|
<!-- TITLE Ceremonies of Light and Dark -->
|
|
|
|
<h2><a name="OV">Overview</a></h2>
|
|
|
|
<blockquote><cite>
|
|
The Nightwatch orders its members on Babylon 5 to target Delenn in an
|
|
attempt to undermine Minbari actions during the recent crisis. Londo
|
|
presents Refa with an ultimatum.
|
|
</cite>
|
|
|
|
<a href="http://us.imdb.com/M/person-exact?+Forward,+William">William Forward</a> as Refa.
|
|
<a href="http://us.imdb.com/M/person-exact?+Perri,+Paul">Paul Perri</a> as The Sniper.
|
|
<a href="http://us.imdb.com/Name?Stroud,+Don+(I)">Don Stroud</a> as Boggs.
|
|
Kim Strauss as Lenann.
|
|
</blockquote>
|
|
|
|
<pre><a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/055">8.30</a>
|
|
|
|
Production number: 311
|
|
Original air week: April 8, 1996
|
|
<a href="http://www.amazon.com/exec/obidos/ASIN/B00009OOFK/thelurkersguidet">DVD release date</a>: August 12, 2003
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by John Flinn III
|
|
</pre>
|
|
|
|
<h3>Watch For</h3>
|
|
|
|
<ul>
|
|
<li> <a href="#NO.wet">A wet floor.</a>
|
|
</ul>
|
|
|
|
<p>
|
|
<hr size=3>
|
|
|
|
<h2><a name="BP">Backplot</a></h2>
|
|
<ul>
|
|
|
|
<li> In the old days of the Centauri Republic, poison was a common political
|
|
tool.
|
|
|
|
<li> Some humans learned the Minbari language from POWs during the war.
|
|
|
|
<li> The rebirth ceremony in
|
|
<a href="005.html">"The Parliament of Dreams"</a>
|
|
was just a small part of a much larger renewal ceremony, traditionally
|
|
performed in response to, or in anticipation of, a great change.
|
|
Lennier believes B5's inhabitants are currently between two such
|
|
changes.
|
|
|
|
<li> The Minbari prophecy foretells fire and darkness after the two halves
|
|
of the Minbari soul unite to combat the ancient enemy.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="UQ">Unanswered Questions</a></h2>
|
|
<ul>
|
|
|
|
<li> How many more Nightwatch members are still on the station?
|
|
|
|
<li> Did Garibaldi's people get rid of the artificial intelligence?
|
|
|
|
<li> What else is buried in B5's computer system? (At least one unfriendly
|
|
thing, as shown in
|
|
<a href="028.html">"A Spider In the Web."</a>)
|
|
|
|
<li> Who does Lennier believe Delenn is fated for? Sheridan? If so, is
|
|
that due to his observation of the growing relationship between
|
|
Delenn and Sheridan, or due to something in the prophecy?
|
|
|
|
<li> What was Delenn planning to give up and to tell someone at the ceremony?
|
|
|
|
</ul>
|
|
|
|
<h2><a name="AN">Analysis</a></h2>
|
|
<ul>
|
|
|
|
<li> Londo is playing a dangerous game with Refa; Refa will no doubt not
|
|
take kindly to having his life threatened, and may retaliate against
|
|
Londo either overtly or behind the scenes. Refa seems to have
|
|
much of the royal court in his pocket while Londo's influence has
|
|
waned since he broke off his association with Morden. Londo may find
|
|
that he's bitten off more than he can chew.
|
|
|
|
<li> However, the extent of the risk he's taking is a good indication that
|
|
his realization of the dark nature of his former pact with Morden is
|
|
complete; after this it will be very hard to turn back. It's
|
|
interesting to note, though, that his basic goal hasn't changed,
|
|
only his methods; note that he tries to dissuade Refa by talking
|
|
about how dangerous the current Centauri policies are to their people.
|
|
Londo is still first and foremost a patriot, not unlike G'Kar (at
|
|
least until Kosh's revelation in
|
|
<a href="050.html">"Dust to Dust."</a>)
|
|
|
|
<li> Londo and Sinclair have something in common; Londo's poisoning of
|
|
Refa bears a passing resemblance to Sinclair planting a transmitter
|
|
in G'Kar's intestinal tract. Or rather, claiming to -- which raises
|
|
the question, did Londo <em>really</em> poison Refa, or just say so?
|
|
Like Sinclair, Londo might figure that the poison that doesn't exist
|
|
can't be flushed out by doctors.
|
|
|
|
<li> How did the Nightwatch get so much information about the Minbari,
|
|
especially the details of Delenn's means of getting the war cruisers
|
|
to Babylon 5? It may be as simple as Earth's normal intelligence
|
|
channels, which, under Clark, presumably make at least some of their
|
|
findings available to the Nightwatch.
|
|
|
|
<li> Boggs' claim that the Minbari "think [Delenn]'s the second coming!"
|
|
indicates that many among the Minbari agree with Delenn's assessment
|
|
of herself as the chosen one, the vehicle of prophecy (see also
|
|
<a href="043.html">"Comes the Inquisitor."</a>) Marcus also hints
|
|
at this when he tells Delenn that his brother believed in the Rangers
|
|
and in her; apparently her involvement with them is richer in
|
|
symbolism than has previously been hinted at. How, and whether, that
|
|
relates to the nature of Sinclair's involvement remains to be seen.
|
|
|
|
<li> This isn't the first time Delenn has been referred to as "the second
|
|
coming," at least indirectly. G'Kar quoted a passage from the Yeats
|
|
poem of the same name in
|
|
<a href="024.html">"Revelations,"</a>
|
|
a passage visually accompanied by Delenn's first look at her new
|
|
appearance. Ominously, <em>that</em> Second Coming refers to the
|
|
Antichrist.
|
|
|
|
<li> The Army of Light is now dressed in black uniforms. Whether that's
|
|
an intentional contrast on Delenn's part, or simply her fashion sense,
|
|
only time will tell.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="NO">Notes</a></h2>
|
|
<ul>
|
|
|
|
<li> The voice of Sparky the Computer, the artificial intelligence,
|
|
is Harlan Ellison. Sparky's name is visible both in the ending
|
|
credits and, very briefly, as the last line item in the computer's
|
|
status messages when it reboots.
|
|
|
|
<li> The recording Londo shows Refa is slightly wrong; Morden was sitting
|
|
when he mentioned Refa's name
|
|
(<a href="045.html">"Matters of Honor."</a>)
|
|
|
|
<li> The station logo on the wall in C&C has changed. It used to be
|
|
a 5 with a pair of olive branches overlaid, presumably signifying
|
|
peace; now it's a 5 over a sword. The new logo can also be seen on
|
|
the top of the conference room table in the scene with Delenn and
|
|
the officers from the Minbari ships.
|
|
|
|
<li>@@@865359221 There's a minor continuity glitch involving the new
|
|
logo. When the command staff walks into C&C in the final scene,
|
|
the camera pans across the side of C&C to show the startled
|
|
techs. The new logo is visible on the wall between two computer
|
|
displays. But in the next shot of the same wall, there's no logo
|
|
there.
|
|
|
|
<li> "Dem Bones" was also sung in the final episode of "The Prisoner."
|
|
|
|
<li> The formation in which one of the Starfuries peels away
|
|
as the squadron performs a fly-by of the caskets is called
|
|
the Missing Man formation. It is used today whenever a flyby
|
|
is part of military honors at a funeral.
|
|
|
|
<li> <a name="NO.wet">As Delenn and Marcus wait for Lenann,</a>
|
|
a "Wet Floor" sign can be seen in a corridor in the background.
|
|
|
|
<li> Sheridan's closing line, "Babylon 5 is open for business," echoes
|
|
Laurel Takashima's in
|
|
<a href="000.html">"The Gathering."</a>
|
|
In both cases it marked a new beginning for the station.
|
|
|
|
<li>@@@834859914 Sheridan's line to Ivanova, "My hypocrisy only goes so
|
|
far," is a Mark Twain quote.
|
|
|
|
<li>@@@834861046 Don Stroud got his scar by jumping into a crowd of men
|
|
with knives to stop a woman from being raped, according to former
|
|
story editor Larry DiTillio.
|
|
|
|
<li>@@@839219258 The eulogy recited by Sheridan is the same one spoken
|
|
by Ivanova in
|
|
<a href="002.html#NO.4">"Soul Hunter."</a>
|
|
|
|
</ul>
|
|
|
|
<h2><a name="JS">jms speaks</a></h2>
|
|
<ul>
|
|
<li> As it happens, episodes 8, 9 and 10 ("Messages," "Point of No Return,"
|
|
and "Severed Dreams") are kind of a triptych, linked at the hip and
|
|
designed to pull together/blow out several major hanging plot threads
|
|
once and for all, and send the show spinning off in an entirely
|
|
different direction. The hardest one to write was 10, because it's a
|
|
very emotional episode for the characters, and for me.
|
|
|
|
<p>
|
|
And next is #11, which I begin to write this weekend...and #11, year
|
|
three, is the *exact* midpoint of the 5 year story. This is the hump,
|
|
the dead center of the journey. It took so long to get here, and
|
|
suddenly we're halfway finished.
|
|
|
|
<p>
|
|
<li> The episode is in the halfway mark, and that IS its significance,
|
|
because it signals a major change.
|
|
|
|
<p>
|
|
When we were midway through that episode, the halfway mark of the whole
|
|
series, John, Doug and I were given these spiffy leather script books
|
|
with silver inlaid initials by the crew, to commemmorate the event. It
|
|
was really nifty.
|
|
|
|
<p>
|
|
<li> <em>About Delenn and Lennier</em><br>
|
|
As for Lennier...it's an unusual relationship, which you'll learn a
|
|
LOT more about in "Ceremonies of Light and
|
|
Dark." Which is all I can say for now.
|
|
|
|
<p>
|
|
<li> I was kind of afraid that after the big Stuff Blowing
|
|
Up Episode, anything afterward would be a let down because it couldn't
|
|
have the same level of huge action (without killing everyone making the
|
|
show). So the way to deal with that is to go in an entirely different
|
|
direction; I was hoping that'd work, and glad that so far it has.
|
|
|
|
<p>
|
|
<li> Earthgov sees B5 in much the way China now sees Taiwan. (Though on
|
|
reflection that may not be the best metaphor....)
|
|
|
|
<p>
|
|
<li> You only send an ambassador if you recognize something as legitimate,
|
|
and EA will never recognize an independent B5.
|
|
|
|
<p>
|
|
<li> <em>Why didn't G'Kar join in the ceremony?</em><br>
|
|
Because he saw the actual co-running of security, and their
|
|
duties, more important...that is physical, and concrete, and he feels
|
|
is his surest way to win a seat in the new council. Actions, not
|
|
ceremonies. He's very direct that way. (Which is pretty much what he
|
|
said at the time.)
|
|
|
|
<p>
|
|
<li>@@@838837617 <em>Was this the same ceremony as in
|
|
<a href="005.html">"The Parliament of Dreams?"</a></em><br>
|
|
Yes, it's the same ceremony; Delenn states as much in the
|
|
episode.
|
|
|
|
<p>
|
|
<li> <em>Was this one of Londo's chances for redemption?</em><br>
|
|
No, this wasn't an opportunity for redemption. It would be
|
|
flagged as much more important than this.
|
|
|
|
<p>
|
|
<li> I don't think Londo feels he needs to be redeemed; his reasons
|
|
as stated were quite sincere.
|
|
|
|
<p>
|
|
<li> <em>Is Delenn being "destined for another" part of the prophecy?</em>
|
|
<br>
|
|
It is now.
|
|
|
|
<p>
|
|
<li>@@@838837617 Certainly various sorts of love was at the core of the episode,
|
|
and what we do for one another.
|
|
|
|
<p>
|
|
But no, not all relationships have to end badly (despite my own
|
|
general history in that regard).
|
|
|
|
<p>
|
|
<li> <em>Is Lennier really satisfied with Delenn's destiny lying
|
|
elsewhere?</em><br>
|
|
Well, there was certainly that little catch in his voice, that
|
|
hesitation, before he added "...in my heart."
|
|
|
|
<p>
|
|
<li> "...note on Lennier: "a pure, higher love"? Pshaw, I've heard that
|
|
before and seen the results in my own life. Are Minbari so different?"
|
|
|
|
<p>
|
|
One would certainly hope so.
|
|
|
|
<p>
|
|
And there are such different kinds of feelings even among
|
|
humans; yes, you're right, often it doesn't work out that way...and
|
|
sometimes it does.
|
|
|
|
<p>
|
|
<li> I didn't see or intend any element of Lennier being racist;
|
|
but there are definitely differences in culture and physiology between
|
|
Minbari and humans. Minbari are very careful about personal space, and
|
|
they don't like to be talked to a certain way. Marcus momentarily
|
|
forgot himself, and acted inappropriately. Lennier corrected him.
|
|
|
|
<p>
|
|
<li> <em>Delenn, Lenann, Lennier. What does "len" mean?</em><br>
|
|
Basically, I went through and came up with common suffixes and prefixes
|
|
for Minbari names, the way Russian names have combinations of certain
|
|
letters (-ovna, -ova, -vich), and associated various backgrounds and
|
|
castes and houses (fanes) to them. So you have Delenn, Rathenn, and
|
|
others of similar name.
|
|
|
|
<p>
|
|
<li> <em>About the slow buildup of the Delenn/Sheridan relationship</em><br>
|
|
What you say about relationships is quite true. The
|
|
slow process of getting to know somebody, the courtship, the parries
|
|
and feints and false starts are 85% of the fun. It's the process of
|
|
getting into somebody's mind, discovering who they are. And that's
|
|
what these two are doing. It's an awful lot of fun.
|
|
|
|
<p>
|
|
<li> The "romance angles" aren't "late additions," but you don't
|
|
just leap into a romance right off. You couldn't have had the
|
|
Delenn/Sheridan thing right in the beginning of year two, it had to be
|
|
built, and grow gradually. Things are introduced as it is time for
|
|
them to be introduced. The shadows weren't even named until season two,
|
|
and didn't make their first appearance until late in season one. Is
|
|
that a late addition?
|
|
|
|
<p>
|
|
<li> I'm doing a lot to deepen up Marcus and Lennier, to let
|
|
people see parts of them we might not have seen before. Everyone grows
|
|
on the show; even at this point, compare Lennier to the wide-eyed
|
|
innocent who first arrived at the station and couldn't even bring
|
|
himself to look Delenn in the eyes.
|
|
|
|
<p>
|
|
The computer voice, Sparky, wasn't really a nod of
|
|
any kind to Hitchhiker's. (And 2001's HAL beat them to the punch a
|
|
long time before that in any event.) No, I just figured, if the
|
|
computer system had a glitch, what would it sound like?
|
|
Answer...Harlan.
|
|
|
|
<p>
|
|
<li> Actually, we had 3 more quickie scenes with the computer voice,
|
|
but the ep ran long over time, and we were locked into some
|
|
walk-and-talks where we couldn't make other trims.
|
|
|
|
<p>
|
|
<li> <em>Is the name Sparky a reference to anything?</em><br>
|
|
No, just figured it'd be a great name.
|
|
|
|
<p>
|
|
<li> I also like the look between Marcus and Delenn as they stand in
|
|
the customs area...he looks like he desperately wants to say more, and
|
|
she like she desperately wants to hear it...but he turns and walks
|
|
away, the moment lost.
|
|
|
|
<p>
|
|
<li>@@@838837617 <em>About female fans' reaction to Marcus</em><br>
|
|
It's okay...so are most of the women who work in the editing
|
|
bays at B5. The first few days of this season, as his stuff started
|
|
coming in, one of them pulled me aside, and with hand firmly on my arm,
|
|
to let me know she meant business, said, "Listen very carefully: I want
|
|
to see a LOT more of Marcus."
|
|
|
|
<p>
|
|
<li>@@@838837617 <em>Was Marcus' beard different before?</em><br>
|
|
Your memory is correct. Just before he did the first episode,
|
|
he had to shave his full beard for some commercial audition. It hadn't
|
|
grown all the way back, and we had to darken it down a bit to make it
|
|
work. It's all back now.
|
|
|
|
<p>
|
|
<li> <em>The Nightwatch members looked a lot more sinister than in the past.
|
|
</em><br>
|
|
I went just a little here for a kind of metaphorical
|
|
approach; prior to this, Nightwatch folks have always been presented as
|
|
starched, scrubbed, visually appealing...the face they wanted others to
|
|
see. Now we see their true face, the scarred, dark, empty eyes, no
|
|
longer pretending to hide. So we kinda cast in that direction.
|
|
|
|
<p>
|
|
<li> <em>Boggs' scar wouldn't have moved like it did.</em><br>
|
|
The physical dynamics of the scar *would* have worked as seen,
|
|
actually, mainly because that wasn't a piece of makeup, that's a real
|
|
scar, and it does work that way.
|
|
|
|
<p>
|
|
<li> The scar is real. He had some rough times a few years
|
|
ago. (Actually, he also appeared with the scar as it's seen here in
|
|
"TKO," as Garibaldi's corner man, though there it was hidden a bit.)
|
|
He's still doing a lot of work though.
|
|
|
|
<p>
|
|
(The funny thing was seeing the occasional comment on the nets
|
|
saying how fake they thought the makeup looked, and why couldn't we
|
|
manage to do something a bit more realistic looking?)
|
|
|
|
<p>
|
|
<li> Actually, no, the song in "Ceremonies" was not intended as a
|
|
Prisoner riff or homage of any kind. If the song originated with The
|
|
Prisoner, that'd be one thing, but the song goes back a long, LONG ways
|
|
before The Prisoner was even thought of.
|
|
|
|
<p>
|
|
What happened, actually, was this...I'm a big fan of the Red
|
|
Clay Ramblers, a terrific group that does sort of bluegrass but very
|
|
offbeat. I was writing that episode, and I was playing with the
|
|
torture aspect, and had one of their albums on. At just the moment I
|
|
got to that scene, up came their rendition of "Ezekiel in the Valley of
|
|
the Dry Bones." The notion was perfect, so I went back to the original
|
|
version of the song, which is public domain (rather than their
|
|
variation on it), and used it. Synchronicity.
|
|
|
|
<p>
|
|
<li> <em>About the uniforms</em><br>
|
|
I wanted it to have a crossed look, certain
|
|
Minbari elements and textures, lines that are reminiscent of the
|
|
Rangers, but also of Earthforce. Hence, the result.
|
|
|
|
<p>
|
|
<li>@@@838837617 There's a certain perverseness in making those on the side of
|
|
light wear black uniforms. It reverses our expectations.
|
|
|
|
<p>
|
|
<li> In general, it's my understanding that the cast really like the new
|
|
uniforms. They're lighter, easier to move around in, cooler under the
|
|
lights, and they like the styling, the rogue element to it, and the
|
|
Minbari aspect.
|
|
|
|
<p>
|
|
<li> <em>Couldn't Refa just have all his food and drink tested?</em><br>
|
|
Of course the flip side of this is that you'd have to check
|
|
every single thing you ate or drank every day, every week, for the rest
|
|
of your natural life. Not the kind of life *I'd* like to live.
|
|
|
|
</ul>
|