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445 lines
26 KiB
445 lines
26 KiB
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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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An addictive drug with telepathic effects is found on the station,
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prompting a visit by Bester. G'Kar reaches a turning point.
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[15]Walter Koenig as Bester.
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[16]P5 Rating: [17]8.62
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Production number: 306
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Original air week: February 5, 1996
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Written by J. Michael Straczynski
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Directed by David Eagle
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_________________________________________________________________
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Backplot
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* Londo's original assignment to Babylon 5 was at the direct request
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of Emperor Turhan, who chose him after everyone else turned the
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position down.
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* Dust, an addictive drug, allows non-telepaths of several races to
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probe the minds of others, experiencing all the victim's memories
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and thoughts in the space of a few minutes. Unfortunately, this
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leaves the victims unconscious, and telepathic victims never
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recover. The more often Dust is taken, the more is required to
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achieve the effect the next time. Dust was originally developed,
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and is apparently still being produced, by Psi Corps in an attempt
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to induce permanent telepathy in normal humans; the experiment has
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been a failure so far.
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* The Narn used to have telepaths, long ago, but they and their
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families were exterminated. The genes for telepathy were too weak
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in the survivors to allow the Narn to breed natural telepaths, but
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their abilities can still be unlocked, briefly, by Dust.
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Unanswered Questions
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* How much does G'Kar know about Londo's association with the
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Shadows? Did Kosh stop him before he was able to discover
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everything?
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* Why did Kosh stop G'Kar? (See [18]Analysis)
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* How did Kosh know what was happening?
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* Was Bester telling the truth about the Psi Corps combatting secret
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threats to the human race, things ordinary people never hear
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about? If so, what are those threats?
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* What happened to the Narn telepaths? (See [19]Analysis)
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* Will the Dust have a permanent effect on G'Kar, such as giving him
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some measure of telepathic ability?
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* What did the Corps learn from Talia? Was she actually dissected,
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or was Bester just baiting Garibaldi? Did they find out about
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Ironheart's gift ([20]"Mind War?")
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Analysis
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* What is the rest of the Psi Corps' business on Babylon 5? Perhaps
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it involves Lyta Alexander; her presence is probably common
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knowledge by now.
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* The extermination of Narn telepaths may be connected to the Shadow
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occupation of the Narn homeworld in the last war. See [21]"Voices
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of Authority." Or perhaps the Centauri were responsible, during
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their previous occupation. It's also possible, though perhaps less
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likely, that the Narn killed all their own telepaths.
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* G'Kar asks Londo if being helpless helps him understand the plight
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of the Narn. But the reverse effect may have taken place as well;
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G'Kar has experienced at least some of the past several years from
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Londo's point of view now, and thus presumably understands why
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Londo did what he did. Whether that understanding can lead to
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forgiveness, though, is another question.
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* Kosh's intrusion into G'Kar's probe of Londo can certainly be
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viewed as manipulation, especially given the use of the image of
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G'Lan. What Kosh is trying to achieve by appearing to G'Kar, and
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why he's willing to interfere with the Narn and Centauri now when
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he expressed no interest in them before ([22]"Midnight On the
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Firing Line") isn't clear.
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* In addition to the mention of the Narn and Centauri being alone
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and dying, reminiscent of [23]"Midnight On the Firing Line," Kosh
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also tells G'Kar, "I have always been here." This echoes Kosh's
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statement in Sheridan's dream in [24]"All Alone In the Night."
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It's still not entirely clear what he means, however. Could it
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have something to do with the "path" revealed to Ivanova in
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[25]"Voices of Authority?"
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* Kosh may have stopped G'Kar to prevent him from learning too much
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about the Shadows, on the assumption that G'Kar would likely speak
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out about them in public. Since the forces of light are still
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gathering, that'd be something Kosh would want to prevent. It's
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also likely that Kosh was maneuvering G'Kar to be of greater use
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in the future, perhaps testing his ability to influence G'Kar's
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behavior through the use of religious visions.
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* Probably just a coincidence: Kosh ends G'Kar's quest for Shadow
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information in Londo's mind by saying, "It is enough." That's
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exactly what Londo said to Endawi ([26]Matters of Honor") after
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recalling his dream of the Shadow ships flying overhead on
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Centauri Prime.
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* Did G'Kar overdose on Dust? It is possible that he was about to
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die, given the intensity of all the images he was seeing - the
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drug hasn't been tested on Narn. And that would be consistant with
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Kosh's previous appearances, when Sheridan was in danger of dying
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([27]"All Alone in the Night" and [28]"The Fall of Night.") Is
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Kosh's direct manipulation restricted only to near-death
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appearances?
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* Who are the characters in G'Kar's vision? The man on the tree is
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his father (which G'Kar mentions, and which fits with his
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recounting in [29]"And Now For a Word.") It's not clear who the
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second person is, the old man. G'Quon, perhaps? The third person
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we know as G'Lan, from G'Kar's exclamation in [30]"The Fall of
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Night."
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* Kosh dodged the Vorlon question when G'Kar put it to him; in
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response to being asked, "Who are you?" the vision replied, "I am
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who I have always been," a self-referential answer that conveys
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reflection rather than information.
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* Kosh's statement about sacrifice can be interpreted to cover the
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entire Narn race; he may be saying that the Narn (and perhaps the
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Centauri, given his earlier statement about the two races) must
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die so that the rest can live. If that interpretation is correct,
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Kosh is preparing G'Kar to accept the death of his people as
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inevitable. Will G'Kar continue to fight for the Narn?
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* Vir's position on Minbar was a joke to Londo (strictly a means of
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getting him out of his hair) just as Londo's position was
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originally viewed. Could Vir parallel Londo's ascension to power,
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potentially rising to great importance in the coming war? Given
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his newfound affinity for the Minbari, and his distaste for
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Londo's politics (and especially Morden,) he could be a great ally
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of the Army of Light.
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* Franklin continues to be on edge; could this be a consequence of
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his stim habit? ([31]"A Day in the Strife")
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Notes
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* Dust has been mentioned before; for example, in [32]"Hunter,
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Prey," Max, the kidnapper, asks Dr. Jacobs if he's a dust
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smuggler.
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* A possible inconsistency: Bester said the Corps had been working
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on Dust for five years. But in [33]"Survivors," Garibaldi recalled
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a Dust problem on Mars 17 years ago. Perhaps the Corps took over
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production of an existing drug, or perhaps the Corps worked on
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Dust for five years sometime in the past.
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* The Dust vendor's two aliases, Lindstrom and Morgenstern, are the
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surnames of two characters from the comedy series "The Mary Tyler
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Moore Show."
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* Morgenstern means "morning star," one of the names used to refer
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to Lucifer in Judeo-Christian texts.
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jms speaks
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* Walter [Koenig]'s first appearance this season will be in "Dust to
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Dust," #306.
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* An interesting thought...as for Bester's personality, keep an eye
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out for "Dust to Dust," episode #6, where you see Bester from a
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different and very interesting angle. Some of what you say here,
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he says. (Not about the corps, but about doing what's right as he
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sees it.)
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'Course, whether or not one should *believe* anything he says is
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another question altogether.
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* Re: Kosh...we'll see him again outside his suit in "Dust to Dust,"
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but in a somewhat unconventional fashion....
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* _The end credit music changed!_
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Yes, we did change that. Because we -- I -- forgot to have
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Christopher re-score it when we were re-doing the main title.
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* Why didn't we do the music change in the end credits at the very
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start of the season, you ask? Why, what a silly question, it was
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all planned, all intentional, it means...er...it means....
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It means we *forgot*. More correctly, *I* forgot. We were all so
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busy getting the new main titles done, we just kinda forgot about
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it until the first mix...and then we sorta looked around and said,
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"....oops."
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* "Dust To Dust" - Looks like a non-arc episode initially, but by
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the end it has a strong effect on the overall storyline, and makes
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some permanent changes in one of our characters. Combines Bester,
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the telepathic-assault drug Dust, weapons dealers, and brings to a
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head a major part of the G'Kar/Londo thread.
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* "Dust to Dust" is what I call one of my "pretty box" episodes. I
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set down the pretty box in front of you, and you think you know
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what it is. Then something else entirely jumps out of it at your
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face. There's more coming here and there. I like pretty boxes....
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* _It's about time we had some heavy arc episodes!_
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I get this at the start of every season. Let me repeat what I've
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said, oh, about two dozen times already before.
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At the start of every season, we have new people sampling the
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show. Do you want the show to continue? If you do, then you have
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to continue to add new viewers. If viewers tune in and they're
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lost in the overall arc, they're going to tune out again. So you
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give them some stand-alone episodes in the beginning, shows that
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are a little more accessible, but introduce them to the
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characters, the situations and the universe so that when the arc
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begins to move again, they know enough to get into what's going
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on.
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Sure, I could've just kept going right with the strong arc
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episodes. Which the new viewers, 90% of whom sample shows in the
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first few weeks of a new season and not thereafter, wouldn't have
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been able to follow well. And they would've tuned out. And it
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would've been a very big nail in the cancellation coffin. You can
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bring in new viewers, or you can get canceled and never tell the
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whole story. Pick one.
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Second, you cannot -- CANNOT -- sustain the kind of intensity you
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have in the final four over the course of a season. You need to
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have some lighter moments as contrast or people are going to start
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sticking their heads in ovens all across the country. So at the
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start of a season, I try to do some lighter stuff, to bring people
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back up a little, bracing for the next drop in the roller coaster.
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You need peaks and valleys to develop any kind of rhythm, or to
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appreciate the other side of it.
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I got the same thing in season one, and season two..."Why these
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light episodes? What's happened to this arc?" Then by season's
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end, the chorus usually turns to "That was a GREAT season!" So my
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response is, Unless you think I've suddenly turned stupid, or I've
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decided to betray the series I've now worked 10 years of my life
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to produce...will you for chrissakes *trust* me once in a while?
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Show a little patience. When I introduced Vir, everybody on the
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planet jumped funky all over me. "He's just a comic character!
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It's Flounder! He's dumbing down the show! Space him! He stinks!
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Joe's losing it!" And now, of course, we see what Vir is, and in
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many surveys he's now one of the most popular characters.
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You know what the #1 comment from the pilot was, on the nets and
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elsewhere? "LOSE the guy with the funny hair! He's just
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ridiculous." Londo. Every time I've done something a little
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different in the show, I've usually been jumped on, because
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they're not willing to trust that I know what I'm doing...until
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they've seen it for a while, then they Get It, and it's "Oh, now I
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see it." Great, thanks, now that you've been beating on my head
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for six months. Next time show a little patience. (And btw, ALL of
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the comments related above are real ones, many of them right here
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on Compuserve, from people still around here.)
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Every story can't be an arc story at this point; you've got to see
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the characters outside the arc, in the way they live their lives,
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in other things that happen to them, or else you won't CARE what
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happens to them in the arc. No, the Purple/Green Drazi story
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didn't move the arc ahead, but it showed you a lot about Ivanova,
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didn't it? So now if and when something should happen to her in
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the arc, you care about her. It's the difference between just
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being chess pieces, and being *people*.
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Okay, here's the breakdown. Season 3. You had arc episodes only a
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bit in the first batch. "Honor," "Voices" and now a little in
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"Dust." You've got one more stand-alone next week, "Exogenesis."
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That's the last one for a LONG time. Episodes 8, 9, 10, 11, 14,
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15, 16, 17, 20, 21 and 22 are ALL arc stories, most of them heavy,
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none less than moderate.
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I said, from the start, that each season would have stand-alones
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and arc stories. About 20% in year one, 35% in year two, 50% in
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year three, 70% in year four, and 100% in year five. And the
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stand-alones tend to get pushed toward the beginning of a season
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for the reasons stated. Is nobody paying attention when I say
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these things? Because if so, then why do I get gigged each season
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at the start by people saying "HEY! HOW COME THESE AREN'T ARC
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EPISODES?" (And as it looks now, year 3 has closer to 13-14 arc
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episodes, so we're ahead a bit.)
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Before people start making sweeping generalizations about the
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season, it might behoove you to see the season first. If anything,
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my concern in looking at what's been done for year 3 is that we're
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too GRIM for the larger portion of it, and maybe a bit
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complex...so I'm working to clarify a few things here and there as
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I do these last few.
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* You'll see Walter again this season after "Dust," and I'm trying
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to work in one more before the end of the season, but it's tough,
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given what's been going on in the latter half of 2260.
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* BTW, here's something to notice when you watch DTD again. The
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montage scene with Londo and G'Kar lasts, I think, 10 maybe 12
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seconds. But that one piece took John and me *hours* to put
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together. Go through frame by frame, and you'll see some of those
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bits are only 3 or 4 frames long (one second is 24 frames). We
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were nearly blind by the time we were done, but it was worth it.
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* RE: Bester...thanks. I'd decided a while ago that the next time we
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saw him, he either had to win, or he had to be right. If he lost
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again, it'd cut his credibility out. This gave me a chance to do
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some interesting things with him. He's a fascinating guy...a
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creep, and I wouldn't trust him for a second, but fascinating
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nonetheless....
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* _Wouldn't the telepaths have tipped Bester off that something was
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going on between Sheridan and the Minbari?_
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Simple fact is, the rules of the Psi Corps would forbid them from
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engaging ANY human telepath for this purpose. So the only other
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recourse is non-humans.
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* _Did Bester read Franklin when he was injected?_
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I think you're misremembering; Bester nudged up his right sleeve
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with his left hand and held it out; Franklin stuck the needle in.
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I don't believe he held his hand (which was gloved in any event).
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* _If Garibaldi knew Bester was drugged, why did he suspect Bester
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of reading the smuggler?_
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I think it came out of the fact that Garibaldi doesn't trust
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ANYthing about Bester, and that it's not out of the realm of
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possibility for Bester to find some way to defeat the drug. If
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not, then his line was basically another way of stating "What the
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___ are you pulling and why are you doing it and why the hell
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didn't you TELL me you were going to do this before pulling it?"
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* Londo knows G'Kar knows, yes. He couldn't not know.
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* _Was the music during G'Kar's rush of images from Londo new?_
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With some thematic exceptions, most of the music Chris composes
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for us each week is unique, and tailored for that episode. So yes,
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it's all mainly new.
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Re: the coat of welcoming...here's a little tidbit...we had to
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make up an entire alphabet for most of our major races (and I've
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been gradually building up a dictionary here and there for
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languages). So they came and asked if they could embroider
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something in Minbari on the shirt Vir's wearing when he comes
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back. I said sure. Did I have anything in mind? No, not really.
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So I'm on the set that day, and I see the embroidered shirt, and I
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ask what these five letters spell, since I don't offhand read
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Minbari yet. He looked up at me and smiled. "It spells out ALOHA."
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We have a very demented crew.
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* _Kosh would rather sacrifice all the Narn through manipulation
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than take direct action?_
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Exactly. I mean, in three years, what the heck have the Vorlons
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actually *done* to help "our side?" Let the others do it.
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* Actually, I tend to agree with that assessment. They've guided and
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instructed and pointed, yes...and manipulated...but they still
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haven't had to step up to the plate in other areas.
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And I don't think the Narns have sacrificed nearly enough yet. You
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can always sacrifice more.
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* A person can be sincere and still manipulative, in Kosh's case. If
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he believes he's right, perhaps he's willing to manipulate anyone
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toward that goal, if it's worth it.
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* Oh, the Vorlons can be *very* invasive, when they want to be, if
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it suits their purposes. There's no Vorlon prime directive...it's
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manipulation, whether small or large.
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* _Why not sooner?_
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Because G'Kar needed to hit bottom, real bottom, before he would
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be receptive to the message...because time doesn't mean to the
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vorlons what it means to us...and because he was finally mentally
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receptive due to the dust.
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* It was his father in the first part, G'Lan in angelic form, since
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after all that was G'Lan's form.
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* The figure he was talking through during the scene appeared to him
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as his father; the very last figure, seen departing, was that of
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G'Lan.
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* Well, G'Kar doubtless *thinks* he saw a spirit, possibly the
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spirit of his father, possibly something else...revealed later as
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G'Lan, of course, taking that image in order to give him a
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revelation.
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* _Why didn't G'Kar embrace his father?_
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Logically, G'Kar knows that his father is dead. He saw him die. So
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whoever this was, wasn't his father, even though he was appearing
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that way. Or was a spirit, and either way, he would've been
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sufficiently apprehensive about it not to go blithely around
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embracing something he didn't understand. I sure as hell wouldn't.
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* Correct. They see reality, and time, and space somewhat
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differently than we do.
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* No, I wouldn't say that the shadows and vorlons see space, time
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and reality in the same ways.
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* _What did G'Kar shout out?_
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And what G'Kar said was, "Dear G'Quon, no more...."
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* _Did G'Kar recognize Morden?_
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G'Kar probably has not yet put that together; remember, he only
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met Morden once, for about 4 minutes, a couple of years previous
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to this.
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* _Does Kosh find it easier to appear to people when they're in
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altered mental states?_
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Yes, it helps if the person's mind is in a different state --
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asleep, exhausted, in a heightened state of awareness -- for the
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Vorlons to make contact, which is why their presence is often
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associated with dream imagery.
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* _The sign behind Kosh says, "WARNING!"_
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Yes, the sign does indeed say warning. Look for another sign right
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behind somebody at the end of "Severed Dreams."
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* _G'Kar really beat Londo up._
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Implying more than one sees is something that you kinda have to
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learn over time. It can be very effective, as here.
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You just have to kinda put yourself out on a limb, as a writer or
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as an actor.
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This scene *should* be very affecting. It goes to Joe's Theory of
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Violence on TV. To wit...that we need more of it, but it has to be
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realistic violence. It has to show consequences. You glorify or
|
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desensitize violence when you shoot somebody, and they just go
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down, no yelling in pain, no sobbing as their guts fall out onto
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the street. It's just gunfire, loud noises, excitement and fun. If
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you're going to show violence, then show it for what it *is*, and
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show it the way people would react to it. Make the audience
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understand that this is a *person*, not one in a series of body
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counts.
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* Actually, just to clarify the legalese, the judge sentenced him to
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*no less* than 60 days; that's the minimum, it could be more.
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* The female Psi Cop here *was* the same as in ARTDP, played by Judy
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Levitt, who is also Walter's wife.
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Yeah, everyone turned in great performances in this one, very
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intense and layered. And as a result of G'Kar's attack, the next
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several episodes will find him still in prison. In the B5
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universe, you don't just go in for a long time at the end of an ep
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and next thing you're out again. He has to serve his time, and now
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we'll see him in a cell for a while.
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And yes, you'll learn more about what happened to the Narn
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telepaths in coming months.
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* With Ivanova, I've tried to construct a small emotional arc, in
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that when she arrived, she was the new kid, she was a bit
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uncomfortable with the job, and responded by being very formal,
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very businesslike, a bit on the snide side. As she's gotten more
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comfortable with the job, and the people around her, she's relaxed
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a bit around her co-workers...but if somebody crosses her, as
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Bester tends to do, she lets fly with some pretty sharp lines.
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[39][Next]
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[40]Last update: October 16, 1997
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/050.shtml
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4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/050.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/050.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
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8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/051.html
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9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#OV
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10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#NO
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14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#JS
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15. http://us.imdb.com/M/person-exact?+Koenig,+Walter
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16. file://localhost/lurk/p5/intro.html
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17. file://localhost/lurk/p5/050
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18. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#AN.stop
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19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#AN.narn
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20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
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21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html#AN.narn
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22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html#NO.KS
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23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html#NO.KS
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24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/033.html#AN:dream
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25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
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26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/045.html
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27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/033.html
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28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/044.html
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29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/037.html
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30. file://localhost/home/woodstock/hyperion/docs/lurk/guide/044.html
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31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/047.html
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32. file://localhost/home/woodstock/hyperion/docs/lurk/guide/035.html
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33. file://localhost/home/woodstock/hyperion/docs/lurk/guide/011.html
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34. file://localhost/lurk/lurker.html
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35. file://localhost/home/woodstock/hyperion/docs/lurk/guide/050.html#TOP
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36. file://localhost/cgi-bin/uncgi/lgmail
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37. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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38. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
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39. file://localhost/home/woodstock/hyperion/docs/lurk/guide/051.html
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40. file://localhost/lurk/lastmod.html
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