|
|
|
[1][ISMAP]-[2][Home]
|
|
|
|
### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
|
|
List] [7][Previous] [8][Next]
|
|
|
|
_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
|
|
- [13]Notes - [14]JMS
|
|
|
|
_________________________________________________________________
|
|
|
|
Overview
|
|
|
|
A girl entering puberty exhibits telepathic abilities, and the crew
|
|
must decide whether to turn her over to the Psi Corps. The corpse
|
|
of the Minbari military leader who oversaw the Battle of the Line
|
|
is the focus of a diplomatic incident. [15]John Vickery as Neroon.
|
|
Grace Una as Alisa Beldon.
|
|
|
|
Sub-genre: Intrigue
|
|
[16]P5 Rating: [17]7.87
|
|
|
|
Production number: 115
|
|
Original air date: July 20, 1994
|
|
|
|
Written by D. C. Fontana
|
|
Directed by Bruce Seth Green
|
|
|
|
_________________________________________________________________
|
|
|
|
Backplot
|
|
|
|
* The Grey Council ordered the surrender at the Battle of the Line.
|
|
* Many among the Minbari warrior caste do not approve of the
|
|
surrender, a fact which has caused something of a rift between the
|
|
religious and warrior caste.
|
|
* Caste membership is determined by heritage. Membership in the
|
|
religious caste takes precedence if one parent is in the religious
|
|
caste and the other is a warrior. (This is ambiguous; Delenn's
|
|
statement on the matter could be interpreted to mean that the
|
|
mother's caste takes precedence over the father's.)
|
|
* The Earth-Minbari War began with the death of Dukhat, the head of
|
|
the Grey Council at the time.
|
|
* The war was regarded as a holy war among the Minbari, and had the
|
|
full support of the religious caste at least part of the time.
|
|
* One of the warleaders (heads of the military clans?) committed
|
|
suicide rather than obey the order to surrender.
|
|
* Telepaths are highly regarded among the Minbari, and are fed and
|
|
clothed by people in exchange for providing their services.
|
|
* The Narn keep alien slaves, or at least are reported to do so.
|
|
|
|
Unanswered Questions
|
|
|
|
* What is the significance of the word "chrysalis?" Note that this
|
|
is the title of the first-season finale.
|
|
* How was Delenn able to sense that she was being probed?
|
|
|
|
Analysis
|
|
|
|
* Delenn's identity doesn't seem to be a secret among the warrior
|
|
caste, or at least its upper echelons. The warriors seem to be
|
|
playing along and keeping her secret safe.
|
|
* As JMS mentions below, in the original airing order, this episode
|
|
came after [18]"Babylon Squared." If that is the intended
|
|
chronological order of the two episodes, then Delenn's statement
|
|
to Neroon that she speaks for the entire Grey Council takes on
|
|
different connotations; it is plausible in that case that she is
|
|
lying and hadn't even consulted the Council.
|
|
* Likewise, the device used to stun the guard appears to be a
|
|
triluminary; its presence makes much more sense if this episode is
|
|
after [19]"Babylon Squared." Its exact function is still a
|
|
mystery; did it in fact stun the guard, put him in some sort of
|
|
stasis, or something else?
|
|
|
|
Notes
|
|
|
|
* The only first season script that was developed outside the B5
|
|
offices.
|
|
|
|
jms speaks
|
|
|
|
* Originally, this ep was to be broadcast later in the run, because
|
|
I didn't want two PsiCorps episodes back-to-back, and for one
|
|
little detail that will become clearer after "Babylon Squared"
|
|
airs; it would've been better to have followed that episode, but
|
|
again, these eps are made to be watched in just about any order,
|
|
so it's okay in the long run.
|
|
* Yeah, the audio thing with Talia is something I thought of during
|
|
the final audio mix. We wanted to convey somehow her trying to get
|
|
through and initially it was just distortion. Then I figured, wait
|
|
a second, she is going to be thinking what she's going to say
|
|
before she says it, why not pre-lap the dialogue? Unfortunately,
|
|
for some damned reason, the high-tech studio wasn't set up to do
|
|
that effect, so we took Talia's dialogue, digitized it, laid it in
|
|
on a second side track, and played the one over the other, one
|
|
preceding the other by I think about 20 frames or so. The key was
|
|
to make the *second* voicing the one synched to her lips, not the
|
|
first one. Worked out pretty cool.
|
|
* You will see some of the warrior caste in "Legacies," coming up in
|
|
July. You don't see them much because they only go where they're
|
|
needed.
|
|
* Generally, the religious caste takes precedence over the warrior
|
|
caste.
|
|
* From cradle to grave, the Minbari are taught that there is no
|
|
greater goal, no nobler thing than to serve. They are raised to be
|
|
totally self-sacrificing. The only exception is when someone in
|
|
the religious caste believes he or she has received a calling,
|
|
which if sincerely felt cannot be contravened (since usually this
|
|
too involves serving). So for a Minbari telepath, this is their
|
|
means by which they may serve, and they are given great respect.
|
|
It never even occurs to them to do otherwise.
|
|
Lately, there has been a bit of a change brewing; "a
|
|
self-involvement above the needs of others" (as someone notes in
|
|
"Voice") that has begun creeping into the Minbari race. And
|
|
they're not happy about it.
|
|
* Overall, I'd say that "Legacies" came out better than "War
|
|
Prayer," because Dorothy had more time to get to know the
|
|
characters, and because it was better directed. (As a
|
|
parenthetical, Larry DiTillio has developed some of his own
|
|
scripts as well, specifically "TKO" and "Eyes." "Legacies" is the
|
|
one I'd say was developed "outside the office" in the sense of
|
|
being a freelance effort. Everything else was either an assigned
|
|
premise or done in-house by staff.)
|
|
* Stuff like wearing gloves is only enforced if you're a member of
|
|
Psi Corps; Allysa wasn't. In addition, though she had P10
|
|
*potential*, the talent was sporadic, came and went.
|
|
* Regarding "Legacies," there's one brief blip in there that we're
|
|
going to see again; I'm not sure I'd call it a clue, but certainly
|
|
a cue...a hint of something to come. You won't have to wonder what
|
|
it is; it'll be shown in a flashback in that particular yet-to-air
|
|
episode.
|
|
|
|
|
|
[25][Next]
|
|
|
|
[26]Last update: March 27, 1996
|
|
|
|
References
|
|
|
|
1. file://localhost/cgi-bin/imagemap/titlebar
|
|
2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
|
|
3. file://localhost/home/woodstock/hyperion/docs/lurk/background/017.shtml
|
|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/017.html
|
|
5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/017.html
|
|
6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/016.html
|
|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/018.html
|
|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#OV
|
|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#BP
|
|
11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#UQ
|
|
12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#AN
|
|
13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#NO
|
|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+Vickery,+John
|
|
16. file://localhost/lurk/p5/intro.html
|
|
17. file://localhost/lurk/p5/017
|
|
18. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html
|
|
19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html
|
|
20. file://localhost/lurk/lurker.html
|
|
21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/017.html#TOP
|
|
22. file://localhost/cgi-bin/uncgi/lgmail
|
|
23. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/016.html
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/018.html
|
|
26. file://localhost/lurk/lastmod.html
|