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<!-- TITLE War Without End, Part Two -->
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<h2><a name="OV">Overview</a></h2>
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<blockquote><cite>
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Ambassador Sinclair returns to pull Babylon 4 through time
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(<a href="020.html">"Babylon Squared."</a>) Part 2 of 2.
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</cite>
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<a href="/lurk/universe/actors.html#ohare">Michael O'Hare</a> as Ambassador Sinclair.
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<a href="http://us.imdb.com/M/person-exact?+Choate,+Tim">Tim Choate</a> as Zathras.
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<a href="http://us.imdb.com/M/person-exact?+Broadhurst,+Kent">Kent Broadhurst</a> as Major Krantz.
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</blockquote>
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<pre><a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/061">9.40</a>
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Production number: 317
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Original air week: May 20, 1996
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<a href="http://www.amazon.com/exec/obidos/ASIN/B00009OOFK/thelurkersguidet">DVD release date</a>: August 12, 2003
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Written by J. Michael Straczynski
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Directed by Mike Vejar
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</pre>
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<p>
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<a href="http://www.amazon.com/exec/obidos/ASIN/B00000ADJU/thelurkersguidet">An
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episodic soundtrack is available.</a>
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<p>
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<strong>Note: this episode resolves several mysteries from past episodes.
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Think twice before proceeding to the spoilers if you haven't seen it.</strong>
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<p>
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<hr size=3>
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<h2><a name="BP">Plot Points</a></h2>
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<ul>
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<li>@@@832578586 Sinclair and Zathras travelled back in time with Babylon 4.
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Since the Minbari would never accept a station commanded
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by a human (a race they hadn't encountered yet,) Sinclair entered a
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chrysalis using the same kind of device Delenn used to become half
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human. His transformation was complete, though, not halfway; to all
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appearances he became a Minbari. When he arrived in the past, he was
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accompanied by two Vorlons. He introduced himself to the Minbari as
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Valen, and went on to lead the war and form the first Grey Council.
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<li>@@@832578586 Later, he wrote himself a note describing what was to come,
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and what he would have to do. He also wrote a note to Delenn.
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<li>@@@832609266 Sinclair's transformation caused the start of the migration
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of Minbari souls to human bodies by linking the two species. Delenn's
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transformation in the other direction was, in part, an attempt to
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restore the balance that had been upset. (See
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<a href="#NO.souls">Notes</a>)
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<li>@@@832610961 "The One," explains Zathras, is really three: Sinclair is
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The One who was, Delenn is The One who is, and Sheridan is The One who
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will be. The three are a whole, consistent with the Minbari tendency
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to divide things into threes. (Or, perhaps, The One is responsible
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for that tendency somehow, maybe due to Sinclair's teachings.)
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<li>@@@832578586 Sheridan and Delenn, in at least one possible future, will
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have a son named David.
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<li>@@@832578586 Londo, as emperor of a wrecked Centauri Republic seventeen
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years after the start of the Shadow War, will be made
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to wear a "keeper," a creature of some sort attached to the side
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of his neck. It's visible only when asleep. When it's awake, it
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forces him to do its bidding, apparently on behalf of the Shadows.
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In the end, he will ask G'Kar to kill him
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before the keeper forces him to betray Sheridan and Delenn. But
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the keeper will awaken as G'Kar strangles Londo, and the two will
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die at each other's hands, leaving an astonished Vir to pick up the
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imperial emblem.
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</ul>
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<h2><a name="UQ">Unanswered Questions</a></h2>
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<ul>
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<li>@@@832578586 Who was at the door in Delenn's flashforward? (See
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<a href="#AN.door">Analysis</a>)
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<li>@@@832578586 Was one of the Vorlons accompanying Sinclair Kosh? Was
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the other the Vorlon who later spoke to Rathenn on Minbar in part 1?
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The two encounter suits were the same as that Vorlon's.
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<li>@@@832963592 Why was there an explosive discharge when Sinclair
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touched Delenn's suited hand?
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<li>@@@832964609 What became of Zathras? Did he have a hand in the planning
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of the Great Machine?
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<li>@@@846701420 Is Sheridan's vision of the future inevitable?
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<li>@@@846993314 What is the price of victory over the Shadows, and why
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was Delenn so dismayed about it?
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</ul>
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<h2><a name="AN">Analysis</a></h2>
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<ul>
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<p>
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<li>@@@832888831 How did Sinclair get the chrysalis machine? Did the
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Vorlons supply it? It seemed to do a much more thorough job on
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Sinclair than it did on Delenn; in appearance, at least, Valen
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was a pure Minbari, not half-human.
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<p>
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An odder explanation is that Sinclair got it from Delenn, who got
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it (indirectly) from Valen; in that case, the machine was never
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actually invented.
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<p>
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<li>@@@832578586 When and how did the Vorlons board Babylon 4? There
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were two Vorlon ships next to the station when the Minbari cruisers
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approached it; did they come back in time with Sinclair, or did
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the Vorlons of a thousand years ago know where and when B4 would
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appear? Perhaps Sinclair called them.
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<p>
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<li>@@@832964609 Delenn's transformation took several weeks. Presumably
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Sinclair's was comparable. Did it take that much subjective time
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to travel back 1000 years, or did the station sit unnoticed in the
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past until Sinclair was ready? If the former, then the Vorlons
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must have boarded the station while it was in transit through time
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(assuming they gave Sinclair the machine.)
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<p>
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<li>@@@832578586 Why did Sinclair choose to call himself Valen? Was it
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simply because of the contents of his letter? In that case, nobody
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ever actually invented the name; it was chosen because it was the
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name he ended up using.
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<p>
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<li>@@@832578586 Did the Grey Council realize that they'd captured Valen
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at the Battle of the Line? Most likely not, or Delenn's counterpart
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wouldn't have ordered her to kill him if he remembered what happened
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(<a href="008.html">"And the Sky Full of Stars."</a>)
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<p>
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<li>@@@832609266 On the other hand, if Delenn's transformation was really
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in part an attempt to restore the balance upset by Sinclair's change a
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thousand years earlier, then Delenn must have known about Valen's
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true nature for quite some time. Perhaps she alone recognized
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Sinclair's true identity at the Line, but couldn't tell the rest of
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the Council, who almost certainly would refuse to believe what she'd
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discovered.
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<p>
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<li>@@@846743959 Why did the machine transform Delenn into a hybrid human
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and Minbari, while Sinclair (from all outward appearances) was
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transformed into a full Minbari? Did Delenn choose to only transform
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herself halfway? If so, has she truly restored the balance between
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humans and Minbari, or is there still something left to do?
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<p>
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<li>@@@835077089 Besides Delenn and the people on the White Star bridge,
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how many others know Valen's true identity? If it became widespread,
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the information might seriously alter the face of Minbari religion;
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learning that their greatest spiritual leader was actually a member
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of a race many of them hold in contempt would probably test the faith
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of many Minbari.
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<p>
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<li>@@@833151417 Sinclair flashed back to the Soul Hunter telling him that
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he was being used, presumably by the Minbari
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(<a href="002.html">"Soul Hunter."</a>)
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Exactly what did he mean by that? Perhaps there was a Soul Hunter
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present at Valen's death, and Sinclair was familiar to them already.
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Or maybe the Soul Hunter found out about Sinclair's eventual identity
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when he peered into Delenn's mind.
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<p>
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<li>@@@833151595 Probably of less significance, Sinclair's other memory
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was of Neroon
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(<a href="017.html">"Legacies,"</a>)
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who eventually ended up on the Grey Council. What impact, if any,
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that had on Sinclair's tenure on Minbar is unknown. Given Neroon's
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dismissal of the reason for the Minbari surrender at the Line
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(<a href="033.html">"All Alone in the Night"</a>)
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it seems any respect he had for Sinclair was short-lived, and that
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if the Council did know of Sinclair's true identity, Neroon didn't
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believe it. Neroon was also Sinclair's prosecutor in comic issue 3,
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<a href="/lurk/comic/003.html">"In Harm's Way."</a>
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<p>
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<li>@@@832609266 Now that Sinclair has travelled back in time, the accuracy
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of Valen's prophecies is probably at an end. Valen could predict
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the start of the Shadow War, and the breaking of the Grey Council,
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because he'd lived through it, but anything after his departure to
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the past is a complete unknown to him (unless, of course, the
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Vorlons have some way of telling him.)
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<p>
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<li>@@@832578586 The appearance of two Vorlons next to an unfamiliar
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Minbari might not have been such a shock to the Minbari warriors
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who found Sinclair. In
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<a href="038.html">"In the Shadow of Z'ha'dum,"</a>
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Delenn claimed that the previous Shadow war marked the last time the
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ancients walked openly among the younger races. So it's entirely
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possible that the appearance of a Vorlon was, if not commonplace,
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then nothing resembling miraculous.
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<p>
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On the other hand, the two Vorlons were flying above encounter suits;
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maybe they've been secretive all along, and even when they walked
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openly among the other races, always hid behind masks. That would
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make sense if they wanted to maintain the illusion of angelic
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appearance, since as Kosh said in
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<a href="045.html">"Matters of Honor,"</a>
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maintaining that appearance in front of a lot of people is a great
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strain on a Vorlon.
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<p>
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<li>@@@832964609 Did Babylon 4 travel through space as well as time, or
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did it appear in what would later become Sector 14? If the latter,
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does its appearance there have anything to do with the location of
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the Great Machine?
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<p>
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<li>@@@832578586 What is Londo's "keeper?" Who gave it to him? What
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exactly is it forcing him to do, and why? The fact that it's invisible
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when awake suggests that it's associated with the Shadows, who have
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mastered the art of invisibility.
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<p>
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<li>@@@832609644 Does Morden have a keeper too? Is that why the Shadows
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treat him as an equal -- because they know he'll never betray their
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cause?
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<p>
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Or maybe the <em>Shadows</em> are being controlled by some other
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party, though that seems unlikely.
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<p>
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<li>@@@832578586 "We all have our keepers," Londo says. Does that include
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Sheridan and Delenn? Perhaps there's a connection between Londo's
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guest and the dream sequence in
|
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<a href="033.html">"All Alone in the Night,"</a>
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in which Ivanova and Garibaldi both have birds on their shoulders.
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<p>
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<li>@@@832889377 By granting a reprieve to Sheridan and Delenn, Londo may be
|
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fulfilling one of his chances for redemption
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(<a href="053.html">"Point of No Return."</a>)
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Morella told him he must not kill the one who is already dead;
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perhaps that refers to Sheridan -- who certainly qualifies as "the
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one" now in another context. Londo's greeting in part 1, "Welcome
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back from the abyss, Sheridan," tends to support this possibility,
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though of course it's not clear what Londo meant by that.
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<p>
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Kosh's warning to Sheridan in
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<a href="038.html">"In the Shadow of Z'ha'dum"</a>
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and
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<a href="059.html">"Interludes and Examinations,"</a>
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"If you go to Z'ha'dum, you will die," probably also ties into this,
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especially since, judging by Delenn's plea, it seems that Sheridan has
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gone to Z'ha'dum at some point in the intervening seventeen years.
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The "death" Kosh referred to may simply be the death of innocence
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as noted by Delenn, and not literal physical death.
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<p>
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@@@832964609 Londo's death at G'Kar's hand may also be the last part
|
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of Morella's prophecy; death may be Londo's greatest fear, or perhaps
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death with the knowledge that he hasn't righted his wrongs.
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<p>
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<li>@@@838503118 Londo's dream in
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<a href="031.html">"The Coming of Shadows,"</a>
|
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in which he sees a fleet of Shadow ships flying overhead while he
|
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stands alone in a desolate wasteland, may be a vision of the Shadows'
|
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minions coming to Centauri Prime as he says they did.
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<p>
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<li>@@@838542344 Kosh's prediction to the Centauri Emperor in
|
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<a href="031.html">"The Coming of Shadows"</a>
|
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appears to be literally true: For Centauri Prime, the war has
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ended in fire.
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<p>
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<li>@@@832749664 What were the Centauri, or perhaps someone else, trying
|
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to get out of Delenn? She refused to answer their questions, she says;
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what were they trying to learn? It appears the Centauri captured her,
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which implies there's still a conflict of some kind going on, even
|
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after the Shadows have been driven off. The presence of Londo's
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keeper makes it unclear that the Centauri were the ones trying
|
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to question her.
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<p>
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<li>@@@833160676 "We created something that will endure for a thousand
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years," Delenn tells Sheridan. What will they create? And what
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happens in a thousand years -- will the Shadows return again and
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break up their creation, much as Valen's creation, the Grey Council,
|
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has recently been destroyed?
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<p>
|
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<li>@@@832578586 In the Centauri cell, Delenn tells Sheridan, "Our son is
|
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safe. Nothing else matters." Why is David in danger, and what has
|
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Delenn done to ensure his safety?
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<p>
|
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<li>@@@832964609 What could possibly happen to G'Kar in the intervening
|
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seventeen years to cause Londo to refer to him as an "old friend?"
|
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Londo, of course, may simply have been speaking facetiously -- but
|
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in that case, what was G'Kar doing in the Centauri palace?
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<p>
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<li>@@@832578793 Is death at G'Kar's hands Londo's greatest fear, and
|
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thus his final chance for redemption
|
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(<a href="053.html">"Point of No Return?"</a>)
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Or is his fear more abstract than that, the fear that his death dream
|
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will come to pass as he's envisioned it?
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<p>
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<li>@@@832578793 When Londo sees himself strangled by G'Kar in his dream,
|
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does he know that it's at his own request? How much of the context
|
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of his death does he know already?
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<p>
|
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<li>@@@832750357 In
|
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<a href="020.html">Babylon Squared,"</a>
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the crewman who sees the blue-suited figure
|
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appear in the hallway tells Krantz, "It's back." Presumably the
|
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B4 crew had seen Sheridan appearing and disappearing, since Delenn had
|
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only recently switched places with him.
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<p>
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<li>@@@832750004 Delenn appears in the hallway in the present time (or
|
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rather, the same
|
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timeframe she'd reached via the White Star,) so in that specific
|
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instance there was no time-shifting, just movement through space.
|
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How did she do that? Perhaps, as she implied in Part One, the Minbari
|
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have the technology for rudimentary time manipulation, so she used
|
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something from the White Star.
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<p>
|
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<li>@@@832608867 <a name="AN.door">The woman at the door</a> in Delenn's
|
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flashforward causes her to drop the snowglobe in shock. Very few
|
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people would cause someone as poised as Delenn to do that. One of
|
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them, though, and one whose arrival has been foreshadowed, would be
|
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Anna Sheridan.
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<p>
|
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<li>@@@832578586 Why does Delenn urge Sheridan to avoid going to Z'ha'dum?
|
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If he has already gone there by the time she is thrown into the cell
|
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with him, then Kosh's prediction about Sheridan dying if he goes there
|
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is wrong, or at least not as immediate as it originally sounded.
|
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On the other hand, the fact that they have a son is good evidence
|
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the two of them will become much closer; perhaps the arrival of
|
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Anna Sheridan (if that's who's at the door in Delenn's flashforward)
|
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will complicate their relationship, and it's to avoid finding out
|
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about Anna that Delenn tells Sheridan to stay away from Z'ha'dum.
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<p>
|
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<li>@@@833302690 Are the flashforwards completely random, or might there
|
|
be something guiding people to visions of certain events? The Vorlons
|
|
appear to have some perception that extends beyond time; perhaps they
|
|
are manipulating that perception when it appears, even briefly, in
|
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others.
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<p>
|
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<li>@@@832608867 The assumption at the end of the episode seems to be that
|
|
by successfully pulling Babylon 4 back in time, the crew has averted
|
|
the Shadow attack on Babylon 5 in eight days, in which Ivanova sends
|
|
out the distress call heard in part one. Does that mean that
|
|
Sinclair's flashforward to the firefight aboard B5 has also been
|
|
averted? What about Lady Ladira's vision of the destruction of
|
|
Babylon 5?
|
|
(<a href="013.html">"Signs and Portents"</a>)
|
|
If all those glimpses of the future are no longer true, how much
|
|
validity do the remaining ones have? Each of them could be from a
|
|
completely different possible future, none of which will end up ever
|
|
taking place.
|
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|
|
<p>
|
|
<li>@@@832610961 Was Zathras supposed to tell Sheridan, Delenn, and Sinclair
|
|
about The One? Were Draal's instructions simply to not reveal anything
|
|
until prompted by Sinclair?
|
|
|
|
<p>
|
|
Where did he come up with the term, and with its definition? If he
|
|
knows Sheridan is The One who will be, he must have been using the
|
|
Great Machine to peer forward in time (not unreasonable, given its
|
|
obvious time-bending abilities.) Will Draal be able to do the same
|
|
and offer insights into the events to come? Zathras implies that
|
|
perhaps he can do things even Draal can't, and that may be one of
|
|
them.
|
|
|
|
<p>
|
|
<li>@@@833149654 The distinction between the three members of The One echoes
|
|
the migration of Minbari souls. Sinclair, after his transformation,
|
|
appears to be fully Minbari, and is The One who was. Delenn is
|
|
halfway between human and Minbari, and is The One who is. Sheridan
|
|
is completely human and is The One who will be. Perhaps it's symbolic
|
|
of a shift of power from the Minbari to humanity.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="NO">Notes</a></h2>
|
|
<ul>
|
|
<li> <a name="NO.glitches">Inconsistencies with</a>
|
|
<A href="020.html">"Babylon Squared"</a> (B2). See also
|
|
<a href="#JS.glitches">jms speaks.</a>
|
|
<ul>
|
|
<li>@@@832964609 Not an inconsistency per se, but in B2, there was
|
|
no mention by Krantz of the explosion of the Shadow bomb
|
|
or the presence of possibly hostile personnel on the station,
|
|
which he definitely knew about in WWE2. If it's not an
|
|
inconsistency, why didn't he mention it to Sinclair?
|
|
|
|
<li>@@@832578586 <a name="NO.zathras">In B2, Krantz told</a>
|
|
Sinclair that Zathras was
|
|
first seen in a conference room. "There was a flash, and
|
|
there he was," Krantz said. In this episode, Zathras was
|
|
discovered in a supply room by security guards.
|
|
|
|
<li>@@@832750005 Zathras tells Sinclair and Krantz that The One has
|
|
stopped B4's motion through time to let the crew get off. But
|
|
in WWE2, the station appears in 2258 by accident after Major
|
|
Krantz unexpectedly powers up the time equipment. And the
|
|
idea of faking a power drop in the fusion reactor to cause
|
|
the crew to evacuate was Ivanova's, not any of The One's.
|
|
|
|
<li>@@@846722520 In B2, when The One appears in the corridor,
|
|
there are audible grunts of pain; they're clearly in a male
|
|
voice, not a female one.
|
|
|
|
<li>@@@832578586 When Sinclair returns to the station and removes
|
|
his helmet, the B2 version of events includes a computer voice
|
|
intoning, "Present time atmosphere now breathable." No such
|
|
voice is heard in WWE2, though arguably Delenn was meeting him
|
|
just inside an airlock, and the suit computer was referring
|
|
to the fact that there was no longer a vacuum outside.
|
|
|
|
<li>@@@832578586 Delenn puts her hand on Sinclair's shoulder in B2,
|
|
and her arm is draped in a red robe. But in WWE2, she's wearing
|
|
much darker colors.
|
|
</ul>
|
|
|
|
<p>
|
|
<li>@@@840127706 <a name="NO.souls">Another possible inconsistency:</a>
|
|
Delenn claims that Sinclair's transformation began the migration of
|
|
Minbari souls to human bodies that ultimately led to the end of the
|
|
Earth-Minbari War. However, in
|
|
<a href="023.html">"Points of Departure,"</a>
|
|
Lennier claims that the soul migration has been going on for roughly
|
|
two millenia, twice as far back as Sinclair took Babylon 4.
|
|
|
|
<p>
|
|
<li>@@@832608867 The voice at the door seems to be that of Bruce
|
|
Boxleitner's real-life wife, Melissa Gilbert, though of course that
|
|
doesn't imply anything about which character she'll be playing on the
|
|
show. However, she's been announced as a guest star in the
|
|
<a href="066.html">season finale,</a>
|
|
so the flashforward may well have been only a month or two ahead.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="JS">jms speaks</a></h2>
|
|
|
|
<ul>
|
|
|
|
<li> YAAAAAAGGGGHHHHH.....
|
|
|
|
<p>
|
|
Well, I *finally* finished writing the two-parter, "War Without End,"
|
|
which is probably the toughest thing I've written for the series to
|
|
date. Given everything that has to fit in here, and the fact that
|
|
it's the other half of the B4 storyline (this ain't a spoiler,
|
|
that'll be common knowledge in ads and the like), it became a pretty
|
|
difficult job, moreso than when I'd originally thunk it up. It's
|
|
kinda like cramming 20 pounds of potatoes in a 10 pound bag...but I
|
|
*think* I got it all in, even though the initial drafts came out at
|
|
about 7 pages too long. As I commented to one person, "I'm
|
|
definitely dancing on the edge of my ability here." But I'm pretty
|
|
sure I pulled it all off...and I think folks are going to be quite
|
|
pleased.
|
|
|
|
<p>
|
|
But *man* that was tough....
|
|
|
|
<p>
|
|
Now, having written 16 and 17, only 5 scripts remain to be written
|
|
for this season. And there's still an awful lot to fit in before the
|
|
big season ender, which I suspect will raise quite a few eyebrows.
|
|
|
|
<p>
|
|
<li> In my last general posting to rastb5, I mentioned that from time to
|
|
time, I'd try to post the occasional "letter to home" just to keep folks
|
|
up to date on matters Babylonian. Now that I can catch a breather, I
|
|
figured I'd take this opportunity to do so (though since it's 3:15 a.m.,
|
|
this'll likely be short).
|
|
|
|
<p>
|
|
"catching a breather" refers to the script situation. I've just
|
|
finished writing 316 and 317, the two parter, "War Without End,"
|
|
which was a very difficult task, given the amount of story and
|
|
logistics that had to be put into it. While writing "Babylon
|
|
Squared," to which this is the flip-side, I figured, "Oh, sure, yeah,
|
|
I can get this all in on the other side, no problem," but when it
|
|
came time to do it, it got awful tight, but finally I fit it *all*
|
|
in. (Well, all except one teeny, tiny sentence, about where Zathras
|
|
was first seen, and how, 'cause to do what I'd first had in mind
|
|
would've taken another 3 pages, and I didn't have that, so that one
|
|
element I'll have to just deal with later somehow. But that's it.)
|
|
Hopefully, one need never have seen B2 in order to watch and follow
|
|
WWE. (Which was one of the hard parts, since B2 may or may not be
|
|
aired prior to this, all the background information *had* to be in
|
|
the episodes, so that's a lot of background to include.)
|
|
|
|
<p>
|
|
This now leaves 5 episodes to be written for this season. At this
|
|
point, Lyta should factor strongly in one or two of these, there will be
|
|
some direct confrontations between our side and the shadows, then a
|
|
really nasty final episode for year three.
|
|
|
|
<p>
|
|
<li>@@@865189224 "One would find it hard to believe that episodes like
|
|
"Severed Dreams", "I&E","A Late Delvery From Avalon" and of course,
|
|
WWE could be written by the same guy. The pace, dialog, everything
|
|
are adapted so well for each episode."
|
|
|
|
<p>
|
|
Suddenly I'm having an identity crisis....
|
|
|
|
<p>
|
|
I like to try different styles for different moods. I also like to vary
|
|
the tone of the show; one will be more comedic, as with Sic Transit Vir,
|
|
others much darker, like Ship of Tears. I enjoy trying new things,
|
|
risking a bit, failing on occasion, but learning in the process.
|
|
|
|
<p>
|
|
<li>@@@832965926 As I wrote the episodes prior to WWE2, I kept leading up
|
|
to that first kiss, over and over, but deliberately never quite getting
|
|
there. I knew that when it came time to do it, I wanted to do it in
|
|
just the way you describe...it would and wouldn't be a first kiss,
|
|
both at exactly the same time. So there's the moment everyone's been
|
|
waiting for, but not in quite the way anyone had expected.
|
|
|
|
<p>
|
|
<li>@@@840126127 I knew everyone would be waiting for that
|
|
first kiss, so I made sure it was different, that it was a first kiss
|
|
for one of them, but not the other, that it was natural and totally
|
|
unforced and surprising. So for Sheridan, his first kiss of Delenn was
|
|
actually his second (by a long ways), and his second, when it comes,
|
|
will be her first.
|
|
|
|
<p>
|
|
Just can't do anything the conventional way on this show....
|
|
|
|
<p>
|
|
<li>@@@839749327 <em>Did you write WWE at the same time as B2?</em><br>
|
|
No, I didn't write them at the same time, but I
|
|
did a basic outline of what the follow-up (WWE) would be, so it'd all
|
|
match up when the time came to show that half of the story.
|
|
|
|
<p>
|
|
<li>@@@839784231 It all has to hang together, or it's kinda useless.
|
|
It just required working out the details of what was, is, and will be.
|
|
Then I walked on water....
|
|
|
|
<p>
|
|
<li>@@@833178275 <em>Did Sinclair's departure from the show cause changes
|
|
in the B4 storyline? Was it originally meant to go into the
|
|
future?</em><br>
|
|
No, B4 was never intended to go forward in time. The aging was
|
|
done pretty much as intended. And the Soul Hunter meant they're using
|
|
him to create their old Leader. Still tracks. I'll have more to say
|
|
about all this after everyone's seen the episode.
|
|
|
|
<p>
|
|
<li>@@@865189224 The curious thing...the interesting thing...is that in
|
|
just about everything I've ever written, yes, I generally follow where I
|
|
want to go, end up where I want to end up, but once I get *into* it,
|
|
once the characters come alive on the page, I inevitably find better
|
|
ways of doing things, stronger and more muscular paths to the story,
|
|
more interesting side roads.
|
|
|
|
<p>
|
|
Also, this original story was worked out in 1986/87; that's nearly ten
|
|
years ago. In those ten years, I've become -- or like to think I've
|
|
become -- a better writer, learned more, written more, picked up some
|
|
new tools I didn't have then. So you have a situation where the writer
|
|
in 1996 looks at the writer in 1986 and says, "No, listen...there's a
|
|
better way. Yes, we'll still get to Disneyland on time, you'll still
|
|
have plenty of time to ride the haunted mansion...but if we go *this*
|
|
way, we can stop off and also see Knotts Berry Farm, and the Winchester
|
|
Mystery Mansion, and maybe even Hearst Castle on the way."
|
|
|
|
<p>
|
|
The destination is still the same..but I've found a *lot* more
|
|
interesting ways of getting there. Which, after all, is what an outline
|
|
is for: a safe home base that allows you to wander off, knowing that you
|
|
can always return to it if you get lost.
|
|
|
|
<p>
|
|
<li>@@@833177794 Foreshadowing is tough, because it implies the audience
|
|
is going to BE there x-years down the road to Get It, and you have to
|
|
risk the audience going "huh?" one time too many and wandering
|
|
away...but nothing good comes without risk.
|
|
|
|
<p>
|
|
<li>@@@833477724 <em>Why "War Without End?"</em><br>
|
|
As Delenn says, the war is never entirely over...there are always new
|
|
battle to be fought. If it ain't the shadows, it's the shadows over
|
|
Earthdome of a more human nature.
|
|
|
|
<p>
|
|
<li>@@@837965529 "When dealing with an ep with a lot of flashbacks or
|
|
reused footage (WWE, especially part 2), how much freedom does the
|
|
director have? Does he/she have to match the style of the previously
|
|
show footage (in terms of angles, close ups, pacing, etc), or is
|
|
there more room for the director's own style?"
|
|
|
|
<p> In the case of WWE, you had to match lighting and composition
|
|
pretty closely. That's about the only time it's really become an
|
|
issue.
|
|
|
|
<p> "(one more question: if someone other than you had written
|
|
"Babylon Squared", would they have to be paid royalties for the reuse
|
|
of parts of that episodes script and footage in "War Without End"?)"
|
|
|
|
<p> Anyone who writes a scene which is reused gets residuals.
|
|
Doesn't matter if it's me or anybody else, as a Writers Guild member,
|
|
it's guaranteed and required. Also the actors, the director, and
|
|
others get re-use fees of varying amounts depending on how long the
|
|
sequence is.
|
|
|
|
<p>
|
|
<li>@@@833559802 The Garibaldi scenes in part 2 were all from the first
|
|
season.
|
|
|
|
<p>
|
|
<li>@@@839784231 <em>Zathras looked familiar. Was the character created
|
|
by the actor?</em><br>
|
|
Well, Zathras appeared in Babylon Squared, so you might have
|
|
seen him there. Beyond that...no, the actor came to what was written
|
|
on the page and made it come to life, but didn't invent the character.
|
|
I just sorta thunk him up. It's what I do.
|
|
|
|
<p>
|
|
<li>@@@832581591 <em>Londo looks older, but Sheridan and Delenn
|
|
don't.</em><br>
|
|
No, both Sheridan and Delenn *are* made up older. If you particularly
|
|
look at Delenn out in the light of later scenes in WWE2, you can
|
|
DEFINITELY see the difference. With Sheridan, it's a greying of the
|
|
hair, and some lining on the face. Londo, though, if you recall, is
|
|
much older than Sheridan to begin with.
|
|
|
|
<p>
|
|
<li>@@@833179532 It was a good sendoff. (At one point, Bruce said to me
|
|
over lunch, with Michael sitting with us, "Hey, so how come HE gets to
|
|
go off and become the next best thing to God and I get the crap kicked
|
|
out of me?" I shrugged. "Seniority.")
|
|
|
|
<p>
|
|
<li>@@@833442235 The scenes with Zathras pinned under the
|
|
strut were the same scenes from B2, we didn't reshoot that material.
|
|
|
|
<p>
|
|
The hardest shot was matching the lighting and composition in
|
|
the central corridor *exactly* for the Ivanova-on-the-link scene, and
|
|
the walk by seconds later by Garibaldi and Sinclair. That came out
|
|
pretty seamless.
|
|
|
|
<p>
|
|
<li>@@@833442235 <em>Why does Krantz have a leather strap on his uniform,
|
|
when there weren't leather straps in "The Gathering?"</em><br>
|
|
The leather strip was also present when we shot the original,
|
|
Babylon Squared, in year one. I was kinda thinking at the time that
|
|
the change was gradually being introduced in various divisions of
|
|
Earthforce. Krantz is from the Marines division, I believe (note the
|
|
brown uniform), from that part which functions sort of like the Army
|
|
Corps of Engineers, overseeing the building of space stations and the
|
|
like. Since it takes time to introduce a uniform change across
|
|
divisions and light years, I figured some might have them earlier than
|
|
others, or to try them out. So I gave Krantz the leather strip.
|
|
|
|
<p>
|
|
<li>@@@833560255 <em>The B4 insignia looks like a 3.</em><br>
|
|
Those aren't 3s, those are Bs in which there's a stylized 4.
|
|
|
|
<p>
|
|
<li>@@@832888831 <em><a href="#NO.glitches" name="JS.glitches">About the
|
|
"Babylon Squared" inconsistencies</a></em><br>
|
|
Yes, the conference room thing is a glitch, in that I had the way
|
|
to do it, but it would've meant adding about 3 minutes to the episode,
|
|
and I just couldn't fit it in.
|
|
|
|
<p>
|
|
(It basically would've involved him being hidden in the room when
|
|
there's a timeflash.)
|
|
|
|
<p>
|
|
Ivanova et al *were* working actively to get the crew to evacuate,
|
|
using the fake reactor reading. If they hadn't really cared about it,
|
|
they would've let the station continue running through time to its
|
|
destination, or the present; they fought to stop it so they could let
|
|
the crew get off.
|
|
|
|
<p>
|
|
No, Delenn hadn't been appearing/disappearing before this, but
|
|
Sheridan *had*, so it's reasonable to assume he was seen. Also, we
|
|
don't know how much time passed between the sighting we notice, and
|
|
the alert to Krantz.
|
|
|
|
<p>
|
|
We couldn't match the clothing properly, so we dispensed with it.
|
|
|
|
<p>
|
|
<li>@@@833559802 I know about the sleeve...and actually she didn't touch
|
|
him in WWE2. It was one of those days when it was a hideous production
|
|
schedule, and I wasn't on set, and it slipped by everybody else.
|
|
|
|
<p>
|
|
<li>@@@833475135 The element I couldn't quite fit into War....
|
|
|
|
<p>
|
|
In B2, Krantz says they found Zathras when there was a flash,
|
|
and he appeared in a conference room.
|
|
|
|
<p>
|
|
Now, I sketched out that scene when it came time to actually
|
|
write the whole WWE two-parter. What happened, basically, was that
|
|
Zathras was passing by a room where he saw the one piece he still
|
|
needed to finish his repairs on the time stabalizer. He slips in, as
|
|
best he can, unnoticed...the meeting goes on as he goes under a table
|
|
to get the piece of equipment...he finishes just as there's another
|
|
time-flash...as it ends, momentarily disoriented, he's discovered, and
|
|
captured.
|
|
|
|
<p>
|
|
This would've matched what was in B2, as I'd intended.
|
|
Unfortunately, it added several minutes of screen time that I couldn't
|
|
afford. I would've had to cut something somewhere else, and that
|
|
script was so tight it screamed as it was. So I had to fudge how I did
|
|
that and let the small inconsistency go. The only other thing I
|
|
could've cut, the one moveable piece, was Sinclair trying to radio
|
|
Garibaldi at the end...and I didn't want to lose that.
|
|
|
|
<p>
|
|
<li>@@@839784231 No, WWE couldn't have been 3 episodes. Yes, it had enough
|
|
story for it, and then some, but you can't take one storyline and
|
|
stretch it out that far. I wouldn't have done it even if I could.
|
|
I'd've had to introduce a B story just to break it up a little, because
|
|
3 hours of just a straight line one-story plot is murder. And that
|
|
defeats the purpose of expanding it.
|
|
|
|
<p>
|
|
<li>@@@839232537 <em>Will we see Garibaldi's reaction to finding out
|
|
about Sinclair being Valen?</em><br>
|
|
I think it'd be hard to just drop in Garibaldi's attitudes
|
|
about Valen without it having something to do with an episode; if it
|
|
doesn't move that particular episode along, it shouldn't be there. So
|
|
that sort of thing is tough to pull off, making the show more
|
|
unfriendly to new viewers.
|
|
|
|
<p>
|
|
<li>@@@839784648 <em>Wasn't sending a message to Garibaldi a big
|
|
risk? And why didn't he tell Garibaldi before the shuttle
|
|
left?</em><br>
|
|
I think his message to Garibaldi was a momentary lapse, it
|
|
wasn't something he'd planned, his emotions momentarily got in the way
|
|
of his reason. To do so would be dangerous, so it wasn't done by him.
|
|
|
|
<p>
|
|
<li>@@@833559802 Throughout the episode, whenever there's a tachyon burst,
|
|
pretty much everyone has a timeflash of one sort or another (as also
|
|
mentioned in Babylon Squared).
|
|
|
|
<p>
|
|
<li>@@@833491921 <em>Why did Delenn leave the White Star?</em><br>
|
|
Mainly just a feeling she had, best to check everything out for
|
|
herself, make sure things were going properly, since they were getting
|
|
right down to the wire. Also, in case Ivanova got into trouble trying
|
|
to get into C&C, she wanted to be closer to the situation to help,
|
|
if necessary.
|
|
|
|
<p>
|
|
<li>@@@839232874 When Delenn takes off her stabilizer and puts it on Sheridan,
|
|
taking on his suit for whatever small protection it might offer, at
|
|
that point he stabalized and she became lost/unstuck in time. So it
|
|
was she who appeared in the last sequence there. She took the risk to
|
|
ensure saving Sheridan.
|
|
|
|
<p>
|
|
<li>@@@832965264 1. Since you've stated that the Babylon squared time
|
|
travel incident
|
|
would be the only one for the entire series, is there any way we might
|
|
get answers to some of the questions that seemed to be raised from the
|
|
far future?
|
|
|
|
<p>
|
|
In a sense.
|
|
|
|
<p>
|
|
2. How much will sinclair's knowledge of the future affect what is to
|
|
come?
|
|
|
|
<p>
|
|
Sinclair has no further knowledge of the future; he knows only what he
|
|
saw up through and including the White Star.
|
|
|
|
<p>
|
|
3. The question I'm really dying for an answer to though, is this:
|
|
Hasn't this episode in a sense made a large part of the arc
|
|
anti-climactic? I mean, we now know that the forces of light are
|
|
victorious again, at least to some degree, we know of David (named for
|
|
sinclair?), we know what becomes of Londo etc. Whenever most of the
|
|
major characters are in a life threatening situation, we now know that
|
|
they survive it (it would seem).
|
|
|
|
<p>
|
|
We also "knew" that G'Kar would strangle Londo...what you didn't have
|
|
was context. As we saw in part two, context is everything, and getting
|
|
there is half the fun.
|
|
|
|
<p>
|
|
<li>@@@833442235 It's a literary...I hate to say the word trick, but it's the
|
|
most descriptive. You show somebody the end right off the bat, as we
|
|
did with the Londo/G'Kar scene. But how do we get there? What
|
|
happens? Yes, the war is eventually won...but what *was* the price?
|
|
And what does it mean to everyone involved?
|
|
|
|
<p>
|
|
The best magic is when it's right there in your face, and you
|
|
can't see how it's being done.
|
|
|
|
<p>
|
|
<li>@@@833442235 What happens with the future of Londo and G'Kar...is what
|
|
you see. Course, how they got there is the meat of the story.
|
|
|
|
<p>
|
|
<li>@@@833559802 Showing the end of a story at or near the middle is a
|
|
literary device that's sometimes used by novelists that can be very
|
|
effective, if used properly. It shows you what happens, but leaves
|
|
open *how* you got there, and what it means.
|
|
|
|
<p>
|
|
<li>@@@839784648 The storyline began millions of years ago.
|
|
|
|
<p>
|
|
We're coming in in the middle of the story.
|
|
|
|
<p>
|
|
But then, that can be said of all of us.
|
|
|
|
<p>
|
|
<li>@@@833177934 <em>Does this blow the mystery of whether Sheridan goes to
|
|
Z'ha'dum?</em><br>
|
|
Who said there was a mystery about Sheridan going to Z'ha'dum?
|
|
Kosh seems to treat it as a fait accompli; so does Sheridan. It seems
|
|
fated that he will go...the question is when, why, and under what
|
|
circumstances, with what results?
|
|
|
|
<p>
|
|
See, sometimes the story works in the shadows (so to
|
|
speak)...and other times we're right out in the open, we hand you the
|
|
playbook and tell you we're coming right up the middle. And *that's*
|
|
when you've got to really worry.
|
|
|
|
<p>
|
|
<li>@@@833442235 Sheridan wouldn't know anything of what happened after
|
|
he blipped out of that future situation.
|
|
|
|
<p>
|
|
As for David, remember that Sheridan's father is also David.
|
|
|
|
<p>
|
|
<li>@@@833442235 Sheridan's stabilizer basically broke into two major pieces,
|
|
the front section which fell off in the White Star, and the back half
|
|
which was still clipped to his belt, and later came off as Zathras
|
|
watched.
|
|
|
|
<p>
|
|
<li>@@@833475135 <em>Is David the Third Age of Mankind?</em><br>
|
|
Not as such.
|
|
|
|
<p>
|
|
<li>@@@846743399 <em>Will we see him?</em><br>
|
|
Well, I wouldn't want to preclude anything at this point.
|
|
|
|
<p>
|
|
<li>@@@833178090 <em>Were the Minbari fighting amongst themselves before
|
|
Valen arrived?</em><br>
|
|
There was certainly some division among Minbari; Valen
|
|
straightened a lot of that out.
|
|
|
|
<p>
|
|
<li>@@@833179114 That divisiveness has been growing lately, culminating in
|
|
the breakup of the Grey Council which Valen formed. There's bound to
|
|
be some fallout....
|
|
|
|
<p>
|
|
<li>@@@833179114 <em>Did the Council know Sinclair was Valen when they
|
|
demanded he be B5's commander?</em><br>
|
|
No, they didn't know at the time; most of them were still trying
|
|
to figure the whole damned thing out; some refused to accept it, and if
|
|
he was indeed bogus, wanted him killed to avoid becoming a false
|
|
prophet and undoing Minbari society; some *did* believe it was him.
|
|
This disagreement in a sense became the first loose thread in
|
|
unraveling parts of Minbari society.
|
|
|
|
<p>
|
|
<li>@@@845974843 <em>Did Delenn know?</em><br>
|
|
She had suspicions starting from the Battle of the Line; we'll
|
|
have more on that later.
|
|
|
|
<p>
|
|
Yes, the Grey Council knows [now], but the general Minbari population
|
|
does not know.
|
|
|
|
<p>
|
|
<li>@@@833178275 <em>Where did the chrysalis machine come from?</em><br>
|
|
The machine came up with Zathras from Epsilon 3. It
|
|
first appeared with Sinclair, then later got into Delenn's hands. So
|
|
she still has that version of it.
|
|
|
|
<p>
|
|
<li>@@@833442235 Re: the Chrysalis device...it came from Epsilon 3. There
|
|
was one shot that should've been made more of, where we see a long box
|
|
with a silver triangle on one side being set up, and left.
|
|
Unfortunately,
|
|
the shot didn't make much of it (you can see Zathras putting it out
|
|
there), and a later shot we dropped showing it again because it wasn't
|
|
properly featured and you couldn't really tell what it was. There was
|
|
so much in this episode that had to be pulled off, in a short amount of
|
|
time, that sometimes things in the background don't get framed as they
|
|
might be. But that's where it came from: from Epsilon 3 to Sinclair to
|
|
Delenn, who still has it.
|
|
|
|
<p>
|
|
<li>@@@833560255 It was on Epsilon 3, then taken into the past
|
|
with B4, held on Minbar until Delenn got it, and still has it.
|
|
|
|
<p>
|
|
<li>@@@840214151 <em>And the triluminary?</em><br>
|
|
It originated on Epsilon 3.
|
|
|
|
<p>
|
|
<li>@@@833179114 The Londo stuff is just incredibly powerful...very moving.
|
|
As for the voice...well, we'll just have to wait a bit, won't we?
|
|
|
|
<p>
|
|
<li>@@@833179114 Re: G'Kar and Londo changing positions as Sinclair and
|
|
Sheridan have done, these two moving from certainty to uncertainty in
|
|
either direction, that ain't bad. That ain't bad at *all*. I like
|
|
symmetry, and both journeys are interesting explorations. What I've
|
|
been doing in complex terms, you explained in an astonishingly few
|
|
words.
|
|
|
|
<p>
|
|
<li>@@@839784231 I seem to recall, after that Londo/G'Kar
|
|
scene was shown the last time, posting somewhere that folks now knew
|
|
*what* has happened, but they don't yet know the *context*. Very few
|
|
picked up on that and thought to actually reverse what they *thought*
|
|
they were seeing to what they *might* be seeing.
|
|
|
|
<p>
|
|
<li>@@@839784648 Will you see Londo and G'Kar together later this season?
|
|
|
|
<p>
|
|
Hmmmm......
|
|
|
|
<p>
|
|
Yes and no.
|
|
|
|
<p>
|
|
<li>@@@833179114 <em>Whose eye opened during the strangulation?</em><br>
|
|
The eye was of the keeper on Londo's shoulder, you can see
|
|
G'Kar's fingers gripping a part of it. It woke up.
|
|
|
|
<p>
|
|
<li>@@@834865716 <em>About G'Kar's eye</em><br>
|
|
One of his eyes had been plucked out some time before.
|
|
|
|
<p>
|
|
<li>@@@833475135 Londo does not currently have a Keeper attached to him.
|
|
|
|
<p>
|
|
<li>@@@833492263 You needn't concern yourself with the keeper...for a while
|
|
yet.
|
|
|
|
<p>
|
|
<li>@@@833559874 Vir doesn't have a keeper. They would, of course, try to
|
|
take care of that detail afterward.
|
|
|
|
<p>
|
|
<li>@@@833697128 It's not a shadow host, no, but one of the many things
|
|
that work for them.
|
|
|
|
<p>
|
|
<li>@@@832236720 <em>Will we see Kosh in the past?</em><br>
|
|
Not exactly, not as you might think, but in a sense....
|
|
|
|
<p>
|
|
<li>@@@833179347 Suffice to say that Kosh knew Valen from way, way back....
|
|
|
|
<p>
|
|
<li>@@@839190199 <em>If Kosh recognized Sinclair as Valen, why were the
|
|
Vorlons so anxious to extradite Sinclair in
|
|
<a href="000.html">"The Gathering?"</a></em><br>
|
|
He could only recognize him once he
|
|
actually saw him, and that didn't happen until he arrived at B5, after
|
|
which he wasn't in any condition to talk to anyone until after things
|
|
were over.
|
|
|
|
<p>
|
|
<li>@@@839220595 <em>But surely they must have known he was B5's
|
|
first commander?</em><br>
|
|
Bear in mind that there have been lots of folks named Sinclair
|
|
in the last 900 years; that we don't know how much Valen told anyone
|
|
about his prior life; that the Minbari had had little to no direct
|
|
contact with the Vorlons in well over a hundred years and likely would
|
|
not have told them what they found at the Battle of the Line until such
|
|
time as personal contact had been made again, which only happened at
|
|
Kosh's arrival...and there wasn't exactly time to make a report after
|
|
he rolled into B5 for the first time.
|
|
|
|
<P>
|
|
<li>@@@846721620 <em>How did they know to meet Babylon 4?
|
|
Prescience?</em><br>
|
|
Well, the other obvious solution, since the Vorlons were then
|
|
out and running around and actively involved in the war of that time
|
|
period, he just sent out a signal, and they got there first.
|
|
|
|
<p>
|
|
<li>@@@846721856 <em>But they accepted the station right away.</em><br>
|
|
Given that there's a massive war on, they just had
|
|
their major starbase destroyed, they were left without a platform from
|
|
which to stage the last part of the war...and here comes someone
|
|
offering a 6 mile long, perfectly empty and eminently useable base for
|
|
the last phase of the war, no charge...hell, I'd take him up on it too.
|
|
|
|
<p>
|
|
<li>@@@846722408 <em>Did B4 have more firepower than B5?</em><br>
|
|
Yeah, B4 had more firepower, and it had one thing B5
|
|
doesn't...engines that can move it forward if necessary.
|
|
|
|
<p>
|
|
<li>@@@833492165 <em>Did the Minbari recognize the Vorlons?</em><br>
|
|
They'd recognize them from legends of their own past, yes. But
|
|
bear in mind that the Minbari and Vorlons had already been working
|
|
together in the war effort.
|
|
|
|
<p>
|
|
<li>@@@865189224 The Vorlons were called in after B4 arrived.
|
|
|
|
<p>
|
|
<li>@@@839784231 When you see a LOT of vorlons together, that's when it's
|
|
time to run like hell.
|
|
|
|
<p>
|
|
<li>@@@833442235 <em>How long did Sinclair live after going back?</em><br>
|
|
He lived close to a hundred years as a Minbari; they're a long
|
|
lived race, and they did all they could to maintain his health as one
|
|
of their truly great figures.
|
|
|
|
<p>
|
|
<li>@@@839749239 Valen did not have any children. And there's some
|
|
difference of opinion over exactly what Valen's final fate was.
|
|
|
|
<p>
|
|
<li>@@@846721989 There are some legends about Valen returning someday,
|
|
but so far they've been only legends, nothing more.
|
|
|
|
<p>
|
|
<li>@@@839125979 The Valen aspect was set up in the first season, long
|
|
before anything was decided about Michael.
|
|
|
|
<p>
|
|
<li>@@@833442235 I'd love to someday tell the story of Valen and
|
|
Zathras in the most recent shadow war. It's quite a tale, actually....
|
|
|
|
<p>
|
|
<li>@@@834982322 <em>Is this Zathras' exit from the series?</em><br>
|
|
I'd love to see Zathras again somehow....
|
|
|
|
<p>
|
|
<li>@@@846743399 I'm often tempted to create Zathras' brother, Mathras, or
|
|
somesuch, if only for the look of terror in their eyes when he says, of
|
|
Zathras, "Ah, yes...Zathras...was the quiet one in the family...."
|
|
|
|
<p>
|
|
Who knows, it might be something I might do someday....
|
|
|
|
<p>
|
|
<li>@@@833492165 <em>Is Zathras "the man in between" from Sheridan's dream
|
|
(<a href="033.html">"All Alone in the Night?"</a>)</em><br>
|
|
No, Zathras isn't the man in the middle. Someone else is. And
|
|
it isn't/wasn't Sinclair, either.
|
|
|
|
<p>
|
|
<li>@@@844880098 Valen only knew what Sinclair would've known. Zathras
|
|
wasn't speaking from what Sinclair had told him, but on the basis of
|
|
things he'd figured out on his own.
|
|
|
|
<p>
|
|
<li>@@@865282994 Sinclair went back because he would always go back and
|
|
always went back; the "alternate" timeline phrase isn't quite correct...
|
|
t's more like the moment when the two possible wave forms of
|
|
*possibilities* must collapse into one probability or certainty, both
|
|
tugging at the same time. For instance, you've got Shroedinger's cat,
|
|
put into a box, with a 50/50 chance of a poison gas capsule opening and
|
|
killing the cat. At the instant before you open the box, Shroedinger
|
|
said, the cat is neither dead nor alive, but *both*, until you open the
|
|
box and the two possibilities collapse into one. It isn't that the cat
|
|
had two alternate timelines, only that there were two possibilities
|
|
fighting it out to become the real one.
|
|
|
|
<p>
|
|
That's my story and I'm sticking to it.
|
|
|
|
<p>
|
|
<li>@@@843504961 <em>What happened to Babylon 4?</em><br>
|
|
B4 survived the prior shadow war, but in very bad shape;
|
|
didn't last much longer after that.
|
|
|
|
<p>
|
|
<li>@@@833179532 <em>Does the future with the Shadow attack no longer
|
|
exist?</em><br>
|
|
Yes. Up until that moment, the total forces available to the
|
|
shadows were an unknown to us...sort of like Shroedinger's Cat, is it
|
|
alive in the box or is it dead? It could be either one. If they
|
|
didn't go into the past, didn't affect the outcome, it would be one
|
|
reality; if they did, then it'd be another. As soon as they achieved
|
|
one or the other of those two, the two possible results collapsed into
|
|
the one, singular possibility.
|
|
|
|
<p>
|
|
<li>@@@833475136 <em>Will Delenn and Sheridan have to pay too high a price
|
|
for their victory and happiness?</em><br>
|
|
Depends on how you define "too high" a price.
|
|
|
|
<p>
|
|
<li>@@@833697232 What they were after from Delenn was info relevant to that
|
|
time, some of it related to their son.
|
|
|
|
<p>
|
|
<li>@@@833559802 The reason Delenn dropped the globe will be gone into by
|
|
the end of the season; as for "when will (you) no longer be confused?"
|
|
that's rather outside my purview. Have you considered meditation?
|
|
|
|
<p>
|
|
<li>@@@833697232 <em>Was Delenn a passive observer in her flash?</em><br>
|
|
She more just saw it as a passive recipient, whereas he was
|
|
actively There.
|
|
|
|
<P>
|
|
<li>@@@839784232 There's not much point to asking me "when are we going to
|
|
learn who Delenn saw in her flashforward." Or similar questions. I
|
|
will not throw away the impact of something happening in an episode by
|
|
blowing it out in a message. There have to be surprises along the way.
|
|
You'll see it when it happens.
|
|
|
|
<p>
|
|
<li>@@@865189225 You'll have to wait and see who entered the room.
|
|
|
|
<p>
|
|
<li>@@@833560256 Time travel isn't that easy, and at this juncture it will
|
|
never happen again in the B5 universe.
|
|
|
|
<p>
|
|
<li>@@@836932214 Sheridan, by taking the actions he took to keep history on
|
|
track, has now pretty much assured that the events we see *will*
|
|
happen.
|
|
|
|
<p>
|
|
<li>@@@836932402 Events will unfold as we saw them. Sheridan might try to
|
|
use his knowledge to change things...but who knows, that may just bring
|
|
them about.
|
|
|
|
<p>
|
|
<li>@@@836932553 Of course there's free will. But if I pull a trigger, and
|
|
the bullet flies out hitting someone in the head, what happens between
|
|
the moment of the trigger, and the impact, has nothing to do with free
|
|
will. Sheridan made the choice -- free will -- to do what was done in
|
|
WWE. There were two probable results, depending on whether he did or
|
|
didn't do as asked. Once he did that, the two probabilities folded
|
|
into one actuality (a la Shroedinger's Cat).
|
|
|
|
<p>
|
|
Which doesn't mean to say he won't *try* to change things....
|
|
|
|
<p>
|
|
<li>@@@839784648 <em>What did Zathras mean when he said he was the oldest
|
|
living caretaker of the Machine?</em><br>
|
|
Just that Zathras has worked on the machine, and survived
|
|
it, the longest of all the others.
|
|
|
|
<p>
|
|
<li>@@@856979423 <em>From George Johnsen, co-producer</em><br>
|
|
The Zathras tool is not a speed loader, but a wrench of some sort.
|
|
|
|
<p>
|
|
There is this wonderful electronic surplus store down the street from
|
|
the stage, and the place is swarming with art directors from all over
|
|
the basin. Our folks also frequent this place, and came back one day
|
|
with a box marked "interesting shapes $10". At any other place in the
|
|
world, this would be a box of recyclables at best or a box of garbage at
|
|
worst. In Hollywood, however........ it is a box of tools for Zathras!
|
|
|
|
</ul>
|