|
<!-- TITLE A Tragedy of Telepaths -->
|
|
|
|
<h2><a name="OV">Overview</a></h2>
|
|
|
|
<blockquote><cite>
|
|
The telepath situation continues to deteriorate. The attacks on Alliance
|
|
ships continue. Londo and G'Kar find an old friend in a nearly forgotten place.
|
|
</cite>
|
|
|
|
<a href="http://us.imdb.com/Name?Downes,+Robin+Atkin">Robin Atkin Downes</a> as
|
|
Byron.
|
|
</blockquote>
|
|
|
|
<p>
|
|
Originally titled "Cat and Mouse"
|
|
|
|
<pre><a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/098">8.18</a>
|
|
|
|
Production number: 510
|
|
Original air date: March 25, 1998
|
|
<a href="http://www.amazon.com/exec/obidos/ASIN/B00019071C/thelurkersguidet">DVD release date</a>: April 13, 2004
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Tony Dow
|
|
</pre>
|
|
|
|
<p>
|
|
<hr size=3>
|
|
|
|
<h2><a name="BP">Plot Points</a></h2>
|
|
<ul>
|
|
|
|
<li>@@@890895097 Na'Toth was on Narn when the Centauri bombed it
|
|
(<a href="042.html">"The Long, Twilight Struggle."</a>)
|
|
She was captured by Centauri troops, along with other Narns, and brought
|
|
to Centauri Prime to serve as entertainment in the royal palace. When
|
|
she proved insufficiently entertaining, she was locked in a cell and
|
|
forgotten. Londo and G'Kar have returned her to the care of the Narn,
|
|
but G'Kar believes it'll be some time before she recovers from the
|
|
experience of being locked in a Centauri prison cell for two years.
|
|
|
|
<li>@@@890895097 The militant faction of Byron's telepaths have obtained
|
|
weapons and have staged violent attacks on station personnel. They
|
|
believe they're doing what they're doing because it's the only way
|
|
to protect Byron; he is dismayed that they're killing in his name.
|
|
|
|
<li>@@@890895097 At Lochley's request, Bester and a team of bloodhound
|
|
telepaths have come to the station to take the telepath colonists
|
|
away.
|
|
|
|
<li>@@@890895097 The attacks (presumably still by Centauri forces) on
|
|
Alliance ships continue. The attackers have attempted to up the ante
|
|
by planting evidence that points to various members of the Alliance
|
|
being responsible for the attacks, but Sheridan has so far managed
|
|
to keep the member races from attacking one another in revenge.
|
|
|
|
<li>@@@890895097 Sheridan has positioned a fleet of White Stars near a
|
|
Drazi fleet at the border of Brakiri space. If the Drazi attack the
|
|
Brakiri in retaliation for the apparent Brakiri attacks on Drazi
|
|
ships, Sheridan says, the White Stars will retaliate against the
|
|
Drazi. This gambit is working so far, but both the Drazi and the
|
|
Brakiri are furious about what they see as an infringement on their
|
|
right to self-defense.
|
|
|
|
<li>@@@890938620 According to reports received by Londo, Centauri weapons
|
|
manufacturing has risen 15 percent recently, something counter to
|
|
normal Centauri peacetime policy.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="UQ">Unanswered Questions</a></h2>
|
|
|
|
<h2><a name="AN">Analysis</a></h2>
|
|
<ul>
|
|
|
|
<li>@@@890938620 The increased weapons production is presumably being used
|
|
at least in part to back the attacks on Alliance ships. But a
|
|
sustained increase of 15 percent in the manufacturing output of
|
|
a technologically advanced race like the Centauri would produce a
|
|
<em>lot</em> of weapons and supplies. Is someone stockpiling arms
|
|
for a larger conflict? Are other races' production facilities
|
|
being similarly coopted?
|
|
|
|
<p>
|
|
The Centauri may be easier to use for such purposes than many other
|
|
races because of their unquestioning acceptance of monarchy, as
|
|
Londo demonstrated; if the order to increase production looked like
|
|
it came from the Royal Court, most Centauri probably wouldn't
|
|
question it in public.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="NO">Notes</a></h2>
|
|
<ul>
|
|
|
|
<li>@@@890895097 Centauri don't like fresh spoo, but Narns do; Centauri
|
|
consider it an insult to be offered fresh spoo. That may have added
|
|
to Londo's indignity in the Zocalo in
|
|
<a href="001.html">"Midnight on the Firing Line,"</a>
|
|
in which G'Kar offered him a plate of fresh spoo.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="JS">jms speaks</a></h2>
|
|
<ul>
|
|
|
|
<li>@@@890000654 <em>Why the title change?</em><br>
|
|
Cat and Mouse was a) a working
|
|
title which I kept out there to b) avoid possible spoiling of various
|
|
directions for as long as possible.
|
|
|
|
<li>@@@890333069 I figured, a flock of geese, a herd of buffalo, a tragedy
|
|
of telepaths...actually, though, the credit for that must go to John
|
|
Copeland, who came up with it over lunch one day.
|
|
|
|
<li>@@@891305244 <em>Why was Na'Toth listed in the credits at the start
|
|
of the episode? It spoiled the surprise.</em><br>
|
|
Screen Actors Guild rules specify where you can and can't put credits,
|
|
and those rules don't concern themselves with spoilers.
|
|
|
|
<li>@@@891547710 SAG rules specify where credits go; it's sometimes a
|
|
bummer if you're trying to keep something secret, but there you go.
|
|
|
|
<p>
|
|
The Na'Toth thing was something I wanted to do, called Caitlin,
|
|
she was up for it, and I wrote the ep.
|
|
|
|
</ul>
|
|
|