|
|
|
[1][ISMAP]-[2][Home]
|
|
|
|
### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
|
|
List] [7][Previous] [8][Next]
|
|
|
|
_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
|
|
- [13]Notes - [14]JMS
|
|
|
|
_________________________________________________________________
|
|
|
|
Overview
|
|
|
|
Babylon 4 returns as abruptly as it vanished, but its reappearance
|
|
may bode ill for the future. Delenn receives a momentous offer.
|
|
[15]Kent Broadhurst as Major Krantz. [16]Tim Choate as Zathras.
|
|
[17]Denise Gentile as Lise Hampton.
|
|
|
|
Sub-genre: Intrigue/mystery
|
|
[18]P5 Rating: [19]8.57
|
|
|
|
Production number: 118
|
|
Original air date: August 10, 1994
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Jim Johnston
|
|
|
|
Watch For:
|
|
|
|
* A man shouts at Garibaldi and Sinclair; what he says might provide
|
|
clues about the nature of the opponents in another scene.
|
|
* Look closely at what's inside a transparent case given to Delenn.
|
|
It's an object that's been shown in a previous episode.
|
|
|
|
_________________________________________________________________
|
|
|
|
Backplot
|
|
|
|
* Babylon 4 was stolen by people from the future, apparently at
|
|
Sinclair's behest during that time period, to act as a base of
|
|
operations in a tremendous war being fought between the forces of
|
|
light and darkness.
|
|
* Sinclair will be a great leader, possibly _the_ leader, of the
|
|
forces of light in that war.
|
|
* At some point, long before he participates in Babylon 4's
|
|
disappearance, Sinclair will flee a place (most likely Babylon 5,
|
|
cf. [20]"Signs and Portents") that is about to be overrun by some
|
|
evil creatures. Garibaldi will stay behind to fight, but will
|
|
force Sinclair to leave. A [21]transcript of the scene in question
|
|
is available.
|
|
* The Grey Council stopped the war because of a prophecy. Valen (a
|
|
revered figure, see [22]jms speaks) said that humans, or some
|
|
among them, had a destiny with which the Minbari could not be
|
|
allowed to interfere.
|
|
* Delenn is on Babylon 5 to study humanity, to determine whether the
|
|
prophecy is correct.
|
|
|
|
Unanswered Questions
|
|
|
|
* Will Babylon 4 appear again? If so, when?
|
|
* Was it really Sinclair in the suit? If not, who or what was it?
|
|
* What was Sinclair trying to prevent from happening?
|
|
* Who was waiting for Delenn and Sinclair?
|
|
* Will Delenn keep her position on the council?
|
|
* What is the purpose of the triluminary?
|
|
* What was happening in Sinclair's flashforward? Who or what was
|
|
attacking the station? Is it related to the destruction of the
|
|
station as foretold in [23]"Signs and Portents?"
|
|
* What was the crazed man referring to when he shouted about
|
|
"monsters" and said, "I see you... you think I can't?" (see
|
|
[24]Analysis)
|
|
* Is the Grey Council's cruiser the same place Sinclair was taken
|
|
during the Battle of the Line? (cf. [25]"And the Sky Full of
|
|
Stars")
|
|
* Why is Delenn so convinced she must remain on Babylon 5, even at
|
|
the risk of her standing in the Council?
|
|
* What "change" does Delenn believe is coming?
|
|
|
|
Analysis
|
|
|
|
* None of the races have demonstrated an ability to travel through
|
|
time. Yet within Sinclair's lifetime, such technology will either
|
|
be developed, discovered, or introduced by people from the distant
|
|
past or future. Does it exist already? If so, who has it? Zathras'
|
|
people may be the ones to provide the technology.
|
|
* The voice that speaks to Sinclair sounds like Delenn's, but her
|
|
face is intentionally not shown. Presumably there is a reason for
|
|
that; Delenn may be due to change in some way that will alter her
|
|
appearance.
|
|
* After Babylon 4 completes its time jump, a voice (presumably a
|
|
computer) announces that the atmosphere was breathable. Why wasn't
|
|
it breathable before? Zathras clearly had no trouble breathing in
|
|
the past, so is something about the future Sinclair different that
|
|
prevents him from breathing a normal atmosphere?
|
|
* In the past, when we've seen Grey Council members, they have had
|
|
silver triangles on their foreheads ([26]"And the Sky Full of
|
|
Stars" and [27]"Signs and Portents" during Morden's visit to
|
|
Delenn.) Yet no such triangles were visible this time. What do the
|
|
triangles mean, and what causes them to appear? (see [28]jms
|
|
speaks)
|
|
* The attacking force in Sinclair's vision of the future seemed to
|
|
be invisible. Witness the fact that Garibaldi's men were firing in
|
|
seemingly random directions, as if they didn't know where the
|
|
enemy was. It also seems unlikely that they'd use a flamethrower
|
|
if they could aim at their opponents. When the unknown force
|
|
finally cut through the wall, it was forced inward, but nothing
|
|
could be seen forcing it. This also explains what the crazed man
|
|
on B4 was talking about; he'd seen visions of a battle against
|
|
invisible foes too.
|
|
The only instance of invisibility seen in the series up until this
|
|
episode was in [29]"The War Prayer," and it was developed by the
|
|
Earth Alliance military, suggesting perhaps that the attackers
|
|
might be humans.
|
|
* Garibaldi flashed back to an event two years earlier. That may
|
|
suggest that Sinclair's flashforward (if indeed that's what it
|
|
was) was to two years in the future, which would put the scene
|
|
somewhere in the year 2260, season three of the series.
|
|
|
|
Notes
|
|
|
|
* Babylon 4 is larger than Babylon 5.
|
|
|
|
jms speaks
|
|
|
|
* The one I'm most looking forward to writing just now, though, is
|
|
"Babylon Squared," in which we finally show what happened to
|
|
Babylon 4, and in the process ask more questions than we answer
|
|
(though at least we DO answer the questions we asked about the
|
|
fate of that station in general...you'll know what happened to it,
|
|
just not yet what it means). The end of this episode will cause
|
|
more speculation and consternation and astonishment than anything
|
|
you've seen on TV in a long, long, very long time.
|
|
* What a weird day...filming "Babylon Squared," and one minute I'm
|
|
standing in the anteroom/hallway of a Minbari cruiser that leads
|
|
into the Great Hall and the chambers of the Grey Council...a few
|
|
minutes later I'm standing in a section of Babylon 4, and the
|
|
whole atmosphere of the crew is *very* different, the whole
|
|
sensibility is strange... very strange.
|
|
"Babylon Squared" has a *very* different look to it, and a very
|
|
eerie and foreboding feel about it, which I like a lot. Jim
|
|
Johnston, who directed "Soul Hunter" and several others is doing
|
|
it. Very moody.
|
|
* Yesterday, I got the final air-check versions of "Babylon Squared"
|
|
and "Chrysalis" to QC before delivering them to PTEN. Watched both
|
|
of them three times in the same day. They're just stunning.
|
|
Probably the two best episodes of the entire season.
|
|
* Yes, you will see the Major Conflict that leads to the situation
|
|
with Babylon 4. We're building toward a massive conflagration
|
|
here.
|
|
* Yes, you will definitely, at some point, see the flip side of the
|
|
B2 episode.
|
|
* No, actually, B2 was structured for maximum jarring effect, thus
|
|
the sudden cuts back and forth, the sickly green light in
|
|
B4...makes the person watching feel unexplainably anxious, which
|
|
was a subliminal but definite intent. So no, nothing much was cut.
|
|
And yes, eventually we will see the flip-side of the B4 story.
|
|
* In B-squared, we saw the present events in the vanishment of B4;
|
|
in a future episode, we'll actually see our characters make the
|
|
decision to go back in time and yank B4 forward, what went wrong,
|
|
and so on.
|
|
* _The One's suit was very similar to the suits in "2001."_
|
|
Re: the suit...that wasn't an intentional 2001 nod...we went to
|
|
Modern Props to get a space suit for Babylon Squared, and the only
|
|
one they had on hand that would work for us was one left-over from
|
|
2010, which I asked the folks in costume to change as much as
|
|
possible...though it was pretty much what it was regardless. So
|
|
that one wasn't intentional.
|
|
* Nope; Zathras is one of his race, which aren't offspring of any
|
|
other two groups.
|
|
* When Zathras shows up in time, it'll definitely be recognizeable
|
|
as Zathras.
|
|
* B5 is smaller than B4 because they sunk most of their budget into
|
|
B4; on B5 they had to get outside funding, and scrimped.
|
|
* B1-B4 were located in roughly the same sector, with B4 using some
|
|
of the materials from 1-3 leftover. B5 was constructed about 3
|
|
hours (traveling time in real-space) from the location of B4.
|
|
* No commander had yet been assigned to Babylon 4. One Major Krantz
|
|
had been assigned to oversee the final stages of construction, and
|
|
was on board -- along with about 1300 others in the construction
|
|
crew -- when the station vanished. The station had only been on-
|
|
line 24 hours, and the discussions of a commanding officer had
|
|
just begun when it disappeared.
|
|
* Major Krantz wasn't so much in charge of B4 as he was (as noted in
|
|
dialogue) assigned to oversee the final stages of construction.
|
|
His job was to get the station finished, then turn it over to
|
|
someone else to run.
|
|
* Why no triangles on the Council's heads?
|
|
While the triangle is one element of the Grey Council symbology,
|
|
it is not present and visible at all times and under all
|
|
circumstances; it has a particular purpose or meaning.
|
|
* The triangle only manifests itself for specific reasons, at
|
|
specific times, neither of which were appropriate to that moment.
|
|
And yes, the Triluminary is much cooler...and does something quite
|
|
interesting.
|
|
* Valen was the one who brought Minbari civilization together, he is
|
|
their Christ-figure. And yes, the heavyset Grey Council member is
|
|
the same one as in "Sky."
|
|
* _Does the Grey Council live permanently on that ship?_
|
|
They stay on the cruiser almost entirely during their tenure in
|
|
the council, only leaving for personal family crisis/situations
|
|
and the like.
|
|
* Garibaldi's closing lines in Sinclair's flashforward are
|
|
reminiscent of "Aliens."
|
|
When you're shooting a show, invariably you get to the stage and
|
|
find that you have, for instance, three lines, one per character
|
|
in the room...and you're trying to get them out the door, and it
|
|
moves better if you give one line to one character and the other
|
|
two to the other character. That sometimes happens. But rarely. In
|
|
the Garibaldi's yell case, it was written as a quick shot, he
|
|
yells and we're out. The director wanted to extend the shot a bit,
|
|
visually. I wasn't in the studio at the time, so Jerry improvised
|
|
a series of yells.
|
|
This sort of thing is *extremely* rare on the show; the actors and
|
|
directors know they *cannot* change dialogue on the set without
|
|
approval from me or Larry. On any given script, no more than about
|
|
3-6 lines get modified for staging purposes once we get to the
|
|
set. And always with approval required. This is an absolute, hard
|
|
and fast rule. The only reason the Garibaldi thing happened is
|
|
that they figured it was just a yell, so nothing could get messed
|
|
up story-wise (which is the primary reason this is so strict;
|
|
change one word in a line and it could screw up plot points three
|
|
episodes down the road) by having him yell a few specific lines.
|
|
If I'd been there for that scene, I would've written him something
|
|
a little less reminiscent of "Aliens."
|
|
* The script called for Garibaldi to take up the Big Massive Gun and
|
|
fire, with a primal YELL that went on forever. Any dialogue at
|
|
that point which replaced the yell came from the actor. The
|
|
"you're already dead" was only relevant to the scene, not T2.
|
|
* Re: Garibaldi in the flash-forward scene...no, it wasn't any kind
|
|
of "homage" to Aliens. (And for the most part, I try and stay
|
|
clear of any kind of homage unless it's primarily a throwaway; I
|
|
want my story to be MY story, not a bunch of homages.)
|
|
The single most moving kind of story for me is the "last man on
|
|
the bridge"...the last defender who has to hold the line while
|
|
others get away, knowing he will probably not survive it. This has
|
|
great power for me, and for many others, which is why it shows up
|
|
again and again in films, literature, TV and other venues. The
|
|
Garibaldi scene has NOTHING to do with Aliens, and everything to
|
|
do with that figure.
|
|
Re: *why* it is that humans are special...has nothing to do with
|
|
sacrifice, or dedication (well, that's not quite true, it has
|
|
something to do with it), but that's not the totality of it.
|
|
There's one more element you don't know about yet, that won't be
|
|
revealed until season two, episode one, "Points of Departure."
|
|
Once you see that episode, you'll fully understand that there is
|
|
one very particular thing about humans that is very special
|
|
indeed.
|
|
* I kinda *have* to play fair with the story; if you hear Delenn's
|
|
voice, then you can be sure it's Delenn.
|
|
In one form or another.
|
|
* "So who IS the One? Some of the evidence points to Sinclair, but
|
|
other bits seem to indicate Delenn. Yet neither seems to fit all
|
|
the facts above."
|
|
Exactly.
|
|
What you have here in your message are two pieces of the puzzle.
|
|
You're confounded by the fact that somehow they don't quite seem
|
|
to fit into one another. That's because there's one last piece
|
|
missing in this part of the picture, which fits in between them.
|
|
The intent is to put this piece into clear view in year three,
|
|
probably between episodes 8 and 11 approximately. At that point,
|
|
the question of the One will be fully answered.
|
|
* Re: Sinclair as the One...funny how all this time very few folks
|
|
have really commented much on how it was that Zathras could look
|
|
right into Sinclair's face and say, "NOT the One."
|
|
* _Garibaldi's eyes glow for one frame in the flashforward scene._
|
|
(sigh) Our rotoscope EFX guy was waiting for a bunch of PPG EFX to
|
|
finish rendering in that battle scene, and was bored, and like
|
|
many such EFX types, filled in the eyes of Garibaldi with weird
|
|
stuff while waiting around. When the other scene finished
|
|
rendering, he got out, believing that he had not saved that one
|
|
frame. Unknowingly, he had.
|
|
Nobody caught it until after broadcast.
|
|
We talked.
|
|
* "It has been divulged that Sinclair is coexisting in a parallel
|
|
dimension Babylon 4."
|
|
Actually, this has *not* been divulged...what it is is a
|
|
speculation based on an offhand comment by Michael at a
|
|
convention. I jump in here only because, well, that ain't it. B4
|
|
is not in an alternate dimension, neither is there an alternate
|
|
Sinclair. Just a course correction to the discussion.
|
|
* With only one exception, you won't see time travel anywhere in the
|
|
five-year run of the B5 story.
|
|
* _Which do you do first?_
|
|
Fasten, button.
|
|
Levi's Jeans forever!
|
|
* _Why wasn't Franklin delivering the autopsy report?_
|
|
Garibaldi is head of security, and Franklin would likely give him
|
|
the report, which Garibaldi then relays. In such things there is a
|
|
chain of command. And as you say, it seemed pointless to bring in
|
|
the actor just for one half-page scene.
|
|
* _Credits for two Gray Council members?_
|
|
Mark Henrickson was the...rounder of the two Minbari. The one with
|
|
the staff wanted to go uncredited.
|
|
No real reason, he just felt it would be better for the character
|
|
to remain mysterious; and since it really wasn't a big part, it
|
|
wouldn't make a real difference one way or another in his credits
|
|
and resume. (I know that sounds weird, but as near as I can
|
|
determine, that's the reason. He did a great job, and we're
|
|
looking forward to having him again.)
|
|
* Does the triluminary have anything to do with the sculpture in
|
|
Delenn's quarters?
|
|
Yes, the Triluminary does have a function in the device she's been
|
|
making.
|
|
|
|
|
|
[35][Next]
|
|
|
|
[36]Last update: October 27, 1997
|
|
|
|
References
|
|
|
|
1. file://localhost/cgi-bin/imagemap/titlebar
|
|
2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
|
|
3. file://localhost/home/woodstock/hyperion/docs/lurk/background/020.shtml
|
|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/020.html
|
|
5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/020.html
|
|
6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/019.html
|
|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html
|
|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#OV
|
|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#BP
|
|
11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#UQ
|
|
12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#AN
|
|
13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#NO
|
|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+Broadhurst,+Kent
|
|
16. http://us.imdb.com/M/person-exact?+Choate,+Tim
|
|
17. http://us.imdb.com/M/person-exact?+Gentile,+Denise
|
|
18. file://localhost/lurk/p5/intro.html
|
|
19. file://localhost/lurk/p5/020
|
|
20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
|
|
21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.flash.html
|
|
22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#JS:valen
|
|
23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
|
|
24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#AN:inv
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html
|
|
26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html
|
|
27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
|
|
28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#JS:triangle
|
|
29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html
|
|
30. file://localhost/lurk/lurker.html
|
|
31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#TOP
|
|
32. file://localhost/cgi-bin/uncgi/lgmail
|
|
33. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
34. file://localhost/home/woodstock/hyperion/docs/lurk/guide/019.html
|
|
35. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html
|
|
36. file://localhost/lurk/lastmod.html
|