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470 lines
27 KiB
470 lines
27 KiB
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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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Sheridan's disappearance begins to unravel the alliance. Londo
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discovers that Emperor Cartagia has struck a disturbing deal. G'Kar
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decides to search for Garibaldi. Ivanova, Delenn, and Lyta head
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toward Z'ha'dum to search for Sheridan. [15]Ed Wasser as Morden.
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[16]Wortham Krimmer as Emperor Cartagia. [17]Wayne Alexander as
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Lorien. [18]Damian London as Minister.
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[19]P5 Rating: [20]8.89
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Production number: 401
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Original air week: November 4, 1996
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Written by J. Michael Straczynski
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Directed by David Eagle
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Watch For
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* [21]A switch of hands.
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_________________________________________________________________
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Plot Points
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* A thousand years ago, the Shadows seeded hundreds of worlds with
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their ships so their forces couldn't be wiped out in a single
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attack.
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* The explosion on Z'ha'dum destroyed the Shadows' biggest city and
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threw them into chaos. Now they've decided to seek outside help,
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and have enlisted the Centauri to shelter a small fleet of their
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ships in case Z'ha'dum is attacked while they're weak.
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* Londo and Vir are scheming to kill Emperor Cartagia, who Londo
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believes has seriously endangered Centauri Prime by giving land to
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the Shadows.
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* According to Kosh, Sheridan opened an unexpected door on Z'ha'dum.
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Whatever that means, Sheridan somehow survived the two-mile fall,
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and now finds himself in the company of an enigmatic being,
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Lorien, who appears to know why Sheridan survived.
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* The nonaligned worlds, believing Sheridan dead and the battle
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against the Shadows at an end, are beginning to withdraw from the
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alliance.
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* The Shadows have something called "the Eye" near Z'ha'dum. It
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appears to be able to telepathically contact normals, probing
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their minds and drawing them to the planet. It was this "Eye" that
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sensed Ivanova during her journey in the Great Machine on Epsilon
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3 ([22]"Voices of Authority.")
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* The Vorlons are aware of what happened on Z'ha'dum, but according
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to Kosh, plan to do nothing about it. Lyta, however, believes
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they're planning something.
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Unanswered Questions
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* What did Kosh mean about Sheridan opening an unexpected door? A
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door to where, and why was it unexpected?
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* Was Morden the human who introduced Cartagia to the term "the big
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picture?"
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* What happened to Lyta while she was scanning for Sheridan?
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* What is the "Eye" at Z'ha'dum?
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* Why does it speak with a voice of infinite sadness?
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* How did Sheridan survive his fall?
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* Where is he now?
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Analysis
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* The Eye spoke to Ivanova and Delenn in the voices of their
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fathers. That's the same image the old Kosh chose on more than one
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occasion (to Sheridan in [23]"Interludes and Examinations" and to
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G'Kar in [24]"Dust to Dust.") Is there a connection?
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* Is the Eye at Z'ha'dum the one Lady Morella referred to in the
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first of her prophecies ([25]"Point of No Return?") If so, how
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will Londo be able to save it? Will it be moved to Centauri Prime,
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or is it perhaps already there in some form as a result of
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Cartagia's arrangement with the Shadows?
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* Perhaps the Eye is the Shadows' main defense system on Z'ha'dum.
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That would explain why the White Star was able to get to the
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surface unharmed in [26]"Z'ha'dum." It wasn't touched by the Eye
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because there was nobody onboard to influence.
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* The blackening of Lyta's eyes was similar to G'Kar's telepathic
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experience in [27]"Dust to Dust." Perhaps it's simply a side
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effect of intense telepathic activity.
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* In [28]"Interludes and Examinations," Morden warned Londo that the
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Shadows might turn their eye toward Centauri Prime if Londo stood
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in their way. Was he speaking in general terms, as it appeared to
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Londo, or was he referring to something more specific? If he meant
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the Eye in this episode, what implications are there in Londo's
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reply that the Centauri would pluck the eye out?
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* Morden said Sheridan's actions forced the Shadows to seek outside
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assistance earlier than they'd planned. That implies they thought
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they'd eventually have to do so. When were they originally
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planning to get help, and from whom? Seeking outside help would
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seem to put them on par with the Vorlons, who Morden castigated
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for doing exactly the same thing in [29]"Z'ha'dum."
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* G'Kar credits Garibaldi with giving him a second chance and
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allowing him to redeem himself. Garibaldi probably had that
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capacity in part because he'd been given a second chance himself,
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by Sinclair.
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* The White Star seems to have been replaced with one of the other
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ships from the fleet; Ivanova and Lyta talked about taking the
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White Star to Z'ha'dum without referring to the fact that Sheridan
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destroyed the original White Star.
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* Kosh may not have meant that Sheridan opened a door in a literal
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sense; perhaps it's more figurative. Maybe Sheridan's attack on
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the Shadows has weakened them enough to make it possible for the
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Vorlons to wipe the Shadows out, if indeed that's what they want.
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* "Some must be sacrificed for the greater good" is a sentiment
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that's widely shared, and "the greater good" typically means "your
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own good." Kosh planted the idea in G'Kar's mind, implying it was
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the way to the salvation of the Narn people ([30]"Dust to Dust.")
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Justin told Sheridan that some races are lost along the path of
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evolutionary progress, but that humans would likely come out on
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top ([31]"Z'ha'dum.") And here, Cartagia uses the same reasoning
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to justify, in his mind, the destruction of his own people, if it
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means his deification. About the only one firmly opposed to the
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idea is Delenn, who, as Lennier observed, treasures each life
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([32]"Grey 17 Is Missing") and would sacrifice herself to save
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another ([33]"Comes the Inquisitor.") The latter, of course, also
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applies to Sheridan, and is amply demonstrated by his journey to
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Z'ha'dum to save Centauri Prime.
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* What did Lyta mean about the new Kosh being darker than the old
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one? His demeanor is certainly less pleasant, but does she sense
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something beyond a simple difference in personality?
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* Why did Lyta put on the mask after returning Kosh to his suit, if
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she has gills and can breathe in his quarters? Perhaps simply to
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conceal her modification from anyone who might see her emerging
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from his quarters. But gill implants aren't unheard of ([34]"The
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Gathering") and it's presumably widely known that she's Kosh's
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aide, so there would seem to be little to gain by concealing that.
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* Ivanova may not have been the only one awake during the hour of
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the wolf. Emperor Cartagia visited his heads late at night, and
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Londo called Vir in the middle of the night.
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* Who or what is Lorien? Quite possibly, he's a Soul Hunter
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([35]"Soul Hunter") since he has a similar gem implanted in his
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forehead. If so, does that mean Sheridan is indeed physically
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dead? The Soul Hunters capture the personalities of the dying,
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then spend their days talking with the dead souls and learning
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from them. Sheridan's environment might simply be what one of the
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Soul Hunters' globes looks like to the occupant, and Lorien might
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be projecting himself inside somehow in order to converse with
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Sheridan.
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* If, on the other hand, Sheridan survived physically, could it have
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been due to the presence of Kosh in his mind? Kosh has already
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shown that Vorlons can fly ([36]"The Fall of Night") and that they
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have telekinetic power ([37]"Interludes and Examinations.") The
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latter might well have softened Sheridan's landing.
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* Does Lorien's presence on Z'ha'dum (if that's where he's speaking
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with Sheridan) imply some connection to the Shadows?
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* Sheridan and Lorien greet each other with the Vorlon question:
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"Who are you?" Perhaps Lorien knows what significance that
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question has to the Vorlons.
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* Sheridan dropped his rank insignia on the ground. This parallels
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his experience in [38]"There All the Honor Lies," in which he had
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to give up his insignia during one of Kosh's lessons and in return
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was granted "beauty... in the dark." His current situation is
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certainly the darkest he's seen.
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* Now that the Shadows are on Centauri Prime, will they begin
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eliminating Centauri telepaths as they did to the Narn? ([39]"Ship
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of Tears")
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* Why didn't Ivanova bring along more than one telepath on the White
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Star? Given that for all she knew, Z'ha'dum was crawling with
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Shadow vessels, going there with only Lyta ran the risk of the
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White Star being blown out of the sky the moment it emerged from
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hyperspace. Granted, telepaths are a scarce, strategically
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valuable resource, but she could probably have justified bringing
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three or four others to hold any nearby Shadow ships at bay.
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* Is this the arrival of the Shadows and their minions mentioned by
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Londo in [40]"War Without End, Part Two?" If so, why did Londo
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blame Sheridan for it? Certainly Sheridan's attack on Z'ha'dum
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prompted the Shadows to seek shelter, but as Londo described it,
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it seemed more like he thought Sheridan had intentionally
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neglected Centauri Prime.
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Notes
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* Filming began August 26, 1996.
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* Continuity glitch: During the Morden-Londo scene, when Londo is
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about to sit down, Morden begins picking at his left hand. After
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Londo is seated, he drops a flake of skin he clearly just removed
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from his right hand.
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jms speaks
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* When I can announce the overall year 4 title, I will. Filming
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starts August 26th. The writing is coming well. Actually walked
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the sets today for the first time since we wrapped in May; it's
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just too depressing to walk on a dead set. Lots of work going on
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now, new sets being built, noise and energy and enthusiasm...much
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better now.
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* Re: vacation...I wish. We're still doing post production, still
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editing, mixing, spotting for music and sound...it's a long
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process that will take us right through the prep time for year
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four, assuming renewal. I can grab a day here or there, that's
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about it. And even while awaiting word, I still have to begin
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working on year four scripts. (The tentative title for the first
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episode of year four is "The Hour of the Wolf.")
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* The Hour of the Wolf is that hour around 3 a.m. when you can't
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sleep because you're worried about one thing or another....
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* Well, just finished the first (writer's) draft of "The Hour of the
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Wolf," the first episode of year 4, to be directed by David Eagle.
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It was a tough one, like all first-episode scripts...but quite
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interesting, in its way. Once again the show takes a somewhat
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different tone, I'm using some tools I somewhat developed in the
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background in year 3 and am now trying in foreground, very
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interesting mood change...a good start.
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* _Did you know what was going to happen to Sheridan when you wrote
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"Z'ha'dum?"_
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Well, I think you can't do something like that without knowing how
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you're going to pull the character's fat out of the fire, and it
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has to make sense. I think people will be satisfied with what they
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see.
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* "In "The Hour of the Wolf" there are two scenes -- you know which
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ones -- that seemed quite a departure from what one usually sees
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on TV. Did you write "Wolf" before or after your revelation that
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you were not bound by Standards and Practices. 'Cause if you wrote
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this *before*, then we're in for quite a ride."
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Aside from the desk scene, which was the other you're referring
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to?
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Oh...and the answer is...before.
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Hang on. It's going to be a bumpy night.
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* "Have you ever contemplated doing an episode of B5 that unfolds in
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real time (i.e. one minute of screen time is one minute of plot
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time, as done in the movies "Miracle Mile" and "Nick of Time"), or
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would that be counterproductive to the sorts of stories you're
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trying to tell?"
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Actually, yeah, I have considered doing that...it can be a very
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limiting structure, and the story has to be just right for it to
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work. Haven't quite worked out all the snags yet.
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"Or is "Hour of the Wolf" a story of that particular variety?"
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Nope.
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* _How was the first day of filming?_
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It's frenetic, nuts, lots of running around and little fixes, we
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all get a little crazy on first days...but it'll be okay.
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* _How do the actors get back into character after a long summer
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break?_
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Usually they just pick up the script...and get right back into it.
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They've got the characters down now, so there's not a lot needed
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to get back into it. Some of them run lines with each other, like
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Stephen and Peter, since that relationship is something very
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special, but mostly they just learn the lines and come in. Some of
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them want to see the final episodes, but some don't. The only one
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to see most of the last two episodes thus far is Bruce, who was
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just totally knocked out by them.
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Peter has said that whenever he needs to get back into character,
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he just straightens and says, "MISter GARiBALdi," and he's right
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back into it.
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* John Copeland and I just got finished with the main title for year
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4, which is, again, different from last year's. This time I wanted
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a whole new approach, on just about every level, and designed the
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thing myself, working with John and the editors to get the best
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shots and pull it all together. It's *majorly* cool. We showed it
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to some members of the crew, and they're all jazzed by it, they
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think it's our best main title ever.
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* The B5 story is told from everyone's point of view, and they're
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all a part of it, so the opening now reflects that. And it gives
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me the chance to do an opening that's sort of a prose poem, which
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is a nice touch.
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* _Why the new music?_
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We change the theme every season to reflect the tonality and
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direction of that season's story. Every season when it butts up
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against the previous season's intent, a lot of folks ask why
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change it, it was better before...and then, by the end of the
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season, when people see how it fits in, generally they like it a
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lot...and then ask why it got changed for the *next* season....
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* Today John Copeland and I did our producer's cut on the first
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episode of year 4, "The Hour of the Wolf." Granted my opinion is
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subjective and biased...but of all the first-episodes we've had
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each season, this one is the best. I was searching for the right
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word after looking at the director's cut, and finally came to
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it...maturity. It has a depth we've only skated through before,
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all meat, no filler. This one and the next batch are also all over
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the map, literally...B5, Narn, Centauri Prime, elsewhere...so it's
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a real challenge. But it looks great.
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* Everybody's just cooking on this one, it has a very filmic, grand
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look to it. I love it a lot.
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* It's a terrific episode. The music now echoes season one because
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in some thematic areas, we're starting to bend back on ourselves,
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and close some circles, as you'll see soon.
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That it affects the emotions is, for me, the goal. If you can make
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an audience *feel* something, in a medium as cold as TV, you've
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done your job right.
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* Wortham [Krimmer] came in to audition, same as everybody
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else...and we thought he was great.
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* Wayne Alexander plays Lorien, a character you'll see throughout
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the first six episodes of season 4. We wanted to give him more to
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do.
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* _Lorien's eyes look odd._
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The eyes have metallic gold contact lenses; you can't see them as
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well in the red light, but later, you'll see them better.
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* There's more to Lorien than meets the eye.
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* I'll string out the Sheridan info for a while; as for Morden, as
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he said, his associates can repair flesh, replace flesh (though
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where they got replacements from is something I don't want to
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know)....
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It's definitely a packed episode. I still find myself realizing
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that the end of act one feels like two acts. And the next three
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are every bit as intense, if not moreso. I love it....
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* _Why bother with the Sheridan scene at all?_
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To not do so would've been vastly unfair. And it nicely replaces
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one mystery, is or isn't he, with "who the heck is THAT?"
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* _Sheridan dropped his insignia during Kosh's lesson in [41]"There
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All the Honor Lies." And he dropped his stat bar here. Was Kosh
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preparing him to see Lorien?_
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I think it was a more general sense than preparing him
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specifically for Lorien.
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* It's not a captain's bar it's a stat bar (gold for command, gold
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and silver for command/administrative liaison, red for medical,
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green for security), and it's Sheridan's.
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* _This is a pretty bleak episode._
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Yeah, it's deliberate...take 'em apart, separate 'em, see how they
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react, and make everything as dark as possible in anticipation of
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some kind of dawn, though getting there will be a struggle.
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* Season 4 definitely starts in dark mode. Bigtime.
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* _Did you have Londo put on his old coat so there wouldn't be the
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costume mismatch there was with Delenn in "Babylon Squared" and
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"War Without End?"_
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I never make the same mistake.
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I just learn how to make new ones.
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(And I'm very pleased with that scene...it's kinda goofy, with the
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minister in particular...he's just nuts. Well, not as much as
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Cartagia, obviously....)
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* The non-moving Centauri Prime shot is an original Foundation shot;
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the one where it's moving (with the cruiser fly-bys) is the new
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one, and there's a lot more detail now in the surface of the
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planet and other stuff.
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* "The first S4 episode (Hour of the Wolf) doesn't have nearly as
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many FX as the later S3 episodes, and what is there is mostly
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stock shots of the station rotating, etc."
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There are as many CGI shots in "Wolf" as in most of our episodes,
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and more than in "Rock," a later S3 episode. There's also the new
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establishers of Centauri Prime the planet, the revised Palace
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shots, new establishers of the station, a big new shot of the
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interior of the Garden that pans down, the beside-Z'ha'dum
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sequence...there's a LOT there. So a) your latter observation is,
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I gently point out, factually inaccurate, and b) most station
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shots have been recycled stock since year one, adding new ones
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each season then dropping them into rotation (so to speak).
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We always balance big EFX shows with smaller ones, building up to
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some big stuff. We're doing the same thing here this year as we've
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ever done.
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* _About the visual of Kosh leaving Lyta_
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The streams were done on a flint, and there were not two takes
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edited together, there was just the one continuous take.
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* The streams aren't technically considered CGI as we use it. That's
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roto work.
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* CGI is specifically graphics generated on a computer, usually 2d
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or 3d animation. Roto work like the streams from Lyta's eyes are
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done by hand, frame by frame.
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* The events in 401 take place roughly 7 days after 322.
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* _The alien ambassadors' English has improved._
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Ambassadors have been learning as they've gone along; I took the
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notion that the higher ups didn't have that much contact with
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humans, so their grasp of english was halting at best, but over 4
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years, they've gotten better. The grunts/lower echelons, though,
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are still marginal at best.
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* _About Cartagia looking up women's dresses_
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"best I can tell from my (admittedly limited) knowledge of
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Centauri physiology, he would have been looking in the wrong place
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- kinda like looking down a human woman's socks, or something."
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Tell that to a foot fetishist.
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* It's fun and interesting to see Londo now having to deal with
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being in a sense on the same side as Sheridan, but for vastly
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different reasons.
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* By building up Cartagia offscreen, it helped pave the way for what
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we do finally see.
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And the only reason to not hold back Sheridan for one more ep was
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my feeling that if I held him *and* Garibaldi back, it'd be a bit
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much.
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* _Why did Lyta refer to the White Star as if it hadn't been
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destroyed?_
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The ships provided by Delenn are White Star class ships, hence the
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usage.
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* _Why am I here?_
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Yes, the last piece there is kind of the key, isn't it?
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I've always kept the minister just that, no name, for the reasons
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you cite. This is someone who's a survivor, who bends with the
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wind, and somehow keeps going by not being noticed, or taken
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seriously.
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And yes, this season I was noticing that eyes have become a
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predominant image, from Lyta to the shadows to Lorien to some
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stuff coming in the next few episodes...funny, how this stuff
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creeps up on you.
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* Check out "Voices of Authority." You've seen those eyes before.
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* The eyes were a projection of a shadow face, as you can note in
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the main title.
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* _Any connection between the Shadows speaking with a father's voice
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and Kosh appearing to Sheridan as his dad?_
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I figured that they would both tend to use a patriarchal
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influence, which would tie into so many races having that system.
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* Actually, the ship was what technically saved them... Lennier also
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began to fall under the influence of the shadow voice, as we saw.
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There was some forethought on his part, but the ship activated
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itself on timer.
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* "After watching Z'ha'dum and "Wolf" (No spoilers here), my main
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thought was basically, who the hell are these old races who assume
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moral superiority based on technical superiority? How dare they
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interfere with our development as a species just to suit their own
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petty needs? I wonder if any character on the show will take that
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same line of thought and expand upon it?"
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Well, until now, that's been primarily unknown to the other
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species. Now, thanks to Sheridan's trip to Z'ha'dum, and stuff
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coming up, that information will start to get out.
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So yeah, you may find someone or someones picking this thread
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up....
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[47][Next]
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[48]Last update: June 2, 1997
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/067.shtml
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|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/067.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/067.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/066.html
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|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/068.html
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|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#OV
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|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#NO
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|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+Wasser,+Ed
|
|
16. http://us.imdb.com/M/person-exact?+Krimmer,+Wortham
|
|
17. http://us.imdb.com/M/person-exact?+Alexander,+Wayne
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|
18. http://us.imdb.com/M/person-exact?+London,+Damian
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|
19. file://localhost/lurk/p5/intro.html
|
|
20. file://localhost/lurk/p5/067
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|
21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#NO.glitch
|
|
22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
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23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/059.html
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|
24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/053.html
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|
26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/066.html
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|
27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html
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|
28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/059.html
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|
29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/066.html
|
|
30. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html
|
|
31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/066.html
|
|
32. file://localhost/home/woodstock/hyperion/docs/lurk/guide/063.html
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|
33. file://localhost/home/woodstock/hyperion/docs/lurk/guide/043.html
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34. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
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35. file://localhost/home/woodstock/hyperion/docs/lurk/guide/002.html
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36. file://localhost/home/woodstock/hyperion/docs/lurk/guide/044.html
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37. file://localhost/home/woodstock/hyperion/docs/lurk/guide/059.html
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38. file://localhost/home/woodstock/hyperion/docs/lurk/guide/036.html
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39. file://localhost/home/woodstock/hyperion/docs/lurk/guide/058.html
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40. file://localhost/home/woodstock/hyperion/docs/lurk/guide/061.html
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41. file://localhost/home/woodstock/hyperion/docs/lurk/guide/036.html
|
|
42. file://localhost/lurk/lurker.html
|
|
43. file://localhost/home/woodstock/hyperion/docs/lurk/guide/067.html#TOP
|
|
44. file://localhost/cgi-bin/uncgi/lgmail
|
|
45. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
46. file://localhost/home/woodstock/hyperion/docs/lurk/guide/066.html
|
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47. file://localhost/home/woodstock/hyperion/docs/lurk/guide/068.html
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48. file://localhost/lurk/lastmod.html
|