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<h2><a name="OV">Overview</a></h2>
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<blockquote><cite>
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Londo's career is in jeopardy when a beautiful slave seduces him and steals
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a sensitive computer file. Garibaldi investigates an unauthorized use of
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a restricted communications channel.
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</cite>
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<a href="http://us.imdb.com/M/person-exact?+Udenio,+Fabiana">Fabiana Udenio</a> as Adira Tyree.
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<a href="http://us.imdb.com/M/person-exact?+Revill,+Clive">Clive Revill</a> as Trakis.
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<a href="http://us.imdb.com/M/person-exact?+Phalen,+Robert">Robert Phalen</a> as Andrei Ivanov.
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</blockquote>
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<pre><a href="/lurk/p5/intro.html">P5 Rating</a>: <a href="/lurk/p5/003">6.79</a>
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Production number: 104
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Original air date: February 9, 1994
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<a href="http://www.amazon.com/exec/obidos/ASIN/B00006HAZ4/thelurkersguidet">DVD release date</a>: November 5, 2002
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Written by Larry DiTillio
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Directed by Bruce Seth Green
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</pre>
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<p>
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<hr size=3>
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<p>
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<H2><A NAME="BP">Backplot</A></H2>
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<ul>
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<li> <A NAME="BP:1">Trakis: "Do you know why a drunken fool like
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Mollari</A>
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has the power he does? Because his family has been collecting
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dirt on other families for years, like all the 'noble' houses of
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the Centauri republic."
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<li> <A NAME="BP:2">Londo: "We Centauri live our lives for appearances:</A>
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position, status, title. These are the things by which we
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define ourselves. But when I look beneath the mask I am forced
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to wear, I see only emptiness."
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<li> <A NAME="BP:3">Centauri law permits individuals to own Centauri</A>
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slaves. Owners are legally responsible for the actions of their
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slaves. This appears to be a slave system of economics rather
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|
than of caste. According to Trakis, powerlessness and slavery
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is the fate of all Centauri who don't play the game of blackmail
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and backstabbing.
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</ul>
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<H2><A NAME="UQ">Unanswered Questions</A></H2>
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<ul>
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<li> What was the Euphrates treaty compromise that Sinclair forced Londo
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to accept?
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</ul>
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<H2><A NAME="AN">Analysis</A></H2>
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<ul>
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<li> <A NAME="AN:1">Londo and G'Kar agree over a drink that females are</A>
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the finest of all things in life. They are much more friendly
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with each other now than when last we saw them (cf:
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<A HREF="001.html#AN:1">"Midnight on the Firing Line"</A>). The
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Narn must have been very pacifying in the meantime.
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<li> <A NAME="AN:2">Intense anger from a couple nearby people is enough</A>
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to send Talia away for a breather.
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<li> <A NAME="AN:3">Londo agrees to Sinclair's compromise on the
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Euphrates</A>
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treaty in exchange for his personal help recovering the purple
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files. However, this should not be taken as another example of
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Londo putting personal concerns above state concerns. In a
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profoundly blackmailable culture like the Centauri, power lost
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by one individual or family would always be gained by another.
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But if an outsider were to get hold of a treasure trove like
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Londo's purple files, all of Centauri would be diminished.
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There is an interesting parallel here to the Minbari concern for
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souls (cf: <A HREF="002.html#AN:2:2">"Soul Hunter"</A>).
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<li> <A NAME="AN:4">Ivanova's brother was killed in the Earth/Minbari
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war,</A>
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her mother committed suicide
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(cf: <A HREF="001.html#BP:6">"Midnight on the Firing Line"</A>),
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and she's been estranged from her father for years. Thus it's
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unsurprising she's so hard-edged.
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<li> <A NAME="AN:5">Talia is willing to skirt Psi Corps regulations
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when</A>
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a life is at stake (though she has no concern for Londo's
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career). The Psi Corps' hold on remote psis appears to be
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pretty weak.
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<li>@@@884630840 When she was approached about the plan, Talia asked
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Sinclair if Londo was serious about a woman's life being at stake.
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Shouldn't she have sensed Londo's distress? Strong emotions are
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difficult to block out, she says
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|
(<a href="006.html">"Mind War,"</a>)
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and with Adira's life and his career at stake, Londo would presumably
|
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be quite anxious. Of course, she may have sensed the anxiety but not
|
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its reason.
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<li> <A NAME="AN:6">Ivanova is willing to skirt EA regulations for</A>
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personal perks. (cf: <A HREF="007.html">"War Prayer"</A>)
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<li> <A NAME="AN:7">When G'Kar meets with Trakis to exchange the</A>
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information, Trakis says to him, "You said nothing about a
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telepath." From this it is clear that G'Kar was the one who
|
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contacted Trakis. However, Trakis knew through the bug he
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planted on Londo that Sinclair was onto him. So, Sinclair must
|
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have set up G'Kar's call to Trakis in such a way that it
|
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wouldn't arouse his suspicions.
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<li> <A NAME="AN:8">Telepath-aided negotiation must make future
|
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diplomacy</A>
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much different than it is now. No posturing, tailored versions
|
|
of the situation back home, empty threats, or hidden agendas.
|
|
Parties have the same freedom to make choices for their
|
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governments, but there are vanishingly few tactics left to gain
|
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more advantage over one's adversary than one already has.
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</ul>
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<H2><A NAME="NO">Notes</A></H2>
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<ul>
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<li> <a name="NO:purple">The episode's title</a> is a term dating back
|
|
to Roman times, still in use in Britain. Roman senators in the days
|
|
of the Republic wore purple edged togas as a symbol of royalty,
|
|
since purple dye was very expensive. Today,
|
|
members of the House of Lords wear purple robes for state occasions.
|
|
When someone is made a peer in the UK they are said to have been
|
|
"raised to the purple."
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Hereditary peers are "born to the purple". Perhaps
|
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this implies that the purple files are so named because
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they are what keeps Londo's family in its preeminent position.
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<li> <A NAME="NO:1">G'Kar glances no less than four times at the human</A>
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dancer behind him when he and Sinclair first confront Londo
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about the treaty.
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<li> <A NAME="NO:2">Babylon 5 communications has a priority "Gold
|
|
Channel"</A>
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reserved for emergency communications. Sinclair's express
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|
permission is required to use it, and its existence is known
|
|
only to the ambassadors and senior officers.
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<li> <A NAME="NO:3">Londo's family heirloom, from the earliest days of
|
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the</A>
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Empire, is a stylized eye-and-teardrop.
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<li> <A NAME="NO:4">Universe Today main headline:</A> Homeguard Leader
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Convicted
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<li> <A NAME="NO:5">"Fresh Air" is the finest restaurant on Babylon 5.</A>
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<li> <A NAME="NO:6">Talia used to work for the "Political Bureau".</A>
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<li> <A NAME="NO:7">"I like to know all there is about Babylon 5,"</A>
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Sinclair says, "and Garibaldi's files are very thorough."
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<li> <A NAME="NO:8">Ivanova appears to wear only one earring, though
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it's</A>
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hard to tell since throughout the episode we get no more than a
|
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glimpse of the right side of her head.
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|
|
</ul>
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<H2><A NAME="JS">jms speaks</A></H2>
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|
|
<ul>
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<li> We're currently finishing up production on "Born to the Purple,"
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with Clive Revell and Fabiana Udeno. It's a very offbeat and funny
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story (by Larry DiTillio, natch) which adds a new side to Londo's
|
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character. It puts our characters into different situations than we're
|
|
used to, and it's fun seeing how they react to these new conditions.
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<p>
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<li> Trakis, Adira's owner, was not a Centauri, but (and this is something we
|
|
may bring up at some point down the road), was at one point a Centauri slave.
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|
<p>
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<li> Re: Londo as a romantic character...bless your heart. You are the
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|
first to have nailed it absolutely on the head. If I had to write a
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|
description of the character, I doubt I could have done any better
|
|
than what you just wrote. There are a *lot* of episodes that bring
|
|
this out in him, including the next one up, "Born to the Purple,"
|
|
which I suspect will end virtually all of the hair jokes once and
|
|
for all.
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|
<p>
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Anyway...yes, and thank you, that's it *precisely*.
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|
<p>
|
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<li> Let's just say for now that you'll learn something very unusual about
|
|
Centauri "intimacy" in "The Quality of Mercy."
|
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<p>
|
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<li> Fabiana didn't shave her head to play Adira; that's a prosthetic head
|
|
piece. Ditto with all our Centauri women. (Funnily enough, the one
|
|
time we DID have a bald woman as a background extra, those not in the
|
|
know on stage kept commenting on how fake the bald-cap looked....)
|
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|
<p>
|
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<li> The point you raise is exactly correct; which is why we've set up
|
|
the Psi Corps in such a way as to *prevent* them from becoming a deus
|
|
ex machina all the time. This is what's always bothered me about the
|
|
way "empaths" are treated on ST; it's a terrible invasion of privacy.
|
|
The Psi Corps has strict rules about who can and can't be scanned,
|
|
and under what conditions. In "Purple," she couldn't just go scan
|
|
Trakis; she had to be hired, had to be already engaged in a business
|
|
capacity, and had to find it *only* in surface thoughts, no deliberate
|
|
poking. And this is the ONLY -- repeat, the ONLY -- time this is
|
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done in the entire season, aside from the accidental run-in with Londo
|
|
in the pilot episode.
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|
<p>
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We'll get deeper into the rules and regs of the Psi Corps as we go,
|
|
further establishing that there's a lot they're expressly forbidden
|
|
from doing by law.
|
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|
|
<p>
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<li> I confess I don't see the problem. In real life, some women are
|
|
scientists, and doctors, and atheletes...and some women dance in
|
|
bars, some women hook part- or full-time. Some men are scholars and
|
|
diplomats and teachers...and some men are gigolos and thieves and
|
|
*also* dance in bars. Where exactly is the problem in portraying
|
|
both sides of this? Have we become so concerned with being
|
|
politically correct that we can not show a legitimate part of human
|
|
existence?
|
|
|
|
<p>
|
|
B5 has all kinds, and both sides of all kinds. Male and female,
|
|
equally. I "chose" exotic dancers for a kind of sleazy, not-entirely
|
|
legitimate operation, a backroom club. What would one *expect* to
|
|
find there? Opera singers? You look at the situation, and you choose
|
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what is *appropriate to the situation*.
|
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|
|
<p>
|
|
I would also point out that the dancers didn't "eagerly rush forward
|
|
to betray their friend." Londo was trying to find Adira in hopes of
|
|
helping her. He didn't say he was going to do anything bad to her,
|
|
and he was probably known to more than a few of them. He was simply
|
|
trying to find her. The coin was an added incentive. Back when I
|
|
was an investigative reporter, I did some research on strip joints
|
|
while I was living in SAn Diego. Spent a LOT of time talking to nude
|
|
dancers (when they had their clothes on, I hasten to add). And 99.9%
|
|
of them had a rule: you want to ask questions, you pay. That simple.
|
|
That's how this stuff *works*. My job is to keep the B5 reality as
|
|
close as possible to our reality in that respect.
|
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|
|
<p>
|
|
Some of them probably wanted to help, knowing Londo was okay. Some
|
|
probably didn't care. And some probably would've betrayed her at the
|
|
tip of a coin. Life's like that. So again, where in this is the
|
|
problem?
|
|
|
|
<p>
|
|
<li> Re: the club owner recognizing Sinclair (or not)...this is something
|
|
we discussed. Can Sinclair go places in the station and not be
|
|
recognized? In some cases, no. In a place like the Dark Star, maybe
|
|
so; this isn't the kind of place he generally hangs out in. It's a
|
|
question of how much day-to-day interaction somebody would have with
|
|
him. Yes, he's an important figure; but I'm not sure if I'd
|
|
immediately recognize L.A. Mayor Richard Riordan at first glance,
|
|
particularly in different style of dress, in an unusual location.
|
|
We're *not* going to do it a lot -- just once this season -- but we
|
|
thought it was a reasonable approach.
|
|
|
|
<p>
|
|
<li> This was a bit cut from the script for time; Gold Channels are ONLY
|
|
for official use, they're high-priority channels that can go anywhere
|
|
back on Earth. Commercial communications are less reliable and only
|
|
have a few channels available; you've got to wait for a call to go
|
|
through. To use a Gold Channel for personal communications is a
|
|
No-No.
|
|
|
|
<p>
|
|
<li> Regarding Ivanova...it's not really an attempt to pull at heart
|
|
strings, as it is to establish that this is someone who's had, and is
|
|
still having, a pretty rough life. It's a real roller-coaster for
|
|
her, and the way she survives it is to absolutely bottle it up
|
|
inside. She has had angst throughout her life, and she's in for more.
|
|
|
|
<p>
|
|
We start to track that in little ways that probably no one will
|
|
notice, as well as making it the occasional story point. A little
|
|
way nobody'll notice: after this episode, she starts messing with her
|
|
hair, which we'd deliberately set as extremely tight until now.
|
|
Suddenly she doesn't have someone for whom she has to be a certain
|
|
way, and she has to start finding her *own* identity, and it ain't
|
|
easy.
|
|
|
|
<p>
|
|
<li> Larry DiTillio's episodes this season are "Born to the Purple," and
|
|
"Deathwalker." He's currently working on a third, tentatively
|
|
entitled "TKO." And yes, he uses blood instead of ink...unfortunately,
|
|
it's mine.
|
|
|
|
<p>
|
|
<li> There will be both sex and romance on B5 (sometimes together,
|
|
sometimes not). It's perversely appropriate that in the B5 series,
|
|
it's not the Commander who gets laid first, or Garibaldi, or G'Kar...
|
|
it's Londo. And it's a very funny, but very touching and moving
|
|
episode.
|
|
|
|
<p>
|
|
<li> It's a standard bed, works fine. Though we *did* have a thing in
|
|
mind where Londo sits up in bed, having just had wonderful sex, and
|
|
his hair is now hanging limp...but in a sudden burst of sanity we
|
|
decided against it.
|
|
|
|
</ul>
|
|
|
|
<HR>
|
|
Originally compiled by Matthew Ryan <i>mattryan@pobox.com</i>
|