|  | JMS (and coproducer George Johnsen) Usenet messages for June 1998. | 
						
						
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							|  | Date: 1 Jun 1998 17:28:23 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Lochley? | 
						
						
							|  | 
 | 
						
						
							|  | >Is it me, or have we not seen Captain Lochley for a while? Are we going | 
						
						
							|  | >to see her more in these last seven episodes? | 
						
						
							|  | 
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							|  | Definitely. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 1 Jun 1998 17:28:28 -0600 | 
						
						
							|  | Subject: Re: River of Souls (Movie #3) Question | 
						
						
							|  | 
 | 
						
						
							|  | >I have a question that I was hoping someone could answer for me. I | 
						
						
							|  | >was wondering where "River of Souls" takes place in the Season 5 | 
						
						
							|  | >storyline (i.e. between which episodes)?  | 
						
						
							|  | 
 | 
						
						
							|  | It takes place six months into 2263. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 2 Jun 1998 00:16:09 -0600 | 
						
						
							|  | Subject: Re: Attn: JMS A Professor's Letter to JMS (forwarded) | 
						
						
							|  | 
 | 
						
						
							|  | >At some point, I envision teaching a class in rhetorical | 
						
						
							|  | >philosophy using B5 as the point of analysis.  I hope that is | 
						
						
							|  | >something that would be acceptable to you as a use of your | 
						
						
							|  | >universe--what a marvelous way to open up Plato, Aristotle, Cicero, | 
						
						
							|  | >and Quintilian to new generations.  | 
						
						
							|  | 
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							|  | What, no Marcus Aurelius?  For shame.  We'll have to knock ten points off your | 
						
						
							|  | grade for that one. | 
						
						
							|  | 
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							|  | Seriously, though...to the degree that the show can encourage discussion, and | 
						
						
							|  | dialogue, and the free exchange of ideas that point to the history of | 
						
						
							|  | literature and philosophy, I am a happy man.  By all means, if it's useful, use | 
						
						
							|  | it.  (As I understand it, this spring there is a class nominally in the | 
						
						
							|  | Philosophy of Babylon 5 at the University of Illinois at Urbana.) | 
						
						
							|  | 
 | 
						
						
							|  | And thank you...not just for the kind words, but for the open mind that | 
						
						
							|  | preceded them. | 
						
						
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							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 2 Jun 1998 08:24:22 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Thanks for the recommendation | 
						
						
							|  | 
 | 
						
						
							|  | >When did swing come back?  I must have been asleep or something...but | 
						
						
							|  | >it's wonderful music and never fails to make me feel better if I'm down. | 
						
						
							|  | 
 | 
						
						
							|  | I dunno...seems like the kids today call it "swank."  I first came across it | 
						
						
							|  | with the Squirrel Nut Zippers, then Cherry Poppin' Daddies, now Big Bad Voodoo | 
						
						
							|  | Daddy...there are any number of swing clubs opening up these days (we had the | 
						
						
							|  | B5 wrap party at one of them here in LA)...I don't know what made it hit | 
						
						
							|  | critical mass, but I'm glad it did. | 
						
						
							|  | 
 | 
						
						
							|  | What I like about some of these, like Cherry Poppin' Daddies, is that they | 
						
						
							|  | apply the music of swing to some pretty raw-edged lyrics, which makes for a | 
						
						
							|  | combination that is at once modern but familiar, edgy but reassuring. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 2 Jun 1998 08:28:44 -0600 | 
						
						
							|  | Subject: from jms re: Norman Corwin | 
						
						
							|  | 
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							|  | Every so often, Norman's name comes up here, and I get any number of emails | 
						
						
							|  | asking about his work, and how to obtain it.   | 
						
						
							|  | 
 | 
						
						
							|  | Norman Corwin is (and has always been) American's pre-eminent radio dramatist, | 
						
						
							|  | as well as one hell of an essayist...he has written screenplays (such as the | 
						
						
							|  | Oscar nominated Lust for Life), composed cantatas for the UN ("Yes, Speak Out, | 
						
						
							|  | Yes"), was a contemporary and friend of Carl Sandburg and Edward R. Murrow (not | 
						
						
							|  | to mention Humphrey Bogart and Elsa Lanchester and Charles Laughton), and his | 
						
						
							|  | radio dramas run the gamut from important historical documents ("On a Note of | 
						
						
							|  | Triumph" was commissioned to be broadcast on VE day by all three networks), to | 
						
						
							|  | light fantasy/sf (from "The Reluctant Molecule" with none other than Groucho | 
						
						
							|  | Marx and Vincent Price, to "The Curse of 589" starring William Shatner and Carl | 
						
						
							|  | Reiner), to the biography of Miguel de Cervantes ("The Writer with the Lame | 
						
						
							|  | Left Hand"), and his watershed collection, "Thirteen by Corwin." | 
						
						
							|  | 
 | 
						
						
							|  | To give you some idea of the kind of actors who come out for a Corwin script, | 
						
						
							|  | here are a few of the names who appear on his programs: Charles Kuralt, Pat | 
						
						
							|  | Carroll, Franklin D. Roosevelt (yes, you read that right), Jimmy Stewart, Orson | 
						
						
							|  | Welles, Edward G. Robinson, Marjorie Maim, Martin Landau, Jack Lemmon, Charles | 
						
						
							|  | Durning, Ed Asner, Sammantha Eggar, Norman Lloyd, Frederic March, Robert | 
						
						
							|  | Benchley, Henry Morgan, Richard Dysart, Jill Eikenberry, James Earl Jones, Fess | 
						
						
							|  | Parker, Esther Rolle, and others, with music conducted by Bernard Herrmann and | 
						
						
							|  | Leopold Stokowski among others. | 
						
						
							|  | 
 | 
						
						
							|  | This is a writer who has inspired a generation of other writers, from Rod | 
						
						
							|  | Serling to Ray Bradbury, Charles Kuralt, Studs Terkel, Norman Lear, Robert | 
						
						
							|  | Altman, Stan Freberg, and somewhere far, far down the list...myself. | 
						
						
							|  | 
 | 
						
						
							|  | Norman's work and his inspiration have been seminal for me as a writer, and as | 
						
						
							|  | a person, though I'll never quite hit the same interstellar gulfs he leaves | 
						
						
							|  | between his footsteps.   | 
						
						
							|  | 
 | 
						
						
							|  | If you don't know his work...find out about it.  Let me give you a starting | 
						
						
							|  | point: | 
						
						
							|  | 
 | 
						
						
							|  | http://www.lodestone-media.com | 
						
						
							|  | 
 | 
						
						
							|  | Here you can find the majority of his radio dramas, both from the heyday of the | 
						
						
							|  | form, and more contemporary stuff, along with an excellent introductory program | 
						
						
							|  | about Norman, as well as the actual scripts, which deserve the study of anyone | 
						
						
							|  | who chooses to call himself a writer.   | 
						
						
							|  | 
 | 
						
						
							|  | Norman is a *writer's writer*.  He's the sort we all point to and say, "That's | 
						
						
							|  | what I'd like to be able to do someday."   | 
						
						
							|  | 
 | 
						
						
							|  | I don't generally put up something that is as blatantly an advertisement as | 
						
						
							|  | this.  But in this particular case, it's worth the attention of any B5 fan, as | 
						
						
							|  | the core of the fire that set me in motion, inspires and informs much of the | 
						
						
							|  | ethical content of Babylon 5.  He is not only my friend, he has been my mentor | 
						
						
							|  | and my benchmark for nearly twenty years. | 
						
						
							|  | 
 | 
						
						
							|  | If you're not sure what to get when you get to lodestone, I suggest the Charles | 
						
						
							|  | Kuralt bio (featuring interviews with Terkel, Bradbury, Altman, Lear and | 
						
						
							|  | Corwin) about "On a Note of Triumph," the actual broadcast of "Note" itself so | 
						
						
							|  | you can hear the whole thing straight through, and "Thirteen by Corwin."  (John | 
						
						
							|  | Copeland's personal favorite is "Fifty years after 14 August" commemmorating VJ | 
						
						
							|  | day.) | 
						
						
							|  | 
 | 
						
						
							|  | If you want only to go for the more modern stuff, then I'd suggest "We Hold | 
						
						
							|  | These Truths," "The Writer with the Lame Left Hand," and for something truly | 
						
						
							|  | unique, "No Love Lost," about a fictional meeting between Thomas Jefferson, | 
						
						
							|  | Alexander Hamilton and Aaron Burr. | 
						
						
							|  | 
 | 
						
						
							|  | Trust me on this one. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 5 Jun 1998 19:17:02 -0600 | 
						
						
							|  | Subject: Re: Production quality = going down | 
						
						
							|  | 
 | 
						
						
							|  | >I have to say, Meditations did not impress me as being well shot, and | 
						
						
							|  | >looking back I can see that as being characteristic of the season.  Boring | 
						
						
							|  | >camera angles in recent episodes, the sets are much more plain than they | 
						
						
							|  | >used to be, and most scenes are now just people standing around (no | 
						
						
							|  | >action). | 
						
						
							|  | 
 | 
						
						
							|  | I have to say this is one of those comments that just astonishes me. | 
						
						
							|  | 
 | 
						
						
							|  | Some episodes have always been more action-oriented than others.  In order to | 
						
						
							|  | move story along, you have to have dialogue scenes; the more complex the action | 
						
						
							|  | you're trying to get across, the more you need to tell. | 
						
						
							|  | 
 | 
						
						
							|  | Boring camera angles?  The director of "Darknes" was Mike Vejar, who is our | 
						
						
							|  | most innovative director.  He did "In the Beginning," "The Face of the Enemy," | 
						
						
							|  | "Messages From Earth" and most of our really cool episodes.  He likes the | 
						
						
							|  | close-up, it's where the good stuff happens.  He chose to direct the show in | 
						
						
							|  | this style, what on earth does a stylistic decision have to do with production | 
						
						
							|  | quality? | 
						
						
							|  | 
 | 
						
						
							|  | "the sets are much more plain than they used to be."  How is this physically | 
						
						
							|  | possible, since the sets we've been shooting on are the same ones we used | 
						
						
							|  | before?  Nothing got removed or stripped out, they're *exactly* the same. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 6 Jun 1998 11:51:15 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS:  Prostitution on Babylon 5? | 
						
						
							|  | 
 | 
						
						
							|  | I think it would be next to impossible to prevent prostitution in an | 
						
						
							|  | environment such as this.  And in some cultures, it would not be a big thing at | 
						
						
							|  | all, not illegal, and cultural behavior between members of the same species | 
						
						
							|  | that is allowable within that society is generally allowed on B5 as well, | 
						
						
							|  | provided that it does not affect anyone outside that species. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 6 Jun 1998 11:51:28 -0600 | 
						
						
							|  | Subject: Re: Darkness Ascending= Damn Amazing!  <Spoilers> | 
						
						
							|  | 
 | 
						
						
							|  | >Nice to see certain characters back in their old forms. | 
						
						
							|  | >Delenn is not a lady to mess around with- even in an arguement.  She | 
						
						
							|  | >didn't merely hand Johnny's butt back to him, she GIFTWRAPPED the | 
						
						
							|  | >fragger, and put a pretty bow on it!  Nice verbal Judo, there.  | 
						
						
							|  | 
 | 
						
						
							|  | That's one of my favorite scenes from that episode...she basically yanks his | 
						
						
							|  | pants up over his head and ties them in a knot.  Someone trained in the | 
						
						
							|  | religious caste can argue her way around just about anything and anyone. | 
						
						
							|  | 
 | 
						
						
							|  | Minbari religious caste make Jesuits look like intellectual softies by | 
						
						
							|  | comparison.  | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 6 Jun 1998 23:46:36 -0600 | 
						
						
							|  | Subject: Re: ATT:JMS: FWD OF "HELP WANTED" | 
						
						
							|  | 
 | 
						
						
							|  | Thank you for that; it was deeply moving, and I will make sure that this sees | 
						
						
							|  | the light of day on the wall of stage B, where some posts are put up for the | 
						
						
							|  | whole crew to see. | 
						
						
							|  | 
 | 
						
						
							|  | My very best to you. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 6 Jun 1998 23:47:30 -0600 | 
						
						
							|  | Subject: Re: Darkness Ascending Spoilers | 
						
						
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							|  | The amount of oxygen taken would have been very minimal, given the size of | 
						
						
							|  | Lennier's ship (little more than coffin-sized), and the volume would be | 
						
						
							|  | replaced by the carbon dioxide from Lennier's ship.  The hole would have been | 
						
						
							|  | self-sealed by the Minbari fighter, which was designed to do this sort of thing | 
						
						
							|  | in order to sneak past enemy lines. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 6 Jun 1998 23:47:42 -0600 | 
						
						
							|  | Subject: Re: JMS: LodesTone President | 
						
						
							|  | 
 | 
						
						
							|  | >Apparently, your  | 
						
						
							|  | >online post has become their best advertisement. :) | 
						
						
							|  | 
 | 
						
						
							|  | I live to serve. | 
						
						
							|  | 
 | 
						
						
							|  | >During the course of the conversation, he shared with me that you are an  | 
						
						
							|  | >extremely pleasant person, | 
						
						
							|  | 
 | 
						
						
							|  | That's it, damn it, I'm suing. | 
						
						
							|  | 
 | 
						
						
							|  | >and that thanks to your order, he himself is  | 
						
						
							|  | >now a Babylon 5 fan! | 
						
						
							|  | 
 | 
						
						
							|  | Well...okay, then maybe next time.... | 
						
						
							|  | 
 | 
						
						
							|  | >Oh, and one more thing, the president says he'd like to hear you scribe  | 
						
						
							|  | >your own radio program.  So, what do you think of the idea? | 
						
						
							|  | 
 | 
						
						
							|  | Love to.  I've been asked by the folks at Seeing Ear Theater at the SciFi | 
						
						
							|  | channel to do some stuff, that's still in the discussion stages, though.  | 
						
						
							|  | Beyond that, I'm always interested in doing radio drama. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 7 Jun 1998 02:25:22 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Crusade Question | 
						
						
							|  | 
 | 
						
						
							|  | It's about half a mile long. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 7 Jun 1998 02:25:39 -0600 | 
						
						
							|  | Subject: Re: ATTN. JMS - Columbia vs. Warner Video | 
						
						
							|  | 
 | 
						
						
							|  | Thing is...Columbia only had the rights to the first season, so the rest would | 
						
						
							|  | *have* to come from WB...but the great thing is, the WB tapes are only $14.95 | 
						
						
							|  | per tape, 5 bucks less, and still for two episodes (and nifty covers).  And | 
						
						
							|  | they will be released in order. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 8 Jun 1998 16:07:35 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Episode Scripts | 
						
						
							|  | 
 | 
						
						
							|  | This is one of those "we'll see" questions. | 
						
						
							|  | 
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 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 8 Jun 1998 16:14:16 -0600 | 
						
						
							|  | Subject: Re: Darkness Ascending ( *Spoilers* ) | 
						
						
							|  | 
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							|  | >It would be perfectly reasonable given his known personality for Sheridan | 
						
						
							|  | >to have not assigned Lennier to the Centauri border for any number of | 
						
						
							|  | >reasons, and not necessarily to "protect Delenn."  And if that *wasn't* | 
						
						
							|  | >one of his reasons, he'd have her butt hand delivered with a singing | 
						
						
							|  | >telegram to go with it.  But instead, her reasoning just happens to be | 
						
						
							|  | >right. | 
						
						
							|  | 
 | 
						
						
							|  | >Mind you, I love Delenn's character, but she should be right by reason | 
						
						
							|  | >and not right by dramatic license. | 
						
						
							|  | 
 | 
						
						
							|  | She's right because she's married to the guy and knows him inside and out, | 
						
						
							|  | including how he thinks and why he does things. | 
						
						
							|  | 
 | 
						
						
							|  | When you live with somebody like that, you can go out and buy a pair of shoes, | 
						
						
							|  | and in the morning, complain that they're too tight...and never mention it | 
						
						
							|  | again for the rest of the day...then in the evening you sigh, as you're taking | 
						
						
							|  | them off, and he or she says, "Don't worry, we can always have them stretched." | 
						
						
							|  | 
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							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 9 Jun 1998 23:41:22 -0600 | 
						
						
							|  | Subject: Re: ATT: JMS: How is this done??? | 
						
						
							|  | 
 | 
						
						
							|  | Sometimes the video is done in advance, but most often on the show the person | 
						
						
							|  | is within earshot, on a partial set, so they can interact live with the actor. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 10 Jun 1998 00:08:03 -0600 | 
						
						
							|  | Subject: Re: ATT: JMS: Frustrated Fan Asks Merchandising Question | 
						
						
							|  | 
 | 
						
						
							|  | Good point.  We should fix that. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 10 Jun 1998 00:23:13 -0600 | 
						
						
							|  | Subject: from jms: spoiler junkie info wrong | 
						
						
							|  | 
 | 
						
						
							|  | Invariably, there's wrong info out there, and I end up having to send out | 
						
						
							|  | replies to ten zillion emails asking me about it.   | 
						
						
							|  | 
 | 
						
						
							|  | The latest one: apparently the spoiler junkies page says that somebody named | 
						
						
							|  | Paul Woodward has been cast as the captain on the new series, Crusade. | 
						
						
							|  | 
 | 
						
						
							|  | We have not even *met* anyone named Paul Woodward, and we have not yet begun | 
						
						
							|  | casting in earnest for the captain.  So this is completely untrue. | 
						
						
							|  | 
 | 
						
						
							|  | Please be warned whenever you see stuff on some of these pages that there's a | 
						
						
							|  | lot of speculation out there that gets passed around as being from "informed | 
						
						
							|  | sources" and ninety percent of it is ka-ka.  Don't believe everything you read. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 10 Jun 1998 00:32:58 -0600 | 
						
						
							|  | Subject: Re: ##ATTN.: JMS In Re.: WB's 'Invasion America'##: | 
						
						
							|  | 
 | 
						
						
							|  | Haven't seen it, haven't had time. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 10 Jun 1998 09:40:05 -0600 | 
						
						
							|  | Subject: Re: Attn: JMS: Teaching B5 | 
						
						
							|  | 
 | 
						
						
							|  | As far as I know, academic use of the broadcasts is perfectly okay. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 12 Jun 1998 01:15:27 -0600 | 
						
						
							|  | Subject: Re: JMS:  Editing/directing/writing | 
						
						
							|  | 
 | 
						
						
							|  | >I | 
						
						
							|  | >would like to know how much of what we saw was due to his input.  Did | 
						
						
							|  | >you write it specifically to be presented in this manner or was this | 
						
						
							|  | >what he and the editor came up with? | 
						
						
							|  | 
 | 
						
						
							|  | It's shot for shot what was in the script, but at the same time, a director | 
						
						
							|  | must take that shot and make it live.  Goran did that admirably.  He kept the | 
						
						
							|  | camera moving, framed his shots very nicely, got into the emotion of the scene, | 
						
						
							|  | and worked very well with the editor; we only did a light dusting in the | 
						
						
							|  | editing room. | 
						
						
							|  | 
 | 
						
						
							|  | Since a number of folks have asked, here is the opening scene as written.  (I | 
						
						
							|  | only have the first draft in my home computer, modifications were done in the | 
						
						
							|  | office, which involved trimming some of this for time.) | 
						
						
							|  | 
 | 
						
						
							|  | **************** | 
						
						
							|  |    | 
						
						
							|  | FADE IN: | 
						
						
							|  | 
 | 
						
						
							|  | EXT. BABYLON 5: A new shot, closer, emphasizing the darkness of the station in | 
						
						
							|  | eclipse. | 
						
						
							|  | 
 | 
						
						
							|  | INT. DELENN'S QUARTERS - BEDROOM | 
						
						
							|  | 
 | 
						
						
							|  | Sheridan is in bed, alone as we will discover in a moment.  He rolls over, | 
						
						
							|  | stirring, and we SHOOT PAST HIM to the doors, where we SEE a single flickering | 
						
						
							|  | light through the translucent glass.  He sits up. | 
						
						
							|  | 
 | 
						
						
							|  | INT. DELENN'S QUARTERS - FRONT ROOM | 
						
						
							|  | 
 | 
						
						
							|  | REVERSING past Delenn to the bedroom doors.  She is seated on the floor, a | 
						
						
							|  | single candle burning before her, the flame halfway down it, praying or | 
						
						
							|  | meditating as the doors open and Sheridan stands in the opening.  His voice is | 
						
						
							|  | quiet. | 
						
						
							|  | 
 | 
						
						
							|  | 			SHERIDAN		Delenn...?  Are you all right? | 
						
						
							|  | 
 | 
						
						
							|  | She nods, distantly, not taking her eyes off the candle. | 
						
						
							|  | 
 | 
						
						
							|  | 			SHERIDAN		You should sleep.  It'll be morning  | 
						
						
							|  | 	soon.  You'll need all your strength  | 
						
						
							|  | 	for what's ahead. | 
						
						
							|  | 
 | 
						
						
							|  | She nods again, but doesn't move.  He gives it a BEAT, knowing  | 
						
						
							|  | she is in a place where he can never reach her, then goes back  | 
						
						
							|  | into the bedroom, leaving the door open.  We PUSH IN SLOWLY on Delenn's face | 
						
						
							|  | 
 | 
						
						
							|  | TIME-CUT - HER QUARTERS - LATER - ON THE CANDLE | 
						
						
							|  | 
 | 
						
						
							|  | The fragile, guttering flame has now burned three-fourths of  | 
						
						
							|  | the way down.  As we slowly PAN UP to Delenn's face, not having  moved in all | 
						
						
							|  | this time, we become aware of the SOUND of the shower running.  She doesn't | 
						
						
							|  | note it, until it stops.  Then  | 
						
						
							|  | there's a BEAT and she looks up toward | 
						
						
							|  | 
 | 
						
						
							|  | ANGLE - THE BEDROOM | 
						
						
							|  | 
 | 
						
						
							|  | Still mainly dark, suggesting pre-dawn, mainly just the light  | 
						
						
							|  | spilling from the bathroom entrance as Sheridan comes out in a  | 
						
						
							|  | robe, toweling his hair.  His manner here is sober, almost  | 
						
						
							|  | somber.  He's trying to keep this normal, but knows that this  | 
						
						
							|  | is going to be a difficult and momentous day.  The more we can  | 
						
						
							|  | set that tone here, the better. | 
						
						
							|  | 
 | 
						
						
							|  | 			SHERIDAN		It's...all yours. | 
						
						
							|  | 
 | 
						
						
							|  | She nods, distantly.  WIDEN as he goes to the bed and sits.  He  | 
						
						
							|  | pulls on one slipper, puts his foot down, and picks up the other  | 
						
						
							|  | slipper...and just sort of stops.  He doesn't want to put it on.   | 
						
						
							|  | He doesn't want this day to come.  He doesn't want to do what he  | 
						
						
							|  | knows he's going to have to do.  The slipper just dangles from  | 
						
						
							|  | his fingers, the strings cut. Delenn gets up, approaches and sits next to him, | 
						
						
							|  | both with that faraway, haunted look.  She touches his back, and leans against  | 
						
						
							|  | his shoulder for a moment, both taking comfort and strength in the momentary | 
						
						
							|  | contact.  Then she gets up and moves into the bathroom, the robe sliding off | 
						
						
							|  | her shoulders as she steps OS. | 
						
						
							|  |    | 
						
						
							|  | A BEAT, and Sheridan finds the wherewithal to put on the other  | 
						
						
							|  | slipper...and sits there momentarily as we HEAR the VO SOUND of a GAVEL | 
						
						
							|  | POUNDING, and the VO SOUND of the council, along with: | 
						
						
							|  | 			SHERIDAN (VO)		There comes a moment, in all of our  | 
						
						
							|  | 	lives, when we have to do something  | 
						
						
							|  | 	we'd rather not do.  When we know  | 
						
						
							|  | 	something we'd rather not know.  This  | 
						
						
							|  | 	is one such moment. | 
						
						
							|  | 
 | 
						
						
							|  | He stands and moves OS. | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 12 Jun 1998 01:15:33 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Which "Gathering" from WHV? | 
						
						
							|  | 
 | 
						
						
							|  | I don't know...I *suspect* it will be the original version, but I don't know | 
						
						
							|  | that for a fact. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 12 Jun 1998 01:19:13 -0600 | 
						
						
							|  | Subject: Re: AAMD,TA  Spoilers | 
						
						
							|  | 
 | 
						
						
							|  | >The one thing that is really bugging me though is; Isn't anybody on B5 | 
						
						
							|  | >wondering WHY the Centauri are doing this?  There really is no | 
						
						
							|  | >rational explanation for them to be doing this. | 
						
						
							|  | 
 | 
						
						
							|  | That question comes up bigtime in the very next episode. | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 12 Jun 1998 01:19:27 -0600 | 
						
						
							|  | Subject: Re: Attn. JMS: And All My Dreams, Torn Asunder - Producer's or | 
						
						
							|  | 
 | 
						
						
							|  | >So....Director's Cut or Producer's Cut? | 
						
						
							|  | 
 | 
						
						
							|  | There has never been anything BUT a producer's cut on the show.  John and I | 
						
						
							|  | edit every episode after the director's cut is done, and that's what's aired. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 14 Jun 1998 14:29:52 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Did Sakai become Minbari too? | 
						
						
							|  | 
 | 
						
						
							|  | No, she didn't.  Which was part of the scandal that later came. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 14 Jun 1998 14:30:13 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
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 | 
						
						
							|  | >Yeah, I thought that was weak too.  A better method of establishing | 
						
						
							|  | >the weapons as Centauri would have been by a thorough analysis of the | 
						
						
							|  | >blast damage. | 
						
						
							|  | 
 | 
						
						
							|  | That's what was said, in addition to the rest.  Reference was made to examining | 
						
						
							|  | the damaged ships. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 14 Jun 1998 14:35:54 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: and a bottle makes three | 
						
						
							|  | 
 | 
						
						
							|  | >I am really enjoying the Cherry Poppin' Daddies and Big Bad Voodoo Daddy | 
						
						
							|  | >CDs you mentioned. Thanks for the heads up.  | 
						
						
							|  | 
 | 
						
						
							|  | Not a prob. | 
						
						
							|  | 
 | 
						
						
							|  | >In both I notice a major fascination with alcohol consumption, abuse and | 
						
						
							|  | >its consequences the likes of which I haven't run into since the Gin | 
						
						
							|  | >Blossoms debut.  | 
						
						
							|  | >It lead me to wonder, in light of poor Mr. Garibaldi's current treatment | 
						
						
							|  | >in your hands, exactly when did you start listening to this stuff? | 
						
						
							|  | 
 | 
						
						
							|  | Unnecessary; there's a long history of that stuff in my family.  | 
						
						
							|  | 
 | 
						
						
							|  | Which is why I stay far, far away from alcohol, drugs or ciggies; when you have | 
						
						
							|  | addictive personalities in your family going back generations, it's generally a | 
						
						
							|  | bad idea. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 14 Jun 1998 14:36:36 -0600 | 
						
						
							|  | Subject: Re: Regurgitation in S5 | 
						
						
							|  | 
 | 
						
						
							|  | Someone on the crew wondered aloud if this was a subconscious metaphor for me | 
						
						
							|  | finally getting the last of the B5 story out of my system.... | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 15 Jun 1998 23:47:59 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Thanks for never doing this! | 
						
						
							|  | 
 | 
						
						
							|  | Someone actually made that? | 
						
						
							|  | 
 | 
						
						
							|  | Amazing.... | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 15 Jun 1998 23:50:13 -0600 | 
						
						
							|  | Subject: Re: Attn JMS:  Candle Metaphor in 'And All My Dreams ...' | 
						
						
							|  | 
 | 
						
						
							|  | Nicely deduced.  The problem is always in trying to work this stuff into | 
						
						
							|  | dialogue without it sounding preachy or a big lump of exposition.  So all you | 
						
						
							|  | can do is string it along, and hope folks notice. | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 15 Jun 1998 23:57:30 -0600 | 
						
						
							|  | Subject: Re: I think I just saw JMS on TV | 
						
						
							|  | 
 | 
						
						
							|  | It repeats Thursday at 5:30 and 9:30 p.m. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 16 Jun 1998 00:01:48 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
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							|  | 
 | 
						
						
							|  | >Did the Centauri warships attack Centauri civilian ships as well as the ships | 
						
						
							|  | >of other races?  Or were Centauri ships left alone (and was the Alliance | 
						
						
							|  | >incredibly thick in not working out who was behind the raids?) | 
						
						
							|  | 
 | 
						
						
							|  | It was stated in the episode that at least one Centauri low priority ship was | 
						
						
							|  | attacked. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 16 Jun 1998 15:26:06 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
 | 
						
						
							|  | If some people are upset at the Centauri moon, that's a damned silly thing to | 
						
						
							|  | be upset about.  Most moons are too small to have any real atmosphere, so | 
						
						
							|  | there's nothing to keep meteors from hitting and causing craters rather than | 
						
						
							|  | burning up on entry.  So you're going to have pockmarks.  We made it a point to | 
						
						
							|  | have the patterns different than our own moon.  It's round because most | 
						
						
							|  | planetary bodies *are*.  And the local sun has the same basic spectral | 
						
						
							|  | qualities as Sol, so you're going to get similar bounce-back on the light. | 
						
						
							|  | 
 | 
						
						
							|  | An equal amount of effort goes into making that moon or a more odd one.  But | 
						
						
							|  | not everything has to be constantly different just to be different.   | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 16 Jun 1998 15:32:59 -0600 | 
						
						
							|  | Subject: Re: Season 5 - WOW | 
						
						
							|  | 
 | 
						
						
							|  | Actually, the S5 theme is a variation on the music in the second B5 soundtrack, | 
						
						
							|  | the Voices of Authority track. | 
						
						
							|  | 
 | 
						
						
							|  | Thanks. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 16 Jun 1998 15:36:42 -0600 | 
						
						
							|  | Subject: Re: attn JMS: SD ComicCon | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | I don't have an exact schedule; what I'm going to have to do is swoop down for | 
						
						
							|  | the presentation, and come back the same day. | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 09:02:31 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
 | 
						
						
							|  | No, what you're noting is just about right. | 
						
						
							|  | 
 | 
						
						
							|  | I wanted this job to be something Sheridan grows into.  He's going to make | 
						
						
							|  | mistakes; he's not trained for this kind of job, and errors are part of the | 
						
						
							|  | learning process.  In Deconstruction it's noted that he said himself that the | 
						
						
							|  | teep situation was the worst mistake of his entire career.  There were others. | 
						
						
							|  | 
 | 
						
						
							|  | The first year of any new government is rocky at best; mistakes get made, | 
						
						
							|  | sometimes huge ones.  What he will have to do is learn from them.  Even by the | 
						
						
							|  | last few episodes, he has his act more together; moreso as the years pass.  In | 
						
						
							|  | some ways, and this was something I was going for in "Asunder," he's been | 
						
						
							|  | pulling back, trying to figure out what to do and in some ways, cutting against | 
						
						
							|  | his best instincts to keep things together.  It's really after he blows at the | 
						
						
							|  | end of "Asunder" that he begins to do what he should've done all along: go with | 
						
						
							|  | his instincts, rather than second-guessing himself. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 09:02:47 -0600 | 
						
						
							|  | Subject: Re: ATTN:  JMS | 
						
						
							|  | 
 | 
						
						
							|  | >My question to you is this:  If you (or anybody) had to do it all over again, | 
						
						
							|  | >is there a way you could set up a contract so you would get what is rightly | 
						
						
							|  | >yours? | 
						
						
							|  | 
 | 
						
						
							|  | If I'd walked into the room with three or four hit series under my belt, I | 
						
						
							|  | would've walked out with a considerably different deal.  As the deal currently | 
						
						
							|  | stands...well, as you say, hell will be covered with frost before I see any | 
						
						
							|  | profits, given the way such things are defined in a first-time series.  The | 
						
						
							|  | definition on Crusade is a little better, but only a little.   | 
						
						
							|  | 
 | 
						
						
							|  | On the other hand...I find it very hard to get too upset about it, because the | 
						
						
							|  | bottom line is I'm being paid to tell the kind of stories I'd have to tell | 
						
						
							|  | anyway, for free.  Where else can you get a deal like that? | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 09:04:19 -0600 | 
						
						
							|  | Subject: Re: JMS: Thirdspace note | 
						
						
							|  | 
 | 
						
						
							|  | >The second movie from one of TV's most creative sci-fi series that is | 
						
						
							|  | >far too complicated to explain but too good to miss, even if you don't | 
						
						
							|  | >know the background.   | 
						
						
							|  | 
 | 
						
						
							|  | Now THAT'S comedy. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 09:05:30 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
 | 
						
						
							|  | >Anyone see a 3? Somebody please tell me you see a 3...... | 
						
						
							|  | 
 | 
						
						
							|  | As you'll see in about 24 hours, really nothing could have been done to prevent | 
						
						
							|  | this conflict; certain forces wanted it, and were going to have it, no matter | 
						
						
							|  | what.  Awake or asleep, it would've been provoked somewhere, somehow. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 16:41:32 -0600 | 
						
						
							|  | Subject: Re: And All My Dreams, Torn Asunder ( *Spoilers* ) | 
						
						
							|  | 
 | 
						
						
							|  | Of course, everyone's assuming here that the awful state we find Centauri Prime | 
						
						
							|  | in, in WWE, is caused entirely by war.... | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 17 Jun 1998 16:43:30 -0600 | 
						
						
							|  | Subject: Re: DS9 episode | 
						
						
							|  | 
 | 
						
						
							|  | Excuse me, but all I said was that I was amazed that the story, as described to | 
						
						
							|  | me, got on.  I did not specifically condemn anything in the episode, and | 
						
						
							|  | generally don't coment on DS9 stuff.  Someone mentioned it to me online and | 
						
						
							|  | specifically asked for my reaction.  I was as brief as I could possibly be, one | 
						
						
							|  | line, no more, no less. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 18 Jun 1998 08:43:59 -0600 | 
						
						
							|  | Subject: Re: attn JMS: SD ComicCon | 
						
						
							|  | 
 | 
						
						
							|  | I think it's going to be that Saturday, late morning/early afternoon. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 18 Jun 1998 21:05:07 -0600 | 
						
						
							|  | Subject: Re: ATTN: JMS:  writing and tears   (AAMDTA Spoilers) | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | >A thoroughly impertinent question: do you ever cry when you write? | 
						
						
							|  | > | 
						
						
							|  | >	I'm curious because I occasionally start to cry when I am writing | 
						
						
							|  | >poetry or fiction, though if I am deeply involved in the work I may not | 
						
						
							|  | >even notice until later.   | 
						
						
							|  | > I remember your saying once, I think on | 
						
						
							|  | >this newsgroup, that if you do not move yourself, you will not move the | 
						
						
							|  | >audience.      | 
						
						
							|  | 
 | 
						
						
							|  | On occasion, yeah...I think you have to really feel that if you want to do it | 
						
						
							|  | to someone else.  When I bumped off Kosh, there was a little of that...and | 
						
						
							|  | there were some scenes in "Confessions and Lamentations" that did that, and | 
						
						
							|  | definitely in "Sleeping in Light." | 
						
						
							|  | 
 | 
						
						
							|  | Thing is, last night I pulled out the tapes for the last two episodes, "Objects | 
						
						
							|  | at Rest" and "Sleeping in Light," and watched them back to back, and I was an | 
						
						
							|  | absolute wreck afterward.  There are a couple of scenes in both of them that | 
						
						
							|  | just put me away.  That's *good*, they should, they have to, but man...I was | 
						
						
							|  | just gone.   | 
						
						
							|  | 
 | 
						
						
							|  | But strangest of all, the final credits sequence and what we did with them for | 
						
						
							|  | SiL is also very deeply affecting...and I'm not entirely sure why, I think it's | 
						
						
							|  | something operating at an almost subconscious level, about seeing certain | 
						
						
							|  | images juxtaposed.  Darndest thing.... | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 19 Jun 1998 07:27:08 -0600 | 
						
						
							|  | Subject: Re: ATTN: Jms - MOFAS - A compliment | 
						
						
							|  | 
 | 
						
						
							|  | >How many other shoes have you got to drop on us? | 
						
						
							|  | 
 | 
						
						
							|  | A couple more shoes. | 
						
						
							|  | 
 | 
						
						
							|  | And a boot or two. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 19 Jun 1998 08:40:18 -0600 | 
						
						
							|  | Subject: Re: Why did the Shadows need "Fresh bodies for their CPU's"????  | 
						
						
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							|  | The control pods mainly work via remote control, their functionality (as Lyta | 
						
						
							|  | noted) is limited.  For the shadow vessels, you need a fast reaction, | 
						
						
							|  | independent-thinking cpu of a higher order...also because a shadow vessel is a | 
						
						
							|  | hell of a lot more advanced and complex than a Centauri cruiser. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 20 Jun 1998 12:47:03 -0600 | 
						
						
							|  | Subject: Re: ATTN  JMS:  Could you speak to TNT's lack of a Trailer for  | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | >It would be a big kindness to hear why TNT is not promoting Thirdspace | 
						
						
							|  | >with the same vigor they did for B5 thus far. They haven't really | 
						
						
							|  | >answered | 
						
						
							|  | >the question | 
						
						
							|  | 
 | 
						
						
							|  | Usually you don't promote a show until a couple of weeks before it airs.  The | 
						
						
							|  | promotion for ItB was also the promotion to launch the entire SERIES, which | 
						
						
							|  | needed bigger lead time.  In TV, you rarely promote a standalone like | 
						
						
							|  | Thirdspace more than a couple of weeks before airing. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 21 Jun 1998 02:35:04 -0600 | 
						
						
							|  | Subject: Re: Attn: JMS - sorry - Clarification of "ruined summer" | 
						
						
							|  | 
 | 
						
						
							|  | I took it with humor, as it was clearly meant to be taken. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 21 Jun 1998 02:32:07 -0600 | 
						
						
							|  | Subject: Re: AtTn JmS:  The Harlan Award | 
						
						
							|  | 
 | 
						
						
							|  | >Tell us, for the sake of | 
						
						
							|  | >future TV producers who may work with Harlan and the people who love them, | 
						
						
							|  | >how did you do it? | 
						
						
							|  | 
 | 
						
						
							|  | Simple.  Just respect what he brings to the table, and don't fuck with him.  In | 
						
						
							|  | over a decade of calling Harlan a friend, I have never seen him go after | 
						
						
							|  | anybody who didn't go after him first. | 
						
						
							|  | 
 | 
						
						
							|  | >What I want to know is how much  of the quarter-million-book-library | 
						
						
							|  | >mentioned in the same show Harlan has actually read.  Come to think of it, | 
						
						
							|  | >I also want to know Harlan's reading speed, JMS's reading speed, and if | 
						
						
							|  | >either of them can recommend an effective, reliable and reasonably priced | 
						
						
							|  | >speed-reading course! | 
						
						
							|  | 
 | 
						
						
							|  | I figure if somebody took time to get it right, you don't speed read past it. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | 
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							|  | 
 | 
						
						
							|  | Date: 22 Jun 1998 18:47:19 -0600 | 
						
						
							|  | Subject: Re: AttN jms: Where Are All the American Playwrights? | 
						
						
							|  | 
 | 
						
						
							|  | >Wasn't one of the original promises of PBS to bring back this type of | 
						
						
							|  | >"alternate" programming to TV? They do have the occasional great | 
						
						
							|  | >drama, but it seems to be wholly of British origins. Where are the | 
						
						
							|  | >new Serlings or Chayefskys on the tube? | 
						
						
							|  | 
 | 
						
						
							|  | Yeah, well, PBS seems to be dropping the ball, frankly, most notably with their | 
						
						
							|  | decision not to do more Tales of the City, largely because of political | 
						
						
							|  | concerns, leaving it to Showtime to take up the standard. | 
						
						
							|  | 
 | 
						
						
							|  | >I hate to blame everything on American TV executives and their | 
						
						
							|  | >perspectives (or lack thereof...). Would you mind sharing your | 
						
						
							|  | >insider view? | 
						
						
							|  | 
 | 
						
						
							|  | Main thing is the different time periods.  When TV first got going, they were | 
						
						
							|  | frantic to legitimize the form, and drew in a lot of writers from radio drama | 
						
						
							|  | and the stage.  (Actually, Serling came mainly from radio, not so much stage.)  | 
						
						
							|  | So there was a concerted recruitment effort.  Also, one of the problems is that | 
						
						
							|  | there's a bit of an onus attached to TeeVee in the Theater world, so a lot of | 
						
						
							|  | folks who could do good work in TV don't come and play with us. | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | Date: 24 Jun 1998 04:16:29 -0600 | 
						
						
							|  | Subject: Re: ATTN JMS: Londo's "old" makeup | 
						
						
							|  | 
 | 
						
						
							|  | >It just struck me how *convincing* Londo looked 20 years into the future as | 
						
						
							|  | >an | 
						
						
							|  | >old man.  The makeup is startlingly believable, much more so than most other | 
						
						
							|  | >"old" makeup I have ever seen | 
						
						
							|  | 
 | 
						
						
							|  | >So what's the secret?  How were you and your crew able to pull off something | 
						
						
							|  | >that no one else, with any size budget, was able to successfully accomplish? | 
						
						
							|  | 
 | 
						
						
							|  | I think it comes from the makeup folk knowing every line in Peter's face from | 
						
						
							|  | five years of working with him, and how to bring it out, something you don't | 
						
						
							|  | often get in films. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | 
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							|  | 
 | 
						
						
							|  | Date: 24 Jun 1998 20:47:11 -0600 | 
						
						
							|  | Subject: Re: Effects in MoFaS | 
						
						
							|  | 
 | 
						
						
							|  | The CGI is now being produced at 24 frame per second, starting about 517 or | 
						
						
							|  | 518, at a higher degree of resolution, nearer film-res.  We're doing 24 so it | 
						
						
							|  | matches better with the live-action which is also shot at 24 fps. | 
						
						
							|  | 
 | 
						
						
							|  |  jms | 
						
						
							|  | 
 | 
						
						
							|  | (jmsatb5@aol.com) | 
						
						
							|  | B5 Official Fan Club at: | 
						
						
							|  | http://www.thestation.com
 |