveal the truth even as Clark was
  169. shutting them down.
  170. There have been favorable portrayals; it's just that under the
  171. current regime, they don't have access to the media.
  172. * I am definitely *not* anti-reporter...I'm against the *control* of
  173. truth by any government or political agenda. We are made stronger
  174. by a multiplicity of voices, and the more those voices are allowed
  175. access to a level playing field, the more often the truth will
  176. come out to play.
  177. The third name was Jarrico, after Paul Jarrico, also blacklisted.
  178. * The ISN cameras are not capable of autonomous operation, but they
  179. can be progammed within a parameter set. The wand is a control
  180. device to change those parameters. Thus, one operator, two cameras
  181. (or more!)
  182. There was a distinct anti Minbar/Minbari sentiment among this
  183. particular crew, as evidenced by the later parts of the show, and
  184. it isn't hard to imagine that the bumping was at the behest of the
  185. wand wielder. If Lennier was simply annoyed, advantage ISN. If he
  186. reacted violently, advantage ISN. I'm sure that footage will be
  187. used on another ISN propoganda broadcast. (You can see it on
  188. Channel 134 of your cable)(Oh, sorry, Channel 134 is not availbale
  189. in all sectors after curfew)
  190. George Johnsen
  191. CoProducer, B5
  192. [28][Next]
  193. [29]Last update: October 29, 1997
  194. References
  195. 1. file://localhost/cgi-bin/imagemap/titlebar
  196. 2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
  197. 3. file://localhost/home/woodstock/hyperion/docs/lurk/background/074.shtml
  198. 4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/074.html
  199. 5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/074.html
  200. 6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
  201. 7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
  202. 8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/075.html
  203. 9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#OV
  204. 10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#BP
  205. 11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#UQ
  206. 12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#AN
  207. 13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#NO
  208. 14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#JS
  209. 15. http://us.imdb.com/M/person-exact?+Griggs,+Jeff
  210. 16. file://localhost/lurk/p5/intro.html
  211. 17. file://localhost/lurk/p5/074
  212. 18. file://localhost/home/woodstock/hyperion/docs/lurk/guide/054.html
  213. 19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#NO.names
  214. 20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/052.html
  215. 21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
  216. 22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/058.html
  217. 23. file://localhost/lurk/lurker.html
  218. 24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/074.html#TOP
  219. 25. file://localhost/cgi-bin/uncgi/lgmail
  220. 26. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
  221. 27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/073.html
  222. 28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/075.html
  223. 29. file://localhost/lurk/lastmod.html