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<h2><a name="OV">Overview</a></h2>
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<blockquote><cite>
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An old friend of Garibaldi's arrives and tries to take part in a dangerous
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alien combat sport.
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A rabbi helps Ivanova come to terms with her father's death.
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</cite>
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<a href="http://us.imdb.com/M/person-exact?+Bikel,+Theodore">Theodore Bikel</a> as Rabbi Koslov.
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<a href="http://us.imdb.com/M/person-exact?+McKinney,+Gregory">Greg McKinney</a> as Walker Smith.
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<a href="http://us.imdb.com/M/person-exact?+Oh,+Soon-Tek">Soon-Tek Oh</a> as The Muta-Do.
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<a href="http://us.imdb.com/Name?Stroud,+Don+(I)">Don Stroud</a> as Caliban.
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</blockquote>
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<pre>
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Sub-genre: Drama
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<a href="/lurk/p5/intro.html">P5 rating</a>: <a href="/lurk/p5/014">6.41</a>
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|
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Production number: 119
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Original air date: May 25, 1994
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<a href="http://www.amazon.com/exec/obidos/ASIN/B00006HAZ4/thelurkersguidet">DVD release date</a>: November 5, 2002
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|
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Written by Larry DiTillio
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Directed by John Flynn
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</pre>
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<p>
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<hr size=3>
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<p>
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|
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<h2><a name="BP">Backplot</a></h2>
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<ul>
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<li>
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Ivanova's brother Ganya was killed in the Earth-Minbari war a year after her
|
|
mother committed suicide.
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</ul>
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<h2><a name="UQ">Unanswered Questions</a></h2>
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<h2><a name="AN">Analysis</a></h2>
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|
<ul>
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<li>
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|
The fact that aliens of several races -- including a Centauri -- all seemed
|
|
to agree that humans had no business fighting in the Mutai seems to indicate
|
|
that there is a lot of resentment toward humans among the other races, enough
|
|
that they see the distinction between humans and themselves as much greater
|
|
than the distinctions between each other.
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</ul>
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|
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<h2><a name="NO">Notes</a></h2>
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<ul>
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<li> Walker Smith was the real name of famed boxer
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|
<a href="http://www.ibhof.com/robinson.htm">Sugar Ray Robinson</a>.
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<li>@@@908906455 Guest star Greg McKinney died on April 12, 1998.
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|
Coincidentally, Sugar Ray Robinson died on April 12, 1989.
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</ul>
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|
|
|
<h2><a name="JS">jms speaks</a></h2>
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|
<ul>
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|
<li>
|
|
At one point, there was a discussion in the scene about the whole
|
|
gills/scales/fins issue, to define kosher...but it *really* brought the
|
|
scene to a screaming standstill, and we needed to concentrate on the
|
|
relationships at that moment. In addition, as we looked at it, you would
|
|
have to get into the question of how alien gills/scales/fins compare to
|
|
earthly gills/scales/fins, because they're going to be very different in
|
|
many ways. In short order it became a massive Talmudic discussion, and
|
|
we only have an hour for the show....
|
|
|
|
<p>
|
|
<li>
|
|
Babylon 5 (the show) got not a dime for sticking in the
|
|
<a href="http://www.zima.com/">Zima</a>
|
|
sign. We just thought...well, it'd be funny.
|
|
|
|
<p>
|
|
<li>
|
|
Yes, slappers = skin tabs, for introducing medication. The ones in
|
|
TKO had been stolen from B5 medsupplies.
|
|
|
|
<p>
|
|
<li>
|
|
Through a miscommunication, Warners thought TKO was in the slot in which
|
|
we'd placed Quality [of Mercy], so that went out to TV Guide, and it's now
|
|
too late to change the order back. Doesn't matter; neither are really
|
|
arc-stories, though it was hoped to hold back some of Susan's development in
|
|
TKO just a tad longer.
|
|
|
|
<p>
|
|
<li>
|
|
It was Larry's idea to name the character Walker Smith, after Sugar
|
|
Ray Robinson.
|
|
|
|
<p>
|
|
<li>
|
|
If the deceased has been dead for quite a while, the period during
|
|
which one must sit shiva is greatly reduced to a day or so, I'm told.
|
|
|
|
<p>
|
|
<li>
|
|
Larry wrote the shiva stuff all on his lonesome. As for being an
|
|
abbreviated version...apparently shiva lasts 3 days for someone
|
|
recently deceased. If it's been months since the death, the service
|
|
is usually much shorter, and again, there was only Ivanova and Koslov
|
|
who actually were part of or knew the deceased.
|
|
|
|
<p>
|
|
<li>
|
|
I'm told that shiva need not last 7 full days, if the death was not
|
|
recent, and if the body has already been buried.
|
|
|
|
<p>
|
|
<li>
|
|
Now, on the samovar issue...whatever your background, if your family
|
|
grew up in Russia and has been there for several hundred years or
|
|
more -- and the Ivanov family has been there since at LEAST the 1800s
|
|
-- you do become part of the culture. That, as I always understood
|
|
it, was part of the reason for making sure children learned hebrew,
|
|
yiddish *and* the dominant language of the culture, to give their
|
|
kids a fighting chance in a difficult world. It's not so much a case
|
|
of the culture assimiliating the individual (though certainly that
|
|
happens as well), but the individual INCORPORATING the culture.
|
|
|
|
<p>
|
|
Ivanova is jewish. Ivanova is russian. Of the two, she tends to see
|
|
herself as a russian first. There's no value statement there, that's
|
|
just the way she is. Her parents were both russian, going back many
|
|
generations on both sides. Some in her family tree were jewish, and
|
|
some were not; there was some intermarrying. That may be part of why
|
|
she sees herself as more russian than jewish, but it may be just a
|
|
quirk.
|
|
|
|
<p>
|
|
(And to the protest of, "Well, you created her," yes, I did. But
|
|
there comes a time, if you've done your job right as a writer, when
|
|
the character more or less takes over, and starts telling YOU who and
|
|
what he or she is. There are times I mentally turn to Ivanova and
|
|
say, "Okay, what do *you* think?" And she talks to me in my head, as
|
|
do all of my characters. It's part of making your characters real.)
|
|
|
|
<p>
|
|
When she went off to boarding school overseas -- part of an ongoing
|
|
international system put into place by EarthGov to help its various
|
|
member nations get along with one another -- she identified most
|
|
strongly with that russian aspect in relation to those around her.
|
|
She learned to speak English without a perceptible accent.
|
|
|
|
<p>
|
|
The samovar is a valued and valuable part of russian life. It is the
|
|
family hearth, on one level, a possession passed on from generation to
|
|
generation. Knowing that Ivanova was not terribly religious herself,
|
|
he would generally not leave her any of his personal religious
|
|
artifacts, but would dnate them to the local synagogue, while some,
|
|
like a menorah, might go to other relatives. People who could
|
|
appreciate them and use them. The samovar is a very personal object;
|
|
to the correspondent with a fiance who is russian...*I* am byeloruss,
|
|
white-russian, one-and-a-half generation American born. And I can
|
|
tell you that the biggest fights I've ever seen over bequeaths were
|
|
over a) money, and b) the samovar.
|
|
|
|
<p>
|
|
The problem with this discussion is that it has very little to do
|
|
with who Susan Ivanova *is*, and more to do with the politics of what
|
|
a russian or a jew or a russian jew *should be*. She is what she is,
|
|
like it or not.
|
|
|
|
<p>
|
|
<li>@@@846702423
|
|
"The remark: '...pouting in that way that only 13 can...'"
|
|
<p>
|
|
. . . the comment is essentially correct; ain't nobody
|
|
can pout like a 13 year old.
|
|
|
|
<p>
|
|
<li>
|
|
To the problems some have with Theodore Bikell's accent not sounding
|
|
real...it's my understanding that he was raised in Russia.
|
|
<p>
|
|
Ivanova does not have an accent because she was educated overseas,
|
|
her father wanting her to have certain advantages the rest of her
|
|
family did not.
|
|
<p>
|
|
Nowhere did we say that Andrei or the rest of the Ivanov family ever
|
|
emigrated. They didn't. They live in Russia. Or lived, in any
|
|
event. Not everyone migrates to the US or to Israel, and not everyone
|
|
wants to.
|
|
<p>
|
|
On the treel/kosher discussion...I can only shrug. Nobody's ever
|
|
shown that jews go forward into the future, placed them at the heart
|
|
of a science fiction show as a regular character, nobody's shown shiva
|
|
before in (and possibly out of) an SF series...and some folks are
|
|
complaining that not every aspect of a treel's kosher-ness was
|
|
discussed at dinnertime.
|
|
<p>
|
|
Some days, you just can't win....
|
|
<p>
|
|
Feh.
|
|
|
|
<p>
|
|
<li>
|
|
<em>What was that Harlan Ellison book Ivanova was reading?</em><br>
|
|
The book is Harlan's autobiography, which he plans to write around
|
|
the year 2000, and yes, that's his photo. (He borrowed the prop when we
|
|
were finished and casually carried it with him to a few places, just to
|
|
make people nuts thinking there was a book out they'd missed....)
|
|
|
|
<p>
|
|
<li>
|
|
[Posted 28 May 1994] BTW, there's an interesting couple of articles
|
|
about this episode in this week's Jewish Journal, for another
|
|
perspective on the show.
|
|
|
|
<p>
|
|
<li>
|
|
<em>Channel 4 in the UK didn't show "TKO" during the initial run</em><br>
|
|
TKO's main importance is to the Ivanova arc, as she finally comes to
|
|
terms with her father's death. Do I have an opinion on C4's decision
|
|
not to show TKO?
|
|
<p>
|
|
Absolutely.
|
|
|
|
<p>
|
|
<li>
|
|
If the problem is showing bare-kunckle fighting to the death, then
|
|
somebody should point out to C4 that *nobody dies* in the match.
|
|
|
|
<p>
|
|
<li>
|
|
The Mutari are those who fight in the Mutai; and you *did* see Narns
|
|
and Centauri and others hanging around the ring. The only ones you
|
|
won't see there are Minbari. It ain't their thing.
|
|
|
|
<p>
|
|
<li>
|
|
As I've noted before, over the long haul, as you watch episodes, you
|
|
will see things you didn't see before. Sometimes they're clues, and
|
|
sometimes they're comments which now read a different way than they
|
|
did the first time you saw them. There's been a number of the latter
|
|
very subtly sprinkled through the episodes aired so far...lines that
|
|
everyone jumped on as meaning one thing, but which will mean something
|
|
else, and lines which nobody thought much of the first time out...but
|
|
which will elicit a wince of irony later on.
|
|
|
|
<p>
|
|
There's a corker in "TKO," but at the moment, it's absolutely
|
|
invisible. It's not a clue, it's not necessary for the story, it's
|
|
just one of those things that, after you've seen all the rest of this
|
|
season's episodes, you will go "Ouch," when you see it next.
|
|
|
|
<p>
|
|
<li>
|
|
Actually, the idea of Zima lasting even into 1995 is hysterical. I
|
|
keep fighting the urge to have some guy show up on B5, "Zo then I
|
|
zays to him, nize ztation"...and five Narns just jump on him and beat
|
|
the shit out of him, WHAMWHAMWHAMWHAMWHAM!
|
|
|
|
<p>
|
|
<li>
|
|
We've killed off all of Ivanova's close family, yes. Maybe some
|
|
cousins are left, but that's about it.
|
|
|
|
<p>
|
|
<li>
|
|
There's a Billy Joel song, where one particular lyric (and I'm quoting
|
|
from memory) says, "You still have a pain inside you / That you carry
|
|
with a certain pride / It's the only part / Of a broken heart / You
|
|
could ever save." That's Ivanova.
|
|
|
|
<p>
|
|
She's had her heart stomped on a lot. And she's been holding it in.
|
|
Even with her father's death, she sucked in the pain, fought back the
|
|
tears. There is one episode, which will be right at the end of the
|
|
year, where she finds she can't run from her pain anymore...can't run
|
|
from the tears...and deals with them in a scene that's very moving
|
|
and absolutely brings tears to the eyes.
|
|
|
|
</ul>
|