|
|
|
|
|
<p> Earth Central has planned a cultural exchange where all alien
|
|
societies on B5 will have the opportunity to demonstrate their
|
|
dominant religious beliefs. Needless to say, this idea has caused
|
|
nightmares for the security officers; at the moment, Garibaldi is
|
|
trying to stop an alien from bringing a ceremonial knife aboard the
|
|
station. Suddenly, he sees Sinclair's old girlfriend, Catherine
|
|
Sakai, arrive on the station. He immediately leaves to warn
|
|
Sinclair.
|
|
<p> G'Kar is in his quarters, trying to have a quiet dinner when
|
|
he is interrupted by a Narn courier, Tu'Pari, who is carrying a
|
|
message that he claims to be important. After Tu'Pari leaves
|
|
G'Kar's quarters, G'Kar plays the message. The message turns out
|
|
to be from an old enemy of G'Kar, named D'Rog [spelling correction
|
|
pending]. "I bring what you doubtless will consider good news: I
|
|
am dying." G'Kar smiles in appreciation. The message continues,
|
|
"In fact, by the time you get this recording, I will already be
|
|
dead. Ah, but then, very shortly, so will you."
|
|
<p> D'Rog explains that G'Kar should not be surprised--vengeance
|
|
was inevitable after G'Kar humiliated D'Rog before the Narn Council
|
|
and ruined D'Rog's family's name. "You will be dead within 48
|
|
hours of receiving this message. Already, my agent is close to
|
|
you. You will not know who, or how, or where, until it is too
|
|
late." Just then, Na'Toth--G'Kar's new diplomatic attache--arrives
|
|
and reports for duty. G'Kar can do nothing but stare at her,
|
|
suspiciously.
|
|
<p> Sinclair, in his quarters, is getting ready for the Centauri
|
|
religious demonstration when Garibaldi arrives. Garibaldi warns
|
|
Sinclair that Catherine is on the station. Sinclair thanks him,
|
|
saying that he's happy to know that she's on board, so he can avoid
|
|
her. Then, suddenly, he asks if she came to the station alone or
|
|
with another man. Garibaldi replies that she was alone.
|
|
<p> The Centauri religious demonstration has begun. It is quite
|
|
a festival, with dancing, drinks, and pretty much everything else
|
|
you'd expect at a Centauri party. "It's a celebration of life,"
|
|
says Vir. Londo is immensely enjoying himself--drinking, crawling
|
|
up on the table, explaining Centauri household "gods," telling
|
|
Delenn that she's "very cute for a Minbari" and that Garibaldi is
|
|
"cute, too, in an annoying sort of way."
|
|
<p>
|
|
<img src="/lurk/gif/005/cute.gif" align=middle> "You're cute, too, in an
|
|
annoying sort of way."
|
|
<p> Finally, Londo falls to
|
|
the table, unconscious. Vir stands up and says, triumphantly,
|
|
"Ahh! He has become one with his inner self!"
|
|
<p> "He's passed out," comments Garibaldi, smugly.
|
|
<p> "That too," responds Vir.
|
|
<p> Meanwhile, Commander Sinclair--having had enough of the
|
|
Centauri demonstration and having left quietly in the middle--has
|
|
decided, after all, to see Catherine. After he finds her, they
|
|
speak for a while. She says that she hadn't known that Sinclair
|
|
was in command of the station--otherwise she wouldn't have come.
|
|
"I keep my promises.... I'll leave now if you want me to."
|
|
Sinclair won't hear of it, though. Instead, he invites her for
|
|
dinner. At length, she accepts: "This is how we get into trouble
|
|
every three years.... All right, just dinner."
|
|
<p> Later, G'Kar and Na'Toth are speaking in their quarters.
|
|
G'Kar is suspiciously pondering recent events--he mentions, his
|
|
assistant's, Ko D'ath's, recent death in an unlikely airlock
|
|
accident. He asks Na'Toth who sponsored her to be his attache;
|
|
when she answers, he notices that her sponsor's sponsor was none
|
|
other than D'Rog. He explains to her that D'Rog has hired someone
|
|
to kill him, and evidently this assassin is someone close to G'Kar.
|
|
Na'Toth only replies, "With all due respect, if it were me, you
|
|
wouldn't be here for us to have this conversation." G'Kar is
|
|
unsatisfied--according to D'Rog's message, G'Kar would be kept in
|
|
fear for a while before actually being killed--"the last thing he
|
|
wants is a quick death." He can still not discount Na'Toth as a
|
|
suspect.
|
|
<p> Na'Toth tries to reason with him: "How can you be sure there
|
|
<strong>is</strong> as assassin on board? What if he only told you this to
|
|
frighten you?" G'Kar replies that this is very unlikely.
|
|
<p> She thinks again, then explains that if D'Rog wanted to make
|
|
sure the assassination were carried through, he would have gone to
|
|
the "Assassins' Guild" to get a killer. She explains that killers
|
|
from the Assassins' Guide traditionally leave a black flower--a
|
|
"death blossom"--as a warning to their victims so that the victims
|
|
can tie up their affairs. She asks G'Kar if he's received one of
|
|
these flowers; he replies that he hasn't. "Then I wouldn't worry,"
|
|
she concludes, and adds, "I'm sure the question will resolve itself
|
|
soon enough."
|
|
<p> Later, G'Kar is sleeping in his bed when he is awoken by a
|
|
strange smell. He calls Na'Toth to his quarters to show her what
|
|
was left in his bed: a black flower. "You have no idea how
|
|
<strong>that</strong> got into my bed?" he asks.
|
|
<p>
|
|
<img src="/lurk/gif/005/gkar-asleep.gif" align=middle> G'Kar, about to
|
|
have a rude awakening.
|
|
<p> "Ambassador," comments Na'Toth, "it is not my place to
|
|
speculate on how anything gets into your bed. Your reputed
|
|
fascination with Earth women, for instance..." She goes on to
|
|
suggest that G'Kar see Commander Sinclair if he's worried. G'Kar
|
|
declines, saying that he prefers to fight his own battles--further,
|
|
his going to Sinclair might raise questions that he'd rather not
|
|
answer--questions concerning his years on the Council. "Personally,"
|
|
he says, "I don't care if the information comes out--my only
|
|
concern is that it might compromise our standing in the negotiations.
|
|
So we have to handle this quietly, for the sake of planetary
|
|
security." Na'Toth asks G'Kar why he is telling her all of this,
|
|
considering that she's currently under his suspicion. "Earthers
|
|
have a phrase: 'Keep your friends close and your enemies closer.'
|
|
I think they stole it from us." He adds that he also would like to
|
|
strengthen the relationship between them. He then tells Na'Toth to
|
|
find Tu'Pari, the courier who originally brought the message--G'Kar
|
|
wants to find out who gave the message to Tu'Pari. Tu'Pari must
|
|
still be on the station, according to G'Kar, because no Narn ships
|
|
have left B5 since the day before. "Finding him will be your first
|
|
test," he commands.
|
|
<p> Elsewhere on the station, Lennier--Delenn's new assistant--has
|
|
arrived on the station. He greets her as "Satai Delenn," addressing
|
|
her as a member of the Grey Council deserves to be addressed.
|
|
He further refuses to look straight at her; he only looks down; "It
|
|
is forbidden!" he says.
|
|
<p> "You can look up...." says Delenn, "I cannot have an aid who
|
|
will not look up. You will be forever walking into things." At
|
|
length, Lennier agrees.
|
|
<a name="satai-delenn">
|
|
<p> Lennier comments that he feels that he's in an awkward
|
|
position. He has been, he feels, greatly and suddenly promoted;
|
|
after all, he's now an assistant to a member of the Grey Council.
|
|
Delenn only comments that he received a high recommendation from
|
|
his teachers and that he will soon adjust. "You can begin by
|
|
promising not to mention the Grey Council again during your stay.
|
|
No one here knows of my connection; no one must find out."
|
|
<p> "But, to deny the Council--!" blurts Lennier.
|
|
<p> "I'm denying nothing. But it would lead to certain questions
|
|
that I don't want to answer just now. You will not use my title,
|
|
'Satai.' You will address me only as 'Delenn.' Do you understand?"
|
|
</a>
|
|
<p> He says that he does not--but that it doesn't matter:
|
|
"Understanding is not required--only obedience."
|
|
<p> G'Kar, in the meantime, has gone to N'Grath (the insect-like
|
|
vendor in the alien sector) to seek a bodyguard. In a few hours,
|
|
he will attend the Minbari religious ceremony, and he doesn't want
|
|
to be unprotected in public.
|
|
<p> Sinclair and Catherine Sakai are having dinner. They talk
|
|
about how they meet every few years, talk briefly, end up in bed
|
|
together, then go their separate ways. They both agree that their
|
|
relationship should not go on like this--it isn't worth it.
|
|
<p> The Minbari religious ceremony has begun. It is, needless to
|
|
say, quite the opposite of the Centauri celebration: It is orderly
|
|
and ceremonial. Delenn starts out by reading a story that deals
|
|
with death and renewal. Orderly music is played at certain points
|
|
in the story. Red pieces of fruit are then handed out; Delenn
|
|
tells everyone to eat them. She shows a slight interest in
|
|
Sinclair's eating the fruit, then moves on with the ceremony. "So,
|
|
it begins!" she says.
|
|
<p>
|
|
<img src="/lurk/gif/005/taste.gif" align=middle> "Taste of it."
|
|
<p> G'Kar, during the whole ceremony, has been extremely agitated,
|
|
because his bodyguard did not arrive. He storms into his quarters,
|
|
screaming and complaining; but Na'Toth only directs him into an
|
|
adjoining room. In that room, he sees the bodyguard sitting down,
|
|
quietly. He yells at him for a moment, then hits him in annoyance.
|
|
The bodyguard falls over stiffly, and it is evident that he has
|
|
been killed. Further, a black flower--the warning sign--is hanging
|
|
from the bodyguard's clothing.
|
|
<p> G'Kar has called Garibaldi into his quarters. Garibaldi
|
|
investigates the murder: "You just came in and found this guy dead
|
|
in your bedroom?" G'Kar explains that he has never seen the person
|
|
before and has no idea who he is or why he was in G'Kar's bedroom.
|
|
G'Kar claims, as an alibi, that he was at the Minbari ceremony when
|
|
this person was killed. Garibaldi agrees, but comments that G'Kar
|
|
seemed rather nervous and preoccupied at the ceremony. Garibaldi
|
|
continues his search of G'Kar's quarters, only to find a hot-pink
|
|
piece of woman's underwear behind the bed. G'Kar is, needless to
|
|
say, annoyed--he also doesn't like that Garibaldi continues to
|
|
question =him=. He orders Garibaldi out of his quarters, invoking
|
|
diplomatic immunity. "I brought you here as a courtesy," says
|
|
G'Kar. He tells Garibaldi that he should be spending more time
|
|
trying to find out who the murderer was, rather than questioning
|
|
G'Kar.
|
|
<p> Garibaldi humbly apologizes, but doesn't leave before
|
|
commenting, "And just let me say, ambassador, from the bottom of my
|
|
heart, hot pink is definitely your color."
|
|
<p>
|
|
<img src="/lurk/gif/005/hot-pink.gif" align=middle> "Hot pink is definitely
|
|
your color."
|
|
<p> Na'Toth, after considerable searching, finally finds Tu'Pari
|
|
and brings him back--under slight protest--to G'Kar.
|
|
<p> Catherine is meanwhile in the middle of a business negotiation.
|
|
She is giving information to her associates about a
|
|
planetoid which she has located and which she believes would be a
|
|
good candidate for mining. Her associates are satisfied, and also
|
|
offer her their congratulations--a valuable mineral was discovered
|
|
on a previous planet which she scouted, and, under the contract,
|
|
she is entitled to a percentage of the profits. When they show her
|
|
the amount of credits to which she is entitled, she is almost
|
|
speechless and quite surprised at her good fortune.
|
|
<p> Na'Toth has brought back Courier Tu'Pari to G'Kar's quarters.
|
|
He thanks her and sends her out, saying that he wants to speak with
|
|
Tu'Pari alone. She leaves. He grabs Tu'Pari by the neck and asks
|
|
who gave Tu'Pari the message to deliver. When Tu'Pari replies that
|
|
the message in from D'Rog, G'Kar merely tightens his grip and says
|
|
that D'Rog is dead. Tu'Pari then admits that the message is from
|
|
Councillor Sha'Toth, Na'Toth's father. "The danger is much closer
|
|
to you thank you think, ambassador," says Tu'Pari.
|
|
<p> Sinclair is in his quarters listening to Tennyson's
|
|
<a href="/lurk/making/ulysses.html"><cite>Ulysses</cite></a>
|
|
when Catherine enters. She brings some expensive wine and comments
|
|
that she has terrific news and is "tired of not having anyone to
|
|
share it with." She comments on his liking of old poetry: "What's
|
|
it take to drive you into the 23rd century?" She quotes some of it
|
|
to him; he is surprised to find that she has memorized it. She
|
|
responds, "I lived with you for a year--I didn't have much choice."
|
|
Sinclair comments that what she's doing right now may not be such
|
|
a good idea; however, she pleads with him not to send her out.
|
|
Although they have superficially agreed that their relationship is
|
|
over and that they have no feelings for each other any longer, she
|
|
says that "you don't just turn it off like a switch." She admits
|
|
that, even though they have been separated for a while, and even
|
|
though she has tried relationships with other men, she never
|
|
stopped thinking about him. After a bit of tension, they agree to
|
|
spend the night with one another.
|
|
<p> G'Kar is in his quarters, communicating with the Narn
|
|
homeworld. He is requesting that Na'Toth be reassigned immediately.
|
|
They confirm his request; further, they apologize for the
|
|
delays in communication. "What delays?" asks G'Kar.
|
|
<p> G'Kar's correspondent explains that the appointed courier met
|
|
with an unfortunate accident right before he was going to leave for
|
|
Babylon 5. They have not yet been able to find a replacement.
|
|
<p> "What are you talking about?" G'Kar asks. "The courier is
|
|
right here. I--" Suddenly, he realizes, and turns around to find
|
|
Tu'Pari staring at him, pointing a gun at him, and smiling evilly.
|
|
<p> The next morning, Catherine, in bed with Sinclair, is talking
|
|
with him. They reflect on their relationship, its longevity, and
|
|
its resilience--how it started at the academy, lasted through the
|
|
war, and somehow showed itself every three years since then. They
|
|
also speak of how things might be different this time ...
|
|
<p> Meanwhile, the assassin Tu'Pari has been waiting for Ambassador
|
|
G'Kar to awake. When G'Kar does awake, Tu'Pari gloats a bit
|
|
about how G'Kar's being awake will "make this far more interesting."
|
|
G'Kar, needless to say, is anger and runs toward Tu'Pari in
|
|
order to attack him. However, the devices (known as "pain-givers")
|
|
around G'Kar's neck and arms propel him back--in pain--before he
|
|
gets close enough to Tu'Pari to be threatening. "My orders are
|
|
quite specific," says Tu'Pari. "You are to know pain. You are to
|
|
know fear. And then, you are to die." However, he admits that it
|
|
will be a pleasure when the assignment is finished--"Allaying the
|
|
target's suspicions can be so time-consuming. Do you have any idea
|
|
how long I sat in the customs area waiting for Na'Toth to 'find'
|
|
me?"
|
|
<p>
|
|
<img src="/lurk/gif/005/know-pain.gif" align=middle> "You are to know
|
|
pain..."
|
|
<p> G'Kar tries to reason with Tu'Pari; he offers to double the
|
|
assassin's current payment if he will abort his mission.
|
|
<p> Tu'Pari notes how, though G'Kar could probably make him very
|
|
wealthy, to betray a commission would be a violation of the rules
|
|
and the spirit of the Assassins' Guild. Indeed, if Tu'Pari were to
|
|
violate those rules, the Assassins' Guild would then have to kill
|
|
=him=. To accentuate his point, he increases the intensity of the
|
|
pain-givers.
|
|
<p> Na'Toth enters G'Kar's quarters and, when she cannot find
|
|
G'Kar, orders the computer to replay the last transmission in which
|
|
G'Kar participated. The computer shows her ...
|
|
<p> Tu'Pari is continuing to use the pain-givers against G'Kar.
|
|
"The pain must be overwhelming. Why hold it in? Cry out, ambassador!"
|
|
<p> "I would die," retorts G'Kar, "before giving you that
|
|
satisfaction." However, it is evident that he is, indeed, in great
|
|
pain. However, just to be sure, Tu'Pari continues to raise the
|
|
intensity of the pain-givers. G'Kar does, eventually, indeed, cry
|
|
out.
|
|
<p> At that moment, Na'Toth finally enters. She explains how she
|
|
found Tu'Pari and G'Kar--she knew that Tu'Pari would want "complete
|
|
privacy," so she searched for and found which transport tube had
|
|
"suddenly broken down," as Na'Toth comments. Tu'Pari orders her
|
|
away, but Na'Toth refuses to leave. She claims to be Tu'Pari's
|
|
backup: "I have to finish the job in case you fail."
|
|
<p> Tu'Pari skeptically replies that he was not informed about any
|
|
backup.
|
|
<p> "No, the primary never is--standard practice in the Assassins'
|
|
Guild, as you well know," says Na'Toth.
|
|
<p> Still, Tu'Pari refuses to believe her. Na'Toth ignores him--
|
|
she comments on the "crude, unimaginative" pain-givers that are
|
|
being used on G'Kar, saying that they are much too quick--that
|
|
their orders were to prolong G'Kar's pain and discomfort as much as
|
|
possible until "the deadline."
|
|
<p> "And what would you recommend?" asks Tu'Pari, still skeptical.
|
|
<p> She answers with action: she brutally kicks him a few times,
|
|
picks him up, and repeatedly hits him, sending him falling out of
|
|
the room.
|
|
<p> But Tu'Pari is still unmoved. "And this is the part," he
|
|
says, "where I'm supposed to decide I trust you, drop my guard, and
|
|
let you shoot me in the back? Sorry, but I can't take the chance
|
|
that you're lying." However, just by saying this, his guard was
|
|
lowered enough. G'Kar, whose pain-givers are no longer activated,
|
|
quickly rushes up to Tu'Pari and knocks him unconscious.
|
|
<p> "That hurt!" he says to Na'Toth, in a friendly way.
|
|
<p> "Ambassador," she answers, "it was the only way to disable the
|
|
pain-givers. I had to hit them as hard as possible, as often as
|
|
possible, and still make it appear as though I were beating you
|
|
into another incarnation."
|
|
<p> "And you didn't enjoy it in the least?" he asks.
|
|
<p> "I didn't say that!" she jokingly responds. She asks what
|
|
G'Kar will do with Tu'Pari....
|
|
<p> Three days later, when Tu'Pari awakes, he is annoyed to find
|
|
that he has been unconscious for so long. G'Kar explains that to
|
|
make up for any inconvenience, he has deposited a large sum of
|
|
money in Tu'Pari's personal account at home. Tu'Pari realizes what
|
|
this means--the Assassins' Guild will think he betrayed his
|
|
commission, and it will not take kindly to what it believes to be
|
|
a violation of its rules.
|
|
<p> G'Kar smiles and is glad to realize that he has nothing to
|
|
fear from the Guild any longer--the commission was Tu'Pari's alone,
|
|
and because the Assassins' Guild will be so embarrassed by this
|
|
incident, they'd prefer to forget it all never happened--except for
|
|
killing Tu'Pari if they find him. Happily, G'Kar and Na'Toth send
|
|
Tu'Pari on his way, both saying, "You will know pain, and you will
|
|
know fear, and then you will die. Have a pleasant flight."
|
|
<p>
|
|
<img src="/lurk/gif/005/pleasant.gif" align=middle> "Have a pleasant flight."
|
|
<p> Sinclair and Catherine are saying goodbye to one another.
|
|
However, they both agree that this time will be different--"I'm not
|
|
leaving, this time," says Sinclair.
|
|
<p> "This should be interesting," responds Catherine. She then
|
|
asks him what he's planning for Earth's religious demonstration.
|
|
He replies that he has no idea--and that he also has no idea how
|
|
he'll top the Minbari demonstration, with all its "Bells, drums,
|
|
robes, and little pieces of fruit."
|
|
<p> "Red fruit?" she asks, her interested piqued. "And was there
|
|
a serious exchange of looks?" He says that there were--it's part
|
|
of the rebirth ceremony, he says. She laughs and says that that
|
|
type of ceremony can also double as a marriage ceremony--"depending
|
|
on how seriously anyone took it, somebody got married the other
|
|
day."
|
|
<p> "Maybe that's why G'Kar's smiling. Funny, I didn't think
|
|
Londo was his type," Sinclair jokes.
|
|
<p> Catherine leaves, but says she'll return soon. They both
|
|
wonder if they'll "get it right this time."
|
|
<p> Sinclair has finally arranged Earth's religious demonstration.
|
|
He brings the alien ambassadors into a room which contains hundreds
|
|
of people, all of different religions. Sinclair moves along a line
|
|
formed by them, introducing them one-by-one to the aliens. There
|
|
were, as the aliens commented, no drums, no bells, no chants--only
|
|
a showcase of Earth's proud diversity.
|
|
<p>
|
|
Shawn Bayern
|
|
<em>bayern@cshl.org</em>
|
|
<hr>
|
|
Copyright 1994, Shawn Bayern. All rights reserved. Permission is
|
|
granted to distribute this synopsis <strong>noncommercially</strong> as long as
|
|
the synopsis and this copyright notice remain intact. Babylon 5 is
|
|
a copyright of the PTN Consortium; no infringement of that
|
|
copyright is intended by writing these synopses.
|