|
<h2><a name="OV">Overview</a></h2>
|
|
|
|
<blockquote><cite>
|
|
Sheridan is kidnapped and taken to an alien ship. The Grey Council decides
|
|
Delenn's fate. General Hague makes an unofficial visit to the station.
|
|
</cite>
|
|
|
|
<a href="http://us.imdb.com/M/person-exact?+Foxworth,+Robert">Robert Foxworth</a> as General Hague.
|
|
<a href="http://us.imdb.com/M/person-exact?+Teague,+Marshall">Marshall Teague</a> as the Narn.
|
|
</blockquote>
|
|
|
|
<pre>
|
|
Sub-genre: Action/intrigue
|
|
<a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/033">8.33</a>
|
|
|
|
Production number: 211
|
|
Original air date: February 15, 1995
|
|
<a href="http://www.amazon.com/exec/obidos/ASIN/B000087EYB/thelurkersguidet">DVD release date</a>: April 29, 2003
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Mario DiLeo
|
|
</pre>
|
|
|
|
<h3><a name="WF">Watch For</a></h3>
|
|
<ul>
|
|
|
|
<li> A momentary change of clothes.
|
|
|
|
</ul>
|
|
|
|
<p>
|
|
<hr size=3>
|
|
|
|
<h2><a name="BP">Backplot</a></h2>
|
|
<ul>
|
|
|
|
<li> The Minbari have installed a new leader.
|
|
|
|
<li> Sheridan's appointment to Babylon 5 was more than a coincidence. He
|
|
was picked by Santiago, who knew that his record made him look like a
|
|
hard-nosed military man, just the sort Santiago suspected Clark would
|
|
want to replace Sinclair with. But Santiago also knew that Sheridan
|
|
was a patriot who would stand against the forces seeking to undermine
|
|
the Earth government. In his first months on the station, Sheridan's
|
|
real assignment was to evaluate the crew, find out who could be
|
|
trusted.
|
|
|
|
<li> General Hague, and others, are working to expose the machinations
|
|
behind Santiago's death and other recent events. They suspect the
|
|
Psi-Corps is behind the conspiracy, but so far have been unable to
|
|
prove anything.
|
|
|
|
<li> Alit Neroon (head of the Star Riders clan, cf.
|
|
<a href="017.html">"Legacies"</a>)
|
|
has replaced Delenn on the Grey Council.
|
|
|
|
</ul>
|
|
|
|
<h2><a name="UQ">Unanswered Questions</a></h2>
|
|
<ul>
|
|
|
|
<li> Sheridan's dream is a big unanswered question, lent weight by Kosh's
|
|
comment after Sheridan's return. See <a href="#AN:dream">Analysis.</a>
|
|
|
|
<li> Why was Neroon appointed to the Council?
|
|
|
|
<li> What does Delenn think is about to happen? Why does she believe she
|
|
is about to descend into darkness and fire?
|
|
|
|
<li> Is the foray by the Streibs related to what the Shadows are doing,
|
|
or is it just coincidental timing?
|
|
|
|
<li> How did the Narn know so much about the Streibs and their ship?
|
|
|
|
<li> What was done to Sheridan? He was left with three scars on his
|
|
face, one of them on his forehead. Might he be carrying an implant
|
|
of some sort now?
|
|
|
|
</ul>
|
|
|
|
<h2><a name="AN">Analysis</a></h2>
|
|
<ul>
|
|
|
|
<li> Neroon's appointment to the council is troublesome. Presumably new
|
|
members are approved by majority vote. The three warrior-caste
|
|
members probably voted for him; that means one or two of the remaining
|
|
five members must have voted for him as well, probably from the
|
|
worker caste. Valen's wishes seem to be held in less than the highest
|
|
regard by some Minbari.
|
|
|
|
<li> With four members, the warrior caste now effectively controls the
|
|
Grey Council. On any issue they need only win over one other member
|
|
to have a majority. It is unclear how far the Council's power
|
|
extends now that a new leader has been installed, and that leader
|
|
conceivably sides with the religious caste, but it looks like hard
|
|
times have arrived for Delenn's compatriots.
|
|
|
|
<li> That being the case, how does this mesh with Sinclair's gathering of
|
|
rangers? (cf.
|
|
<a href="031.html">"The Coming of Shadows"</a>)
|
|
Some of them, recall, are Minbari. Are they primarily religious
|
|
caste? Is there enough difference of opinion within the warrior
|
|
caste about humans that he's able to attract warriors?
|
|
|
|
<li> We never actually hear Sheridan's answer to Hague, though it is
|
|
probably "yes." If it isn't, Sheridan's meeting with the
|
|
rest of the command staff may be a ruse to draw Hague's people out
|
|
into the open -- on the assumption that Hague will try to work
|
|
via one of the others -- and expose the counterconspiracy. Sheridan's
|
|
possible link with Psi-Corps (see below and
|
|
<a href="030.html">"A Race Through Dark Places"</a>)
|
|
makes this at least a plausible scenario, if an unlikely one.
|
|
|
|
<li> <a name="AN:dream">There's more to the dream sequence</a>
|
|
than is apparent at first glance,
|
|
and it's chock full of ambiguities. A shot-by-shot rundown with
|
|
analysis (another, simpler, possible interpretation follows the
|
|
rundown):
|
|
|
|
<ol>
|
|
|
|
<li><b>Sheridan is in his quarters, in uniform. The lights are out.
|
|
</b>
|
|
|
|
<li><b>Ivanova is in the quarters with him, in uniform, hair draped
|
|
over her left shoulder. The door is open. She raises her
|
|
fingers to her lips and says, "Shh."
|
|
</b><br>
|
|
<em>Analysis:</em> Someone or something has entered Sheridan's
|
|
mind to give him a message, and is warning him to watch and
|
|
listen, not try to participate. The "something" might also
|
|
simply be part of Sheridan's own subconscious. This probably
|
|
relates to Kosh's answer to Sheridan's first question.
|
|
|
|
<li><b>Sheridan looks confused.</b>
|
|
|
|
<li><b>Ivanova, now with a raven perched on her right shoulder,
|
|
says, "Do you know who I am?"
|
|
</b><br>
|
|
<em>Analysis:</em> The raven is typically symbolic of death;
|
|
Ivanova may represent destruction, perhaps eventually siding
|
|
with the forces of darkness. In older literature, the raven
|
|
was often a thief, rather than a harbinger of death.
|
|
|
|
<li><b>Sheridan looks to his right, and finds himself in a Babylon 5
|
|
corridor. He looks up.
|
|
</b>
|
|
|
|
<li><b>On a catwalk, in harsh lighting, gripping the railing, is
|
|
another Sheridan. He looks to his right.
|
|
</b><br>
|
|
<em>Analysis:</em> It's unclear what kind
|
|
of uniform the Sheridan on the catwalk is wearing; possibly
|
|
a Psi-Cop uniform. The angle of the shot is similar to
|
|
Sinclair's first view of Knight Two in
|
|
<a href="008.html">"And the Sky Full of Stars."</a> This
|
|
Sheridan perhaps represents another side of Sheridan's
|
|
personality (more on that below.)
|
|
|
|
<li><img align=left width=128 height=96 hspace=4
|
|
src="/lurk/gif/033/dove.gif">
|
|
<b>Garibaldi, also apparently on the catwalk, is in uniform and
|
|
has a dove(?) on his left shoulder. "The man in between is
|
|
searching for you," he says.
|
|
</b><br>
|
|
<em>Analysis:</em> "The man in between" may refer to the
|
|
Sheridan on the catwalk, a part of Sheridan that isn't sure
|
|
which side it should be on.
|
|
Of course, it could be a reference to someone else
|
|
entirely: someone between light and darkness, for instance.
|
|
(Sinclair?)
|
|
As for Garibaldi's dove, the dove is traditionally a symbol
|
|
of peace, perhaps implying that Garibaldi will work to stop
|
|
the Great War.
|
|
<a href="020.html">"Babylon Squared"</a>
|
|
strongly suggests that Garibaldi will ally himself with the
|
|
side of light.
|
|
|
|
<li><b>Ivanova, in a veil and black dress, is standing behind
|
|
Sheridan, who is now wearing a turtleneck and a jacket.
|
|
</b><br>
|
|
<em>Analysis:</em> This funereal garb lends some weight to
|
|
the idea that Ivanova represents death. (It really is
|
|
Ivanova, though some readers have disagreed; see
|
|
<a href="#JS:veil">jms speaks</a>.)
|
|
|
|
<li><img align=left width=128 height=96 hspace=4
|
|
src="/lurk/gif/033/psicop.gif">
|
|
<b>As he turns, we get a brief glimpse of a metal pin on the
|
|
left breast of his jacket: a Psi-Corps badge. And in fact,
|
|
his jacket appears to be the uniform of a Psi-Cop, with the
|
|
leather strap down the right side in front.
|
|
</b><br>
|
|
<em>Analysis:</em> Sheridan's change of clothes is perhaps the
|
|
most ominous part of the entire sequence. Combined with
|
|
Bester's comment in
|
|
<a href="030.html">"A Race Through Dark Places"</a>
|
|
that he was told to expect Sheridan to be sympathetic to
|
|
the Psi-Corps, it suggests some yet-to-be-revealed connection
|
|
between Sheridan and the Corps, something that may cause
|
|
a conflict of interest as he works with Hague's people.
|
|
|
|
<li><b>Ivanova, still veiled, says, "You are the hand."
|
|
</b><br>
|
|
<em>Analysis:</em> Hands abound in <cite>Babylon 5</cite>,
|
|
from Kosh's hand in
|
|
<a href="000.html">"The Gathering"</a>
|
|
to Londo's dream hand in
|
|
<a href="031.html">"The Coming of Shadows."</a>
|
|
Presumably Ivanova isn't referring to Kosh's hand. If she
|
|
is referring to the hand from Londo's dream, it suggests that
|
|
Sheridan will become a pawn in Londo's machinations; recall
|
|
Elric's comment in
|
|
<a href="025.html">"The Geometry of Shadows"</a> --
|
|
the hand reaching out across the stars is Londo's.
|
|
Alternately, if Sheridan's Psi-Cop uniform is taken to mean
|
|
that he's symbolic of Psi-Corps as a whole, perhaps she means
|
|
that Psi-Corps, not Sheridan, is the hand. Or, more sinister,
|
|
that Sheridan is unknowingly acting on behalf of the Psi-Corps,
|
|
perhaps as the result of some mental conditioning (which
|
|
would explain Bester's comment at the end of
|
|
<a href="030.html">"A Race Through Dark Places."</a>)
|
|
|
|
<li><b>Kosh is standing behind Sheridan in the corridor; Sheridan is
|
|
back in his normal uniform. Sheridan starts to turn toward
|
|
him.
|
|
</b>
|
|
|
|
<li><b>In what seems like a simple switch of camera angles, Sheridan
|
|
now appears to be sitting down in front of a backlit wall
|
|
with an organic look not unlike that of the Streib ship's
|
|
interior. "Why are you here?" he asks.
|
|
</b><br>
|
|
<em>Analysis:</em> The change of scenery suggests that "here"
|
|
refers to a different place or time or context than the rest
|
|
of the sequence. Perhaps the question means, "Why are the
|
|
Vorlons involving themselves with the other races?" Of
|
|
course, it could mean what it looks like: "Why are you in
|
|
my dream?"
|
|
|
|
<li><b><a name="AN:weme">"We were never away,"</a>
|
|
Kosh answers from the corridor. "For
|
|
the first time your mind is quiet enough to hear me."
|
|
</b><br>
|
|
<em>Analysis:</em> Depending on the meaning of Sheridan's
|
|
question, the answer says different things. If the former
|
|
refers to the Vorlons in general, the answer can be taken to
|
|
mean, "We've only just allowed you to notice us." The second
|
|
part of the answer suggests that Sheridan's question refers
|
|
to the dream, though. See below for a possible explanation
|
|
of this question and the rest of the dream. Also note that
|
|
Kosh uses both "we" and "me" -- see
|
|
<a href="#JS:kosh">jms speaks.</a>
|
|
|
|
<li><b>Sheridan is back in the corridor, standing. "Why am I here?"
|
|
he asks, in a tone that makes the question sound unconnected
|
|
to the previous one.
|
|
</b><br>
|
|
<em>Analysis:</em> Again, it's unclear what "here" means.
|
|
Babylon 5? The dream? His circumstances?
|
|
|
|
<li><b>"You have always been here," answers Kosh.
|
|
</b><br>
|
|
<em>Analysis:</em> Kosh's repetition of this statement after
|
|
Sheridan's return may mean it is very important; or perhaps
|
|
Kosh was indirectly telling Sheridan that the dream wasn't
|
|
a simple construct of his subconscious. (Of course, Kosh
|
|
might have read Sheridan's mind outside medlab and pulled the
|
|
line from Sheridan's memory of the dream.) As for the meaning
|
|
of the line itself, only time will tell. "You" might refer
|
|
to Sheridan himself, or to some group (e.g. the human race)
|
|
of which Sheridan is a part.
|
|
</ol>
|
|
|
|
<li> Another way of looking at the dream sequence, more metaphysical,
|
|
is that Sheridan entered a psychic continuum, an astral plane, for
|
|
lack of a better term. That makes many of the comments less ambiguous:
|
|
|
|
<ul>
|
|
<li> "We were never away. For the first time your mind is quiet
|
|
enough to hear me." This is the first time Sheridan has
|
|
been in a mental state to consciously recognize the plane;
|
|
Kosh and everyone else have always been there to some degree.
|
|
<li> "You have always been here." Sheridan has always had some
|
|
presence in this psychic world; he just hasn't been able to
|
|
consciously recognize it.
|
|
<li> "The man in between" refers to someone between the physical
|
|
and spiritual worlds. Perhaps the Sheridan in the sequence
|
|
is Sheridan's spiritual side, and "the man in between" is
|
|
Sheridan, searching for his higher soul.
|
|
<li> Ivanova and Garibaldi, as shown in the sequence, are either
|
|
the projections into this other world of the real people,
|
|
or are abstractions for something else (darkness and
|
|
light?)
|
|
<li> Sheridan's Psi-Cop uniform may mean that the Corps plays
|
|
a part in bridging the physical and astral worlds.
|
|
</ul>
|
|
</ul>
|
|
|
|
<h2><a name="NO">Notes</a></h2>
|
|
<ul>
|
|
|
|
<li> The Streibs are probably a reference to Whitley Strieber, whose popular
|
|
book "Communion" dealt with alien abduction.
|
|
|
|
<p>
|
|
<li>@@@864692014 Effects glitch: When Ramirez' damaged Starfury jumps back
|
|
to normal space, the vortex is orange, not blue as it normally is when
|
|
a ship is arriving.
|
|
|
|
<p>
|
|
<li> Marshall Teague, the Narn, also played Nelson Drake, the assistant
|
|
turned living weapon, in
|
|
<a href="004.html">"Infection."</a>
|
|
|
|
<p>
|
|
<li> Ravens and doves, from the King James Bible:
|
|
<ul>
|
|
<p>
|
|
<li> And it came to pass at the end of forty days, that Noah opened
|
|
the window of the ark which he had made; and he sent forth a
|
|
raven, which went forth to and fro, until the waters were dried
|
|
up from off the earth. Also he sent forth a dove from him, to
|
|
see if the waters were abated from off the face of the ground;
|
|
but the dove found no rest for the sole of her foot, and she
|
|
returned unto him into the ark, for the waters were on the face
|
|
of the whole earth; and then he put forth his hand, and took her,
|
|
and pulled her in unto him into the ark. And he stayed yet
|
|
another seven days, and again he sent forth the dove out of the
|
|
ark; and the dove came in to him in the evening; and lo, in her
|
|
mouth was an olive leaf pluckt off; so Noah knew that the waters
|
|
were abated from off the earth. And he stayed yet another seven
|
|
days, and sent forth the dove, which returned not again unto him
|
|
any more. --Genesis 8:6-12
|
|
<p>
|
|
<li> And Elijah the Tishbite, who was of the inhabitants of Gilead,
|
|
said unto Ahab, As the Lord God of Israel liveth, before whom
|
|
I stand, there shall not be dew nor rain these years, but
|
|
according to my word. And the word of the Lord came unto him,
|
|
saying, Get thee hence, and turn thee eastward, and hide
|
|
thyself by the brook Cherith, that is before Jordan. And it
|
|
shall be, that thou shalt drink of the brook; and I have
|
|
commanded the ravens to feed thee there.
|
|
<p>
|
|
So he went and did according to the word of the Lord; for
|
|
he went and dwelt by the brook Cherith, that is before Jordan.
|
|
And the ravens brought him bread and flesh in the morning, and
|
|
bread and flesh in the evening; and he drank of the brook.
|
|
--1 Kings 17:1-6
|
|
</ul>
|
|
|
|
<p>
|
|
<li> Some raven references in various other mythologies:
|
|
|
|
<ul>
|
|
<li> Hugin and Munin: Odin's two ravens (thought and memory)
|
|
|
|
<li> Kurkil: Mongol creator god who flew to create the Earth and
|
|
mankind
|
|
|
|
<li> Mictla or Mictlantecuhtli: Aztec god who rules the underworld
|
|
|
|
<li> Moragga: Celtic. The incarnation of the Goddess as war.
|
|
|
|
<li> Raven: Amerindian creator and trickster god. Created all living
|
|
creatures out of wood and clay. Similar to Coyote.
|
|
|
|
<li> Yangwu: Chinese. The sun-crow.
|
|
|
|
<li> Yetl: Amerindian. The thunder-raven who dragged the flooded
|
|
earth above the water.
|
|
|
|
<li> In Japanese culture, the dove symbolizes war because doves
|
|
were used as messengers during battles.
|
|
|
|
</ul>
|
|
|
|
</ul>
|
|
|
|
<h2><a name="JS">jms speaks</a></h2>
|
|
|
|
<ul>
|
|
|
|
<li> One episode will look very much unconnected to the arc until the
|
|
last five minutes, at which point there's a revelation that will likely
|
|
astonish some and confirm suspcions for some other viewers.
|
|
|
|
<li> Streibs, actually. Similar to, but not quite the same as the
|
|
<a href="015.html">Grail</a>
|
|
bunch.
|
|
|
|
<li> Delenn's flyer is called Zhalen.
|
|
|
|
<li> <a href="#AN:weme" name="JS:kosh">Re: we/I...</a>
|
|
yes, it's interesting, isn't it? You'd almost think it
|
|
was contradictory or something.
|
|
|
|
<li> And of course there's the story of the man who dreamed he was a
|
|
butterfly, and when he awoke, wondered if he was actually a human
|
|
who dreamed he had been a butterfly, or a butterfly who was dreaming he
|
|
was a human....
|
|
|
|
<li> <a name="JS:veil"><em>Who was the woman in the veil?</em></a><br>
|
|
It's Ivanova.
|
|
|
|
<li> In a way, there are several Sheridans in that dream, signifying
|
|
changes currently in the works, changes yet to come, messages
|
|
forthcoming or unrecognized. It's a very reflective dream, which will
|
|
grow clearer the deeper one gets into the show.
|
|
|
|
<li> Certainly there are some archetypes that always creep into a work
|
|
of this sort; for all we all not Jung at heart...?
|
|
|
|
<li> You'll see at least one piece of Sheridan's vision decoded before
|
|
season's end.
|
|
|
|
<li> Remember, Kosh was the one who sent those images into Sheridan's
|
|
brain, not anybody else; he was communicating useful information that
|
|
may come up down the road, but in rather symbological form.
|
|
|
|
<li> Yes, Sheridan was speaking in the Drazi's native language, trying
|
|
(without success) to get through; they're a cranky species to start
|
|
with, and this didn't help.
|
|
|
|
<li> Sheridan learned a smattering of various languages while on patrol on
|
|
the Agamemnon.
|
|
|
|
<li>@@@850607230 During the Minbari war, the Narns were selling us
|
|
weapons, so Sheridan and other Earthforce captains had to learn at
|
|
least a smattering of Narnish for purposes of negotiations.
|
|
|
|
<li> The aliens from Grail are similar to, and distant relatives of, the
|
|
streibs, but not the same, no. A closer shot would've revealed red
|
|
slitted eyes instead of the black eyes of the one in Grail.
|
|
|
|
<li> Pledging oneself to someone's side is not common, and carries great
|
|
significance. From that point onward, you are bound to that person
|
|
until your death, and you must defend that person at the cost of your
|
|
own life.
|
|
|
|
<li> Some tie-ins...remember Sheridan in "A Distant Star" saying that he
|
|
was feeling beached, abandoned? His unsureness in taking on this post,
|
|
what if it was a mistake? A number of his actions come into a clearer
|
|
light once you know he was in essence checking them all out, and putting
|
|
on a hard "I'm a nice guy" attitude.
|
|
|
|
<li> <em>Wasn't attacking the Streibs an act of war?</em><br>
|
|
The Streib saw an alliance between Earth and Minbar at that moment,
|
|
which is the LAST thing they wanted to go up against. Also, you don't
|
|
go to war at the drop of a hat just because somebody sinks or shoots
|
|
down one of your ships. This is one of the cliches in storytelling.
|
|
And what the Streibs were doing was totally unjustifiable in any event.
|
|
Do you gear up for the massive hassle of total war -- supply lines,
|
|
fleets, all the rest -- because of this incident? Remember, the purpose
|
|
of the ship was to find races weak enough for them to attack with
|
|
impunity; they don't want to go up against a force that can strike
|
|
back.
|
|
|
|
<li> I doubt we'll be seeing these guys again for a long time, if ever.
|
|
So I don't consider them on the level of certain shadows or stuff.
|
|
They came, they grabbed, we whomped.
|
|
|
|
<li> By the way, in addition to the re-appearance of Neroon, you may have
|
|
noticed that the first Grey Council member Delenn addresses is the
|
|
same one we saw in "Points of Departure."
|
|
|
|
<li> Membership in the Grey Council is usually for life; a person
|
|
can choose to leave but only under truly extraordinary circumstances
|
|
(kind of like being appointed to the Supreme Court). In Delenn's case,
|
|
though, remember that she didn't quit, she was booted out.
|
|
|
|
<li> Sheridan and the other fighters flew at a slight angle right past
|
|
the window in C&C. I don't see where the problem is in this. The
|
|
window wasn't used as a monitor, it was used as a window. The
|
|
starfuries came out of the cobra bays as the station rotated them
|
|
planet-side, they banked, and headed toward the gate, passing C&C.
|
|
|
|
<li> Ejecting would not have purchased Ramirez's life because when the
|
|
system came back on line with its analysis, it announced that the
|
|
radiation was "already at terminal levels." From the instant he
|
|
heard that, he was a dead man waiting to stop moving. He could've
|
|
sent the ship back, risking a faulty autopilot...and might've died
|
|
for nothing if it encountered the *slightest* glitch en route.
|
|
|
|
<li> One of the themes in this show is how you face life...and how you
|
|
face death. Ramirez faced his honorably. In the end, honor and
|
|
dignity are all we have left.
|
|
|
|
<li> If you trust Sheridan, there's no need for a lengthy report; plus,
|
|
a written report, no matter how well encrypted, can be broken or fall
|
|
into the wrong hands. The best record of a secret meeting that could
|
|
get you fired or killed is no record at ALL.
|
|
|
|
<li> Re: Kosh's voice carrying some emotion...starting at about "All Alone
|
|
in the Night," or maybe one before (memory fades), I took on the job
|
|
of directing the voice sessions for Kosh. He was moving from a neutral
|
|
delivery to things that had to carry specific emotions and implications
|
|
for the future, and nobody else knows what all this stuff means, so it
|
|
fell to me.
|
|
|
|
<li> Also, I noted somewhere in a preview for upcoming episodes, among the
|
|
things coming, "conspiracies of light as well as dark." Perhaps that
|
|
is now clearer.
|
|
|
|
</ul>
|