|
<!-- TITLE Point of No Return -->
|
|
|
|
<h2><a name="OV">Overview</a></h2>
|
|
|
|
<blockquote><cite>
|
|
As the Earth Alliance plunges toward civil war, internal strife threatens to
|
|
shatter the command structure of B5. Zack's loyalties are put to the test
|
|
when the Nightwatch is ordered to take over station security. Londo receives
|
|
another glimpse of his destiny.
|
|
</cite>
|
|
|
|
<a href="http://us.imdb.com/M/person-exact?+Barrett,+Majel">Majel Barrett</a> as Lady Morella.
|
|
<a href="http://us.imdb.com/M/person-exact?+Teague,+Marshall">Marshall Teague</a> as Ta'Lon.
|
|
</blockquote>
|
|
|
|
<pre><a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/053">9.31</a>
|
|
|
|
Production number: 309
|
|
Original air week: February 26, 1996
|
|
<a href="http://www.amazon.com/exec/obidos/ASIN/B00009OOFK/thelurkersguidet">DVD release date</a>: August 12, 2003
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Jim Johnston
|
|
</pre>
|
|
|
|
<strong>Note: this episode is more momentous than most. Think twice before
|
|
proceeding to the spoilers; it's worth seeing unawares.</strong>
|
|
|
|
<p>
|
|
<hr size=3>
|
|
|
|
<h2><a name="BP">Backplot</a></h2>
|
|
<ul>
|
|
|
|
<li> After the death of a Centauri emperor, custom states that his spirit
|
|
lives on in the body of his consort, who speaks both for herself and
|
|
her late husband.
|
|
|
|
<li> Londo is destined to become emperor. That part of his future cannot
|
|
be avoided, according to Lady Morella. Vir is also destined to
|
|
become emperor. One will become emperor after the other dies, but
|
|
it's not clear which.
|
|
|
|
<li> Londo has already passed up two chances to avoid the destiny he fears
|
|
awaits him. There will be three more. He must save the eye that does
|
|
not see. He must not kill the one who is already dead. And failing
|
|
those, at the last, he must surrender himself to his greatest fear,
|
|
knowing that it will destroy him.
|
|
|
|
<li> One result of G'Kar's Kosh-inspired revelation in
|
|
<a href="050.html">"Dust to Dust"</a>
|
|
is the belief that humans are the key to the salvation of the Narn
|
|
race. He also believes, as Kosh suggested, that the Narn must give
|
|
up their pride and their vengeance or risk being completely destroyed,
|
|
and that his people must sacrifice themselves by the hundreds or
|
|
even the millions if all are to benefit in the end.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="UQ">Unanswered Questions</a></h2>
|
|
<ul>
|
|
|
|
<li> Is General Hague on his way to the station?
|
|
|
|
<li> What impact will Sheridan's new security forces have? Will they
|
|
immediately turn Earth against him?
|
|
|
|
</ul>
|
|
|
|
<h2><a name="AN">Analysis</a></h2>
|
|
<ul>
|
|
|
|
<li> One of Londo's two squandered chances was undoubtedly his action in
|
|
<a href="031.html">"The Coming of Shadows,"</a>
|
|
which sparked the Narn-Centauri War. The other is less clear.
|
|
Perhaps it was his initial meeting with Morden, or the attack on the
|
|
outpost in
|
|
<a href="022.html">"Chrysalis."</a>
|
|
It may also have been his decision to ask the Shadows to defend Gorash 7
|
|
(<a href="042.html">"The Long, Twilight Struggle,"</a>)
|
|
without which the Centauri wouldn't have been able to crush the Narn
|
|
as thoroughly as they did.
|
|
|
|
<p>
|
|
<li> "The eye that does not see" might refer to the Eye, the
|
|
symbol of Centauri nobility that marked the start of Londo's association
|
|
with Morden
|
|
(<a href="013.html">"Signs and Portents."</a>)
|
|
It may also refer to G'Kar's eye, which appears to be injured or missing
|
|
in Londo's dream
|
|
(<a href="031.html">"The Coming of Shadows."</a>)
|
|
|
|
<p>
|
|
<li>@@@832090870 The one who is already dead might be Morden, who's officially dead
|
|
according to Earth Alliance records
|
|
(<a href="038.html">"In the Shadow of Z'ha'dum"</a>)
|
|
or perhaps G'Kar,
|
|
whose old life is certainly gone. It's also possible that it refers
|
|
to the memory of someone who is to die; Londo may be presented with
|
|
an opportunity to discredit someone who would otherwise serve as a
|
|
martyr. Along similar lines, it may refer to the wishes of someone
|
|
already dead; for instance, destroying the chance for peace that
|
|
Emperor Turhan sought before his death, something that would have
|
|
been the Emperor's legacy.
|
|
|
|
<p>
|
|
Another possibility is a connection to the transfer of
|
|
Minbari souls to humans; the owner of a particular previously-deceased
|
|
Minbari soul (perhaps Sinclair) may prove troublesome to Londo in the
|
|
future.
|
|
|
|
<p>
|
|
<li> Londo's greatest fear might be the downfall of the Republic,
|
|
or perhaps his own death.
|
|
|
|
<p>
|
|
<li> It's likely Londo will squander at least the first two of his remaining
|
|
chances, given the fact that there will be a third -- assuming Morella
|
|
is correct.
|
|
|
|
<p>
|
|
<li> What did Sheridan and the others say to convince Zack to go along with
|
|
their ruse? It may have been as simple as convincing him that the
|
|
order from the Political Office was illegal, just like Sheridan told
|
|
the trapped Nightwatch members. Using that to convince him would
|
|
have been the safest course of action, since as a loyal officer
|
|
he'd be inclined to go along with the plan even if his sympathies had
|
|
shifted toward Nightwatch.
|
|
|
|
<p>
|
|
<li> What were all the non-security Nightwatch members doing during the
|
|
crisis? Were they unaffected by the takeover order in the first place,
|
|
and thus largely unconcerned with what was going on?
|
|
|
|
</ul>
|
|
|
|
|
|
<h2><a name="NO">Notes</a></h2>
|
|
<ul>
|
|
|
|
<li>
|
|
An official
|
|
<a href="/lurk/misc/barrett-release">press release</a>
|
|
about Majel Barrett's appearance is available.
|
|
|
|
<li>
|
|
Many of the Nightwatch members in this episode are production staff
|
|
members, including the production secretary and an assistant director.
|
|
|
|
<li>@@@834426130
|
|
Lady Morella is said to be returning from a visit to Ragesh 9. The Ragesh
|
|
system is the same one attacked by the Narn in
|
|
<a href="001.html">"Midnight on the Firing Line."</a>
|
|
|
|
</ul>
|
|
|
|
<h2><a name="JS">jms speaks</a></h2>
|
|
<ul>
|
|
|
|
<li>
|
|
<em>Posted to the CompuServe Star Trek forum</em><br>
|
|
Before you hit the *kill* button...a thought or two in your general
|
|
direction. First, if you're eager for the actual news part of this message
|
|
-- and it is kinda important -- it appears at the end of this message. If
|
|
you've got a second, stick around.
|
|
|
|
<p>
|
|
In every interview he's given on the subject, Walter Koenig has spoken
|
|
glowingly of BABYLON 5, as a show he feels is fighting for genuine quality
|
|
SF in television, with serious, mature stories for fans who grew up on STAR
|
|
TREK and are looking for more of that quality...none other than Majel
|
|
Barrett Roddenberry has gone on record at conventions, including Toronto
|
|
Trek and the recent Wolf 359 convention, as saying that BABYLON 5 was "the
|
|
only other intelligent science fiction series out there" besides the ST
|
|
shows, and urged ST fans to support it.
|
|
|
|
<p>
|
|
If you've tried the show, and it wasn't to your tastes...fair enough.
|
|
No one should be expected to like everything. If you'd like to give it
|
|
another shot, that's fine, but there is no need to defend your opinion; we
|
|
respect it. Not every show works for every viewer.
|
|
|
|
<p>
|
|
If you *haven't* tried the show...if you liked the original ST and the
|
|
work of Majel and Walter and Harlan and others involved in it...if you like
|
|
the work of Peter David, who has written for B5 and supports it...you may
|
|
want to give it a shot in October/November.
|
|
|
|
<p>
|
|
The final four episodes from year two will be broadcast starting the
|
|
week of October 11th, with the new year three episodes beginning the second
|
|
week of November. These nine episodes in a row contain some of the best
|
|
work we have ever done. Acting, writing, directing, effects...we stand
|
|
behind all of them. (The year two Final Four were held back from earlier
|
|
broadcast to lead into the debut, so these are new to the US, although they
|
|
have already aired to substantial praise in the UK.)
|
|
|
|
<p>
|
|
If perhaps you have been turned off by some of the more vigorous
|
|
messages from B5 viewers, I'd only ask that you consider those comments in
|
|
light of the fact that Paramount (NOT the people doing ST, but the studio
|
|
itself) has done everything possible to hinder the progress of B5, which
|
|
engenders certain reactions from everyone; and that to a man or woman,
|
|
virtually all of the more vigorous posts have come from those who have long
|
|
considered themselves fans of STAR TREK, voicing many of the concerns which
|
|
are stated right here in this forum by current viewers...which they had long
|
|
before there was a B5... as well as some of the praises found here.
|
|
|
|
<p>
|
|
The ironic thing is that there is no problem between those who make B5,
|
|
and those who make ST..Jeri Taylor is a friend, Majel supports the show,
|
|
when ST does an episode with great EFX we call them, when we do a good one
|
|
they call us...it's almost entirely a matter of perception.
|
|
|
|
<p>
|
|
So for what it's worth, direct from those of us who make BABYLON 5, if
|
|
you haven't checked out the show before, or if you're curious to see where
|
|
we stand now...I would like to personally invite you to check out the new
|
|
batch of episodes starting around October 11th. If you want to give us all
|
|
nine episodes, that's great; if less, that's fine too. If not at all,
|
|
that's also fine.
|
|
|
|
<p>
|
|
Over a late dinner with Majel, I observed that after the original STAR
|
|
TREK, which for the first time presented truly *human* characters, with all
|
|
their flaws and frailties and bravery and nobility, in a science fiction
|
|
series, the ball was dropped, and no one picked it up again for years. She
|
|
agreed with this...and it is my hope that you will find this coming season
|
|
of BABYLON 5 to be that show.
|
|
|
|
<p>
|
|
Because it isn't an either/or, sum/zero game...one can watch, and
|
|
enjoy, BABYLON 5 and STAR TREK equally, for different reasons, since their
|
|
approaches are very different. And this is the perfect time to come into
|
|
B5, since these episodes encapsulize a lot of background, and will take you
|
|
quickly into the background, the universe and the characters.
|
|
|
|
<p>
|
|
Which is why, I'm pleased to announce, Majel Barrett will be appearing
|
|
as a guest star on BABYLON 5 this coming season...a gesture of support from
|
|
her, and a gesture of respect from all of us at B5. The deal has been
|
|
signed, it's a done deal...she'll be appearing in episode #9, "Point of No
|
|
Return," as Emperor Turhan's third wife, Lady Morella. We're very much
|
|
looking forward to her appearance in the B5 universe.
|
|
|
|
<p>
|
|
For all these and other reasons, I hope you'll give BABYLON 5 a try.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
She'll be playing a Centauri female, the Lady Morella, Emperor Turhan's
|
|
third wife; also a prophetess and seer.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
When we first announced casting Walter Koenig on B5, lots of people
|
|
moaned, "Oh, no, not Chekov on B5." What you got was Bester, who has
|
|
become one of our most noted and discussed characters. It's unfortunate,
|
|
but some people confuse the role with the person. "...the worst character
|
|
ever in the entire ST universe" has nothing to do with the person, or the
|
|
role she will be portraying: the Lady Morella, Emperor Turhan's third
|
|
wife, a prophetess and seer. It's a *very* serious, significant role,
|
|
absolutely unlike anything she's done before.
|
|
|
|
<p>
|
|
This, btw, is called "typecasting," which is one of the primary
|
|
reasons why so many talented actors who helped to create Star Trek and
|
|
other series couldn't get work for so many years...they did so good a
|
|
job that they forever *became* that character. Let's not be guilty of
|
|
that crime here. Majel's character will no more be Troi than Bester is
|
|
Chekov.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Ellen: thanks. As for the episode in question, it's entitled "Point of
|
|
No Return," and the role of Lady Morella was written specifically for Majel.
|
|
I hustled to get it finished prior to the Wolf 359 convention, where I gave
|
|
her a copy of the script. She read it overnight, and fell in love with the
|
|
story, the character, and what it was going to do with and to the BABYLON 5
|
|
universe (to wit: start turning it upside down). Next morning, she said
|
|
"I'm in." And she is.
|
|
|
|
<p>
|
|
Yes, it's a jms script, and is one of the most pivotal of this season,
|
|
episode #9, which with the one before it, "Messages from Earth," builds to a
|
|
major turning point in #10, so it should be a very popular, intense and
|
|
memorable episode in every respect.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
I'd just like to say that Majel did a great job for us
|
|
on B5, and we are hoping we can come up with other opportunities
|
|
for the character to return. I know that Majel is
|
|
interested in pursuing other acting gigs outside ST, and I
|
|
wish her all the best. I think other shows would do well to
|
|
utilize her abilities; everyone had a great time working with
|
|
her, and she should be recognized for work other than ST.
|
|
|
|
|
|
<p>
|
|
<li> <em>Was Morella's speech about greatness intended as a tribute to
|
|
Gene Roddenberry?</em><br>
|
|
There's probably a fair amount there that could apply to Gene, yes...
|
|
|
|
|
|
<p>
|
|
<li>
|
|
If a word comes out of a character's mouth, it's usually mine.
|
|
The bit about greatness was one of them; had a number of different
|
|
subtexts going on behind it.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Of course, there are many who don't see such people in a Good
|
|
Light; even Washington had people out smearing his name every day
|
|
(which, among more altruistic reasons, was why he didn't want to stay
|
|
in charge forever). We are never so greatly appreciated as when we're
|
|
safely and conveniently deceased.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Btw, on the topic of titles...it's important for the season title to
|
|
accurately reflect the events of the season. And as I've watched more and
|
|
more of season 3 being filmed, it becomes increasingly clear that "I am become
|
|
Death, the destroyer of worlds" isn't as apt, emotionally, for what's going
|
|
on. (I've actually felt this for a while, which is why I've been hesitating
|
|
on locking down the title publicly.) The single most emblematic title, and
|
|
single episode, for the whole season, really, is "Point of No Return," because
|
|
on every level, that's what happens this season.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Thanks...it ratchets things up a bit more, certainly. The big
|
|
stuff's just around the corner.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Most of the Omega class of destroyers are given Greek names,
|
|
such as Achilles, Alexander, Agamemnon and others.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Correct, the Alexander would've come off the assembly line a
|
|
bit after the Aggy.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
We could've easily played the EFX full-screen, as WB used them in the promos,
|
|
after all. But it's a slow tease, a reveal. You do it big in Messages, hold
|
|
it back just a bit, at arm's length, in PoNR, then bring it all REAL close
|
|
again in the next episode. By putting it at some remove in PoNR, it makes
|
|
the viewer almost like one of those in the Zocalo, fighting for a better
|
|
look, stranded out far away, trying to figure out what's going on.
|
|
|
|
|
|
<p>
|
|
<li>@@@846737924 <em>Did someone call out "Furillo, Francis" during the roll
|
|
call of security guards? Furillo was a "Hill Street Blues" character.</em><br>
|
|
No, actually, the name was Pirello, Francis...hadn't realized it was a
|
|
sound-alike for Furillo until dailies came in.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
I think Zack was mainly nervous in that last bit,
|
|
which may account for his twitchiness. And yes, Morella often
|
|
prophesied for Turhan.
|
|
|
|
|
|
<p>
|
|
<li>@@@843260322 <em>About Morella's prophecy</em><br>
|
|
There's another way to look at this, which occured to me as I was writing
|
|
it, so I structured it accordingly.
|
|
|
|
<p>
|
|
Morella: "You must save the eye that does not see."
|
|
|
|
<p>
|
|
Londo: "I...do not understand."
|
|
|
|
<p>
|
|
I.
|
|
|
|
<p>
|
|
Eye.
|
|
|
|
<p>
|
|
We never actually saw how she spelled or meant this.
|
|
|
|
<p>
|
|
Given Londo's background, one could almost make the case that the
|
|
discussion was about him. Not saying that's it, but it's a possibility
|
|
and a subtext.
|
|
|
|
|
|
<p>
|
|
<li> <em>Which side is Dr. Franklin's father on?</em><br>
|
|
Stephen's father is a by-the-book guy; he doesn't think his job
|
|
is to set policy, only to implement policy.
|
|
|
|
|
|
<p>
|
|
<li> <em>Aren't those Nightwatch posters a bit too much? Wouldn't people
|
|
object?</em><br>
|
|
It's not always as simple as that. You also take a uniquely
|
|
Western perspective. Look around at Russia, Cuba, 1930s Germany and
|
|
the beer hall putsch, Iraq, Iran...a leader can survive all kinds of
|
|
opposition if he has sufficient control of the armed forces. After the
|
|
Gulf War, it was generally assumed that Saddam would be gone within a
|
|
few months; now his position is stronger than ever.
|
|
|
|
<p>
|
|
Also, Clark didn't (ostensibly) declare martial law to protect
|
|
himself, he did it because of an imminent alien threat which was
|
|
detected long before these allegations came out, we just had Ganymede
|
|
attacked and that's spitting distance from the primary Earth jump gate
|
|
at Io...there is indication of collaboration and conspiracy among some
|
|
in the Joint Chiefs (and in fact that's correct, from his point of
|
|
view, given Hague's activities)...there's enough ammo there to justify
|
|
martial law. Dissolve the Senate? Just happened a couple years ago in
|
|
Russia, when we had tanks firing on the Senate building. Some might say
|
|
that Yeltsin was in the same position as Clark in that his motives
|
|
might be saving himself.
|
|
|
|
<p>
|
|
(The majority of our posters, btw, are taken from genuine WW II
|
|
propaganda and war-support posters that were actually in use. We make
|
|
some slight modifications, but the gist is there. Yes, we do fall for
|
|
these things, we do go for these things. We always have.)
|
|
|
|
<p>
|
|
As for the USA-western perspective...during WW II we saw
|
|
Japanese civilians interned in camps along the West Coast...afterward
|
|
we saw people prosecuted for being Reds, saw careers and lives
|
|
destroyed by even the hint of "commie" influence. If you look at
|
|
newsreels and documentary footage from the time, you see a populace,
|
|
fresh out of a war, who survived by focusing on the Enemy, given a new
|
|
enemy. Might they have gone along with some kind fo martial law if
|
|
they thought that if they *didn't* cooperate, the nation might be
|
|
vulnerable to Russian nukes or invasion? I think the climate was
|
|
perfect for it.
|
|
|
|
<p>
|
|
Could it happen right here, right now? No, because the
|
|
surrounding climate isn't right. Could it happen if the conditions
|
|
*were* right? Of course it could. We're not genetically or
|
|
evolutionarily different from the Germans or the Russians or the Cubans
|
|
or the Iraquis. If we think we'd never fall for that, we place
|
|
ourselves in *exactly* the position of guaranteeing that we *will* fall
|
|
for it. Because we won't recognize it when it happens. We can justify
|
|
and rationalize it as something else.
|
|
|
|
<p>
|
|
Yeah, people back on Earth still have guns. What of it? Right
|
|
now, with martial law, the streets are quiet, the news is more positive
|
|
than usual for a change, the quarrelsome jerks in the senate have been
|
|
given a good kick in the butt, the president's getting things *done*,
|
|
we've all still got our jobs, the muggers are hiding out, life goes on
|
|
except for the lawbreakers. You gonna go out on your own and start
|
|
shooting at Earthforce troops armed to the teeth with *vastly* more
|
|
advanced weaponry? On whose behalf? The aliens? The troublemakers?
|
|
What're we rallying for? Or against? This'll blow over soon, it
|
|
always does. It never lasts. Right now, just ride it out, wait and
|
|
see what happens. Who knows...maybe Clark's right? Who wants to be
|
|
perceived as a traitor?
|
|
|
|
<p>
|
|
Those are the thoughts of any populace in this situation. Just
|
|
as when Yeltsin declared martial law in Moscow, as when Mayor Daly sent
|
|
in the shock troops in Chicago, on and on.
|
|
|
|
<p>
|
|
Here's the number one rule: a population will always stay
|
|
passive for as long as they perceive that they stand to lose more by
|
|
opposing the government than by staying quiet. It's when they have
|
|
little or nothing left to lose that they rise up; the politicos first,
|
|
then, more reluctantly, the general population.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Here's something to consider in this.
|
|
|
|
<p>
|
|
It's easy -- safe and reassuring -- to dismiss Nightwatch and the whole
|
|
political climate on Earth at this time as referring to Nazi germany...SS,
|
|
Stormtroopers, informers...but if we know our history, it shows that this is
|
|
not so isolated as we might think. If we say it was just the Nazis, then
|
|
it's a non-repeatable phenomenon, we needn't worry about it again.
|
|
|
|
<p>
|
|
But, of course, it does happen again...it did, and it will, to varying
|
|
degrees. Go back to the Inquisition, and forward to Joe McCarthy and the
|
|
House Un-American Activities Committee (HUAC) which destroyed lives and
|
|
reputations based on association, past history, social contacts and party
|
|
affiliations (the items specified by Musante to the EA folks in Nightwatch).
|
|
Stalin and to a lesser extent Lenin would have been right at home in
|
|
Nightwatch. Several of the leaders speaking for parties in the ruins of what
|
|
was once Yugoslavia would also fit.
|
|
|
|
<p>
|
|
It's easy, and safe, for us to say, "Oh, we would never do that, only THEY
|
|
did that." But the "they" in this ARE the we on the other side...and "we"
|
|
have done it, are doing it now, and will continue to do it. Only when we
|
|
*know* the history of such things, when we recognize the rhetoric of control,
|
|
when we oppose blacklisting and scapegoating and dead-catting do we help to
|
|
assure that they *won't* arise again. Remember the quote: "Those who do not
|
|
remember history are condemned to repeat it."
|
|
|
|
<p>
|
|
There's a great deal of generalized historical and political metaphor in the
|
|
show, never one-to-one because that's too easy, but disguised in one form or
|
|
another, transumted. The Centauri Republic isn't a real republic by any
|
|
stretch of the imagination...any more than the Roman Republic from which it
|
|
draws some of its political structure, particularly the Centarum, the ruling
|
|
body. There's a great deal of Japanese political and social structure to the
|
|
Minbari, in their culture and art and some of their philosophy. You can find
|
|
parallels to the story in World War II, and the bible, among a few dozen
|
|
others.
|
|
|
|
<p>
|
|
Too little of TV these days is *about* anything...it's all context, no
|
|
subtext. This show is about a lot of things...but never in the mode of
|
|
telling you what to think. We'll ask *that* you think, that you consider the
|
|
world around you, and your place in it...but defining that is your business,
|
|
not ours.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
"I don't believe a conservative nightwatch would be tolerated
|
|
either."
|
|
|
|
<p>
|
|
Senator Joseph McCarthy. The House Un-American Activities
|
|
Committee. You can look it up.
|
|
|
|
<p>
|
|
Also, there was a PBS documentary this past week on the
|
|
blacklist; I suggest that ANYone who thinks we would never fall for
|
|
something like the Nightwatch should take a look at it. It makes the
|
|
Nightwatch look pale by comparison.
|
|
|
|
|
|
<p>
|
|
<li> <em>The House Un-American Activities Committee wasn't that powerful.</em>
|
|
<br>
|
|
I disagree. When even Truman was loathe to take on HUAC and
|
|
McCarthy, you've got a real problem. You make the impact sound
|
|
minimal; but people committed suicide when their careers were ruined by
|
|
HUAC and Tailgunner Joe. I personally know writers who were at the top
|
|
of their form and their careers who never worked again because they
|
|
were blacklisted or greylisted.
|
|
|
|
<p>
|
|
It was also the climate created by HUAC that threatened much
|
|
more widely than the actions of the committee itself. Take Red
|
|
Channels, a sleazy little rag published by the owner of a *SUPERMARKET
|
|
CHAIN* in which he listed those he considered -- based on whim or
|
|
divine revelation -- reds or sympathetic to reds. Even a publication
|
|
like that had tremendous destructive power. I know one of the writers
|
|
listed in Red Channels; the networks grey-listed him instantly. It was
|
|
*years* before he could work again.
|
|
|
|
<p>
|
|
The whole red-baiting hysteria of the 50s came as close to
|
|
destroying the American dream as any threatened invasion. If it had
|
|
been led by someone a little less self-destructive than McCarthy, I
|
|
hate to think what would've happened.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
"Even in the USSR the military would not support an attempt of
|
|
martial law."
|
|
|
|
<p>
|
|
You mean like when Yeltsin called up the military, dissolved
|
|
the Senate, and had tanks open fire on the Senate building to keep from
|
|
being ousted in a coup...you mean like that?
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Yes, right to assemble, free speech rights, they're all open to abridgement.
|
|
Travel can also be restricted.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Thanks. No, I understand the point, I'm just getting into the
|
|
details a bit. One last point I forgot to mention was that even for
|
|
the US, there has never yet been a situation where we as an entire
|
|
*species* stood on the brink of extinction by an alien race. That'll
|
|
definitely affect your mindset a bit....
|
|
|
|
|
|
<p>
|
|
<li>
|
|
"Zack is the key figure here. He's the one questioning if he's on the right
|
|
side and just what his allies are up to. I've heard some good analogies to
|
|
present days situations kicked around on these boards, but It seems mostly
|
|
Republicans want to accuse democrats and vice versa. What we need is more
|
|
Republicans willing to criticise fellow republicans and democrats willing to
|
|
criticise fellow democrats."
|
|
|
|
<p>
|
|
A very good point. Zack is, to all intents and purposes, the Everyman
|
|
character in this; he wants, desperately, to do what's right. But he doesn't
|
|
exactly *know* what's right, because he's getting conflicting
|
|
information...or rather, a lack of *real* information and a plethora of
|
|
agendas. Who is he to believe? Which way does he jump when he's not sure
|
|
which pit holds the lion?
|
|
|
|
<p>
|
|
When a culture become factionalized, when it becomes us vs. them, everyone
|
|
starts setting up consistently smaller camps...first it's democrats vs.
|
|
republicans...then it's mainstream republicans vs. conservative
|
|
republicans...then it's conservative republicans vs. religious right
|
|
republicans (with the democrats having equal problems on their side). As
|
|
soon as we forget that we're *all* US, it begins to fall apart.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Corwin's question is really one that hits a lot; you see things
|
|
starting to fly apart, but you keep thinking it's gonna work out..then it all
|
|
goes to hell, and you're standing there trying to figure out how it all
|
|
slipped away. It's a very innocent, yet universal question.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
"...I wanted Sheridan &Co. to cut themselves free of Earthgov,
|
|
and they didn't."
|
|
|
|
<p>
|
|
'Course, if you were to do anything that monumental, you'd
|
|
spike right smack in the middle of your three-part story.
|
|
|
|
<p>
|
|
One of the things about these three episodes that's again worth
|
|
stressing is that they're really one story, linked carefully. Each of
|
|
the three begins *one frame* after the other. After they've aired, if
|
|
you sit down with a VCR and edit them together, you'll find that they
|
|
flow absolutely SEAMLESSLY from one to the other. So PoNR is at the
|
|
dead center of the piece that propels you toward the last third, like
|
|
the second act in a three-act play (which was my structure for this).
|
|
|
|
<p>
|
|
That may help.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
We knew that at some juncture they'd be split, so numbering
|
|
them as parts 1, 2 and 3 would be awkward. And distribution hates
|
|
having to market multi-parters, for reasons of their own. So...three
|
|
episodes.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Glad you enjoyed "Point." It sets everything up, so we can
|
|
knock it all down in "Severed Dreams." Now everyhing I need is right
|
|
where I need it to be....
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Certainly G'Kar has had...a revelation, I suppose is the best way of putting
|
|
it, and that tends to transform you. What form emerges from this remains to
|
|
be seen.
|
|
|
|
|
|
<p>
|
|
<li> <em>Ta'Lon's line about answers and replies</em><br>
|
|
No, I don't think that's a quote from anywhere but the show, at
|
|
least insofar as I know.
|
|
|
|
|
|
<p>
|
|
<li> <em>Was bringing Ta'Lon back something you wanted to do from the
|
|
start?</em><br>
|
|
I liked Ta'Lon, and definitely wanted to bring him back.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
We've already established in the episode that the bodyguard is the same as in
|
|
"All Alone." We did that when the two had a drink in the zocalo. It was in
|
|
dialogue.
|
|
|
|
|
|
<p>
|
|
<li> <em>I liked Londo's line about politics.</em><br>
|
|
Thanks, and I agree with those scenes. (For me, the Vir/Londo
|
|
scene in the tag is just hysterical.) Re: "politics has nothing to do
|
|
with intelligence," yeah, I kinda liked that one. I have fun....
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Centauri are always suspicious, and if you knew you might be
|
|
emperor after the other is dead, you might be encourage to...help that
|
|
process along, however you might like someone. It's just good
|
|
business.
|
|
|
|
|
|
<p>
|
|
<li>
|
|
When we come back, the very next episode has a very funny scene
|
|
re: Londo and Narn security. And yes, that was the Schwartzkopf.
|
|
|
|
|
|
<p>
|
|
<li> <em>Is the fact that Hague was on the Alexander a reference to Alexander
|
|
Haig?</em><br>
|
|
Y'know, I think this was one of those subconscious things the
|
|
brain does sometimes...I hadn't put it together when I put him on that
|
|
ship. It's a sad thing when you can't even trust your own brain
|
|
anymore.
|
|
|
|
<p>
|
|
<li> "Ok, at the end of this ep. Susan explains that 4 of the 5 cruisers with
|
|
Gen. Hague where distroyed. So did Earthforce get them or did Clark have the
|
|
shadows do it?"
|
|
|
|
<p>
|
|
It was an ambush by Earthforce ships. (Actually, only 3 were destroyed,
|
|
the other two took off separately, trying to throw off a united pursuit.
|
|
But you know how ISN's been lately....)
|
|
|
|
|
|
<p>
|
|
<li>
|
|
Delenn was taking care of some business on Minbar.
|
|
|
|
<p>
|
|
<li>
|
|
There's not a lower house in the EA, in the sense that each
|
|
nation/state has its own various houses, and its own leader, but that
|
|
leader is also part of the EA senate. One per nation/state. Each
|
|
nation/state has its own constitution, but must not contravene the
|
|
larger principles of the EA constitution.
|
|
|
|
</ul>
|