JMS Usenet messages for February 1997.
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Date: 1 Feb 1997 14:03:38 -0500
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Subject: Re: The Long Night ( *Spoilers* )
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:I am unaware of any *deliberate* attempt to have people tortured to
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authenticate information. The deception consisted of several elements."
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That you may not be aware of it does not mean it's incorrect.
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I ran across this information in an article in The Los Angeles Times about
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8 years ago. It was something of a big deal because the situation had
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been kept secret ever since the war, and when it came out it caused a
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great deal of distress (and discussion) about the ethics involved.
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I called a couple of other people who I talked to when the article first
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came out, and their recollection of it is the same as mine.
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I'll try and get around to doing a search on the LA Times database, to see
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if I can find the exact references, though I don't know if their search
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engine goes back that far.
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jms
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Date: 2 Feb 1997 03:27:31 -0500
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Subject: Re: jms graphics note (cgal repost)
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Mojo:
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I will point out to you that in my original message, I never even
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MENTIONED Foundation, or referred to it in any way, manner, shape or form.
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You did that on your own. You made baseless statements about our entire
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EFX team coming from Foundation, when you know this is an absolute and
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utter fabrication on your part.
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If you've got a problem with this topic being brought up, it's you who did
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it, so take your concerns to the mirror.
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Me, I'm out of this.
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"All I can say is that Joe REALLY doesn't know how to take a sarcastic
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comment in good stride!"
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Maybe, in future, if you didn't just drop in "sarcastic comments"
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randomly, you wouldn't have problems like this. Every time I have made a
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positive comment about the EFX this season, you have jumped in with
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sarcasm. Grow up, Mojo.
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Meanwhile, as far as I'm concerned, this thread is over.
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jms
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Date: 3 Feb 1997 01:20:36 -0500
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Subject: Re: ATTN JMS: pat tallman question
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Unless it's a small stunt where we have to see her face, such as getting
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tossed against a wall, it's always a stuntwoman for the bigger stuff.
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Same as all our cast.
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jms
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Date: 3 Feb 1997 01:26:15 -0500
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Subject: Re: ATTN JMS: From B5 to Crusade - A Transition $ Q!
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We're still discussing how the transition would take place.
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jms
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Date: 3 Feb 1997 09:09:12 -0500
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Subject: Re: ATTN JMS: Is it really you?
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"He (Mr. Ellison that is) also mentioned that J. Michael Straczynski took
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over hosting a radio show in the LA area. I haven't ever heard of this
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before (as opposed to knowing about Cap'n Power- one of my favs as a kid,
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Ghostbusters, etc.), and I was wondering if it was really you."
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Yeah, that was me. The show was HOUR 25, a 2-hour weekly talk show
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covering SF, fantasy, comics, horror, you name it. I hosted the show for
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5 years on KPFK-FM.
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jms
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Date: 3 Feb 1997 09:12:01 -0500
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Subject: Re: ATTN JMS -- The Long Night - Something magical happened...
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That's an amazing (and amazingly gratifying) report...thank you very muc
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for that. And my best to the NY fans. Thanks again.
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jms
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Date: 3 Feb 1997 14:50:58 -0500
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Subject: Re: ATTN: JMS - Choice of Music in "The Long Night"
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It's not exactly a question of choosing the music: I sit with Chris
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Franke, our composer, and indicate, "Here's where the music starts, and
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ends." If it's source music, we discuss the type of music, and he then
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composes it. We don't choose from library stuff on the show.
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jms
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Date: 4 Feb 1997 19:03:51 -0500
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Subject: Re: ATTN: JMS where's Bester?
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He'll be up in 2 more eps.
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jms
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Date: 4 Feb 1997 19:14:28 -0500
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Subject: Re: Attn: JMS -- Say cheese!
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Suddenly this whole photographic/photogenic discussion has taken a
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frightening turn....
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jms
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Date: 4 Feb 1997 19:13:04 -0500
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Subject: Re: ATTN JMS: Regarding Babylon 5: the Sequel
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Yeah, there will be an arc to the sequel series, but not quite as
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intensive or rigorous as the one in B5.
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jms
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Date: 4 Feb 1997 21:33:52 -0500
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Subject: Re: Attn JMS: Background graphics for ITF (no spoilers)
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We use the Hubble images (provided by them) a lot on the show, including
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these current couple of episodes. We digitize them, then enhance them
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into 3D.
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There aren't any official B5 paintings going on now, the only artwork of a
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collector's sort now is the collector's plate series from Hamilton, which
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is very nice (the Delenn plate in particular is *gorgeous*).
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jms
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Date: 4 Feb 1997 21:34:49 -0500
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Subject: Re: ATTN: JMS - "Into the Fire" (spoilers)
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Thanks...and the shadow voice was definitely Ed Wasser.
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jms
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Date: 5 Feb 1997 01:44:28 -0500
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Subject: Re: Into the Fire ( *Spoilers* )
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Over? As Londo said..."Oh, I haven't even *started* with you yet."
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Was the story of Earth over after WW2?
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jms
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Date: 6 Feb 1997 02:06:00 -0500
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Subject: Re: Attn JMS: Background graphics for ITF (new spoiler question)
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Yeah, John Copeland and I picked the specific images used in that one.
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jms
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Date: 6 Feb 1997 15:15:20 -0500
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Subject: Re: ATTN:JMS
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Yes, when you write a novel, you own the copyright; nobody can touch it
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without your permission.
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jms
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Date: 7 Feb 1997 10:12:34 -0500
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Subject: Re: ATTN JMS: Only on Babylon 5 . . . (no ITF spoilers)
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1.) The CGI was excellent and seemed very different than in previous
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episodes, much larger, better defined, darker. Was this an effort on
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your part, or the post-production department?
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We're trying some new rendering techniques...I think they're working very
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well. (Some of the stuff in the next episode has a very realistic feel to
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it.)
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2.) Have you found some way to slow down time or compress the episode
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into a shorter span? When I finished this one, I swore I had watched a
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two hour movie.
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You did. We arranged for a time dilation bubble to appear over your
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house.
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3.) Any reaction from the actor or staff on this one? Especially, Ed
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Wassner? (Might be a bit of spoilers in the answer to this one)
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Ed wants to come back as an alien. I see no problem with this.
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jms
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Date: 8 Feb 1997 02:36:14 -0500
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Subject: Re: ATTN JMS: Revellogram model kits
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I saw the ad copy for the first batch of models when they came through my
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office for approval...the Starfury is going to be one of the first ones
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out, and if the ad just came through, then it means they're about to start
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marketing it, so I'd keep my eyes open.
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jms
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Date: 8 Feb 1997 02:38:44 -0500
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Subject: Re: ATTN JMS & ALL: Very cool web site!!
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The early information on Vorlons was just put in there to make the studio
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happy, since I didn't want to reveal what they were -- it'd be kinda hard
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to explain to business types -- because they wanted *something* to hold
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onto. The same material includes drawings done again just to help them
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relax.
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jms
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Date: 9 Feb 1997 02:42:19 -0500
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Subject: Re: ATTN JMS: Question about scores
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I think there are certain separated rights...but for the examples you
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cited, they were probably done via arrangements with the studios, not the
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composers.
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jms
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Date: 9 Feb 1997 02:45:53 -0500
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Subject: Re: ATTN: JMS <spoilers for #406>
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Ghar...your comments are well and good and have nothing to do with
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reality.
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First, the Rangers situation is not a typical military situation. They
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are primarily from Minbar, both in terms of actual Minbari and humans
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trained there. They are specifically under Delenn's charge, with Sheridan
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*sharing* that authority. He did not know Ericsson because they're a
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large bunch to whom he has not been introduced, and likely they don't have
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very large records on them. This is a *de facto* army, not a *de jure* (I
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hope I spelled that right) army...there ain't a lot of paperwork on the
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Rangers.
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Second, it was Delenn who sent for this particular White Star, more for
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its strategic location...which Sheridan used because it was closest to the
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goal. Your observation is like saying that General Patton should know
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*instantly* about every soldier on the line in battle, however distant he
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is. Which is simply absurd. Watch some old WW2 footage someday...there's
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General MacArthur walking among some troops..."What's your name, son?
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Where are you from?" By your lights, he should have known that.
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Third, re: the encryption notice...of *course* they're all
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encrypted...what Sheridan said was "we're RE-encrypting this message EVERY
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THREE SECONDS, so be sure to have your system keep up." That's an
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escalation in layers of encryption so elaborate and involved that it makes
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the system actually slow down.
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Before you start flaming, I suggest you stop and consider what you're
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saying some time, and that there may be other elements at work beyond just
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what you THINK should be the case.
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jms
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Date: 9 Feb 1997 12:55:13 -0500
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Subject: Re: ATTN JMS: I'm going "huminahuminahumina..."
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Thanks.
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You can sit down now.
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jms
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Date: 9 Feb 1997 12:56:31 -0500
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Subject: Re: ATTN: JMS--Pushing the Envelope (SPOILERS, Into the Fire)
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Thanks. Now comes more fun...again, it's all about process...going from
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post-war (Minbari) to an uneasy peace, to showing how a war starts to come
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about, the actual beginning of a war, its progress, then the aftermath.
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That arc really is at the core of the show...the changes that take place
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through this process.
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jms
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Date: 9 Feb 1997 13:11:51 -0500
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Subject: jms thinkpad story: end notes
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Just a follow-up since a few have asked....
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A while back, I posted about the IBM Thinkpad 560 that I bought, which
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went kablooey within 24 hours and could not be fixed, and the multiple
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incompetent attempts to make it work by techs who had never touched this
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model before. I vented here in my frustration about it all.
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Well, what then happened was that a Very Nice Man named Robert Kirk at IBM
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heard about this, and intervened. Through his own resources, he had it
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checked out thoroughly, and discovered that the motherboard was wired
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wrong, and badly, with some connections not fully made, so it'd work one
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minute, and not the next.
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It's subsequently been replaced, and it has been running fine ever since.
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I've held back saying anything more until I was sure...but it's a fine
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little machine, now that it's working.
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Sometimes, as with any bureaucracy, you have to get their attention, and
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that's what the nets are good for. I heard from several others who had to
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go through similar steps..and if you plink them in public, they will
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sometimes do what they will never do for you in private.
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jms
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Date: 11 Feb 1997 19:25:25 -0500
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Subject: Re: ATTN JMS: Qs about Crusade
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"Can you tell us if Crusade is going to be a definite length eg B5
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is/was supposed to be 5 years (still hanging on for season 5
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announcement and sadly for season 4 to start showing in UK)."
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There's a definite ending in mind, yes, but there's some room to play
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within that framework. Again, there's an arc, but not quite as rigorous
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as with B5.
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jms
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Date: 12 Feb 1997 20:16:19 -0500
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Subject: Re: ATT JMS: Proportions of writing
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Thanks...at last, I'm well proportioned....
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I've always preferred the arc, both inside an episode, and between
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episodes, and even in the course of a season, where there's the resolution
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and then there's time to consider, reflect, and show the impact of these
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things. It's not just about solving the technical problem that way...it's
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about the people who solve the problem and how they are affected by the
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problems and solutions.
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jms
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Date: 12 Feb 1997 20:22:12 -0500
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Subject: Re: ATT:JMS Into the Fire ( *Spoilers* )
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Yes, if Sheridan had not pushed Kosh into the trigger event that started
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to accellerate the story, the events that followed...wouldn't have.
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jms
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Date: 14 Feb 1997 07:11:24 -0500
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Subject: Re: ATTN JMS: Thanks for the job!
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Thanks...the show can be a nudge, but only a nudge...you have to do what
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needs to be done, and you did exactly this. All praise and responsibility
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rests at your feet; I got nothing to do with it, but I will, with thanks
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and appreciation, reflect for a moment the sunshine of your accomplishment
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as though I actually had something to do with dawn. Good luck.
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jms
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Date: 14 Feb 1997 07:14:02 -0500
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Subject: Re: Attn: JMS B5 Soundtrack Vol. 2
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The two songs may show up somewhere someday, but I'm in no rush...I like
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the soundtrack being instrumental.
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jms
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Date: 14 Feb 1997 07:03:39 -0500
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Subject: Re: ATTN JMS: Comparison to "Lucifer's Hammer"
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I agree, it's often the aftermath that holds the greatest interest. The
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Civil War tells one kind of interesting story; the Reconstruction that
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followed, which endured for many years longer than the war, tells another,
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just as interesting story.
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There's a line one of the characters will say soon, "The duration's going
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to be a lot longer than the war." It's a very true comment.
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One of my favorite books is "Alas, Babylon," by Pat Frank, which is about
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a nuclear war (written in the early 60s). But the war happens entirely
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off-stage, way in the distance...and the book focuses on one small
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township dealing with the after effects, and the day-to-day realities of
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surviving in a changed world. I've always been partial to that kind of
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storytelling.
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jms
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Date: 14 Feb 1997 15:12:56 -0500
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Subject: Re: ATTN JMS: How could you? -- SPOILERS for 'Epiphanies'
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"Was this your intention - to get a response from those of us who follow
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the Sheridan and Delenn story line closely? Some how, I feel manipulated
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and very disappointed."
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Yes, as I sat in the editing room, I thought, "Hmmm...if I do this, it'll
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get the Sheridan and Delenn fans' knickers all in a knot...."
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Every scene goes through some editing...there is barely a scene we film
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that doesn't get a line or two or three snipped. Sometimes the edit is
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noticeable, sometimes it ain't. The only thing you can decide is, "Does
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this move the story along or not?" I was chasing about another 20 seconds
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(which was all we're talking about here), and the back-and-forth didn't
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really add anything to what was already in that scene. I treated it the
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same as I would treat any other scene.
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jms
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Date: 14 Feb 1997 15:13:42 -0500
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Subject: Re: ATTN JMS: A request for a "final curtain bow".
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We've been considering something along those lines, but even broader,
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which is all I can say about it for now.
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jms
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Date: 14 Feb 1997 15:13:57 -0500
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Subject: Re: ATTN JMS: Holographic storytelling and irony
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I'd say that about 75% of the ironies are deliberately planned, and 25%
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come out of the general ether as I'm writing.
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jms
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Date: 14 Feb 1997 15:14:35 -0500
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Subject: Re: ATTN JMS: promised end vs. non renewal
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"As you seem to be very quiet about the possible futures, here is my
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question:
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What do you *want*? :-)"
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To tell stories.
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It's all I've ever wanted.
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As for the future of B5, whatever happens...I proved that it could be
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done, when the Industry said it couldn't. What I set out to achieve, I've
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achieved...now it's just surviving the last stages of it all.
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jms
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Date: 15 Feb 1997 09:59:01 -0500
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Subject: jms quickies
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For those in the Los Angeles area, I'll be doing a B5 presentation at
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Gallifrey, at the Airtel Hotel in Van Nuys, including a new blooper reel
|
|
and scenes from episodes yet to come.
|
|
|
|
I'll also be at Megacon in Orlando, Florida in about a month.
|
|
|
|
Preliminary, unofficial word is that we got a 4.1 rating for the second
|
|
new episode, our highest in 2 years.
|
|
|
|
Also, the new issue of Sci-Fi Universe has two articles by Stephen Smith,
|
|
one of which, a week following the production of B5, is probably the best
|
|
and most comprehensive article ever written on the subject. I commend it
|
|
wholeheartedly.
|
|
|
|
Finally, Antioch Publishing is hitting the bricks shortly with a line of
|
|
B5 nifties, ranging from bookmarks to bookplates, and other stuff. It's
|
|
beautiful stuff, made for readers.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:06:32 -0500
|
|
Subject: Re: ATT: JMS No Models from Revell?
|
|
|
|
"recently I read that you saw ads for the model ships to be made by
|
|
Revell/Modello, and thought they'd be out soon. I rushed out to the local
|
|
hobby shop, where the owner had heard nothing new on the subject."
|
|
|
|
These were ads that were coming through my hands for approval. They won't
|
|
be appearing for a while yet...but definitely later this year. They
|
|
wouldn't be sending me ad copy if they weren't planning to do something.
|
|
Since the ads just came through, they wouldn't have shown up in the latest
|
|
catalog.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:08:45 -0500
|
|
Subject: Re: ATTN JMS: GenCon Attendance?
|
|
|
|
No, nothing is currently in place for GenCon.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:09:59 -0500
|
|
Subject: Re: ATTN:JMS
|
|
|
|
The PTEN logo remains because that's what owns B5; the thing is no longer
|
|
functining as it did, but on the books it remains.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:11:17 -0500
|
|
Subject: Re: ATTN: JMS Epiphanies (spoiler
|
|
|
|
My suspicion is that they're dropping the B5 promo into what was the Kung
|
|
Fu promo spot, since KF ain't no more. They can't put in any more
|
|
commercials because they're up to the maximum limit, and most fans have
|
|
indicated wanting to see the longer promo not the short one, which is
|
|
often cut off.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:16:46 -0500
|
|
Subject: Re: ATTN JMS: Question about B5 novels
|
|
|
|
In the past, we've taken pitches, but overall I've felt that the books
|
|
strayed too far from canon by doing it that way; the latest batch were
|
|
more directly influenced. One is taken right out of B5 canon, the
|
|
Anna/Icarus story, and it's one of the best to date; the second one up is
|
|
based on a premise I wrote up and was assigned to the writer (it's the
|
|
weakest of the three, set on Centauri Prime while G'Kar was still held
|
|
prisoner, but still okay); the third is also based on a premise, and
|
|
follows Sinclair after leaving B5 to form the Rangers...I worked very
|
|
closely with the writer here to ensure that virtually *every line* is
|
|
canon. Frankly, if anyone asks from now on, "What happened to Sinclair
|
|
after leaving B5?" I can point to this book and say, honestly, "It's all
|
|
in there."
|
|
|
|
I think we'll continue to work this way more in future.
|
|
|
|
Dell only works with published authors with agents and credits.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:17:02 -0500
|
|
Subject: Re: JMS: quickies (Was: jms quickies)
|
|
|
|
Sorry...Megacon is the weekend of March 15th.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 06:19:21 -0500
|
|
Subject: Re: ATTN JMS: 14th April for season 4 in UK?
|
|
|
|
"I had written to them about the repeats of Season 1 (which we're not
|
|
getting in Wales) and after explaining that their commitment to Welsh
|
|
langauge programming did not allow them sufficient airtime for as many
|
|
repeats as the main C4, they went on to say, "However, you'll be glad to
|
|
know that the next series has been provisionally scheduled to start on
|
|
the 14th April 1997 on Channel 4. That series will definitely be shown
|
|
by S4C, although I am unable to give you a date and time at present.""
|
|
|
|
This is the first time I've heard a specific date, so I can't comment with
|
|
any kind of competence one way or another...I can only nod wisely, as if I
|
|
knew what the hell was actually going on....
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 17 Feb 1997 05:08:24 -0500
|
|
Subject: Re: ATTN JMS: Complete Book of Scriptwriting
|
|
|
|
Thanks...no, haven't written any other technical books, and all my fiction
|
|
is currently out of print.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 16 Feb 1997 13:33:31 -0500
|
|
Subject: Re: ATTN:JMS - WB Mixed Signals, Ratings...
|
|
|
|
Yeah, it's enough to drive a Vorlon to hyperventilate....
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 19 Feb 1997 21:05:32 -0500
|
|
Subject: Re: Attn JMS: audio problem during "The Illusion of Truth"
|
|
|
|
My guess is it was caused by the downlink, but I'll try to verify.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 20 Feb 1997 04:43:26 -0500
|
|
Subject: Re: ATTN: JMS Master story tellers are never boring
|
|
|
|
Thanks...and yeah, I'll be at Marcon this year, story-bag in hand....
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 20 Feb 1997 04:57:29 -0500
|
|
Subject: Re: ATTN JMS: Question about B5 novels
|
|
|
|
"Is this book consistant with what happened to Sinclair in the first few
|
|
issues of the DC comic? Or is the DC comic now non-canon?"
|
|
|
|
It's *absolutely* consistent with the comic, the events of which are
|
|
mentioned at some length in the novel. I'm telling you...it ties in the
|
|
comics, the first year, the following year, the development of the
|
|
Rangers, what happened to Marcus and his brother, what happened to
|
|
Catherine Sakai, we learn a lot more about Valen...it's going to be pretty
|
|
cool.
|
|
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 20 Feb 1997 17:00:09 -0500
|
|
Subject: George is Here!
|
|
|
|
I just saw the first message I can remember from George Johnsen, B5
|
|
co-producer and head of Post Production on BABYLON 5. His message here
|
|
was signed George Johnsen <ndeiprod@earthlink.net>.
|
|
|
|
For those interested in the details of post-production -- sound, music,
|
|
editing, CGI, other stuff -- George is the guy to ask. George is
|
|
one-third of the Terrible Triumverate without which B5 would not happen,
|
|
and even if it did happen, wouldn't be a fraction as good as it is. (The
|
|
other two being me, one presumes, and John Copeland, one fears.)
|
|
|
|
Everybody join in welcoming George...make him feel at home...and feel free
|
|
to ask him all the technical questions you've considered asking me, but
|
|
knew you wouldn't get back an even reasonably intelligent reply. (Insert
|
|
evil laughter here.)
|
|
|
|
(George also makes a *great* convention speaker, incidentally. Simply a
|
|
word to the wise.)
|
|
|
|
George also did the closing voice-over in season 1 of B5, by the way.
|
|
|
|
This newsgroup is now officially bi-producial. Bi-producerial.
|
|
Something....
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 20 Feb 1997 17:01:50 -0500
|
|
Subject: Re: ATTN JMS: I-CON
|
|
|
|
I'm pretty sure we'll all be there for all 3 days...I know Harlan and I
|
|
will, pending any last-minute adjustments.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 04:37:46 -0500
|
|
Subject: Re: ATTN JMS: Drooling and muttering
|
|
|
|
Sounds like the drooling has stopped, but the muttering continues....
|
|
|
|
And thanks muchly.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 04:52:11 -0500
|
|
Subject: Re: ATTN JMS: MegaCon
|
|
|
|
My main B5 presentation will be that Saturday, March 15th, from 3-4:30, at
|
|
the Orange County Convention Center there in Orlando. I'll be there with
|
|
bloopers, some scenes from episodes to air in May, and other gimcracks.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 04:57:51 -0500
|
|
Subject: Re: ATTN JMS: Crusade/B5 ending? ** SPOILERS**
|
|
|
|
"You have pretty consistently said that you would *end* B5, and that there
|
|
would *never* be a sequel. Instead, you would do something in the B5
|
|
universe, but not realated to the B5 storyline. The description sure
|
|
sounds like a sequel to me."
|
|
|
|
What I have said about this from the beginning, and the ONLY thing I have
|
|
ever said about this, was that there was a side-story in the B5 universe
|
|
that could go off from the main story. That has been quoted in many
|
|
different places, and on line, and definitely includes any plans for
|
|
"Crusade."
|
|
|
|
BTW, that new characters were mentioned does not exclude any current cast
|
|
members...doesn't include them, either, but bottom line, that ain't a
|
|
complete list of characters. There's room and flexibility in there,
|
|
depending on what happens.
|
|
|
|
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 05:04:44 -0500
|
|
Subject: Re: ATTN:JMS-New comics?
|
|
|
|
Yes, here's the skinny:
|
|
|
|
There's going to be a new 3-part story arc for the comics. It'll first
|
|
appear in the UK, serialized in the B5 magazine (which will be regularly
|
|
published over there shortly, to coincide with new episodes), then it will
|
|
be gathered together and published in the US by DC Comics. The books are
|
|
being written/assembled in-house, to avoid conflicts with editors.
|
|
|
|
I've written the first issue, which brings the Valen story into the
|
|
foreground, and the second two parts are being written by Peter David.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 05:02:51 -0500
|
|
Subject: Re: ATTN JMS: Complete Book of Scriptwriting
|
|
|
|
"Are there any plans to put any of [my books] back in print?"
|
|
|
|
Ehhhh...no, not really.
|
|
|
|
I'd rather see my next novel come out first, since it's going to be a
|
|
better book than those preceding it. (Yes, I'm writing it now in my
|
|
copious free time.)
|
|
|
|
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 21 Feb 1997 15:21:24 -0500
|
|
Subject: Re: ATTN JMS: You really depress me
|
|
|
|
If it's a little close to home...you have to remember I came out of
|
|
journalism, that was where I cut my teeth as a writer, working for
|
|
newspapers and magazines. You see a lot of the tricks, some good, some
|
|
not so good, used for purposes that are sometimes good or not so good,
|
|
distortions on the left and distortions on the right. So it wasn't hard to
|
|
just tweak it a bit.
|
|
|
|
Thing to remember, though, is that this isn't ISN as we've known it in the
|
|
past, at least not to this extreme. If anything, this ep should point to
|
|
the difference between journalism, albeit biased, and propaganda, which is
|
|
all ISN is now, and how only an informed viewership can prevent the one
|
|
from sliding into the other.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 22 Feb 1997 21:32:03 -0500
|
|
Subject: Re: ATTN JMS: New book?
|
|
|
|
Thanks. I'm loathe to say too much about the book for now, because I tend
|
|
to prefer to talk about these things closer to completion, so I know it's
|
|
something that will *happen*. I can say for now only that it's an SF
|
|
novel, probably with a good mainstream appeal to it, in a contemporary
|
|
setting. I'm not able to work on it as much or as often as I'd like,
|
|
stealing away a few hours here and there, but I'm about 100 pages into it
|
|
now, and hope to have it done by the end of the year.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 23 Feb 1997 05:10:26 -0500
|
|
Subject: Re: ATTN JMS: Sheridian's model :-)
|
|
|
|
Actually, I think the Starfury model was an illegal one we confiscated.
|
|
|
|
Waste not, want not...
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 23 Feb 1997 05:16:03 -0500
|
|
Subject: Re: ATTN JMS: Sonic Images and B5 CD vol2
|
|
|
|
"You should have gotten her name and asked to speak to the manager (or
|
|
call back later). I don't think that JMS will be able to do anything
|
|
about this -- he doesn't work for or manage Sonic Images."
|
|
|
|
No, but it never hurts to make a phone call (which I did)...
|
|
|
|
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 23 Feb 1997 15:19:25 -0500
|
|
Subject: The Illusion of Truth ( *Spoilers* )
|
|
|
|
Spoilers for The Illusion of Truth
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
"3 - In the Delenn/Sheridan interview, there is a
|
|
change in the vocal acoustics of the journalist
|
|
for the "new" questions he asked. "
|
|
|
|
|
|
And not just in the voice quality...look at the footage again. He's
|
|
sitting in a different chair, in a different room.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 24 Feb 1997 22:08:45 -0500
|
|
Subject: Re: Attn JMS: audio problem during "The Illusion of Truth"
|
|
|
|
Hey Folks-
|
|
|
|
The audio problem on TIoT was caused by the uplink at the uplink
|
|
facility that Warners is using this year. This facility is not all
|
|
digital, like our facility was last year, and these analog-y problems
|
|
creep in from time to time. The buzzing mentioned happened specifically
|
|
on the "hypertext" captions (tell the truth, how many people touched the
|
|
button pads?), and was caused by the audio channel being too close to
|
|
video with a high white level. (Video pro alert- yes i know this is an
|
|
overly simplified explanation)
|
|
|
|
WB is in the process of fixing the problem.
|
|
|
|
Any of the other mentioned problems, voices shooting off into the
|
|
surrounds, steering effects in stereo, dialog level fluctuations are a
|
|
local phenomenon.
|
|
|
|
George Johnsen
|
|
CoProducer, B5
|
|
|
|
|
|
|
|
|
|
Date: 24 Feb 1997 22:09:10 -0500
|
|
Subject: Re: ATTN GEORGE: Equipment question
|
|
|
|
Hey, Lee-
|
|
|
|
Whoa- sounds more like a lightwave mailing list question! :-)
|
|
|
|
The arsenal looks like the following-
|
|
|
|
Alphas for design stations serving 5 animators and one animation
|
|
assistant (housekeeping and slate specialist). Most of these stations
|
|
run Lightwave and a couple add Softimage. VERY plug-in hungry. PVR's
|
|
on every station, with calibrated component NTSC (darn it, I hates ntsc)
|
|
right beside.
|
|
|
|
P6's in quad enclosures for part of the renderstack, and Alphas for the
|
|
rest, backed up 2x per day to an optical jukebox.
|
|
|
|
Completed shots output to a DDR post rendering and get integrated into
|
|
the show.
|
|
|
|
Shots to composite go to the Macs running After Effects, or the SGI
|
|
running Flint, depending on the type of comp being done, and then to the
|
|
DDR (8 minutes capacity on the SGI).
|
|
|
|
Boy it sure sounds easy! The only problem is, we have a killer schedule
|
|
and very picky producers, and ESPECIALLY picky viewers! :-)
|
|
|
|
It is, however, a bunch of fun!
|
|
|
|
George Johnsen
|
|
CoProducer, B5
|
|
|
|
|
|
|
|
|
|
Date: 24 Feb 1997 22:14:26 -0500
|
|
Subject: Re: Attn GEORGE: Interceptors
|
|
|
|
Mark-
|
|
|
|
The interceptors have two components, one that throws a ball of energy
|
|
at an incoming weapons charge (physical or energy) and causes
|
|
dissipation, and the other is a net-like energy web that reduces the
|
|
severity, but does not deflect or absorb, beam type energy. This allows
|
|
some time for maneuvers after beam contact.
|
|
|
|
Note that Major Ryan (He'll always be D-Day to my brother!) was very
|
|
reticent to fire on the Clarkstown at all. Knowing that the
|
|
Interceptors were down made his job all the more difficult. The rear
|
|
facing beamn on the Alexander is similar in design to the front facers
|
|
on the Clarkstown. When the C-town fired on the rotating section ofthe
|
|
Alexander, it did not explode, as the interceptors were still active.
|
|
|
|
George Johnsen
|
|
CoProducer, B5
|
|
|
|
|
|
|
|
Date: 25 Feb 1997 17:06:46 -0500
|
|
Subject: Re: ATTN: JMS: First question I've ever asked you
|
|
|
|
No, the last name isn't dubbed, only Jarrico was dubbed, because it was
|
|
mispronounced.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 25 Feb 1997 18:49:26 -0500
|
|
Subject: Re: ATT JMS: B5 in April '97 MacUser
|
|
|
|
Hey Tom!
|
|
|
|
Even though the Joe uses "another" platform, the show actually uses
|
|
many! Macs have been essential to the creation of the show from the
|
|
beginning. Even farther back, the Amiga and the Newtek Toaster were
|
|
employed.
|
|
|
|
Currently we use Pentiums and Alphas for animation, Macs for Editing,
|
|
Matte paintings and Compositing, and SGI's for Compositing and titling.
|
|
If that isn't platform independent, I don't know what is!
|
|
|
|
So, Andy can continue to like the show, AND be true to the magazine he
|
|
works for!
|
|
|
|
George Johnsen
|
|
CoProducer, B5
|
|
|
|
|
|
(and Mac user since the 128!)
|
|
|
|
|
|
|
|
Date: 25 Feb 1997 18:49:42 -0500
|
|
Subject: Re: ATTN: JMS or GEORGE--Questions about ISN cameras
|
|
|
|
Jeff-
|
|
|
|
The ISN cameras are not capable of autonomous operation, but they can be
|
|
progammed within a parameter set. The wand is a control device to
|
|
change those parameters. Thus, one operator, two cameras (or more!)
|
|
|
|
There was a distinct anti Minbar/Minbari sentiment among this particular
|
|
crew, as evidenced by the later parts of the show, and it isn't hard to
|
|
imagine that the bumping was at the behest of the wand wielder. If
|
|
Lennier was simply annoyed, advantage ISN. If he reacted violently,
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advantage ISN. I'm sure that footage will be used on another ISN
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propoganda broadcast. (You can see it on Channel 134 of your cable)(Oh,
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sorry, Channel 134 is not availbale in all sectors after curfew)
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George Johnsen
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CoProducer, B5
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Date: 25 Feb 1997 20:25:28 -0500
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Subject: Re: ATTN JMS: Question on Ethics in Writing
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The line about meaning what you say is an old saying that goes 'way, way
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back, long before the O'Toole movie. And as far as Caligula goes, the
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sense of it is there, but not the details...and even if they *were*,
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basing part of a story on historical precedent, on actual events, is
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hardly inappropriate. (And in this case, again, it isn't based on
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that...evocative of it, yes, but nothing more.)
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The notion of the Vorlons and Shadows representing Order and Chaos goes
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back to the Babylonian creation myths, that the universe was born in the
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conflict between order and chaos, hence part of the reason I decided to
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name this show after Babylon. That's called *research*. It informs the
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show, but it is not the show.
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jms
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Date: 26 Feb 1997 13:18:52 -0500
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Subject: Re: Atonement; slight spoiler
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"My question is, since we can see that the ship's engine is running, why
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aren't all of the objects in the hold laying against the bulkhead as a
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result of the ship's movement? Aside from that, it was a pretty neat
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effects shot."
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Because it's accurate; it's the same reason you don't see everything
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slammed up against the back wall of the shuttle even though it's circling
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the earth at thousands of miles per hour.
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jms
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Date: 26 Feb 1997 18:49:21 -0500
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Subject: Re: ATTN JMS: News release
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No, the Netter release categorically does NOT state that there will not be
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a fifth season, only that TNT has the rights to the 88 episodes and is
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hoping to get them on ASAP...but we're told by WB that this does not
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preclude year 5, which would (in the case of renewal) run in syndication
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cuncurrently with the reruns on TNT.
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jms
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Date: 27 Feb 1997 04:55:19 -0500
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Subject: Re: ATTN JMS: Can you elaborate on Netter Digital Press Release?
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Happy to explain.
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"And now this letter comes out from your company which seems to imply
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there won't be a fifth season."
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NDEI is not my company. I don't own it, don't work for it, it's entirely
|
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Doug's separate company. With a stockholder's meeting coming up, he told
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his financial PR person to pump out a release to get a little heat
|
|
going...and there was the TNT deal to pick up the B5 episodes that clicked
|
|
over at 88 episodes. That is the point at which they can get the show
|
|
clean, and there's the two movies for TNT to announce as go projects.
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The financial PR person put this out, rather than the B5 publicists, or
|
|
WB, and it never went in front of me or John Copeland. It just went out.
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That TNT gets access to 88 doesn't preclude a possible season 5, which
|
|
could air concurrently, a la the way Lazarus Man did.
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|
When I came in and found email on this, and saw the release, I raised hell
|
|
with Doug about it. He said "the entire 88 episodes" just refers to
|
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what's solid right now, it doesn't mean it's going to be all there is...to
|
|
which I said it could be read that way, and many people *were* reading it
|
|
that way, and his person could've saved everyone a lot of hassle if it'd
|
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been run past me first.
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One thing's for sure: This Will Never Ever Happen Again.
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jms
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Date: 27 Feb 1997 17:53:01 -0500
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Subject: Re: Sound problems?
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Steve-
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It is most assuredly NOT the way the sound is done on the show. We do
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|
take advantage ofthe extra dynamic range offered by digital post
|
|
production, and that sometimes results in a 2 or 3 db difference between
|
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us and the commercials, but not the phenomenon you describe. I would
|
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love to speak with your affiliate to see if there is some help we can
|
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offer.
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George Johnsen
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CoProducer, B5
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Date: 27 Feb 1997 17:53:48 -0500
|
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Subject: Re: ATTN JMS & George Johnsen: hi from .hu
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Andras-
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Cineon is not the only processor to have a grain remover/grain adder
|
|
module in the software. The discreet logic Flint, Adobe After Effects,
|
|
and Lightwave 3D used on B5 also have various modules and plugins for
|
|
grain manipulation. We use 'em all the time on composite and blue
|
|
screen shots to make the generated elements fit into the film elements.
|
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|
We shoot with Panavision Gold super 35. We have tested nearly all of
|
|
the emultions currently available, and 5298 is what John Flinn III, ASC
|
|
likes the best, so that is what we use. He feels it preserves the look
|
|
he is going for the best. I know an EXR test was scheduled, but we
|
|
haven't gotten there yet.
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|
We record all of our CG elements to hard drive and optical disc. The
|
|
images are created "resolution independent" meaning they could be
|
|
rendered for anything from video game to Imax, based on user input. For
|
|
the NTSC version, we output to digital tape, eventually.
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|
Hey, advertise Kodak all you want, they make good film. Love that
|
|
Kodachrome, even thogh it's disappearing.
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George Johnsen
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CoProducer, B5
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Date: 27 Feb 1997 21:52:00 -0500
|
|
Subject: Re: ATTN George Johnson: No more space battles like Long Twilight
|
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|
|
>Kevein responded to:
|
|
|>
|
|
|> I was wondering why we haven't seen any other space battles like
|
|
|> we saw in the Long, Twilight Struggle. I believe this is the one
|
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|> where *SPOLIERS FOR LTS BELOW*
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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Kevin-
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Well said, well strategized!
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George Johnsen
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CoProd, B5
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Date: 27 Feb 1997 21:51:29 -0500
|
|
Subject: Re: ATTN George: No more space battles like Long Twilight Struggle?
|
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|
|
In article <5f1pep$jff@larch.cc.swarthmore.edu>,
|
|
fox@allspice.cs.swarthmore.edu (Annie Fox) writes:
|
|
|>
|
|
|> I was wondering why we haven't seen any other space battles like
|
|
|> we saw in the Long, Twilight Struggle. I believe this is the one
|
|
|> where *SPOLIERS FOR LTS BELOW*
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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|>
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Peter-
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|
|
There are most likely both types of battles you mentioned plus a few
|
|
more types we don't imagine as yet. You will see more of the Long Range
|
|
stuff if the story dictates. Remember that there weren't any Shadow
|
|
fighters in the scene you indicate, only battlecrabs (yes, now we call
|
|
them that, too), so the weapon size and distance could be greater. The
|
|
element of surprise is also a player, as is the fact that these weapons
|
|
were still quite unfamiliar to those being attacked.
|
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|
|
Our intention with the closer range battles was to convey several
|
|
dramatic things. One, a more intense, less calculated battle. Two, a
|
|
more personal fight for the participants, as these current fights are at
|
|
once more desperate and more monumental, Three, these are combination
|
|
fighter and larger ship battles. In addition to the large capital ships
|
|
being involved, there are a high number of smaller, more manueverable
|
|
ships that have no reason to exist, if technology is so great that
|
|
battles can only be fought from a distance. I am convinced that the
|
|
distances displayed are plausible for fighter-type battles. In all of
|
|
the history of pilot to pilot combat, there is always a component of the
|
|
direct engagement of the enemy. Technology continues to advance, and
|
|
after every major advance, the battle distances expand out..... for a
|
|
time. As soon as the pilots figure out how to react to the weapon, and
|
|
defend against it, the engagement distances close up again.
|
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|
|
George Johnsen
|
|
CoProd, B5
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Date: 28 Feb 1997 05:52:56 -0500
|
|
Subject: Re: ATTN JMS: The Magic of Intention
|
|
|
|
I'm kinda prohibited from saying anything leading to a neilsen family.
|
|
|
|
I can only look out at the clouds and consider what a pleasant day it
|
|
is....
|
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jms
|
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|
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Date: 28 Feb 1997 05:56:57 -0500
|
|
Subject: Re: ATTN JMS: Design of Novels' Covers
|
|
|
|
"What are the chances of the publisher choosing a new graphical theme
|
|
for the novel covers? The previous covers mistakenly placed the books in a
|
|
class unworthy of the subject: main character (B5 station), flanked by
|
|
several alien and beautiful woman/heroic captain caricatures, adorned by
|
|
dime store typography -- elements straight from Book Graphics 010. "
|
|
|
|
I've been screaming about the covers from day one...and finally just put
|
|
my foot down. "But it helps give us continuity," they say. "Sure," says
|
|
I, "cover 1 is a crappy cover, so let's make a whole LOT of crappy covers
|
|
that are all crappy in the same way so we can make 'em consistent."
|
|
|
|
Jeanne's book is more or less of that mold; the second uses a similar
|
|
philosophy but is better rendered; and the third book coming up has
|
|
probably the best cover to date, showing the Minbari temple and some great
|
|
sketches of Sinclair, Sakai and Cole.
|
|
|
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|
|
jms
|
|
|
|
|
|
|
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|
|
Date: 28 Feb 1997 11:40:33 -0500
|
|
Subject: Re: ATTN JMS: 'Go' for re-editing the pilot?
|
|
|
|
"Now that TNT has set a definite date for airing the
|
|
series, have they given you a 'go' for re-editing The Gathering? If so,
|
|
how much will you be able to put back (the character stuff with Sinclair?)
|
|
Might you even re-score it with Christopher Franke music?"
|
|
|
|
We're still negotiating that out, but in hopes of this going, we've begun
|
|
redigitizing the footage so we can get into the main scenes we want to
|
|
work on.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
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|
|
Date: 28 Feb 1997 17:17:15 -0500
|
|
Subject: Re: ATTN JMS: I-Con
|
|
|
|
I think Saturday is my main day there.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
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|
|
Date: 28 Feb 1997 19:45:22 -0500
|
|
Subject: Re: ATTN JMS: Do you shoot in advance? (Spoilers? Maybe. Up
|
|
|
|
|
|
|
|
Somtimes, yeah, we'll gang together shots in one location that will spill
|
|
across several episodes, and definitely did that in Garibaldi's case. I
|
|
just figure out what's coming, and write those specific additional scenes
|
|
prior to the rest of the scripts.
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Date: 28 Feb 1997 21:15:54 -0500
|
|
Subject: Re: ATTN JMS: IMAX B5?
|
|
|
|
Laura darling,
|
|
|
|
Are you trying to kill me?
|
|
|
|
George Johnsen
|
|
CoProducer, B5
|
|
|
|
PS- we'd love to do it. Our animation is resolution independent, but
|
|
there would be much additional work in creating the level of detail that
|
|
the large frame would require. Would be great fun to do, and Boy, would
|
|
it sound good!
|
|
|
|
|
|
|
|
|
|
Date: 1 Mar 1997 04:19:35 -0500
|
|
Subject: Re: ATTN JMS: Are *you* happy with S4 perceived "rush"?
|
|
|
|
Truth: I go back and forth. The "Into the Fire" thing, for instance...it
|
|
would've likely been a two-part episode, but it still would've ended up
|
|
exactly where it ended up. A few more big explosions, but I wonder also
|
|
if that really adds anything past a certain point.
|
|
|
|
>From a production standpoing, since "Fire" darn near killed us in the CGI
|
|
department, it's probably a darned good thing it DIDN'T go for 2 eps.
|
|
That puppy had something around 120 or 140 EFX shots.
|
|
|
|
Overall, I'm actually quite happy with how this season is going, in terms
|
|
of the intensity of the arc and the emotions and incidents. Parts
|
|
would've been a bit more laid-back if I had decided not to cover my bets
|
|
on renewal, and maybe the situation has worked out to the best (again the
|
|
ABA principle, Art By Accident).
|
|
|
|
So I dunno...all I know is what's in the episodes this season, and it's
|
|
pretty cool overall....
|
|
|
|
|
|
jms
|
|
|
|
|
|
|
|
|
|
|
|
Date: 2 Mar 1997 02:29:26 -0500
|
|
Subject: Re: Atonement ( *Spoilers* )
|
|
|
|
The ship with Marcus and Franklin *wasn't* spinning...hence, no gravity.
|
|
|
|
|
|
jms
|
|
|
|
|
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|
|
Date: 2 Mar 1997 02:46:31 -0500
|
|
Subject: Re: ATTN JMS: Re: Compuserve's 'To Sysops from jms'
|
|
|
|
The CIS situation seems to now be working out; the policy of backrooming
|
|
messages has been stopped, and the larger policy is being reexamined and
|
|
may be restructured.
|
|
|
|
Again, it's the B5 rule...if you make a stand, and approach the problem
|
|
from the perspective that you can make a difference, you can. And it
|
|
wasn't just that it was me, believe me...it was the many, many people who
|
|
stood up and said the same thing. You decide to change things, and you
|
|
change things.
|
|
|
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|
|
jms
|
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