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Subject: Viewers for Quality TV for B5
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Date: 1 Mar 1995 05:59:26 -0500
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I'm *very* pleased to announce that the latest survey by Viewers For
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Quality Television (VQT) has selected BABYLON 5 as the #1 ranked
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syndicated drama, and #16 *overall*, putting it ahead of such series as
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MURPHY BROWN, DS9, SEINFELD, DR. QUINN MEDICINE WOMAN and THE SIMPSONS
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in their listings for Highest Quality Shows.
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My thanks and appreciation to all those who took the time to seek out
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VQT's surveys, and continue to do so, in order to bring attention to the
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hard work being done on this show, and it is our hope that we continue to
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merit your attention and support.
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jms
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Subject: Attn.: JMS: Observation on Dia
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Date: 2 Mar 1995 06:17:33 -0500
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All audio tracks are made very clear when they leave our hands; at
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various points along the way, our audio generally gets messed with, losing
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the dynamic range and having the midrange stuff hammered; this is done by
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some stations and the satellite folks, so that may account for some of
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what you're experiencing.
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jms
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Subject: Re: SeaQuest Rips Off "B5"
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Date: 2 Mar 1995 06:15:44 -0500
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Yeah, telepaths and their trials and tribulations have been done in
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print SF forever; but in 50 years of broadcast TV, no one's ever done it
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before B5...and it didn't take long for somebody else to jump on it once
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we did it.
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jms
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Subject: ATTN JMS: B5 CAN attract the n
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Date: 2 Mar 1995 06:52:24 -0500
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...many thanks.
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jms
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Subject: ATTN:JMS repost. Thoughts re P
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Date: 3 Mar 1995 12:25:40 -0500
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Yes, generally telepaths do let down their defenses while they make
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love; you can keep them up, but the concentration level is very difficult.
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jms
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Subject: JMS: Season two production ord
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Date: 3 Mar 1995 13:47:52 -0500
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Last season we were able to shoot out of order because we began
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shooting in July and aired in January; now we began in July and air in
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November, so we can't switch things around. No difference otherwise.
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jms
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Subject: What does Harlan Ellison do on
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Date: 3 Mar 1995 15:10:02 -0500
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He does whatever he wants to.
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jms
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Subject: ATTN JMS: Question regarding f
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Date: 3 Mar 1995 15:10:23 -0500
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Yes, I have asked that any B5 related zines refrain from now from
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(for now) from printing story ideas, as this could cause me great trouble.
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jms
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Subject: ATTN JMS: How Do You Pitch a S
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Date: 3 Mar 1995 15:13:06 -0500
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I operate off the notion that a network or studio has the right to
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know what they're buying, and that I shouldn't go into an office to sell
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a series (B5 or otherwise) unless I know where it's going, to one extent
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or another. Hence, all series projects I do, I pitch with a series bible,
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multiple episode synopses, a sample script, and artwork if necessary to
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convey the concept. I'm a one man traveling road show.
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jms
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Subject: ATTN:JMS Samuri Tradition
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Date: 3 Mar 1995 15:24:20 -0500
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I'll have you know that playing "My Achey Breaky Heart" to an
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unwilling listener is specifically forbidden under the Geneva War Crimes
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rules. So THERE.
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jms
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Subject: B5 Cliches/ Pet Peeve
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Date: 3 Mar 1995 15:31:27 -0500
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What can I say...I work with Doug Netter...I can NEVER get out of his
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office without being pulled back by a comment or two, and because I'm
|
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absent minded, I'm always adding an afterthought as I leave the room. So
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for my money, this is just how folks talk.
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jms
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Subject: ATTN JMS: Why the long wait?
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Date: 3 Mar 1995 15:32:14 -0500
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Same reason as Voyager and DS9 now go into reruns; so they (and we)
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can have new eps for sweeps, which is what the PTEN stations want.
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jms
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Subject: ATTN JMS: Question...
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Date: 3 Mar 1995 15:34:39 -0500
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The real world is what I see. The real world is what you see.
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Strangely, they are never the same real worlds.
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jms
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Subject: ATTN JMS: Question about Hunte
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Date: 3 Mar 1995 15:35:10 -0500
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Actually, no, the idea of making it Dr. Kyle had never entered my
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mind. On reflection, might've been interesting if it had....
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jms
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Subject: JMS: Writer's strike?
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Date: 3 Mar 1995 15:37:27 -0500
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Since negotiations between the WGA and the Alliance companies seem
|
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to be going along well just now, and since the WGA only renegotiates
|
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every four-five years, so the next one wouldn't be until B5 had run its
|
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full course, the question seems to me moot in any event.
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jms
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Subject: JMS: Is this common? was Re: A
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Date: 3 Mar 1995 21:08:53 -0500
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Some bits and pieces are shown around the stage or posted on the
|
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stage bulletin board, but not too much.
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jms
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Subject: JMS: sigh (was Re: What does H
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Date: 4 Mar 1995 04:28:40 -0500
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"You may as well have not responded, sir."
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"If you don't wish us to ask such questions, then please say so and
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(we) will refrain from asking in the future."
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Don't get snippy, Chuck.
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I get 500 messages a day or more. I don't have to answer any of
|
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them. I do. I don't owe you any kind of reply whatsoever; I could have
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simply seen it and moved on. Don't snip at me because you didn't like
|
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the answer, or it wasn't as detailed as you might want. Also, this is
|
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one particular question that I've answered, oh, about 30 times now, in
|
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excruciating detail; you'll forgive me if on number 31 I shorthand it a
|
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bit.
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The answer I gave you was also 100% correct, whether you liked it or
|
|
not. Harlan does on the show whatever Harlan wants. If you're not
|
|
satisfied with the answer, that's your lookout, not mine.
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For the 30th time (and a lot of this is probably in the faq, but after
|
|
12 straight hours writing, and another 10 hours producing, and getting
|
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maybe 3 hours sleep out of the last 36, I will take the time and retype
|
|
it all again, this time for your benefit, since you seem to begrudge me
|
|
my prior response. He has helped write the opening narration; he hsa
|
|
created the character of the ombuds; he has worked with me in getting some
|
|
of our freelance writers on-track; he has made costume suggestions, set
|
|
suggestions, music suggestions...as I said: He does whatever he wants.
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I hope that this answer, which is available in the faq, suffices for
|
|
you. For your next question, download the faq and try to ask one that
|
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I haven't already covered 30 times. Or if you do ask an old one, and I
|
|
give you a brief answer, because I'm tired, and I've been typing all day
|
|
and all night, and my arms hurt all night long and all day long because
|
|
of carpal tunnel syndrome...don't come back at me with attitude, because
|
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frankly your attitude sucks. You could've said, "Could you amplify a
|
|
little more?" and that would've been sufficient, and I probably would've
|
|
obliged. But I answer hundreds upon hundreds of messages every single
|
|
week; don't pull this kind of crap on me.
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"You may as well have not responded, sir."
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Yeah, well, maybe next time I won't.
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|
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"If you don't wish us to ask such questions, then please say so and
|
|
(we) will refrain from asking in the future."
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Does your mom know you talk to people like this?
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jms
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|
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Subject: JMS: Compliments from a viewer
|
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Date: 4 Mar 1995 04:47:15 -0500
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Thanks...and sorry...and my best to you and Helene.
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jms
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Subject: B5 T-Shirt and Cap Info (jms)
|
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Date: 4 Mar 1995 05:25:54 -0500
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In reply to the many who've asked...All-U, which has one of hte
|
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licenses for B5 merchandise, has been supplying mainly to distributers
|
|
but has now started taking individual orders. These are *truly* nifty
|
|
t-shirts and caps, authorized and approved. There are t-shirts (short
|
|
AND long-sleeve) for the cast with station, station with B5 logo and
|
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the words "the last best hope," station/logo/planet, and station with a
|
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starfury in foreground. The cap has the B5 logo embroidered. These
|
|
are quality shirts, folks. When these guys grabbed the license, and
|
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we saw how good they were, we ordered boxes and boxes of 'em for the
|
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studio, and these are the exact same ones worn by many of our crew and
|
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cast. The artwork is laid down nicely, not heavy, well detailed, and
|
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true to the look of the show.
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Orders can be placed at All-U at 1-800-424-2558, ext. 105. Shirts
|
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and caps are $17, with long-sleeve shirts at $25, plus shipping. As I've
|
|
noted before, we're doing limited merchandising, mainly that which can be
|
|
controlled for quality and done right. These definitely qualify.
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jms
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Subject: Kosh is not being cryptic.
|
|
Date: 4 Mar 1995 05:27:54 -0500
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Ah, at *last* someone who understands Kosh. Yes, Andy, that is
|
|
precisely it. Of all the lines I write in the course of an episode, the
|
|
ones that take the longest are always Kosh's lines; anyone can be cryptic;
|
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that's easy. You have to kind of re-hardwire your brain to think like
|
|
Kosh thinks. He sees directly to the point of what the issue is, and that
|
|
we sometimes can't follow has nothing to do with him being mysterious, as
|
|
it does with just not being able to stand back and look objectively; clear
|
|
seeing, as they say in Zen.
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|
|
There's an old Zen saying; when you are hungry, eat; whey you are
|
|
tired, sleep; this way will you confound your enemies. Kosh's dialogue
|
|
tends to be a stone dropped into water that drops straight down. The
|
|
more I can pare down his dialogue to just what is *absolutely essential*
|
|
the more it is Kosh.
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jms
|
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|
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Subject: Attn JMS: B5 Fan clubs?
|
|
Date: 4 Mar 1995 05:29:47 -0500
|
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|
|
We've been trying to push a B5 fan club through Warners, and have
|
|
had tough going, but in time, and with luck, that'll change to some
|
|
extent or other.
|
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jms
|
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|
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Subject: ATTN JMS; Repeat quote please.
|
|
Date: 4 Mar 1995 05:57:11 -0500
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|
|
Reason I said to keep it was that I knew I'd forget it...and I have.
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jms
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|
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Subject: ATTN JMS: UK B5 group
|
|
Date: 4 Mar 1995 06:23:51 -0500
|
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|
|
I can basically handle one big group on internet at a time; when
|
|
rec.arts.b5 was created, I moved here from alt.b5 and haven't been on it
|
|
since. (Also, my access to internet is via a gateway created by another
|
|
kind user that I can use via GEnie; I don't directly get into internet.)
|
|
So my guess is probably not, barring anything extraordinary.
|
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jms
|
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|
|
Subject: ATTN JMS: You and the "actor-b
|
|
Date: 4 Mar 1995 18:36:58 -0500
|
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|
|
Actually, we have even MORE fun on the set; which is why it's a great
|
|
place to work.
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jms
|
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|
|
Subject: Attn JMS: What's with Warner's
|
|
Date: 4 Mar 1995 18:51:03 -0500
|
|
|
|
I think to some extent we're falling between two chairs, given that
|
|
most of Warner's attention now is in promoting the WB network. It's
|
|
been the topic of...considerable discussion lately, and with any kind of
|
|
luck at all, we might get a bit more PR down the road.
|
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|
jms
|
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|
|
Subject: Re: JMS: sigh (was Re: What do
|
|
Date: 4 Mar 1995 18:51:28 -0500
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|
|
Apology accepted. Forgiven, forgotten, gone.
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jms
|
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|
|
Subject: JMS: G's bubbles (H,P spoilers
|
|
Date: 5 Mar 1995 04:45:59 -0500
|
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|
|
P.S. For folks who, as you indicated, like to freeze-frame this
|
|
stuff and look at it later, I slipped in a little something JUST for you
|
|
guys (and, well, yeah, it also serves a plot point, and pushes part of
|
|
the arc), but it's something the freeze-framers will enjoy...look for it
|
|
in the first couple of episodes in the next batch of new episodes.
|
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jms
|
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|
|
Subject: JMS: G's bubbles (H,P spoilers
|
|
Date: 5 Mar 1995 04:45:52 -0500
|
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|
|
The word-balloons went by when the monitor was off-camera, and we
|
|
were on Franklin.
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jms
|
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|
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Subject: The Ship Who Sang
|
|
Date: 5 Mar 1995 19:09:32 -0500
|
|
|
|
There was no intended reference to Anne McCaffrey's story; Kosh tends
|
|
to speak naturally through a series of musical/tonal/atonal chords, and I
|
|
figured his ship would communicate in the same way, which to another would
|
|
sound a little like singing.
|
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|
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jms
|
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|
|
Subject: ATTN JMS: How many episodes in
|
|
Date: 5 Mar 1995 19:14:14 -0500
|
|
|
|
It's 22 per season.
|
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|
|
jms
|
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|
|
Subject: JMS: Change in Kosh's voice?
|
|
Date: 5 Mar 1995 19:21:44 -0500
|
|
|
|
There's been no change in the tenor of Kosh's voice that I'm aware of.
|
|
|
|
jms
|
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|
|
Subject: re: Hugo nominations
|
|
Date: 5 Mar 1995 19:22:00 -0500
|
|
|
|
The Sci-Fi Universe rankings were only the opinion of the individual
|
|
reviewer, and doesn't reflect the majority of fan opinion I've seen on
|
|
the show; the survey that comes out here every episode or so tends to be
|
|
more reflective of overall opinion.
|
|
|
|
jms
|
|
|
|
Subject: Doug Netter does Naked Gun?
|
|
Date: 6 Mar 1995 01:20:15 -0500
|
|
|
|
Nope, it's some other Doug Netter.
|
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jms
|
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|
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Subject: ATTN JMS: Note on growing audi
|
|
Date: 6 Mar 1995 15:52:22 -0500
|
|
|
|
That's a great report, thanks, very encouraging.
|
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|
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jms
|
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|
|
Subject: B5 visibility- wouldn't mercha
|
|
Date: 6 Mar 1995 15:55:01 -0500
|
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|
|
I fought merchandising the first year to focus on the show; all too
|
|
often the tail begins wagging the dog. Now we're doing a little, here and
|
|
there. Merchandising doesn't really drive ratings; ratings drive the
|
|
sale of merchandise.
|
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|
|
jms
|
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|
|
Subject: Dr. John Glassco - *SPOILERS*
|
|
Date: 6 Mar 1995 16:22:58 -0500
|
|
|
|
The funny thing is...NOTHING quoted in the article has ANYthing to
|
|
do with B5...not the rat, not the android, nothing. I can only assume
|
|
it involves ST, because it's got nothing to do with what we're shooting.
|
|
|
|
jms
|
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|
|
Subject: CGI -- What's missing still?
|
|
Date: 8 Mar 1995 05:38:26 -0500
|
|
|
|
I think the CGI in composites looks more real because it's up next
|
|
to items we know ARE real. Re: transferring the CGI to film...this will
|
|
be done as part of redoing each episode to meet HDTV standards and laser
|
|
disks.
|
|
|
|
jms
|
|
|
|
Subject: ATT: JMS- Generic apology
|
|
Date: 8 Mar 1995 05:40:26 -0500
|
|
|
|
Robert Christopher...don't be silly. Though the sentiment is
|
|
appreciated, and the gesture a noble and good one, what you describe just
|
|
happens; I've been on the nets too long to let most stuff bother me.
|
|
|
|
I'm not bashful; if you ever do something that requires an apology,
|
|
you won't have to wonder about it. I remember seeing your post, and as it
|
|
came in a batch of similar messages, didn't bother me overmuch.
|
|
|
|
Bottom line...s'okay. Don't worry about it.
|
|
|
|
You have nothing to apologize for...well, except for that shirt...and
|
|
those *shoes*...c'mon, RC, you gotta stop letting your mom dress you.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Morden in pilot?
|
|
Date: 8 Mar 1995 05:40:40 -0500
|
|
|
|
Re: Morden apparently appearing in the pilot...certainly the actor
|
|
does, yes. That cannot be denied. You're correct in that to date, I have
|
|
not commented on Morden being this same person.
|
|
|
|
And the secret answer to this is...oh, hell, there's the phone....
|
|
|
|
jms
|
|
|
|
Subject: Request: StarShip Yamato on B-
|
|
Date: 8 Mar 1995 05:40:59 -0500
|
|
|
|
The next big weapon you see on B5 will be a hell of a lot nastier
|
|
than even a wave-motion gun....
|
|
|
|
jms
|
|
|
|
Subject: Re: JMS: The End of the Arc an
|
|
Date: 8 Mar 1995 05:41:16 -0500
|
|
|
|
This is aimed at Theron Fuller, who once again proves that he has
|
|
not the vaguest idea what the hell he's talking about. I'm getting tired
|
|
of constantly having to do this, and I swore it off for a while, because
|
|
it's like trying to teach a snail to tapdance ("Oh, look, dear, isn't that
|
|
cute, it's trying to *think*!")...but once more I sally forth in spite of
|
|
remaining wisdom.
|
|
|
|
To your statement that we "sold the national advertising at cut
|
|
rates to fill the space"...claptrap. Have you *watched* the show lately?
|
|
We've gone to larger sponsors than in our first year, higher prestige
|
|
sponsors. Also, ratings for national sponsors are based on the cumulative
|
|
national ratings, when you add together the two runs per week. And ever
|
|
since we went on the air, we have been increasing our ratings every single
|
|
damned quarter, Theron. Okay? Can we be clear on that now? Increasing.
|
|
Or in fewer syllables, UP. We went from a 3.2 to a 3.7 to a 4.0 to a
|
|
4.3 to a 4.4 and now we're hovering at about the 4.9 area about to break
|
|
into a 5.0.
|
|
|
|
IN ADDITION, you towering mudslide of misinformation, ou
|
|
demographics are STELLAR. We have alternately the #2 or #3 ranking in
|
|
ALL syndicated dramas in demographics, and just recently outdid DS9 for
|
|
the first time. Using the formula that advertisers use to determine ad
|
|
rates, this pushes our regular ratings to an ad-rate figure of 6.5. The
|
|
ads are being sold at top rate, to major sponsors, who have booked the show
|
|
SOLID through the fourth quarter.
|
|
|
|
PTEN has not asked for ANY changes in looking toward a possible
|
|
season three, and right now it looks VERY good for that season; the only
|
|
thing that might prevent it would be a cataclysmic drop in the ratings,
|
|
and that hasn't happened.
|
|
|
|
What you do, Theron, is create this crisis that exists only in your
|
|
own fevered brain...oh dear the show sucks in the ratings...AHA! that
|
|
MUST be why they changed between last season (wrong), and they must be
|
|
planning to "dumb down the show even further" for the third season in a
|
|
desperate attempt to survive!
|
|
|
|
I don't know what voices you hear in the middle of the night, Theron,
|
|
but their evaluations do not touch reality at any two contiguous points.
|
|
And I've grown weary beyond the telling of you sounding off here and
|
|
spouting nonsense as though somehow you had the facts and figures in front
|
|
of you. You don't. You're making all this crap up.
|
|
|
|
Please take it somewhere else.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS "Tie a RED Ribbon Rou
|
|
Date: 8 Mar 1995 05:41:33 -0500
|
|
|
|
The ribbon was there as a "drop," a signal that a meeting was to
|
|
take place between Sheridan and his contact, in this case Sarah, which
|
|
happens in the very next scene.
|
|
|
|
jms
|
|
|
|
Subject: I'm confused about 5year arc
|
|
Date: 8 Mar 1995 05:41:52 -0500
|
|
|
|
The five years applies to the series; it's six if you count in
|
|
the pilot.
|
|
|
|
jm(mathematics not zathras' skill)s
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Subject: Attn: JMS: "Souls"
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Date: 8 Mar 1995 05:42:12 -0500
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I'm afraid that asking my opinion on souls will matter very little
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in an analysis of their use in B5 in that as an atheist I don't believe in
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any kind of afterlife, which kinda negates the discussion.
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jms
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Subject: JMS: Bubble & Squeak
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Date: 8 Mar 1995 05:44:32 -0500
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Yes, I know all about Toad in the Hole and Spotted Dick, and in
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general both conditions can be cured with regular doces of antibiotics.
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jms(who has eaten many times at Porters in Covent Gardens)s
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Subject: ATTN JMS: You'll find this amu
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Date: 8 Mar 1995 05:44:59 -0500
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...quark photos...sigh...I can't get a break....
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jms
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Subject: You know you've OD'ed on Babyl
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Date: 8 Mar 1995 05:45:21 -0500
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Cats markings *do* move when you're not looking. I thought everyone
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knew this.
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jms
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Subject: JMS: Babylon-TRGB Connection?
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Date: 8 Mar 1995 05:44:47 -0500
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I didn't write that episode of THE REAL GHOSTBUSTERS; I'm fairly
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sure (this was a while ago) that Richard Mueller wrote "I Am the City."
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(Though I did story edit that script, as well as the 77 others in
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that one season.)
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Among the episodes I wrote are "Citizen Ghost," "Ragnarok and Roll,"
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"The Thing in Mrs. Faversham's Attic," "Xmas Marks the Spot," "Mister
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Sandman, Dream Me a Dream," "When Halloween Was Forever," "Chicken, He
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Clucked," "No One Comes to Lupusville," and a bunch of others. In general,
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the really sick and twisted ones were usually mine.
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jms
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Subject: Re: Can we get rid of imperial
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Date: 8 Mar 1995 05:47:15 -0500
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And by the way...those who keep saying we should be showing metric
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in the future...hey, I've *seen* the future, and metric was dropped in
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2181 in favor of the original system, mainly to annoy the hell out of the
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French.
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So *there*.
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And if it doesn't happen in 2181, you can come correct me.
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If you can find me.
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jms
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Subject: Question about Bab5 production
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Date: 8 Mar 1995 17:25:00 -0500
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Sometimes for production reasons, a section of dialogue may be looped
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(a glitch in recording, off-camera noise, a faulty radio mike, any number
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of common occurances). We match the looped dialogue to the original with
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proper room tone...and you can't easily tell it was done. But we've known
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for some time that our audio is getting crunched via the WB delivery
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process, and some stations which cut out the dynamic range, particularly
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those broadcasting in mono. After all that, the differences can become
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noticeable.
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jms
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Subject: A theory on Vorlons
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Date: 8 Mar 1995 17:24:07 -0500
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Are the Vorlons the bad guys and the shadows the good guys?
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That ain't it.
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Are the shadows the bad guys and the Vorlons the good guys?
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That also ain't it.
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jms
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Subject: Atten JMS: Status on other pro
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Date: 8 Mar 1995 17:27:43 -0500
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I hope to have word on some other projects I've been developing over
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the next few months. In all cases, while I'll create the series and will
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be nominally exec producer, a secondary show runner will be brought in to
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handle most of the work, even though potentially some of the other gigs
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would pay more for that position than I'm getting now. B5 has to come
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first.
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jms
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Subject: ATTN JMS Kosh 'n' Zen
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Date: 8 Mar 1995 17:55:16 -0500
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We have a number of variable sounds we can use to create Kosh's
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voice at various points.
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Re: Zen...I find it an interesting approach, though I don't put that
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much more stock in it per se than any other system. It applies an
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intriguing way of seeing the world, and I enjoy many elements about it,
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so I use it for story stuff or characterization sometimes, just as I draw
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on other areas.
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jms
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Subject: Re: JMS: The End of the Arc an
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Date: 8 Mar 1995 17:55:59 -0500
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Ratings tell you how many people are watching. Demographics tell
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you what *sorts* of people are watching...age, income, sex, that sort of
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thing. The advertisers like to reach people who spend money, preferably
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on their products. You can have a highly rated show, but if (to indulge
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for a moment in the crass-think exercised by ad people) that audience
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consists mainly of people in their 70s and above...it's hard to GIVE away
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the ads. You can be a lower rated show, but if you can deliver within the
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desired demographics, the advertisers will come to you.
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The B5 demographics are absolutely dynamite, and that's *very* good
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for us. We get a lot of people in the 18-49 range, our largest share of
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viewers, mostly educated, good consumers. They die for that kind of
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viewership.
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Translation: they've seen who YOU guys are...and they like what they
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see. Well, maybe except for that one guy in the loud Hawaiian shirt over
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there in the third row....
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jms
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Subject: ATN JMS: Mr. Reno in S&P
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Date: 8 Mar 1995 17:58:27 -0500
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I don't believe they were the same actor.
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jms
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Subject: ATTN: JMS Grey Council questio
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Date: 9 Mar 1995 04:18:56 -0500
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What can I say...the worker caste always gets forgotten....
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jms
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Subject: Exploring dangerous ships
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Date: 9 Mar 1995 04:19:22 -0500
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They went because it was NOT an unknown ship, it was an Earth
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registered ship, and they had done considerable scans (as noted in
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dialogue) prior to entering the ship. If YOU were the captain of a
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modern carrier, and you found a ship from 100 years floating past,
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wouldn't YOU want to investigate it? There was absolutely NO clear and
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present danger. Further, they were not, in fact, attacked by anything
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in the ship; the thing would have gotten out whoever had opened the
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cryogenic freezer. So what difference would it have made to send in
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some "expendable lackies" when nothing was at risk anyway?
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This is, frankly, Picard-think. When TNG went on the air, everybody
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yelled and carried on about how Kirk wouldn't let someone else go down
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to the planet instead of him; after a few years, suddenly it became SOP
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that the captain NEVER goes into any situation with possible jeapordy.
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You judge cases on an individual basis. There was no reason for
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them NOT to go into the ship, every reason FOR them to go into it, and
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nothing whatsoever happened once they WERE on board the ship to show that
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their safety assessment was incorrect.
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jms
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Subject: ATTN JMS: DiTillio! Ragnarok-
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Date: 9 Mar 1995 17:43:10 -0500
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We had a war going there for a while (Larry and I would occasionally
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declare war on one another for no particular reason). Larry named a bald
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butler in one of his episodes for another show "Straczynski." So I
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countered with the twisted dwarf named DiTillio in one of my episodes for
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TRGBs. He then came back at me with a deranged magician named The Amazing
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Straczynski in another episode. Then Marc Zicree got Larry, me, AND
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dragged Kathryn into it in "Lights"...at which point, having been
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blindsided, we decided it wasn't worth doing anymore and looked for other,
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more productive means of warfare.
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jms
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Subject: The Pirate PlanetR
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Date: 9 Mar 1995 17:43:36 -0500
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You'll see Epsilon 3 again this season.
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jms
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Subject: How to Keep B5 on the air.
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Date: 9 Mar 1995 17:42:43 -0500
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Sentiment appreciated, but don't do the $10 check routine, as it will
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get us in trouble with the FCC. Letters alone carry plenty of weight, and
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your support is received with much gratitude.
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jms
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Subject: Re: Dress UP!!! JMS can *SEE*
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Date: 10 Mar 1995 04:32:11 -0500
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"...after several dozen rapid revolutions, you might meet up with
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the Vorlon."
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I think I can pretty much guarantee that.
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jms
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Subject: ATTN JMS: Vorlon influence?
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Date: 10 Mar 1995 04:32:32 -0500
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I've never been able to work up enough steam to read "Lathe." I've
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read some of Ursula's work, but have often enough found it slow going that
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I just kinda ran out of enthusiasm. It's on my "when you have time, read
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this" list.
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In terms of writers now...I can't think of that much being done now
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in SF that really moves me or grabs me on a visceral level; not so much
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because it ain't there, because it probably is, only that since jumping
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onto B5 I've had *very* little time to read much of ANYthing. Most of what
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I do read seems to end up in other genres...lots of nonfiction, some dark
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or contemporary fantasy. (I've noticed this trend before; if I'm doing a
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humor-oriented show, I won't watch or read anything comedic...if I'm doing
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a mystery, I'll avoid mysteries...don't know why, really.)
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I'd definitely recommend Neil Gaiman, one of the best writers out
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there right now in any area. Terry Pratchett. And Jonathan Carroll,
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without question. He doesn't have quite the cachet of a Stephen King or
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a Jorge Luis Borges, but believe me, they'll be looking back at this guy
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for years to come, he's *that* good. Harlan keeps telling me to read
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Poppy Z. Brite, and one of these days I'll get around to it.
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jms
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Subject: Attn JMS>>>Technomage Seeks he
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Date: 10 Mar 1995 04:32:53 -0500
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"...tips on being a technomage."
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Real technomages don't need tips. They simply Are.
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General advice would be...never eat anything bigger than your head,
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never shoot pool at a place called Pop's, never eat food at a place
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called Mom's, the difference between horses and humans is that they're
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too smart to bet on what *we'll* do...and a fool and his money were
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lucky to get together in the first place.
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That'll be one dollar.
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jms
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Subject: Earth Alliance ship names
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Date: 10 Mar 1995 04:34:49 -0500
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Also the Schwartzkopf (in "Gropos") and the explorer vessel Cortez.
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Interesting juxtaposition between the Agamemnon, and the fact that G'Kar
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is something of a Cassandra figure in our story....
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jms
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Subject: Re: Dress UP!!! JMS can *SEE*
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Date: 10 Mar 1995 04:49:49 -0500
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"jms is a big boy...undoubtedly accustomed to all our styles of
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dress, and presumably, undress, while posting."
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Well, yeah, that's true, I just think that's a very strange place
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to keep your mouse.
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jms
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Subject: Re: Babcom 95 - A UK Con of so
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Date: 10 Mar 1995 04:53:15 -0500
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So, Steve, what is it you're not saying about B5 programming at
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WorldCon yet...?
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jms
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Subject: ATTN JMS: Micro Machines Canc
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Date: 10 Mar 1995 04:49:32 -0500
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I find this very surprising and somewhat dubious, given that last
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I'd heard the orders were going well. Our demise is ALWAYS being
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prematurely announced; lots of folks looking to buy the B5 comic were told
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it wasn't coming out, ditto for the novel. But I'll look into it just to
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be sure.
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jms
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Subject: JMS: Murder, She Wrote
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Date: 10 Mar 1995 04:55:20 -0500
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Hrmm...I'm going to try and do this from memory, and it was a while
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back..."Incident in Lot #7," "To The Last Will I Grapple With Thee" (the
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winner for the longest MSW title on record), "The Wind Around the
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Tower," "The Committee," one about a well-known actor returning to appear
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in a play in Cabot Cove whose former manager is murdered (I've forgotten
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the title), "Lines of Excellence," and several others.
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jms
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(I think they're playing stuff from my tenure on USA now, in fact.)
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Subject: Re: Was Morden On The Icarus
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Date: 10 Mar 1995 04:55:37 -0500
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"If we assume, due to our vast suspicion of jms, that they are the
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same person, then that implies...."
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Of course, if one *knows* that he is viewed with suspicion, one
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might just play into that.
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Or not. Or pretend to do so.
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Sleep well.
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jms
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Subject: B5's sexiest character
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Date: 10 Mar 1995 04:55:54 -0500
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And here I thought maybe it was me.
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It's the hair, isn't it?
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jms
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Subject: Those three little things
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Date: 10 Mar 1995 04:56:12 -0500
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Another thing that can be now re-interpreted is the look on Jack's
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face when Garibaldi didn't go for the whitewash of the security guard's
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financial records in "Sky," and how that body managed to get out of the
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station without security being aware of it....
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jms
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Subject: Re: Atten JMS: Status on other
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Date: 10 Mar 1995 04:55:05 -0500
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We were mentioned in USA Today on Thursday? Where and what was it?
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Re: the rest....ehh...let it go. (Would, btw, very much appreciate
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a copy of the Patriot/Ledger article, since I've never seen it.)
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jms
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Subject: Re: JMS: Babylon-TRGB Connecti
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Date: 10 Mar 1995 18:34:57 -0500
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"The Collect Call of Cthulhu" was written by Michael Reaves from a
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jms notion (at least I'm pretty sure it was; I was handing out premises
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left right and center back then, and didn't take credit for any of them,
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so I'll leave room for error there). I did write the follow-up episode,
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though, "Russian About," which btw had Walter Koenig doing a voice job.
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jms
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Subject: ATTN JMS: My Ears Have Turned
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Date: 10 Mar 1995 18:38:31 -0500
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Usually the person him- or herself puts up the meeting flag.
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jms
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Subject: Re: B5 is a surreal farce!
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Date: 10 Mar 1995 20:58:30 -0500
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Humor is always a very subjective issue, particularly when it comes
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to SF, which in TV has either been non-existent/forced, or campy. So
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a lot of times you get this knee-jerk reaction against it; they should
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all be dry and serious and self-important.
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I try and push just about everything on this show just a notch past
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the proverbial envelope. Sometimes I fall down. That's the risk when
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you take chances. I don't intend to stop taking chances, because what's
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the point otherwise?
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And sometimes the extremes work. And sometimes in humor you just
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do something completely gonzo. My favorite scene from Hill Street Blues
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in this regard was the one in which they spend (in a b story) the wholed
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(whole) episode trying to rescue/find the mayor's dog. Finally, after
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much angst, they find it. It's at the station. This little rat-dog
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critter, a real creep. Lt. Howard Hunter is playing with it, bouncing a
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ball. The ball bounces off the desk and out the 4th floor window...and
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the dog sails after it, right through the window...and Hunter just sorta
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stands there, and quietly, unobtrusively, hoping not to be noticed,
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walks away.
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I nearly killed myself laughing. And I thought, Damn, why can't we
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do this kind of humor in SF? Just *go* for it.
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And now we are.
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jms
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Subject: Re: Dress UP!!! JMS can *SEE*
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Date: 10 Mar 1995 20:58:51 -0500
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Re: posting while in lingerie...hmm...perhaps we can discuss this a
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little further....
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Though if the some of the guys are also going to continue posting in
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lingerie, I think they should at least shave their backs, y'know...?
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jms
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Subject: ATTN JMS: E-Mail
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Date: 11 Mar 1995 02:17:34 -0500
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Yeah, I'm pretty sure I've gotten them, and in some cases have
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responded, but the GEnie interface sometimes bounces stuff.
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jms
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Subject: Great Flame!
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Date: 11 Mar 1995 02:10:58 -0500
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We *have* military advisors on the show. And we use them constantly
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on various scripts. You may think that all military people think or act
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in one way. (Probably you think they all should think like you do.) You
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don't like the way I do it...probably prefer the way Trek does it. Fine.
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I happen to get a LOT of mail from people in the armed services, or who
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were in it previously, applauding the way B5 treats the military. But I
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suppose they're ignorant too, since they don't think like you do.
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I'll only bother to answer one other question: why stations are in
|
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many cases moving the 2nd airing of the show to less than terrific times,
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or trying to get out of it altogether.
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1) There are only 2 hours per night of prime time space available on
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independent stations, 8-10 p.m., since nearly all their news programs
|
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start at 10 p.m. That's 12 hours per week, total, to fit in all the PTEN
|
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shows, the UPN shows, the WB shows, the Fox shows, plus other syndicated
|
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programs. There's a glut of new programming right now, and it's a buyer's
|
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market. And while a rerun of that week's B5 may do well, it's still less
|
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than the first run a few days earlier, since most folks have seen it, and
|
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a new episode of another show might do better.
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2) National sponsors pay for advertising based on the cumulative
|
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national rating. You can get a 3 on the first night, and a 3 on the second
|
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night, and end up with a 6 rating, which is *terrific*. Local stations,
|
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however, don't have the luxury of cumulative ratings; they go by what it
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gets *that night* in *that hour*. If they only show it once, or put the
|
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rebroadcast in a less handy place, they can motivate more people to watch
|
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the first run, moving it up to a 4 or 5, meaning they can get a LOT more
|
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from sponsors. In later time periods, the money is always less anyway,
|
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so putting it on at 1 a.m. doesn't make any real difference money-wise.
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jms
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Subject: ATTN:Jms When it`s all over
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Date: 11 Mar 1995 02:25:34 -0500
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Well...the most honest and straightforward answer I can give you is
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that I don't know. On one level, being online is a lot like being in the
|
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mob; the only way you get out is feet first. ("Every time I think I'm out
|
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they pull me back in!" -- Godfather 3.) On the other...if B5 does go its
|
|
full measure, I'll almost certainly bail out of TV, which kinda concludes
|
|
the experiment. I'm also painfully (literally) cognizant of the impact of
|
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the CTS which generally makes each night difficult for me after hours and
|
|
hours of typing, and I think I would rather cut back at that time on BBSing
|
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and put it into writing if my typing eventually gets curtailed.
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(General notice...I've seen just about every article, message and
|
|
document on carpal tunnel syndrome; the last thing this forum needs is to
|
|
get filled with more messages on the subject. Pretend you've sent it, and
|
|
I'll be fictionally grateful, and we'll both save a lot of time and
|
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cyberspace.)
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And yes, I'm wearing the gloves; have had them on non-stop for the
|
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last couple days, including at the office, since I'm blasting through the
|
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last four scripts for this season nominally all at once, since they have
|
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many thematic connections that work better if I write 'em together.
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So anyway...I don't know. I'll probably always be around, to one
|
|
extent or another, responding at age 80 to somebody's question about just
|
|
what DID Harlan Ellison do on my show before he won the Nobel Prize...?
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jms
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Subject: Re: B5's sexiest character
|
|
Date: 11 Mar 1995 22:20:58 -0500
|
|
|
|
I try to avoid doing cameos; it ruins the illusion for me.
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|
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jms
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 12 Mar 1995 20:25:20 -0500
|
|
|
|
Deborah (assuming this really is you and not Theron logging on under
|
|
another name to get some sympathy)...I'm sorry but you fail the test of
|
|
logic on just about every conceivable level. By your lights, it's okay to
|
|
smear people's reputations, announce that people are not to be trusted,
|
|
imply that they are liars, all that's fine as long as one doesn't use bad
|
|
words. What a wonderfully convenient and perverse world you live in.
|
|
|
|
You look around and say, well, gee, Joe hasn't produced the ratings,
|
|
maybe something's wrong, why are they being withheld, maybe the whole
|
|
truth isn't being told...you want to know the details, and demand that I
|
|
provide them to you.
|
|
|
|
First Deb (or whoever)...screw off. I don't have to provide you with
|
|
zip. You say you work at a campus, you're a student. Allow me to introudce
|
|
you to the concept of "research." This isn't top secret classified
|
|
material; this is the most easily accessible information on the planet.
|
|
Every week DAILY VARIETY and the HOLLYWOOD REPORTER list ratings for the
|
|
syndicated and network shows (and yes, they ARE considered two separate
|
|
things, as anyone who bothered to do the LEAST amount of digging into the
|
|
question instead of relying on the person they're smearing and badrapping
|
|
to provide it for them because they ask for it, like it's some kind of
|
|
holy obligation). You wanna know the ratings? Come our next batch of
|
|
new episodes, why don't you just drag your smarmy, accusatory, "you know
|
|
you really can't trust him, he's a producer, oh, we won't call him a liar,
|
|
but we'll just whisper it" ass down to the campus library and LOOK IT UP.
|
|
|
|
"...one producer who goes only by his initials...."
|
|
|
|
Excuse me, but what the hell does THAT bit of smear-tactic mean when
|
|
my name is right on top of every single damned message I post? Do you mean
|
|
that after all this time you -- gasp! -- don't know WHO I AM? You mean you
|
|
see "only" some initials on the bottom of a message and you're so confused
|
|
by who this might be that you've fallen down the dark, dusty staircase you
|
|
call your cerebullum and now can't get up? Good heavens, I've had an
|
|
alias all this time and I haven't known it! I'm a stealth producer! No
|
|
one knows who I am, just those....INITIALS! Suddenly I feel like the
|
|
Batman.
|
|
|
|
In addition, I *have* posted the specific ratings on many occasions,
|
|
here and elsewhere. For the last week on Compuserve (verifiable by many
|
|
here who are also on CIS, since after all I'm a producer and can't really
|
|
be trusted to say anything honest about the business) I posted the ratings
|
|
for various areas of the country, including share, and how the general
|
|
overall ratings have increased. Probably sooner or later that stuff will
|
|
be reposted here, because it always is.
|
|
|
|
You and Theron (unless you are one and the same) have this nutty
|
|
notion that you can ask anything you want, be as accusative and slanderous
|
|
as you want, but that's okay...and if *everything* you want and ask for
|
|
isn't provided INSTANTLY, in excruciating detail...well, then, my goodness
|
|
something's WRONG, isn't it?
|
|
|
|
Re: my veracity, you say, "I'd be wary and seek a second opinion or
|
|
read very carefully to see what info isn't being said."
|
|
|
|
And because something isn't being said, you thererfore assume that
|
|
something's wrong, being held back. And what precise second opinion did
|
|
you have in mind? Perhaps the PUBLISHED TRADES I commended to you a
|
|
moment ago?
|
|
|
|
Enough. Enough of you, and your father/alter ego; enough of your
|
|
smears, and your oh-so-carefully-phrased-not-to-use-bad-words, let's jsut
|
|
call him a liar *quietly*, and your lurking on the back fence as we have
|
|
a decent conversation, adding nothing but a murmuring, soft voice that
|
|
mewls "don't trust him, don't trust him"...at whom somebody ought to toss
|
|
an old shoe.
|
|
|
|
I'm not going to do your damned homework for you, Deborah, do it
|
|
yourself. And if you've got ANYTHING to say, ANY proof that what I've
|
|
said here is anything other than what's been posted, you or that
|
|
homunculus Theron should speak up or shut up. Every time we get a nice,
|
|
pleasant, friendly atmosphere going here, and a good conversation, you two
|
|
poster children for co-dependency swoop in here and piss all over th
|
|
place.
|
|
|
|
Get a clue or get out. I've had it with both of you.
|
|
|
|
jms
|
|
|
|
Subject: Re: JMS: Babylon-TRGB Connecti
|
|
Date: 13 Mar 1995 03:53:31 -0500
|
|
|
|
The Halloween character was named Samhein.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Character and Person
|
|
Date: 13 Mar 1995 03:59:46 -0500
|
|
|
|
Robert...on the other hand, I sometimes look at it as training
|
|
exercises for Ivanova dialogue.....
|
|
|
|
jms
|
|
|
|
Subject: Mira at Vulkon, 3/12
|
|
Date: 13 Mar 1995 03:59:55 -0500
|
|
|
|
If Tom's people were selling Starfury patches and jackets, they should
|
|
not have been doing so, since they have not yet to my knowledge licensed
|
|
ANYthing from Warner Bros., and this would not be legit.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS - More "Alien" Alien
|
|
Date: 13 Mar 1995 03:53:15 -0500
|
|
|
|
You should be careful what you wish for....
|
|
|
|
jms
|
|
|
|
Subject: Longest Thread Ever
|
|
Date: 13 Mar 1995 04:23:56 -0500
|
|
|
|
Longest thread I ever saw...probably the one off my old brown
|
|
sweater, which got caught on a nail and unravled, oh, I'd say about maybe
|
|
fifteen, twenty feet.
|
|
|
|
Also, *any* abortion or gun control debate.
|
|
|
|
jms
|
|
|
|
Subject: ATTN. JMS????
|
|
Date: 13 Mar 1995 04:17:38 -0500
|
|
|
|
It's a bald female extra.
|
|
|
|
jms
|
|
|
|
Subject: JMS: A few questions for you i
|
|
Date: 14 Mar 1995 02:00:39 -0500
|
|
|
|
The Mars Colony was really pretty much up and running and fully
|
|
operational by the middle 2100s, so you've got a generation or two who
|
|
have been born and raised there.
|
|
|
|
The Psi Corps was established around 2150 or so (I'll have to check
|
|
my notes to be sure). Bester is not a teek.
|
|
|
|
jms
|
|
|
|
Subject: ATT JMS Who is third in comma
|
|
Date: 14 Mar 1995 02:00:51 -0500
|
|
|
|
Actually, I think the third in command would be Major Atumbe, who
|
|
we've referenced in dialogue on the show, but have never shown. I keep
|
|
meaning to do so, but it always ends up feeling forced, and it's hard to
|
|
work in new recurring characters when we have something like 16 as it is.
|
|
|
|
jms
|
|
|
|
Subject: My show can beat up your show!
|
|
Date: 14 Mar 1995 05:21:08 -0500
|
|
|
|
I agree on not ragging on the X-Files; it's a fine show, and I enjoy
|
|
it a lot.
|
|
|
|
jms
|
|
|
|
Subject: JMS:UK The Avengers
|
|
Date: 14 Mar 1995 05:21:16 -0500
|
|
|
|
I very much enjoyed The Avengers, though Kathryn is a much bigger
|
|
fan than I am; she's seen just about every one of them. (They're now
|
|
showing the eps in uncut, crystal-clear version over direcTV, which she
|
|
is enjoying.) I don't think it's really any kind of influence, but it's
|
|
a great show, no mistake.
|
|
|
|
jms (2:10 a.m.)
|
|
|
|
Subject: Bad Rumour - Sheridan Leaving?
|
|
Date: 14 Mar 1995 05:21:00 -0500
|
|
|
|
The rumor is flatly untrue.
|
|
|
|
jms
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 14 Mar 1995 05:26:01 -0500
|
|
|
|
I don't believe this...the allegation that I'm not really me, that
|
|
I'm some shlub working on the B5 payroll into whose hands The Great And
|
|
Powerful Oz...I mean *J*M*S* has given his credibility, his reputation,
|
|
whom *J*M*S* has taught how to *write* just like him...this dialogue has
|
|
just hit a brand new low.
|
|
|
|
It's now 2:03 a.m. Pacific time. If I ain't me, I'm not paying me
|
|
NEARLY enough money to be me at this hour of the night. Yes, it takes a
|
|
lot of time to go through this stuff...which is why I'm UP at this ungodly
|
|
hour of the night, responding to all this stuff in real-time, writing on
|
|
the fly.
|
|
|
|
...I just sat here for several minutes, trying to wrap my brain around
|
|
how on EARTH to respond to this latest bit of nonsense...and realized,
|
|
why? This is the nuttiest thing I've ever seen. What's the point?
|
|
|
|
And no, there are NOT two sides to every story.
|
|
|
|
And finally, this has nothing to do with critiquing my show. This is
|
|
what always happens in these threads; somebody mouths off about something,
|
|
makes an unsubstantiated claim, and then when the net collectively hands
|
|
them their heads, complains that people are too sensitive about critiquing
|
|
their show. Except, of course, that's never been what they've beend oing
|
|
(been doing) in the first place.
|
|
|
|
Why on earth am I even HAVING this boneheaded conversation?
|
|
|
|
jms
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 14 Mar 1995 05:30:44 -0500
|
|
|
|
Jeremy...or Jere7my...I don't *hate* the Fullers; I reserve that
|
|
for only a very few on a very short list (those still surviving). When I
|
|
think of the Fullers, I kinda think of Neice Bertrice, who lives with her
|
|
family on some nice suburban street, with her Uncle Horace who lives in
|
|
the basement and collects paper sacks and string and complains about that
|
|
damn Roosevelt, and only comes up once every second Thursday to piss in
|
|
the cassarole and set the cat on fire...and when Mom and Dad look over at
|
|
old Uncle Horace, and wonder if maybe he might need a little assistance,
|
|
ain't quite the fellow he used to be, she stamps her foot and cries and
|
|
shouts at them and asks why they're being so mean to sweet Uncle Horace,
|
|
and they should leave him alone and stop saying bad things about him,
|
|
after which she races upstairs to her blue bedroom and slams the door,
|
|
hugging her pink bunny and saying over and over that Uncle Horace is fine,
|
|
just FINE, while downstairs the cat is smoldering again.
|
|
|
|
And I think that qualifies as the longest sentence I've ever written
|
|
on line. Or whoever I am.
|
|
|
|
jms (2:25 a.m.)
|
|
|
|
Subject: Re: B5 is a surreal farce!
|
|
Date: 14 Mar 1995 05:50:14 -0500
|
|
|
|
Red Dwarf is one of the gaps in my SF education; I've caught bits and
|
|
pieces of the show, enough to enjoy it, but not enough to really get a
|
|
feel for the show. Also, there's a certain kind of British humor that
|
|
doesn't work for me as well as others; The Young Ones (I think that's the
|
|
name) leaves me only marginally amused while Fawlty Towers or AbFab will
|
|
put me on the floor in minutes. Red Dwarf (what I've seen of it) tends to
|
|
fall into the former category; don't know why, really.
|
|
|
|
jms (2:20 am.)
|
|
|
|
Subject: ATTN: JMS - What's wrong with
|
|
Date: 14 Mar 1995 05:50:25 -0500
|
|
|
|
I just didn't *buy* n'grath. He looked cool, but did he look
|
|
SENTIENT? That's the next level that I don't think has been reached yet;
|
|
I think we're on the right track, but I can't ever dare settle for less
|
|
than being a perfectionist. That means being more critical than the
|
|
audience in some cases.
|
|
|
|
jms
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 14 Mar 1995 05:59:46 -0500
|
|
|
|
Flat out, Deborah-Who-Threatens-To-Complain-To-Warner-Bros., every
|
|
single message with my name on it is written by me. You're right; the
|
|
way to do it is cut down on sleep and food during the week, which is what
|
|
I do. Because unlike those who only come in here to foul the nest, I
|
|
happen to actually care about this dialogue.
|
|
|
|
Now, I've said it, straight up. Either I'm flat-out lying or I'm
|
|
not. And y'know, I don't really give a damn what you think. And my
|
|
reaction should someone mention "the fullers" I can tell you now, and
|
|
save you the imagining.
|
|
|
|
"Who?"
|
|
|
|
jms (2:47 am)
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 14 Mar 1995 05:59:55 -0500
|
|
|
|
Ah, and now we get down to it...Deborah threatens to let Warner Bros.
|
|
know what I'm saying here.
|
|
|
|
Folks, take a good luck. This is the repeated paradigm. Person X
|
|
starts smearing my reputation (or anyone in the public eye). Offers that
|
|
I (or other person) doesn't have a right to be upset because after all I'm
|
|
a well-known kinda guy, and thus sacrifice all rights to an opinion, or to
|
|
defend myself. They speculate about my veracity, my name, my identity,
|
|
my figures, my existence...that's okay...but when it's turned back on them,
|
|
they get huffy and start sending faxes to Warner Bros.
|
|
|
|
They can give, but they don't like it in return. Remember Ford
|
|
Thaxton, who saw no problem in impugning my reputation here? Guess who
|
|
started sending REAMS of faxes to WB, quoting my messages (and others
|
|
here) in some hope of "getting me" for talking back. And now young miss
|
|
Fuller threatens to do exactly the same thing.
|
|
|
|
She will harm me not in the slightest. The only possible result if
|
|
this continues is that eventually WB might say they're tired of the faxes,
|
|
and ask me to stop hanging out here. 'Cause as long as I *am* here, I'll
|
|
speak honestly, which is my responsibility.
|
|
|
|
jms (2:33 am)
|
|
|
|
Subject: ATTN JMS: International spread
|
|
Date: 14 Mar 1995 06:18:56 -0500
|
|
|
|
Certainly the more countries that B5 is sold into, the more htat
|
|
(that) Warners will want to do the show; only catch is thta PTEN is a
|
|
consortium of WB and the stations, and the stations have no direct
|
|
reward from foreign.
|
|
|
|
jms (3:01 am)
|
|
|
|
Subject: Re: Yo Theron
|
|
Date: 14 Mar 1995 06:19:05 -0500
|
|
|
|
"If the ratings are so good then he has nothing to loose by
|
|
revealing where they would be located."
|
|
|
|
<thud>
|
|
|
|
I quote "The Lady's Not For Burning" ... "Am I invisible? Inaudible?
|
|
Do I merely festoon the room with my presence?"
|
|
|
|
THEY'RE IN THE TRADES, LADY. WALK 200 FEET TO YOUR LOCAL LIBRARY AND
|
|
LOOK IT UP. You've now been told where they're located in 15 different
|
|
messages from different people.
|
|
|
|
I give up..................
|
|
|
|
jms (2:50 am)
|
|
|
|
Subject: Re: Great Flame!
|
|
Date: 14 Mar 1995 07:00:22 -0500
|
|
|
|
It is now 3:10 a.m. I am now leaving my GEnie gateway to Internet
|
|
with about 150 as yet unread messages, mostly "flame" and "yo theron" in
|
|
nature. I'll do a quick run on a couple of other systems, then crash
|
|
around 4-4:30 a.m., to get up at 8 a.m. for meetings tomorrow. Just so
|
|
everyone knows my schedule.
|
|
|
|
I've just gotten a note from someone quoting Ms. Fuller on another
|
|
service in which she again threatens to "write to Warner Bros., and let
|
|
them know what their representative is doing with their time and money."
|
|
She concludes, "That kind of behavior needs to be stopped, period."
|
|
|
|
John Ford can verify this if he chooses to do so.
|
|
|
|
It's apparent that we do not all play by the same rules here. You
|
|
and I and the rest of us rely on the arguments we pose. Some here run to
|
|
complain to various authorities because "this kind of behavior," being a
|
|
free exchange, "needs to be stopped, period." They can't win the
|
|
argument, so they go whining off to somebody to beat up on the person
|
|
they're arguing with.
|
|
|
|
Cowardice, plain and simple.
|
|
|
|
Maybe it's because it's now 3:14 a.m., and I'm tired, and this is
|
|
bullshit, and I've seen 1/3rd of the messages in my mailbox (and yours)
|
|
given over to this, but this has gotten sick and ugly and senseless.
|
|
|
|
Henceforth, I will not respond to *any* messages from either Fuller,
|
|
father or daughter. I will no longer give their sad, pathetic lives the
|
|
satisfaction and validation of a response. Which is clearly what they
|
|
most dearly want, and most profoundly cherish. To feel persecuted, to
|
|
be the center of attention, to pretend to be the wounded soul up upon the
|
|
cross.
|
|
|
|
But at least Christ died quietly and didn't go running off to the
|
|
Pharisees to complain. If one is going to wear the cloth of the martyr,
|
|
one should play the part to the hilt.
|
|
|
|
This is the last message I will write in this thread. Nor will I
|
|
read any more in this thread. I suggest one clear path of action to
|
|
everyone here:
|
|
|
|
Ignore them. Don't respond. Ms. Fuller said this "needs to be
|
|
stopped." Okay, fine...let's stop it our way. Ignore them to death.
|
|
|
|
It's the only way to make them go.
|
|
|
|
Granted, some of you will ignore reason (as I did), but suffice to
|
|
say, I'm saddened and sickened and dismayed by this, and let them lie to
|
|
their heart's content. This is the kind of behavior that makes me
|
|
question frankly the wisdom in being here. At least at 3:20 am, when
|
|
this stuff grates on me the most.
|
|
|
|
Everybody out of the pool. Somebody's pissed in the water and
|
|
made it uncomfortable for everybody else.
|
|
|
|
Either way...I'm outta this thread. Let the cowards and the
|
|
crybabies yell into a vacuum. I really don't give a shit anymore.
|
|
|
|
I'm tired.
|
|
|
|
jms (3:20 a.m.)
|
|
|
|
Subject: JMS: Kosh Neranek?
|
|
Date: 15 Mar 1995 00:35:15 -0500
|
|
|
|
The full name is given in "And Now for a Word," later this season.
|
|
|
|
jms
|
|
|
|
Subject: JMS:UPN's got a show called BA
|
|
Date: 15 Mar 1995 00:35:28 -0500
|
|
|
|
We're definitely aware of Paramount's attempt to launch a show called
|
|
BABYLON on the bulk of the same stations that carry Babylon 5, which would
|
|
result in confusion and take advantage of our rep to date. We're getting
|
|
into it.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Will you write one n
|
|
Date: 15 Mar 1995 00:35:42 -0500
|
|
|
|
A detailed novel down the road, when the series is finished, is
|
|
certainly a possibility...but right now, tired as I am, nearing the end
|
|
of this season, it sounds about as appealing as a high colonic. I also
|
|
think sometimes that if I do my job right, there shouldn't be the need
|
|
for books later; on the other hand, there's mounds of stuff I've never
|
|
used from my notes.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Middle names? *chu
|
|
Date: 15 Mar 1995 00:35:55 -0500
|
|
|
|
Jeffrey Sinclair's middle name (as noted in "Sky") was/is David.
|
|
|
|
jms
|
|
|
|
Subject: Attn: JMS - THANKS
|
|
Date: 15 Mar 1995 00:41:04 -0500
|
|
|
|
Thanks....
|
|
|
|
jms
|
|
|
|
Subject: UK: Inconsistent critics
|
|
Date: 15 Mar 1995 00:41:20 -0500
|
|
|
|
The turn-around of the critics that we're starting to see does seem
|
|
to indicate that evolution continues in the world around us.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS: Guide/Book (was: re
|
|
Date: 15 Mar 1995 02:51:08 -0500
|
|
|
|
Thing is...we add new viewers every week (ratings increase when
|
|
you add viewers) and they tend to stay...and I don't think I've ever seen
|
|
more than six notes from people who said they had to kind of catch up to
|
|
follow the story.
|
|
|
|
jms
|
|
|
|
Subject: Re: Call To Ignore
|
|
Date: 15 Mar 1995 02:38:05 -0500
|
|
|
|
Kate: sleep? What's sleep?
|
|
|
|
jms
|
|
|
|
Subject: Re: Loved your Debra/Thoron ra
|
|
Date: 15 Mar 1995 02:56:03 -0500
|
|
|
|
I'm posting this here because this conversation has just gotten
|
|
even uglier, and I felt this should be mentioned right now as it's
|
|
happening.
|
|
|
|
I have today received two pieces of email indicating that, in
|
|
addition to threatening to write to Warner Bros. to try and shut me up,
|
|
Deborah Fuller has now contacted her university administration on the
|
|
premise that my comments to here in all of my public messages (I have
|
|
never sent her private mail) constitute sexual harrassment. She is
|
|
apparently hoping to use the university as leverage in bringing a
|
|
complaint against Warner Bros., or suing, or who knows what.
|
|
|
|
(My suspicion is that she's using the message in which I tell her
|
|
to drag her ass down to the library and look up the ratings herself as
|
|
the incident of sexual harrassment.)
|
|
|
|
She seems determined to exercise every untruthful tactic to try and
|
|
destory this conversation by forcing me to withdraw, by direct complaint
|
|
to the studio, to her university, whatever it takes.
|
|
|
|
Apparently the person to whom the complaint has been filed at the
|
|
university is Cynthia Barnes, CBARNES@SWAN.ADMIN.UIUC.EDU. All of my
|
|
messages to either Fuller have been here, in full view of everyone. If
|
|
anyone here would like to write a note telling this person what you've
|
|
seen, this would be terrific.
|
|
|
|
I've been on the nets since 1985. This is probably the lowest
|
|
thing I have ever seen, the lowest tactic I have ever seen, to try and
|
|
kill the messenger in a debate that one is losing.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: A Nielsen Family's T
|
|
Date: 15 Mar 1995 03:27:53 -0500
|
|
|
|
Interesting comments; and thanks, the support is appreciated.
|
|
|
|
jms
|
|
|
|
Subject: If we knew then... (MotFL)
|
|
Date: 15 Mar 1995 03:28:01 -0500
|
|
|
|
I *cannot* tell you how pleased I am that these elements are starting
|
|
to be noticed. Now you have enough pieces to start seeing the overall
|
|
patterns and pictures.
|
|
|
|
jms
|
|
|
|
Subject: JMS: more questions
|
|
Date: 15 Mar 1995 16:30:46 -0500
|
|
|
|
The Hour of Scampering is usually around tea-time, according to the
|
|
Vorlon/Human Translation Dictionary.
|
|
|
|
jms
|
|
|
|
Subject: Re: Loved your Debra/Thoron ra
|
|
Date: 15 Mar 1995 16:32:50 -0500
|
|
|
|
I'm told that Cynthia has now received quite a few responses, and
|
|
thus no more may be required at this time so anyone else may want to
|
|
hold off.
|
|
|
|
As an aside, in another message I glimpsed a question about direct
|
|
response to email from the Fullers not being answered...even though I do
|
|
not have a killfile, I do have to log onto GEnie at 2400 baud because
|
|
that's the line they provide for gratis accounts. At 2400, I can see
|
|
the address before I see the message. Thus any time I see that it is
|
|
from either Fuller, I simply hit ESC and delete the message unread. I
|
|
will continue to do this with any message written by either of them.
|
|
|
|
jms
|
|
|
|
Subject: JMS: Technomages - where from?
|
|
Date: 15 Mar 1995 16:33:09 -0500
|
|
|
|
There are technomages on many worlds; the ones in "GoS" were human.
|
|
|
|
jms
|
|
|
|
Subject: Messages re: fuller
|
|
Date: 15 Mar 1995 17:00:38 -0500
|
|
|
|
I will admit that I am now confused. I received a letter from Ms.
|
|
Barnes in private mail asking about charges of harrassment. I received
|
|
a second message from John Ford copying his response to Ms. Barnes re:
|
|
charges of harrassment. Now she says charges haven't been filed. I
|
|
have absolutely no understanding of what's going on, I only passed along
|
|
what had been sent to me. Perhaps John can further illuminate this. I
|
|
will confess to being an Internet newbie, and thus sometimes easily
|
|
confused by the system and its parts and pieces, but this seemed to me
|
|
very straightforward.
|
|
|
|
jms
|
|
|
|
Subject: Attn JMS:How do Vorlons Scampe
|
|
Date: 16 Mar 1995 01:03:51 -0500
|
|
|
|
The Vorlons do not scamper terribly well, but no one has yet told
|
|
them this.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: ship types/classes
|
|
Date: 16 Mar 1995 01:04:09 -0500
|
|
|
|
We won't be seeing many new EA big ships this year, but next year,
|
|
oh, yeah.
|
|
|
|
jms
|
|
|
|
Subject: B5 episodes on Videotape/lasre
|
|
Date: 16 Mar 1995 01:04:26 -0500
|
|
|
|
According to what I was told the other day by someone with WB
|
|
distribution, the tapes should be coming out sometime in the next month
|
|
(for the first season).
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: And Now for a Word??
|
|
Date: 16 Mar 1995 01:06:19 -0500
|
|
|
|
"And Now" was not deferred; it'll be the 2nd new episode up. "The
|
|
Customer is Always Right" was deferred when I learned that ST had done an
|
|
episode along similar themes. Once I can figure out how to adjust it,
|
|
maybe it'll be revived.
|
|
|
|
jms
|
|
|
|
Subject: JMS: B5 to be picked up by FOX
|
|
Date: 16 Mar 1995 01:06:37 -0500
|
|
|
|
There are no plans for Fox, and there have never been any
|
|
discussions with Fox about picking up B5.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS DC COMICS 4 Story
|
|
Date: 16 Mar 1995 01:35:12 -0500
|
|
|
|
Laura Hitchcock at DC and I have discussed it, and I'd like to do a
|
|
four-issue arc, and she'd like to have me do it, so it'll probably
|
|
happen.
|
|
|
|
I'm playing with the notion of doing the story as a backgrounder;
|
|
one probability is setting the story during the start of the Earth
|
|
Minbari war, to show how that all got started. Is there any other
|
|
piece of B5 background that we've touched upon in the series (no new
|
|
story ideas) that folks might like to see elucidated? (The next cycle
|
|
will show how Garibaldi and Sinclair met.)
|
|
|
|
jms
|
|
|
|
Subject: HEY JMS: I Like the Show
|
|
Date: 16 Mar 1995 05:24:44 -0500
|
|
|
|
Thanks. I'm less than ecstatic over the reruns myself....
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Is next week a new e
|
|
Date: 16 Mar 1995 19:18:57 -0500
|
|
|
|
New eps starting end of April.
|
|
|
|
jms
|
|
|
|
Subject: Does the title sequence keep c
|
|
Date: 16 Mar 1995 19:27:24 -0500
|
|
|
|
Yes, there were a series of continuing modifications to the main title
|
|
sequence throughout the first third or so of the new second season
|
|
episodes. My sense is that just because it's being broadcast is no reason
|
|
to just drop it if you're not ecstatic. I wasn't; I felt some things could
|
|
still be improved, whether or not anyone else ever noticed. We also did
|
|
revisions to reflect changes in the show, moving Ivanova and Keffer up in
|
|
rank, for instance.
|
|
|
|
jms
|
|
|
|
Subject: ATT:JMS Titles and full names
|
|
Date: 16 Mar 1995 19:27:39 -0500
|
|
|
|
The screen actors guild has rules about putting characters like Kosh
|
|
in the main credits, since it's not really human; voice credits can't go
|
|
up front.
|
|
|
|
jms
|
|
|
|
Subject: JMS> B-Squared's "mythical" st
|
|
Date: 16 Mar 1995 21:01:35 -0500
|
|
|
|
Actually, the story of B4 has been rerun; it's the viewers who've
|
|
vanished mysteriously.
|
|
|
|
jms
|
|
|
|
Subject: RATINGS RATINGS RATINGS RATING
|
|
Date: 16 Mar 1995 21:03:35 -0500
|
|
|
|
Ratings always fluctuate from week to week; but in general we're
|
|
between the two figures you cite, 4.6 and 5.0 or 5.1, which is up overall
|
|
from last season, where we tended to average a 4.1 or 4.3. There is a
|
|
constant, slow growth as the show gains viewers mainly through word of
|
|
mouth.
|
|
|
|
The fundamental issue here boils down to one very basic fact: PTEN
|
|
gets the ratings. If the ratings are good, we'll be renewed. If the
|
|
ratings are not, we won't. Simple as that.
|
|
|
|
Last season at this time, I put the odds of renewal at about 50/50.
|
|
And I encouraged viewers to write their stations and Warner Bros. the
|
|
closer we got to pickup. Right now, I'd place the odds at 70/30, which
|
|
is very good. I am cautiously optimistic; sometimes shows can get
|
|
canceled for the damndest reasons, and you never really know which way
|
|
the blade is going to cut...nonetheless, I think we're okay, which is
|
|
why I haven't gone out of my way to urge a lot of letters or email. You
|
|
only want to call out that kind of support occasionally, if and when
|
|
really needed, otherwise it becomes trivialized by over-use. You
|
|
should only impose rarely.
|
|
|
|
We'll know our fate for year three by the end of April.
|
|
|
|
jms
|
|
|
|
Subject: Re: ATTN: JMS DC COMICS 4 S
|
|
Date: 16 Mar 1995 21:29:59 -0500
|
|
|
|
Dennis: definitely did NOT ask for story ideas, and specified such
|
|
in my original post. I was wondering what elements that *have already been
|
|
introduced* as backstory people would like to see expanded upon in a
|
|
comic. Nothing more.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS : A few points
|
|
Date: 18 Mar 1995 00:18:35 -0500
|
|
|
|
PTEN's fate has not been put on hold; the renewal is coming up same
|
|
as last year, in late April.
|
|
|
|
There's no one escaping Deathwalker's ship; it's just debris spinning
|
|
away. She's dead as a mackeral.
|
|
|
|
We'll be notified directly by our PTEN liaison when the decision on
|
|
pickup is made.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Bruce not going? VUL
|
|
Date: 18 Mar 1995 01:25:41 -0500
|
|
|
|
Actually, this is the first time I've heard of this. I don't often
|
|
go into convention stuff with the cast. So I really don't quite know what
|
|
to say; I'll delicately inquire, but I honestly do try and stay out of
|
|
stuff the actors do outside work per se, because it's intrusive, and any
|
|
suggestions or reactions sometimes carry more weight than they should
|
|
because they come from one's exec producer.
|
|
|
|
jms
|
|
|
|
Subject: Babylon vs Babylon 5
|
|
Date: 18 Mar 1995 05:30:12 -0500
|
|
|
|
Actually, while many titles cannot be copyrighted, they CAN be
|
|
trademarked, as Babylon 5 is trademarked, and that *can* be enforced.
|
|
|
|
The "Ghostbusters" story, in brief, is this: Filmation did a
|
|
live-action kids show with Forrest Tucker (it was really awful) some
|
|
time before Columbia Pictures/Ivan Reitman did their movie. Both the
|
|
Filmation series and the projected film were called "Ghostbusters,"
|
|
a situation that developed when the title failed to show up on a
|
|
title search. With the film about to be released, Filmation made a
|
|
considerable stink, and won the rights to a) a lot of cash, and b)
|
|
the right to do an animated series called Ghostbusters.
|
|
|
|
And, in time, that's exactly what was done, much to the chagrin of
|
|
Columbia/Ivan Reitman. In turn, they decided to do their OWN animated
|
|
series, and just to pink Filmation, called it "The REAL Ghostbusters."
|
|
|
|
jms
|
|
|
|
Subject: Where IS JMS?
|
|
Date: 19 Mar 1995 03:29:18 -0500
|
|
|
|
I'm watching you *right now* through your window.
|
|
|
|
jms
|
|
|
|
P.S. Stop that.
|
|
|
|
Subject: Re: If we knew then... (MotFL)
|
|
Date: 19 Mar 1995 03:53:35 -0500
|
|
|
|
Yes, the tatistascope (or whatever the name is), I remember that
|
|
one from I think grade school or thereabouts. Main reason I remember is
|
|
that I actually scared the hell out of my teacher, and was briefly
|
|
accused of cheating.
|
|
|
|
They erected the 'scope in the classroom, and showed one word at a
|
|
time, going from small one-syllable words then increasing. They flashed
|
|
the words in increasingly briefer intervals, two seconds, one second, a
|
|
half a second...fewer and fewer people were able to keep up. I got all
|
|
the way through to the highest the machine could handle, 1/12th of a
|
|
second, or therabouts.
|
|
|
|
Next the teacher started going into combinations of words, two or
|
|
three at a time. People started dropping out faster. Again, I stuck
|
|
with it to the end. The teacher began to wonder what the hell was going
|
|
on. (This was at a time when I'd learned that if you acted smart, you
|
|
got beat up, so I was deliberatly holding back on my grades and tests to
|
|
skate through in the middle ranks.) But here I kinda figured it was a
|
|
game, and didn't equate it. So I just went on to see how far I could
|
|
push it.
|
|
|
|
She kept expanding the length of the sentence. I was finally able
|
|
to hit 2 and 1/2 lines at 1/12th of a second before she stopped and
|
|
said I was to stay after class. I was accused (in front of the vice
|
|
principal) of cheating, having looked at the sheets of lines somehow,
|
|
because this was at or above college level ability. The vice principal
|
|
at first wouldn't believe me, but I finally managed to convince him to
|
|
pick other material and I'd try again. Reluctantly, he did it, going
|
|
right to the full-sentence stuff.
|
|
|
|
Same result. And the look on the teacher's face as she realized I
|
|
wasn't cheating was quite...remarkable.
|
|
|
|
Oddly enough, this has served me in small ways lately. Sometimes
|
|
in the later stages of post-production, when the final print has been
|
|
assembled by the super-computer, every so often a glitch will happen
|
|
and one random or wrong frame will get stuck somewhere, or you'll have
|
|
a single frame of black between a CGI sequence and a live-action
|
|
sequence. We're talking here 1/24th of a second. I almost always
|
|
catch these. I did this once during one of our audio mixes and the
|
|
guys running the board couldn't believe it, and ran the film back to
|
|
make sure I wasn't messing with them.
|
|
|
|
jms
|
|
|
|
Subject: The Third Age and The Coming o
|
|
Date: 19 Mar 1995 04:18:53 -0500
|
|
|
|
Melody/Big Cat:
|
|
|
|
Your message is smarter and more perceptive than you know.
|
|
|
|
And you know a lot.
|
|
|
|
jms
|
|
|
|
Subject: "New Age" jms? >:-)>
|
|
Date: 19 Mar 1995 04:23:41 -0500
|
|
|
|
I take great pains to a) treat religion with respect while b) not
|
|
advancing any one specific creed or belief in the process. I've been
|
|
accused (in this forum) of advancing the cause of Judaism; now I'm told
|
|
I'm advancing New Age philosophy; I've heard other opinions.
|
|
|
|
I have no interest in doing *any* of these things, and anyone who
|
|
perceives an agenda where none exists may be extrapolating from their
|
|
OWN personal beliefs and agendas.
|
|
|
|
jms
|
|
|
|
Subject: Talia, the Rumors Continue
|
|
Date: 19 Mar 1995 04:30:21 -0500
|
|
|
|
I don't think *anyone* should flame Deneuve over this, since this
|
|
is something that the actress has been quoted as saying in other
|
|
publications.
|
|
|
|
jms
|
|
|
|
Subject: Attn JMS:Babylon 5 Competition
|
|
Date: 19 Mar 1995 04:30:37 -0500
|
|
|
|
Okay, if you really want my opinions....
|
|
|
|
DS9....what I've seen of it just puts me to sleep.
|
|
|
|
Voyager...good characters, potentially interesting situation, hasn't
|
|
been pushed enough; falling back on the tried and true when, after this
|
|
many Treks, it really has to go balls to the wall.
|
|
|
|
seaQuest...great potential, wasted.
|
|
|
|
VR5...interesting possibilities, waiting to see what they do with
|
|
it.
|
|
|
|
X-Files...absolutely terrific. In my office in the B5 studio, I have
|
|
one mug. It's not a B5 mug. It's an X-files mug.
|
|
|
|
jms
|
|
|
|
Subject: Re: "New Age" jms? >:-)>
|
|
Date: 19 Mar 1995 17:29:06 -0500
|
|
|
|
Basically, the term New Age has been adopted as an appellation used
|
|
by some of the fundamentalist right to describe anything they don't happen
|
|
to agree with. And you're correct; much of what is *packaged* as New AGe
|
|
is primarily stuff cobbled up from older beliefs; similarly, there's a
|
|
lot of early Judao/Christian theology that's cobbled up from Zoroastrian
|
|
and Roman and Greek myths as well. Everything's tied to everything else.
|
|
|
|
jms
|
|
|
|
Subject: Re: TNG v Bab 5
|
|
Date: 19 Mar 1995 17:54:47 -0500
|
|
|
|
Y'know, this discussion is as essentially dopey as "Which would win
|
|
in a fight, Superman or Mighty Mouse?"
|
|
|
|
(And, of course, this whole "who would win?" go-round is dependent
|
|
upon the notion that this would take place during that one fraction of a
|
|
second in which the crew hasn't been turned into children, or the
|
|
dilithium crystals haven't decayed, or the ship's got a skeleton crew and
|
|
is running on automation, or the holodeck's taken command of the ship,
|
|
or...well, you get the idea.)
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: rest of season.
|
|
Date: 19 Mar 1995 17:54:58 -0500
|
|
|
|
I think we've got about 9 or so episodes left to air; I don't think
|
|
that there will be the delay in the last ep this year as last time, but
|
|
that's a PTEN decision of which I haven't yet been advised.
|
|
|
|
jms
|
|
|
|
Subject: Re: Tolkien references
|
|
Date: 19 Mar 1995 18:03:28 -0500
|
|
|
|
For me, the concept of the Rangers isn't tied to Norris; that isn't
|
|
the reference I was talking about. Being on that show, I kinda had to
|
|
look into the history of the Texas rangers in general, and being the
|
|
curious kind of guy I am, I widened out into the Army Rangers, and other
|
|
sorts. I'd been looking for a kind of name to attach to this group, and
|
|
the more I thought about it, the more it fit.
|
|
|
|
As far as the costume is concerned...it's not medeival based; if you
|
|
look at the ranger's outfit, than go look at a Minbari warrior outfit,
|
|
you will discover a LOT of points of comparison. It was *designed* to
|
|
echo Minbari warrior caste clothes, to reflect the fact that these two
|
|
sides are working together. Go fire up "Legacies" and look at his
|
|
uniform, then look at the ranger. You'll see the similarities in
|
|
silhouette and line in various places.
|
|
|
|
Of course I've read and enjoyed Tolkein. But as I've said, I have
|
|
no interest in doing LoTR with the serial numbers filed off. I've
|
|
dropped references to it in dialogue, but the structure of the story has
|
|
nothing whatsoever to do with LoTR. Basically, a lot of people have come
|
|
up and said, "Oh, this is the same as Foundation," or "This is the same
|
|
as LoTR," or "This echoes a lot of Dune," or "This is obviously a
|
|
Homeric tale," or "There's a lot of Star WArs here." It uses the same
|
|
tools as all mythic structure fiction uses. Hence it resonates. But I
|
|
didn't sit there and think, "Hmm...Gandalf left, so I'll have Sinclair
|
|
leave." That's just plain silly.
|
|
|
|
It's really a matter of what you bring to the table, that affects
|
|
what you see in the story.
|
|
|
|
The roots of the symbolism and structure of B5 go back a hell of a
|
|
lot longer than this. Here...I'll give you one free.
|
|
|
|
G'Kar is in many ways my Cassandra figure, who in the Greek tales
|
|
was granted the gift of prophecy...all the disasterous things she
|
|
predicted would come true...but she was cursed by the gods that NO ONE
|
|
would ever believe her. And later, when the war was at its height,
|
|
she ended up in the service of.....
|
|
|
|
Okay, five points to the person who can supply that answer, and see
|
|
the connection.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS--Re: B4's fate?
|
|
Date: 20 Mar 1995 05:21:01 -0500
|
|
|
|
You may tell your friend that this is the most nutso theory I've
|
|
ever heard. Nothing was stolen. It's part of the story.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS - Publish B5 bible?
|
|
Date: 20 Mar 1995 05:37:34 -0500
|
|
|
|
It's something I've considered, but frankly, that's 3 years down the
|
|
road, and a bit beyond my ken at the moment.
|
|
|
|
jms
|
|
|
|
Subject: SACRAMENTO! PERMANENT TIME CHA
|
|
Date: 20 Mar 1995 05:39:08 -0500
|
|
|
|
And if Sacramento has offered an open invitation to folks to write
|
|
in about the time change, then I very strongly second this; it may be a
|
|
way of seeing if folks *really* want it or not, and if they get enough
|
|
support, perhaps it WILL become permanent.
|
|
|
|
jms
|
|
|
|
Subject: * JMS (or Anyone): RATINGS QU
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Date: 20 Mar 1995 15:30:50 -0500
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I believe the ratins for the week you cite were a Voyager re-run,
|
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so the actual first-runs tend to be higher.
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jms
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Subject: JMS: Influence
|
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Date: 20 Mar 1995 16:07:56 -0500
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I don't believe, or recall, ever asking the net to go after someone.
|
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As far as I know, I have never done that and never will do that; if there
|
|
is a need from someone for information, or support, then sure, I'll say,
|
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"Listen, if you have time, and you believe in the project then..." and
|
|
let it go.
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|
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Do others flame because I flame? Monkey-see, monkey-do? The whole
|
|
reason I got into this last contretemps (stupidly, in retrospect) was I
|
|
read one of the threads I normally stay away from, in which I came across
|
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the individuals in question...and there were flames racing back and forth
|
|
already. This particular flame war, to varying degrees, was going on
|
|
long before I got involved with it again. And persists now that I've left
|
|
it, AND asked that people simply ignore them and not respond. If I have
|
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the power you suggest -- and I don't for a moment believe I do -- then
|
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all and sundry would have followed that suggestion. Hasn't happened.
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(Also, I tend to think that people are responsible for their own
|
|
actions. If someone is bringing down the fury of the net, they should
|
|
look at their own behavior and be corrected on it. It's the classic
|
|
schoolyard scenario of hitting the kid who hit *back*.)
|
|
|
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Generally, my response is proportionate to the message. I try to
|
|
deal even with the offensive messages with some measure of rationality.
|
|
But there comes a point where someone behaves in such a sleazy fashion
|
|
that only a tactical nuke can suffice.
|
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|
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You say it can be "vulgar." These are perfectly valid anglo saxon
|
|
terms. If colorful language was good enough for Shakespeare, it's good
|
|
enough for me. "Vulgar" is a word people often use when they don't like
|
|
forthrightness...we should be mealy mouthed and hide our feelings behind
|
|
layers of BS. Mark Twain was described as a "vulgar" writer. So was
|
|
Dickens, believe it or not. Picasso's work was called vulgar. So that
|
|
word means nothing to me.
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I calls 'em as I sees 'em. If I'm forthright about what happens in
|
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the business, the network, the show...why should I start censoring
|
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myself when it comes to the nets?
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|
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There's also a certain element of netspeak that enters into this;
|
|
in general, it seems like it's okay to smear somebody, to lie about
|
|
somebody, to question someone's integrity, particularly if it's done
|
|
without vulgar language, just the sharp blade of innuendo...but it's NOT
|
|
okay for the subject of this to get upset about it. To get ANGRY about
|
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it. Even when it's justified.
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|
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Finally (and I know this may read intemperate at times, but it's not
|
|
intended as a flame) I'm nobody's role model. Nor should I be. If
|
|
anything I should be taken as a warning to anyone sensible NOT to go the
|
|
way I go, because the path ain't worth the pain. I'm a loose cannon. I
|
|
don't know when to shut the hell up. And I think that the population of
|
|
this net is sharp enough, and hip enough, and
|
|
intelligent enough and common-sensical enough to KNOW that; I just don't
|
|
think there's much problem here with "let's do what Joe's doing because
|
|
Joe's doing it." The problem is that some people knowingly and
|
|
deliberately go out of their way to make other people *crazy*...and thus
|
|
reap the whirlwind. I can just barely manage to be accountable for my
|
|
OWN nutty behavior let alone be held responsible for the actions of
|
|
others on EITHER side of this.
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jms
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|
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Subject: ATTN: JMS: Do you watch the s
|
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Date: 20 Mar 1995 21:05:09 -0500
|
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|
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I always watch the show when it's first broadcast, and usually in
|
|
the reruns if I happen to be home, to make sure the audio and video
|
|
aspects are still correct (and someday that'll happen). As I "am"
|
|
Babylonian Prods. (co-owner with Doug), I get copies of the tapes
|
|
automatically, and as a terrible act of self-sacrifice, I've volunteered
|
|
to receive the first set of pre-release laserdisks to check them out,
|
|
do all the usual quality control. When they come out for real, I'll
|
|
probably buy a set.
|
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|
|
jms
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|
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Subject: Re: "New Age" jms? >:-)>
|
|
Date: 20 Mar 1995 21:34:03 -0500
|
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|
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David Falk: yes, I'm sure this is what you have been taught in
|
|
church, but that you were taught it doesn't mean that it touches reality
|
|
at any two contiguous points. It is imperative for many branches of
|
|
fundamentalist christianity to constantly feel conspired against...so
|
|
they cite humanist manifestos and theosophical societies and concoct
|
|
these vast and dark organizations that exist nowhere but in the minds of
|
|
those who conceive these theories.
|
|
|
|
"New Age" is one of these notions. Basically, it's anything that is
|
|
not Christianity, except satanism, though the phrase "new age occultism"
|
|
sometimes blurs that line. Here we've got dozens and dozens of different
|
|
groups, maybe even hundreds, all with competing notions, all with certain
|
|
levels of antagonism toward one another...described by you as a specific
|
|
religious movment with similar systems, concocted through a "content
|
|
model developed by the theosophical society, one of the early mind
|
|
science cults."
|
|
|
|
Having now so defined it as a deliberate conspiracy, and part of a
|
|
cult out to control our minds, you can dismiss it, AND add into it
|
|
anything you choose. And this is exactly what happens. You say you
|
|
don't agree or like my saying that this gets done by fundamentalists, then
|
|
you turn *right* around and do it yourself.
|
|
|
|
Once again, I don't believe a word the new age groups or any other
|
|
group puts forth. Nor am I tarring fundamentalist groups. I'm simply
|
|
saying out loud and in public what's generally said in private among
|
|
the majority of fundamentalist groups. That tends to make some of them
|
|
upset. Like when you confront them on the school prayer issue; and you
|
|
pare it down to the notion that they want THEIR prayers prayed, that
|
|
they don't want a prayer to the great turtle on whose back the world
|
|
rests, or to Thor, or Zeus, or Mammon, or Mohammed, or Buddha.
|
|
|
|
Having read the bible cover to cover twice, I can sometimes only
|
|
conclude that Christ would be *profoundly* unhappy with many of the things
|
|
said and done in his name. He didn't like people to make specatacles of
|
|
prayer and devotion. Remember the suggestion to go into your closet to
|
|
pray? That only the hippocrites and pharisees make big deals of their
|
|
belief by dragging it out into the public places? Christians were urged
|
|
to lay not your hands upon the law, to keep separate from the state, to
|
|
offer to Caesar that which was Caesar's and to god that which was god's;
|
|
because the state was by its very nature corrupt, christians were told to
|
|
keep apart from it. I think he would be ashamed, and disgraced, at the
|
|
notion of christian theme parks and the transition of personal belief
|
|
into big business.
|
|
|
|
(Misspelled hypocrites and spectacles above. Pretend they were
|
|
spelled correctly and we'll move on.)
|
|
|
|
There is much of christianity to commend it; its emphasis on faith,
|
|
and charity, and devotion to others...and there is also much that works
|
|
against it, a tendency toward brittleness and persecution complexes and
|
|
vindictiveness and the tendency to portray anything that is not itself
|
|
as evil or satanic or a conspiracy...and a huge dollop of defensiveness.
|
|
You can find fundamentalists on both sides of this division. It's just
|
|
that to some, if you speak this way about a part, you are accused of
|
|
speaking this way about *all*. But I don't fall for that gag; I've
|
|
seen it too many times.
|
|
|
|
jms
|
|
|
|
Subject: Re: Comments on AOL Transcript
|
|
Date: 21 Mar 1995 04:02:23 -0500
|
|
|
|
The ellipses at the ends of various lines in my AOL interview were
|
|
only standard notations that more was coming in the sentence on the next
|
|
coming line; nothing more.
|
|
|
|
jms
|
|
|
|
Subject: "The Great Maker"
|
|
Date: 22 Mar 1995 01:46:44 -0500
|
|
|
|
By season's end, you will see Kosh. You will know where the shadows
|
|
come from. There will be a major development in the war. How's that
|
|
for a start?
|
|
|
|
jms
|
|
|
|
Subject: Re: B5's effect on DS9
|
|
Date: 22 Mar 1995 02:30:02 -0500
|
|
|
|
I agree that our show isn't a threat to any ST show, though Paramount
|
|
has certainly evidenced that it feels that way, from getting Stephen Furst
|
|
bumped off the Arsenio Hall show when it was still on because of his B5
|
|
connection, to pressuring one of the directors we'd hired (who mainly does
|
|
ST episodes) to get out of his contract (which we allowed to keep him out
|
|
of trouble), to making a new show called BABYLON which will air on nearly
|
|
all the same stations that air Babylon 5, to...well, the list goes on.
|
|
|
|
We have, apparently, had the effect of changing ST's vow never to do
|
|
CGI, and in fact they've hired the same group we use to do some CGI
|
|
effects for DS9 (ships and the like).
|
|
|
|
Glad to see that they are following our lead.
|
|
|
|
jms
|
|
|
|
Subject: Re: "New Age" jms? >:-)>
|
|
Date: 22 Mar 1995 03:02:30 -0500
|
|
|
|
There is considerable historical evidence that crucifixion was
|
|
practiced as a means of punishment by the Romans toward the Jews at the
|
|
time in question (though the methodology varied considerably from some
|
|
of the accounts; a nail driven through the hand would be torn off fairly
|
|
quickly by the weight of the body; ropes were commonly used as the main
|
|
support, with spikes for...emphasis). Certainly one can infer, even from
|
|
the limited evidence, that someone bearing this name was indeed
|
|
nailed up. Whether he was a deity or simply a very good man with some
|
|
very good ideas which have gotten somewhat distorted in places...is kind
|
|
of the essential question. I tend to go with the latter. But that's
|
|
just me.
|
|
|
|
jms
|
|
|
|
Subject: Attn:JMS- UK order of shows.
|
|
Date: 22 Mar 1995 03:02:48 -0500
|
|
|
|
Originally, "Soul Mates" was intended to be broadcast after "A Race
|
|
Through Dark Places." ARTDP required a rather substantial amount of
|
|
post production work and audio design; "Mates" did not. Rather than
|
|
rush "Race," we decided it was okay to air those two in reverse order.
|
|
If they have aired with "Race" first in the UK, then yes, it's different
|
|
than the US order, but it *is* the correct production and story order.
|
|
|
|
jms
|
|
|
|
Subject: Re: JMS: Influence
|
|
Date: 22 Mar 1995 03:09:20 -0500
|
|
|
|
I repeat and stand by my original message: I have never asked anyoned
|
|
(anyone) to go after anyone else here. You (Jim Shupe) cite the Cynthia
|
|
message, but that was a request for *support* in what looked like a bad
|
|
situation coming; there was NO request for anyone to flame anybody in my
|
|
message. You're comparing apples and oranges.
|
|
|
|
"would you use such language directed at a person in front of a group
|
|
of 1st graders?"
|
|
|
|
Probably not. But the people assembled here aren't first graders.
|
|
First graders aren't on the nets. First graders can't read generally. So
|
|
why should I limit my language and information and messages to the first
|
|
grade level?
|
|
|
|
Sounds like lowest common denominator programming to me.
|
|
|
|
I understand your concerns, Jim, but the minute this forum turns into
|
|
a medium for free and untrammeled exchanges for everyone EXCEPT me, I'm
|
|
outta here.
|
|
|
|
jms
|
|
|
|
Subject: Quickies from JMS
|
|
Date: 22 Mar 1995 03:34:59 -0500
|
|
|
|
As I write this we are now just under one month away from finishing
|
|
filming on year two. Last day of shooting is April 20th. I have now
|
|
written 14.5 episodes out of 22, and should have the very last script
|
|
for this season (#15 for me personally) done by late next week. By the
|
|
end of April we should know whether or not we have been renewed. We are
|
|
now hip deep in pursuing that goal.
|
|
|
|
This time of season is much akin to that moment in "The Pit and the
|
|
Pendulum" where the swinging blade is about 1/15th of an inch from the
|
|
chest of our unwitting protagonist, and the rats are chewing at his bonds,
|
|
and there's some small debate about which set of teeth is going to hit
|
|
flesh first.
|
|
|
|
Consequently...for the next 30 days, you might find me more than
|
|
usually intemperate. More bluntly, expect to find me tired, irritable
|
|
and generally, garden-variety cranky. I'm getting 3-4 hours sleep per
|
|
night, and upon arriving at the B5 offices I look rather like a death row
|
|
inmate walking the last mile...which is about the standard look on anyone
|
|
running a show this time of year.
|
|
|
|
I will continue to try and moderate my replies, but if an unintended
|
|
edge creeps into the phosphor dots crawling across your screen...you'll
|
|
know whence it comes.
|
|
|
|
Or to quote the Terminator...."I need a vacation."
|
|
|
|
Item the second:
|
|
|
|
Tomorrow, Wednesday, at 8:00 p.m. in most markets airs a wonderful
|
|
stop-motion piece called "The Wrong Trousers" on PBS. Story in brief:
|
|
a man and his dog take in a penguin as a boarder...and the story take a
|
|
funny/dark turn worthy of a Hitchcock movie. It's simply the best thing
|
|
I've ever seen in this medium, and encourage everyone to watch.
|
|
Absolutely hysterical, and wonderfully done.
|
|
|
|
Item the third:
|
|
|
|
To allow for more time to finish the EFX work and some audio work,
|
|
we'll probably reverse the first few episodes and start with "There All
|
|
the Honor Lies" at the end of April, and spring "And Now for a Word" as
|
|
the first true May sweeps episode.
|
|
|
|
As you were....
|
|
|
|
jms
|
|
|
|
Subject: JMS's vast mug collection
|
|
Date: 22 Mar 1995 15:39:11 -0500
|
|
|
|
Actually, yes, there are B5 mugs available from Creation, at cons
|
|
and via mail order.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS Re: "The Great Maker
|
|
Date: 22 Mar 1995 15:39:39 -0500
|
|
|
|
It's very hard to just sit back and enjoy the show. I'm always
|
|
looking at it critically....what did we do right, what did we do wrong,
|
|
is this the best angle *really*, should this music cue have started five
|
|
frames sooner, why is there a little glitch in the doorframe behind the
|
|
character, why did I write "the" instead of "a," what can I learn from
|
|
this to apply toward future shows...you can go mad.
|
|
|
|
In general, I have to watch an episode (after it's finished) ten to
|
|
fifteen times minimum before I can actually *see* it as a whole, more or
|
|
less as a viewer. Which means it often takes a couple-three years before
|
|
I can truly appreciate it.
|
|
|
|
(This is true of just about anything I write for TV, btw.)
|
|
|
|
jms
|
|
|
|
Subject: JMS: How old is Psi Corp?
|
|
Date: 22 Mar 1995 21:36:29 -0500
|
|
|
|
Telepaths were finally and conclusively proven to exist around the
|
|
early 2100s; by about 2120 or 30 the Psi Corps was formalized and became
|
|
a branch of the government.
|
|
|
|
jms
|
|
|
|
Subject: Re: "New Age" jms? >:-)>
|
|
Date: 22 Mar 1995 22:06:58 -0500
|
|
|
|
I'm all for teaching creation and allowing prayers in schools, as
|
|
soon as scholars begin teaching darwinism and geometry in church.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Rogue telepath in aR
|
|
Date: 22 Mar 1995 22:07:25 -0500
|
|
|
|
Yes, this was deliberately the same character from "Chrysalis."
|
|
|
|
jms
|
|
|
|
Subject: Re: JMS's vast mug collection
|
|
Date: 22 Mar 1995 22:07:47 -0500
|
|
|
|
I think it would be just about impossible to put Kosh on the outside
|
|
of a mug.
|
|
|
|
jms
|
|
|
|
Subject: Att'n JMS Re: Influences, Sand
|
|
Date: 22 Mar 1995 22:21:29 -0500
|
|
|
|
Have never, in my entire life, seen an episode of the Sandbaggers.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Influence
|
|
Date: 22 Mar 1995 22:22:03 -0500
|
|
|
|
Jay...on one level, I understand what you're saying, in theory at
|
|
any rate. Maybe it's because I still don't really take myself very
|
|
seriously that I have a fundamental hard time with the notion of becoming
|
|
a POP (Person Of Power). It seems, I dunno, kinda goofy.
|
|
|
|
So I'm still not really convinced that I have it; or, having it, that
|
|
I would *want* it. It's sort of like the statement, "If nominated I will
|
|
not run, if elected I will not serve."
|
|
|
|
The only thing that truly matters to me is that the work survive, and
|
|
that the work receive the attention it deserves because of the hard work
|
|
by so many talented people that goes into it...and to tell a story. As for
|
|
me...ehh. I figure I'm doing good if I can just dress myself....
|
|
|
|
jms
|
|
|
|
Subject: JMS: Only 7 basic stories?
|
|
Date: 23 Mar 1995 01:52:25 -0500
|
|
|
|
What I've always been taught is that there are three basic stories:
|
|
man vs. man, man vs. himself, man vs. environment. But such distinctions
|
|
are false and fairly misleading; they generalize but do not perceive.
|
|
|
|
There are as many stories as there are people. If you take someone's
|
|
life and spin it out in a book or a movie, it's 100% different from the
|
|
life of the person across town. If you base your stories simply on plot,
|
|
then sure, you're going to run into problems. If you base your story on
|
|
character, and make your characters distinct, this problem doesn't occur.
|
|
|
|
jms
|
|
|
|
Subject: ATTN: JMS do you ever get frea
|
|
Date: 23 Mar 1995 02:03:15 -0500
|
|
|
|
"Do you ever think, `My god, what have I started?'"
|
|
|
|
Who has time? (And why does this make me think of a Talking Heads
|
|
song?)
|
|
|
|
The job of a story is to be seen by others. If no one ever sees it
|
|
it does not fulfill its purpose. I generally don't really look at this
|
|
as personal approbation, rather as a sense that the story has been seen,
|
|
and it's good enough that people enjoy discussing it and arguing over it
|
|
and debating it. Which is the point: to initiate discussion. If it does
|
|
that, than I can't be anything other than deleriously happy.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Season Two Opening i
|
|
Date: 23 Mar 1995 05:30:14 -0500
|
|
|
|
We'll probably keep whichever opening was originally associated with
|
|
the episode, just to simplify things.
|
|
|
|
jms
|
|
|
|
Subject: "New Age" jms? >:-)>
|
|
Date: 23 Mar 1995 05:34:06 -0500
|
|
|
|
Here's the irony in this whole discussion: one of the friendly crew
|
|
members on B5 named Eric came up to me at lunch and said, paraphrasing
|
|
from memory, "I really want to thank you for what's in the show, the last
|
|
few in particular [stuff that won't air until the next batch]; I'm a
|
|
Christian too, and it's good to see someone else who believes the same
|
|
way actually getting good christian messages out there about prayer and
|
|
faith."
|
|
|
|
At which point I gently explained that I was an atheist...and he just
|
|
kinda looked at me, as if I'd just grown three heads and feathers. Later,
|
|
he stopped by my office, citing another line used in the show before and
|
|
echoed again in something we'd just shot ("You should be careful what you
|
|
ask for, because sometimes the universe listens") and repeated his initial
|
|
thesis, perhaps in the belief that this time I'd cop to being a christian.
|
|
Nope. But we've had some good conversations about it.
|
|
|
|
jms
|
|
|
|
Subject: Re: "New Age" jms? >:-)>
|
|
Date: 23 Mar 1995 06:08:50 -0500
|
|
|
|
Eric R: very well reasoned and thought out; a good message, and a
|
|
good approach.
|
|
|
|
jms
|
|
|
|
Subject: Religion Threads
|
|
Date: 23 Mar 1995 16:03:54 -0500
|
|
|
|
What I find vastly rewarding is the fact that in general, religion
|
|
is one of those things that you either don't discuss on boards, or you
|
|
get into vast, massive, heated and vituperative flame wars that make
|
|
Carthage look like a tea party. But here, in general, the topic has been
|
|
able to be discussed and different views aired in a non-accusative
|
|
fashion...not argued, but *discussed*, which I think is nifty.
|
|
|
|
jms
|
|
|
|
Subject: JMS: How'd you meet Harlan?
|
|
Date: 23 Mar 1995 22:08:44 -0500
|
|
|
|
No, I wasn't involved with "Paladin" or the CBS version of TZ except
|
|
to write one episode (I story edited the syndicated version). I actually
|
|
met Harlan for the first time on a Writer's Guild picket line outside CBS
|
|
a couple/three years before. Just exchanged a few words, that's about it.
|
|
|
|
jms
|
|
|
|
Subject: Re: male women on b5
|
|
Date: 24 Mar 1995 05:24:29 -0500
|
|
|
|
"Would YOU want to have sex with someone who, as you started to go to
|
|
bed, began to tell you light bulb jokes?"
|
|
|
|
Note to myself: I think I may have discovered the problem in my
|
|
technique....
|
|
|
|
jms
|
|
|
|
Subject: Re: male women on b5
|
|
Date: 24 Mar 1995 05:31:04 -0500
|
|
|
|
Al Bell: I suspect that to some extent you are working through some
|
|
issues that don't really have that much to do with Babylon 5.
|
|
|
|
Bear in mind also that B5 is a fairly controlled environment; you've
|
|
got 24 hour a day access to communications and security. Also, 95% of the
|
|
people Ivanova has to deal with are subordinates, under her in rank; if
|
|
any of them were to make a move, aside from coming away with one fewer
|
|
hand, that person would be court martialed instantly and spend the next
|
|
several years UNDER the brig.
|
|
|
|
You portray a universe of "women as victims," and maybe there are
|
|
some elements of your background that may lead you to that sense that
|
|
such has to be or is generally the case. I think we've victimized
|
|
people enough; women need to stop being victims and stop being afraid.
|
|
|
|
And I'm not saying that fear is invalid; in our current world, it's
|
|
all too present. You're talking to someone here who grew up in a familyi
|
|
where wife-beating was common; I've seen such violence up close. I've
|
|
seen friends who've gone through this. Which is maybe one reason why I
|
|
chose to allow myself one utopian thought in a fairly dystopian B5
|
|
universe: that in the armed services, and some other areas, it's not
|
|
even a matter of discussion anymore; it just doesn't happen. Womeen are
|
|
100% equal with men. A woman is no more likely to be sexually harrassed
|
|
in B5 than a man, depending on how your preferences direct you.
|
|
|
|
There are damned few women role models who are strong, and capable,
|
|
and intelligent, and witty, and physically able to defend themselves on
|
|
TV. Everywhere one turns the victim image is propagated; if I have gone
|
|
a bit in the other direction to make a point, and TO point to something
|
|
better, I think that's justified.
|
|
|
|
Besides, I happen to LIKE strong, capable, intelligent, funny women.
|
|
|
|
jms
|
|
|
|
Subject: Big Bang Con: Anyone a VIP?
|
|
Date: 24 Mar 1995 05:31:41 -0500
|
|
|
|
I would urge anyone considering buying tickets for the B5 stuff to
|
|
hold off. There are some problems. I hope to have more specifically to
|
|
say on this in a day or so.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Religion/Religious d
|
|
Date: 24 Mar 1995 15:34:14 -0500
|
|
|
|
To your question...as it happens, yes, I'll be doing a four issue
|
|
arc of the comic, writing it throughout May/July, to appear in November.
|
|
|
|
jms
|
|
|
|
Subject: EA Seal in Revelations
|
|
Date: 24 Mar 1995 15:38:43 -0500
|
|
|
|
What you're seeing is the seal of the President of the Earth Alliance,
|
|
which is a modified version of the EA logo.
|
|
|
|
jms
|
|
|
|
Subject: Evolution and prayer in the sc
|
|
Date: 24 Mar 1995 15:39:23 -0500
|
|
|
|
Why did I ever, ever, ever, ever mention this topic?
|
|
|
|
jms
|
|
|
|
Subject: From JMS: No B5 at Big Bang
|
|
Date: 24 Mar 1995 16:42:18 -0500
|
|
|
|
This is a very hard message to write, but it has to be said, now,
|
|
before the error compounds itself further.
|
|
|
|
Several weeks ago, a number of us -- me, Claudia, Mira and Michael --
|
|
flew out to Chicago for a "dry run" of sorts for the Big Bang, held at
|
|
Planet Hollywood. It did not go well; there were many problems behind the
|
|
scenes, which we worked to keep the fans from seeing: logistical,
|
|
organizational, and other problems. Our experience was that the whole
|
|
exercise was poorly run, and there were other concerns raised about how
|
|
business was being done.
|
|
|
|
Upon returning, I have said very little about the whole event, and
|
|
sent Tom Christofferson a 4 page fax detailing the items that worried me
|
|
about how things were being run, and indicated that unless things changed
|
|
rather dramatically, neither I nor my cast could support this operation,
|
|
because in the end it was the fans who would be hurt.
|
|
|
|
Subsequent to that came the capper.
|
|
|
|
Tom approached us about licensing a product: high quality leather
|
|
jackets in rememberance of the Battle of the Line. He requested the
|
|
original artwork for all the Battle of the Line patches, which we have
|
|
never given to anyone else. The purpose was to make ONE demo jacket
|
|
to show to Warners Licensing to show how it would look.
|
|
|
|
So you can imagine my dismay when I learned, over this system, in
|
|
messages posted by others, that he was selling the jackets (which had
|
|
NOT been licensed) at Vulkon; selling the patches; that he had taken
|
|
artwork provided for use only as backdrops at the convention and had
|
|
turned them into posters and was selling the posters. People buying the
|
|
posters and other material were told, and was even printed on them, that
|
|
all proceeds were to benefit the Starfury Project, which had never been
|
|
finalized, no arrangements had been made...buying these items on the
|
|
assumption that they were contributing to a worthy cause. They weren't.
|
|
|
|
This is not only a violation of copyright, but a violation of trust,
|
|
on top of the other concerns we had about the convention. Warner Bros.
|
|
Legal Affairs is already onto this. We didn't know he was doing this,
|
|
he had no right to be doing this, and this is, as they say,the straw
|
|
that breaks the camel's back.
|
|
|
|
Consequently, we must withdraw all support from this convention;
|
|
neither I nor anyone else involved with Babylon 5 will attend. If you
|
|
were planning to attend specifically to see Babylon 5 folks, then I
|
|
strongly suggest you secure a refund or change your plans.
|
|
|
|
All of us here are bitterly disappointed, because until our first
|
|
trip we had great hopes for this. Primarily, however, we are
|
|
disappointed and saddened for the fans of the show, who were looking
|
|
forward to this as much as we were. A lot of people were very excited
|
|
about it, ourselves included. But once again the theory is proven that
|
|
sometimes things that look too good to be true often are. It is my
|
|
feeling that, even the pirating aside, the convention would be a total
|
|
disaster, and in the end the fans would be the ones hurt by it, and we
|
|
can't allow that.
|
|
|
|
With great regrets....
|
|
|
|
J. Michael Straczynski
|
|
|
|
Subject: JMS: The Centauri Emperor's la
|
|
Date: 24 Mar 1995 20:02:53 -0500
|
|
|
|
He meant "you two" as in Londo and Refa.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Totally Unrelated to
|
|
Date: 24 Mar 1995 21:13:43 -0500
|
|
|
|
(If one longs to have a book like Elfquest, does that make one guilty
|
|
of Pini envy?)
|
|
|
|
The Pinis indicated they don't want synopses uploaded, so that's out,
|
|
and my memory isn't what it used to be, if it ever was. What I *do*
|
|
remember is that we tried to keep the new stories in line with what had
|
|
gone before, and were going into an overall story that would complement
|
|
what was being done in the comics. I vaguely recall that it involved some
|
|
members of the Holt disappearing, and a quest being launched to find them.
|
|
|
|
We kept the characters the same as in the books, the language, the
|
|
maturity...which is why the Pinis loved it...and which is why CBS finally
|
|
passed.
|
|
|
|
jms
|
|
|
|
Subject: B5 and Big Bang stuff
|
|
Date: 26 Mar 1995 00:35:38 -0500
|
|
|
|
Matt...you would be well advised to stay out of the middle of this,
|
|
because you're being used. To address some of your points:
|
|
|
|
1) It is NOT common practice to take orders for items that you do
|
|
not have the license to sell. This is a breach of the law.
|
|
|
|
2) Patches *were* purchased, people here have bought them. This is
|
|
a breach of the law.
|
|
|
|
3) Posters wrongfully adapted from provided material were sold. This
|
|
is a breach of the law. There was NO understanding at any point that this
|
|
was agreed to for the Starfury deal.
|
|
|
|
4) CMC does NOT have signed contracts with all the B5 personnel,
|
|
myself included. Neither have many of them been given any kind of
|
|
advance.
|
|
|
|
A Force For Good does not misrepresent contracts. Does not sell
|
|
goods that it does not have the right to sell. Does not tell you that
|
|
it's understood that material provided is there ONLY for one-time use in
|
|
making a demo -- which was stated to me, and John Copeland, and others --
|
|
and then turn right around and start making bunches of them and selling
|
|
them, without telling anyone, and at first *denying* it when confronted.
|
|
|
|
Further, remember that this comes as the culmination of OTHER
|
|
concerns raised during the Chicago visit. It was my feeling, upon
|
|
returning from that visit, that CMC did not have the wherewithal or the
|
|
capacity to deliver upon its promises, and that the convention would be
|
|
a total disaster. It was that concern which prompted my lengthy fax to
|
|
CMC.
|
|
|
|
I could go down the list of things that went wrong behind the scenes
|
|
of the first visit, but it would again require four pages. Understand
|
|
clearly: every single one of us returned to LA *very* worried about how
|
|
things were being handled. CMC had a lot of ideas, but it seemed to all of
|
|
us that they didn't have the ability or the organization to pull off those
|
|
ideas. The rest was icing on the cake.
|
|
|
|
Please, everyone, don't get into the middle of this; this is now
|
|
in lawyer territory.
|
|
|
|
jms
|
|
|
|
Subject: Re: From JMS: No B5 at Big Ban
|
|
Date: 27 Mar 1995 16:08:54 -0500
|
|
|
|
To Kent Lucas: I just wanted to add how pleased everyone was at the
|
|
friendliness of the folks at Capricon, and that the brief time in the film
|
|
room was a real highlight for us.
|
|
|
|
jms
|
|
|
|
Subject: From jms: B5 Soundtrack Info
|
|
Date: 27 Mar 1995 17:16:41 -0500
|
|
|
|
Elena has already posted some of this, but since it probably got lost
|
|
in the recent confusion....
|
|
|
|
While Christopher Franke's new and expanded BABYLON 5 SOUNDTRACK
|
|
is being released later next month, it's possible to order it NOW from
|
|
Sonic Images, Chris's own company. Be the first on your block, and all
|
|
that.
|
|
|
|
There's an additional 12-15 minutes worth of music on this as opposed
|
|
to the original limited release, which sold out its run within a matter of
|
|
weeks. It has an expanded booklet, more photos, and is gorgeously
|
|
packaged. (Elena can release a more detailed summary, so watch for her
|
|
message.)
|
|
|
|
The soundtrack, which contains music from the first, and some from the
|
|
second seasons, has been orchestrated into one long suite, about 52 or so
|
|
minutes. It's just beautiful. It also has the first and second season
|
|
main title themes, and the best pieces from our better episodes...including
|
|
something added for just this release, a 4+ minute extended version of his
|
|
haunting theme for the Battle of the Line.
|
|
|
|
It can be ordered direct *now* from Sonic Images for $13.99 each,
|
|
plus $3 shipping and handling in the US, Canada and Mexico, or $6 S&H
|
|
to all other countries. Checks/orders can be sent to Sonic Images, P. O.
|
|
Box 691626, West Hollywood, CA 90069. I'd move quickly, because if the
|
|
limited is any indication, these are going to sell out quickly, and you'll
|
|
avoid a wait later.
|
|
|
|
It really *is* very cool, folks....
|
|
|
|
jms
|
|
|
|
(Only CD release, no cassettes.)
|
|
|
|
Subject: Re: B5 and Big Bang stuff
|
|
Date: 28 Mar 1995 02:01:22 -0500
|
|
|
|
Matt, I have never considered that your motives have ever been other
|
|
than the well being of Babylon 5.
|
|
|
|
In that respect, we are alike.
|
|
|
|
One thing to remember is that B5 has developed a very hard-won
|
|
reputation for square dealing, and for taking care of those viewers who
|
|
have chosen to support us. This comes from the executive producer's
|
|
office. On anything that uses the B5 name, or which is connected to
|
|
B5, we take great pains to make sure everything's on the up and up, that
|
|
when merchandise goes out, or deals are made, it is done straight-up,
|
|
done properly, and the quality is assured. Anytime anyone buys anything
|
|
or supports anything involving B5, they have to *know* that it went through
|
|
my hands, that it's been checked out, vetted, and approved not by aides
|
|
but by the people who make the show. Sometimes that's a pain in the ass,
|
|
but it's the only way of protecting the fans in the long run, and the only
|
|
way I know how to make this show.
|
|
|
|
jms
|
|
|
|
Subject: Babylon Squared: Who are we fi
|
|
Date: 28 Mar 1995 02:10:52 -0500
|
|
|
|
Robert Lynn Rhodes: in return for your good post, here's a gift:
|
|
while we won't see Zathras this season, we will HEAR his name, but not
|
|
from anyone who was on B4. He's around, but he's not *here*.
|
|
|
|
jms
|
|
|
|
Subject: JMS: Cut bits?
|
|
Date: 28 Mar 1995 04:25:28 -0500
|
|
|
|
Every episode is cut to varying degrees; I think there's been
|
|
maybe one out of 42 shot to date that's come out exactly right, without
|
|
anything having to be cut. (You always err a little on this side
|
|
because the last thing you want is to come out SHORT, which is a major
|
|
pain in the butt, and by the time this is known it's often too late to
|
|
shoot stuff within the timeframe of that episode.) Generally, you WANT
|
|
an episode to be about 2-4 minutes over, so you can trim and tighten.
|
|
|
|
Generally speaking, our episodes come in 5-8 minutes over *in the
|
|
director's cut*. One or two have gone as far as 10 minutes over in that
|
|
cut. And what's discovered is almost always that there's a lot of air,
|
|
long lingering shots that slow down the pace...my feeling is that 1) it's
|
|
better to have more story than time than more time than story, and 2)
|
|
all our episodes should be edited at a dead run, so tight they scream.
|
|
|
|
Consequently, while episodes may start out long, and often missing
|
|
scenes deleted by the director, once John Copeland and I go back in and
|
|
start tightening the screws, we almost always get all those scenes BACK
|
|
again, and then I line-cut here and there within scenes. So with very
|
|
few exceptions, there aren't very many scenes that would've added
|
|
anything that are missing, even from "Revelations." I think that that
|
|
was one of our longer ones, and we dropped bits here and there, but
|
|
in the long run nothing much really of consequence.
|
|
|
|
jms
|
|
|
|
Subject: KCOP changes B5 rerun time
|
|
Date: 28 Mar 1995 04:27:17 -0500
|
|
|
|
As well as the KCOP changes, we've heard of other stations moving
|
|
B5 into better timeslots for both first and second run. As the show
|
|
continues to gain momentum, and gets noticed, we hope to see this trend
|
|
grow.
|
|
|
|
jms
|
|
|
|
Subject: A Kosh speculation... higher m
|
|
Date: 28 Mar 1995 04:27:31 -0500
|
|
|
|
Just to clarify...I *think* what I said was that you couldn't GET
|
|
Kosh on a mug, not that you couldn't FIT Kosh on a mug....
|
|
|
|
jms
|
|
Subject: ATTN JMS: Blooper for Sale?
|
|
Date: 29 Mar 1995 01:59:41 -0500
|
|
|
|
Selling the blooper reel(s) is something we've discussed, but so far
|
|
haven't decided one way or another.
|
|
|
|
jms
|
|
|
|
Subject: JMS: what merchandise has been
|
|
Date: 29 Mar 1995 02:03:17 -0500
|
|
|
|
Thus far, there are licensed caps, shirts, a soundtrack, an LCD game,
|
|
Micromachines, the comic, the novels from Dell...and soon to come, trading
|
|
cards, a screen saver and some other stuff. The most common illegal stuff
|
|
tends to be fake Links, patches, pins, PPGs, Starfuries and boarding
|
|
passes. None of this has been licensed, so if you see it, it ain't legit.
|
|
|
|
I think this should stay within the purview of the fans, rather than
|
|
sending us constant notification of this. I don't want people to feel
|
|
obligated to rat this stuff out; that's our problem. Don't support it,
|
|
but I refuse to turn enjoyable con weekends into exercises in Big
|
|
Brotherism.
|
|
|
|
jms
|
|
|
|
Subject: To JMS Re: Big Bang Expo
|
|
Date: 29 Mar 1995 05:33:08 -0500
|
|
|
|
Anne: straight up...do you want me to set aside my beliefs on how
|
|
conventions should be run and just say "the hell with it?" What if the
|
|
con turns out, as I suspect it would, as a disaster and a disappointment?
|
|
Then what happens to the fans?
|
|
|
|
The fans are not being punished. I'm put in mind of "A Comedy of
|
|
Terrors," where Vincent Price keeps trying to slip poison into Boris
|
|
Karloff's soup, saying it's medicine, only to be thwarted by Karloff's
|
|
daughter, who rips the bottle away...and in response, the addled
|
|
Boris bemoans the fact that she keeps taking away his medicine. And she
|
|
gets the rap.
|
|
|
|
What makes this show special, and the reason you like it, amon
|
|
others, is that it stems from certain principles and idea. Are you now
|
|
asking that I set aside that which makes the show what it is? Because that
|
|
would be the result. One learns a lot about a person by whom one sleeps
|
|
with.
|
|
|
|
jms
|
|
|
|
Subject: ATTN JMS: Artwork for B5 merch
|
|
Date: 29 Mar 1995 20:33:13 -0500
|
|
|
|
They are going to be trading cards, not gaming cards, which makes
|
|
the details more or less moot.
|
|
|
|
jms
|
|
|
|
Subject: The Big Cat Comes Back
|
|
Date: 30 Mar 1995 02:09:10 -0500
|
|
|
|
Melody: marry me.
|
|
|
|
jms
|
|
|
|
Subject: Spoiling Vorlons for JMS
|
|
Date: 30 Mar 1995 06:04:10 -0500
|
|
|
|
I've never been overly worried about Kosh, because though some have
|
|
strayed near, no one has entirely *got it*, so it's cool. There have been
|
|
one or two stories, small ones, that yes, have been scuttled because
|
|
they've been suggested here, but not too much. Basically, if I were to
|
|
keep changing directions every time somebody makes a guess, I'd be all over
|
|
the landscape. You can't tell a story that way.
|
|
|
|
jms
|
|
|
|
Subject: CSICOP = Psi-cop?
|
|
Date: 30 Mar 1995 06:04:20 -0500
|
|
|
|
At one point, I did hear CSICOP and like the sound of a variation of
|
|
that, as PsiCop. So yes, that was part of it.
|
|
|
|
jms
|
|
|
|
Subject: JMS: Sheridan's Speech
|
|
Date: 30 Mar 1995 06:02:23 -0500
|
|
|
|
No, it was only omitted as part of collapsing the speech for time.
|
|
|
|
jms
|
|
|
|
Subject: JMS: ab fab
|
|
Date: 31 Mar 1995 04:39:00 -0500
|
|
|
|
Is this the New York portion of AbFab? Is it as good as the rest? I
|
|
wondered if they were going to take the edge off because of the American
|
|
connection.
|
|
|
|
(Sadly, I will have to deny every being a fan of AbFab the day the
|
|
Roseanne Barr version hits TV.)
|
|
|
|
jms
|
|
|
|
Subject: Re: If we knew then... (MotFL)
|
|
Date: 31 Mar 1995 17:37:13 -0500
|
|
|
|
Re: parallel visuals between MotFL and CoS...yes, precisely. In some
|
|
ways, they were set up as mirror-image parallels of one another, to show
|
|
how the wheel turns, to quote G'Kar. The opening council meeting, the
|
|
attacks, the determination to kill the other, alternately Garibaldi or
|
|
Sheridan having to stop them by calling on the question of consequences if
|
|
followed up on...it shows CoS as sort of the "dark mirror" of the first
|
|
episode. Everything we saw when we first thought we knew what the series
|
|
was has now totally reversed and been turned on its head.
|
|
|
|
They also focus on one of the main questions that B5 addreses itself
|
|
to: what is important to you? what are you willing to sacrifice? how far
|
|
are you willing to go to get what you want? For me, a large measure of
|
|
defining WHO we are is by WHAT we are willing to do, and what we want, and
|
|
the means by which we pursue those goals. The other theme of course is
|
|
sacrifice, which recurs throughout the show in one form or another.
|
|
|
|
Sometimes, I think, people get so caught up in what's happening and
|
|
why that they miss what it's *about* on a more cellular level. And that's
|
|
the question of who we are. Identity. The importance of *one single
|
|
person* and the ability of that person to act as a fulcrum, intentionally
|
|
or otherwise, upon which vast events can turn. Choices. What you value
|
|
most. Those, to me, are the issues most worth exploring. We're told
|
|
every day, beaten down with the notion that we're powerless, that we
|
|
can't change things, you can't fight city hall...and of course it's not
|
|
true. You can fight. And sometimes, you can even win.
|
|
|
|
jms
|
|
|
|
Subj: From JMS re: Big Bang
|
|
Date: 95-03-30 17:29:34 EST
|
|
|
|
Several confusing elements have come out about this whole situation; I
|
|
wanted to dive in for a second to (hopefully) straighten out some of them.
|
|
|
|
To the question of what and when...the Planet Hollywood excursion was
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intended as a "dry run" (to use Tom Christofferson's words) so that we could
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see how things worked. Prior to that time, we thought everything was fine.
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Upon returning from Chicago, all of us had very grave concerns about what we
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had seen, in terms of organization and the ability of CMC to pull off the
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convention. I took one week to talk to various cast members, think it over,
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and then sent a 4-page fax to Tom C. explaining that we were all very
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concerned, and delineating how things were going to have to be done in future
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if B5 was to cooperate with this operation. He agreed to those points, or
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seemed to. I wanted to give Tom a second chance to demonstrate that he could
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do things right. It was about a week or so later that we learned about the
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pirated merchandise, the copyright infringement, and that promises made to
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us, and to me personally, by Tom had not been kept.
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Thence commenced a *very* angry phone conversation with Tom, after
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initially denying to John Copeland that anything amiss had happened. I told
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Tom at that time that after giving him a second chance, he had blown the
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whole thing and we were going to pull out. He said that if we said this
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publicly, it could kill the convention and hurt him. He then suggested that
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he would cancel the convention, no names, no blame; it would let him get out
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with some dignity. The few cast members who had been given partial advances
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would be allowed to keep them (since the cast, as well as the fans, were the
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ones most likely to be harmed). At that time, I went along with it. So I
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waited. A week passed. More time passed. It became clear after a while the
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he was NOT going to cancel the convention, and he continued to maintain that
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everyone was coming when I had made it *absolutely* clear to him over the
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phone that this was not going to happen. (So those fans who called and were
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told by him that this was all news to him, were not told the truth.) By now
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my alarms were going off pretty loud, and I felt it was time to go public.
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To the notion, expressed by Tom, that CMC is not the same as the company
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that made the pirated material (posters bore the markings T3, for
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T-cubed)...again, this is misinformation. To the notion that Tom is not
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directly running CMC, and just an employee who messed up...again, not true.
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As part of the material I requested from Tom, I wanted a full fiscal
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background check. He sent me several pages of information. In his letter of
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February 28, to me, he indicated that CMC was working with the merchandising
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and licensing aspects; the financial information he gave for CMC was the
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financial statement for T3, represented to us in that letter as being the
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backing and structure of CMC. He represented to us that financially and
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corporately T3 *was* CMC. Tom signed the actors contracts on behalf of CMC,
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and in the corporate information provided to us by him lists himself as Vice
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President of both CMC and T3. Different names, but all part of the same
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company and corporate structure. Further, when we (Michael, me, Mira and
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Claudia) met with Tom and his associates at the T3 headquarters, Tom
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represented to us in front of T3 staff and executives that T3 was involved in
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equal partnership with CMC in running Big Bang.
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Further, remember again the full extent of this, and how things
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happened. Tom C. requested artwork for B5 patches for a "demo" jacket. Upon
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meeting him in Chicago, he made quite a big deal out of the fact that he was
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keeping these secret; he pulled them out from under his jacket and hidden in
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the trunk of the car, repeated that these were for our eyes only. I repeated
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to him, in front of witnesses, what I'd said previously: that these were not
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for distribution to ANYone outside the company.
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e (Tom) also stated to me that he had PERSONALLY overseen the
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production of the patches, and their manufacture. So CMC, in the person of
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Tom, *did* make those items (and at the time, Claudia mentioned that she saw
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a LOT more than the few he was supposed to show us for approval, and wondered
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why). After telling us repeatedly that this was all just for approval, he
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then turned around and began selling them without authorization, without
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license. There was NO misunderstanding. He told us one thing, repeateddly,
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and then did something else. Ditto on the artwork.
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He'd requested/bought CGI images to be used as backdrops or banners AT
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THE CON. And ONLY for that purpose. That was provided to him. He showed me
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prints of the images at Planet Hollywood, indicating that they were having
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some problem in blowing them up to the right size. As people noticed them, I
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repeated to Tom that these were not to be used for any other purpose. He
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said he understood that. And then turned around and made the prints he
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showed me (again indicating to me that he was directly responsible for the
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artwork) into posters, and began selling them.
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The notion that CMC isn't responsible because the posters had T3 on them
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is a classic shell-game. He and CMC are directly responsible for their
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manufacture.
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To the notion that all actors and I are paid and contracted to appear:
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again not true. Only a couple of actors had received any kind of small
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advance. I had never signed any contract. I have already sent back the
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advance with a formal letter stating that I will have nothing to do with this
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operation.
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From the very instant we arrived in Chicago, things with this convention
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weren't right. This is only the capper, after having given CMC a second
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chance. Matters of trust were constantly violated. Private conversations
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|
were repeated widely (Jerry Doyle had NOT given Tom permission to announce
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his engagement, for instance). Dealers promised information and other
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|
material after buying space received nothing. I was *very* worried about the
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fact that everything was being paid for by CMC in cash, without any credit
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|
references being used. Advances were paid with *money order*. It created
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|
the impression that money from ticket purchases was being used to pay for all
|
|
this, and a con of the size that CMC had discussed would take great resources
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|
to pull off. There were constant foulups on every level...the hotel we'd
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been booked into canceled the reservations, and didn't seem to know anything
|
|
about it, and we ended up cruising through Chicago near midnight trying to
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|
find a hotel. If you're going to run a convention for thousands of people,
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|
you'd better have your act together if you can't even handle four people.
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|
(The hotel was also canceled because there had been no credit reference
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|
provided.) The logistics at Planet Hollywood were a nightmare, fans couldn't
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hear anyone unless they were right next to the person, and there was pirated
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|
material everywhere. I was shown home-made PPGs and links and pins, told
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they were working with Tom for eventual licensing from WB...and then, the
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|
next day, at CapriCon, we were put at a table where these items were BEING
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SOLD. Time and time, our trust has been betrayed, promises have not been kept,
|
|
legalities have not been adhered to, and the clear impression we got upon
|
|
coming back from Chicago was that there were *real* problems, that this
|
|
convention was never going to come off unless DRASTIC changes were made. We
|
|
were in the process of trying to deal with that when the final straw was
|
|
finally laid on the camel's back. This is not a case of a simple
|
|
misunderstanding, except where CMC are trying to create the false impression
|
|
of one to cover their butts in this.
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I probably should have gone public with this earlier than I did. But I
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was trying to give CMC one last chance to make things right. Which was my
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mistake. (Note: anyone wishing to repost this to Internet is free to do so.)
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jms
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