|
<h2><a name="OV">Overview</a></h2>
|
|
|
|
<blockquote><cite>
|
|
A violent attack on a Minbari poet rocks B5 and leaves
|
|
Sinclair scrambling to flush out a vicious pro-Earth group. Two star-crossed
|
|
young Centauri lovers seek Londo's protection. Ivanova is shaken
|
|
when a man from her past arrives at the outpost.
|
|
</cite>
|
|
|
|
<a href="http://us.imdb.com/M/person-exact?+Grahn,+Nancy">Nancy Lee Grahn</a> as Shaal Mayan.
|
|
<a href="http://us.imdb.com/M/person-exact?+McKellar,+Danica">Danica McKellar</a> as Aria Tensus.
|
|
<a href="http://us.imdb.com/M/person-exact?+Eastman,+Rodney">Rodney Eastman</a> as Kiron Maray.
|
|
<a href="http://us.imdb.com/M/person-exact?+Rogers,+Tristan">Tristan Rogers</a> as Malcolm Biggs.
|
|
<a href="http://us.imdb.com/M/person-exact?+Chan,+Michael+Paul">Michael Paul Chan</a> as Roberts.
|
|
</blockquote>
|
|
|
|
<pre>
|
|
Sub-genre: Suspense
|
|
<a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/007">6.82</a>
|
|
|
|
Production number: 107
|
|
Original air date: March 9, 1994
|
|
<a href="http://www.amazon.com/exec/obidos/ASIN/B00006HAZ4/thelurkersguidet">DVD release date</a>: November 5, 2002
|
|
|
|
Written by D. C. Fontana
|
|
Directed by Richard Compton
|
|
</pre>
|
|
|
|
<p>
|
|
<hr size=3>
|
|
<p>
|
|
|
|
<H2><A NAME="BP">Backplot</A></H2>
|
|
|
|
<ul>
|
|
|
|
<li> <A NAME="BP:1">The Homeguard,</A> a radical pro-Earth group, has
|
|
wide support among humans, and is growing in popularity back on
|
|
Earth.
|
|
|
|
<li> <A NAME="BP:2">Shaal Mayan</A> is a renowned Minbari poet. "I
|
|
create and perform Tee'la," she says: "poem songs that attempt to
|
|
recall old memories and prompt new ideas."
|
|
|
|
<li> <A NAME="BP:3">The only two human beings</A> ever to have direct
|
|
contact with a Vorlon have since been transferred to Earth -
|
|
Dr. Kyle to work closely with the president
|
|
(cf "<A HREF="004.html">Infection</A>"), and the telepath Lyta
|
|
Alexander just a week later. Neither of them shared their
|
|
experiences with anyone on the station. (cf <A HREF="000.html">"The
|
|
Gathering"</A>)
|
|
|
|
<li> <A NAME="BP:4">Londo</A> has <A HREF="#AN:3">three wives</A>, all
|
|
of them arranged marriages, all of them "great sacrifices." "They
|
|
inspire me! Knowing that they are waiting at home for me is what
|
|
keeps me here, <A HREF="#JS">75 light years away.</A>"
|
|
|
|
<li> <A NAME="BP:5">Ivanova</A> used to be involved with a fellow named
|
|
<A HREF="#AN:6"> Malcolm Biggs</A>, but left him when she enlisted
|
|
in Earth Force 8 years ago.
|
|
|
|
<li> <A NAME="BP:6">More insight into Londo's personality and Minbari
|
|
beliefs:</A><br>
|
|
<B>Mayan:</B> Ambassador, you should listen to the girl. We
|
|
Minbari consider love to be a most potent force for healing. She
|
|
cares deeply for him. Such feelings can turn the tide when all
|
|
else fails.<br>
|
|
<B>Londo:</B> Oh I see. And if he dies, despite this great power
|
|
of lo-<br>
|
|
<B>Mayan:</B> <I>If he dies,</I> she will suffer enormous grief,
|
|
but every moment together will make her grief a little less.<br>
|
|
<B>Londo:</B> I would expect such logic from a poet. What can a
|
|
Minbari know about Centauri feeling?<br>
|
|
<B>Mayan:</B> Ambassador, I have traveled far and seen much. And
|
|
what I have seen tells me that all sentient beings are defined by
|
|
their capacity and need for love.<br>
|
|
<B>Londo:</B> And she will learn to live without it!<br>
|
|
<B>Mayan:</B> As you did?<br>
|
|
<li> <A NAME="BP:7">[later...]</A><br>
|
|
<B>Vir:</B> Kiron may die because our "glorious" tradition values
|
|
wealth and power over <I>love.</I><br>
|
|
<B>Londo:</B> My shoes are too tight.<br>
|
|
<B>Vir:</B> Excuse me?<br>
|
|
<B>Londo:</B> Something my father said. He was old, very old at
|
|
the time. I went into his room, and he was sitting alone in the
|
|
dark, crying. So I asked him what was wrong, and he said, "My
|
|
shoes are too tight, but it doesn't matter, because I have
|
|
forgotten how to dance." I never understood what that meant until
|
|
now. <I>My</I> shoes are too tight, and I have forgotten how to
|
|
dance.
|
|
|
|
</ul>
|
|
|
|
<H2><A NAME="UQ">Unanswered Questions</A></H2>
|
|
|
|
<ul>
|
|
|
|
<li> <A NAME="UQ:1">The black light camouflage suits</A> worn by the
|
|
Homeguard henchmen were developed by Earth Force; friends of
|
|
<A HREF="#AN:6">Malcolm's</A> procured some prototypes for them.
|
|
Is a faction of Earth Force actually backing the Homeguard for its
|
|
own reasons?
|
|
|
|
<li> <A NAME="UQ:2">Londo</A> seems to have had a troubled childhood
|
|
(see <A HREF="#BP:7"> Backplot</A>). What happened that he's so
|
|
aggressive and melancholy? None of the other Centauri seem
|
|
particularly so.
|
|
|
|
<li> <A NAME="UQ:3">Why is Kosh studying human history,</A> as
|
|
<A HREF="#NO:4">Sinclair's conversation with him</A> appears to
|
|
reveal, especially when he says "We have no interest in the affairs
|
|
of others?" Perhaps for some reason Kosh does not consider humans
|
|
"others." Or perhaps by "affairs" he meant the passing events of
|
|
the day, as compared to the millennia of a civilization.
|
|
|
|
</ul>
|
|
|
|
<H2><A NAME="AN">Analysis</A></H2>
|
|
|
|
<ul>
|
|
|
|
<li> <A NAME="AN:1">The Homeguard sign</A> branded onto Shaal Mayan's
|
|
forehead is a combination of male and female symbols from ancient
|
|
Greek mythos. Perhaps it's a contemporary symbol for humankind.
|
|
|
|
<li> <A NAME="AN:2">Vir</A> passed himself off as the Centauri
|
|
ambassador in letters to his cousins, and later
|
|
<A HREF="#BP:7">rebukes</A> Londo to his face about his decision on
|
|
the matter. This is quite bold compared to the quavering fop he's
|
|
been before.
|
|
|
|
<li> <A NAME="AN:3">Londo's nicknames for his wives</A> are "Pestilence,
|
|
Famine, and Death" - three of the four horsemen of the apocalypse
|
|
from ancient Christian mythos. Who is the fourth horseman War?
|
|
Perhaps Londo himself.
|
|
|
|
<li> <A NAME="AN:4" HREF="#NO:4">Talking to Kosh</A> about the
|
|
attacks on non-humans, Sinclair breaks off right after asking him
|
|
to "lend a hand." Not long later Sinclair wonders aloud to Ivanova
|
|
how an assassin had managed to poison Kosh on the "hand,"
|
|
<I>through</I> his encounter suit. (cf <A HREF="000.html">"The
|
|
Gathering"</A>)
|
|
|
|
<li> <A NAME="AN:5">Sinclair was brusque and callous</A> to Delenn and
|
|
the Abbai agricultural representative at the diplomatic reception.
|
|
He also declared to the assembled Council that the hate-crime
|
|
investigation was closed, offering neither arrests nor evidence of
|
|
safety. This was part of his ruse to win the Homeguard's trust,
|
|
but he may still have injured his reputation with other races.
|
|
|
|
<li> <A NAME="AN:6">The Homeguard plot</A> on the station was,
|
|
according to its leader Malcolm Biggs, part of a much bigger plot
|
|
to kill prominent aliens all over the Earth Alliance.
|
|
|
|
<li> <A NAME="AN:7">Black light camouflage</A> is a similar technology
|
|
to the chameleon net the assassin used in <A HREF="000.html">"The
|
|
Gathering."</A> However, it requires an entire body-suit and only
|
|
works while the user is motionless. No mention was made of what
|
|
was done with the four suits captured with the Homeguard henchmen -
|
|
Garibaldi may have stashed them away somewhere. And it's unlikely
|
|
that those were the only four suits in existence; perhaps the
|
|
technology will be seen again (cf.
|
|
<a href="020.html#AN:inv">"Babylon Squared"</a>.)
|
|
|
|
</ul>
|
|
|
|
<H2><A NAME="NO">Notes</A></H2>
|
|
|
|
<ul>
|
|
|
|
<li> <A NAME="NO:1">Mayan,</A> a childhood friend of Delenn's, arrived
|
|
on the station on a tour of other worlds. Earth was to have been
|
|
her next stop.
|
|
|
|
<li> <A NAME="NO:2"><B>Mayan</B></A> (of her attacker): "All I could see
|
|
was a shadow. It was a shadow, that is all I know."<br>
|
|
(cf <A HREF="013.html">"Signs and Portents"</A>, perhaps?)
|
|
|
|
<li> <A NAME="NO:3">Ivanova</A> is illegally growing coffee in the
|
|
station hydroponics area.
|
|
|
|
<li> <A NAME="NO:4">Kosh speaks.</A><br>
|
|
[...]<br>
|
|
<B>Sinclair:</B> Meanwhile it might be
|
|
helpful if you spoke with the other ambassadors.<br>
|
|
<B>Kosh:</B> We take no interest in the affairs of others.<br>
|
|
<B>Sinclair:</B> Well I hope you'll reconsider. If you could give
|
|
us a hand, we -<br>
|
|
<B>Kosh:</B> Yes?<br>
|
|
<B>Sinclair:</B> Nothing. We'll respect your wishes. [pause]<br>
|
|
That's quite a viewer. I've never seen anything like it before.
|
|
What is it?<br>
|
|
<B>Kosh:</B> Efficient.<br>
|
|
<B>Sinclair:</B> Those are images from my world. If I may ask, what
|
|
are you -<br>
|
|
<B>Kosh:</B> I am studying.<br>
|
|
<B>Sinclair:</B> Studying what?<br>
|
|
<B>Kosh:</B> [shuts down]
|
|
|
|
<li> <A NAME="NO:5">The images</A> on Kosh's levitating viewer were
|
|
zoom-ins on pictorial records from Earth history throughout the
|
|
span of its civilization.
|
|
|
|
</ul>
|
|
|
|
<H2><A NAME="JS">jms speaks</A></H2>
|
|
|
|
<ul>
|
|
|
|
<li> Correct; the title of "The War Prayer" is a nod to
|
|
<a href="/lurk/making/warprayer.html">Twain's piece of
|
|
the same name</a>,
|
|
which should be read by *everyone*. Given the growing
|
|
problems with illiteracy, I try to refer not to pop society so much, as
|
|
to literature...Tennyson, Twain, even writers whose last names don't
|
|
begin with T.
|
|
|
|
<p>
|
|
<li> Of course, you're assuming that a Centauri year is the same as our
|
|
year. The speed of light is constant...but defined by us by our own
|
|
12-month year. For instance, in one episode, we mention that B5 is 12
|
|
of our light years from the Narn homeworld, which is equal to about 10
|
|
of their years.
|
|
|
|
<p>
|
|
So without knowing the Centauri year, the figures are faulty.
|
|
|
|
<p>
|
|
<li> For those out there who still think the skin tab getting through Kosh's
|
|
encounter suit was an error...we're going to be dealing with that,
|
|
and some other interesting threads in [this] episode. Sinclair
|
|
comments on the whole question of how the poison ever got into
|
|
him...and notes how curious it is that, within weeks of that
|
|
incident, Dr. Kyle was transferred back to Earth to work directly
|
|
with the Earth Alliance President on matters of alien immigration,
|
|
and Lyta Alexander was similarly transferred a week or so after that.
|
|
The only two people to have personal knowledge of a Vorlon have been
|
|
shipped off and possibly locked up.
|
|
|
|
<p>
|
|
<li> By the way...on the Kosh poisoning thread, which was originally to
|
|
be discussed in "Parliament"...we ended up about 3 minutes long on
|
|
"Parliament," and three minutes short on D.C. Fontana's "War Prayer."
|
|
So we lifted that scene and inserted it into her episode, doing a
|
|
small bit of ADR to facilitate the move. It's now quite seamless.
|
|
|
|
<p>
|
|
<li> <em>Why was Delenn unfamiliar with poetry in
|
|
<a href="000.html">"The Gathering?"</a></em><br>
|
|
For the Minbari, it's tee'la, which is a kind of poem-song, sort of.
|
|
Delenn was mainly just unfamiliar with the term.
|
|
|
|
<p>
|
|
<li> Y'know...it's a funny old world. And sometimes it just astonishes
|
|
you.
|
|
|
|
<p>
|
|
About 2 months ago, one of our freelancers turned in a script that
|
|
has to do with a hate group, in the course of which a guest character
|
|
-- a Minbari -- is attacked and has her head branded with the symbol
|
|
of the group.
|
|
|
|
<p>
|
|
So you will doubtless understand my astonishment when I turned on
|
|
DS9 and saw the same thing happen.
|
|
|
|
<p>
|
|
Unfortunately, we've already shot that episode, it's in the can, so
|
|
ther nothing we can do about it now. Further -- and let me be
|
|
totally clear about this -- there's no way that DS9 could've borrowed
|
|
the idea from us, or in any way been influence by us, and no way we
|
|
could've been influenced by them. To get on the air now, they
|
|
would've had to shoot their episode some time before the writer
|
|
turned in that draft for our show. And none of us were in any way
|
|
aware of what was going on there until we saw it the night of the
|
|
broadcast...and came in the next day with looks of absolute shock.
|
|
|
|
<p>
|
|
These things do happen...and when you're dealing with similar general
|
|
areas -- humans vs. aliens, or one alien group vs. another alien
|
|
group -- then something like this becomes inevitable. And given the
|
|
foreheads on Ferengi, and the foreheads on Minbari, the obviousness
|
|
of that target becomes clear. Still, it's amazing when it happens.
|
|
And I guess I just wanted it to be clear when this thing airs that
|
|
the sequence in our show was in the can and done when the DS9 episode
|
|
aired.
|
|
|
|
<p>
|
|
<li> We're in discussions to see if there's any way we can cut this from
|
|
the show...the only problem is that the brand stays on throughout the
|
|
show. If it were just in one shot, we'd cut the shot and find some
|
|
other way around it. The only way we can lose it now would be if we
|
|
literally wiped off the brand by going into every frame in which it
|
|
appears and digitally removing it from the frame...which is a *real*
|
|
pain in the butt...but we are considering it.
|
|
|
|
<p>
|
|
<li> The points made above are essentially correct; the brand goes on in
|
|
the very top of the show, in the teaser, and stay on throughout the
|
|
episode...and part of the story is dealing with this, and what it
|
|
means. An offer is made to remove it, but the victim decides *not*
|
|
to have it removed, because there are lessons in these things...and
|
|
it becomes almost a badge of defiance.
|
|
|
|
<p>
|
|
In addition to the notes here, I've received a whole bunch of email
|
|
notes saying to leave it in, on the grounds that it *does* happen in
|
|
real life (or incidents close to it), and how we're handling it *is*
|
|
very different. (Some indicated that it can illustrate how the two
|
|
hows handle their themes in different ways.) So it's a tough call
|
|
...to change would also mean some re-shooting...but given the
|
|
responses here, I think it's okay to leave it in place.
|
|
|
|
<p>
|
|
File this one away the next time someone asks, "What sort of ways has
|
|
the BBS discussion actually affected Babylon 5?"
|
|
|
|
<p>
|
|
<li> There is some limited life within the garden...some birds (which you
|
|
can hear sometimes), and insects, and the like. (In one shot you
|
|
can see an insect fly off one of our actors. Yeah, sure, like we
|
|
planned that....) It's generally one season in the Garden, and
|
|
plants requiringvariation are raised in a separate hydroponics
|
|
area, such as the orchard (seen in "War Prayer").
|
|
|
|
<p>
|
|
<li> Lennier is not in the cargo area during the beating, nor is he in BG
|
|
during the negotiations. That's a Minbari of the worker class. (You
|
|
can generally tell from the orange-ish smock-thingie they wear.)
|
|
Sorry.
|
|
|
|
</ul>
|
|
|
|
<HR>
|
|
Originally compiled by Matthew Ryan <i>mattryan@pobox.com</i>
|