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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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Overview
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Lyta Alexander returns to the station at Kosh's behest. One of
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Theo's brothers discovers that he may have a hidden past. [15]Brad
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Dourif as Brother Edward. [16]Louis Turenne as Brother Theo.
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[17]Patricia Tallman as Lyta Alexander.
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[18]P5 Rating: [19]8.38
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Production number: 305
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Original air week: November 27, 1995
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Written by J. Michael Straczynski
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Directed by Adam Nimoy
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_________________________________________________________________
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Backplot
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* Mindwipes were instituted after Earth decided that they were more
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humane than the death penalty. They are apparently not very
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complete; the old memories remain in some form or another, but are
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inaccessible without the intervention of a telepath. (See also
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[20]"The Quality of Mercy.")
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* Minbari religion is based on the notion that souls are part of a
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larger whole, of the universe itself, which is in the process of
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trying to discover itself. Souls can only be perceived via the
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physical bodies they inhabit, but the real soul is something only
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dimly related to the body.
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* Valen, the great Minbari spiritual leader and founder of the Grey
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Council, appeared a thousand years ago. He is believed to be a
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Minbari not born of other Minbari, according to Lennier.
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Unanswered Questions
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* What happened to Lyta? Was Kosh inhabiting her body? Was the body
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not even Lyta's to start with? She has gills on her neck that
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allow her to breathe in Kosh's quarters, and several health
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problems have been completely repaired. What else did the Vorlons
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do to her, and why?
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* Given how easily she pulled the information from the Centauri,
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have her telepathic powers increased? Or could any P5 do the same?
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* What did she see on the Vorlon homeworld?
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* Why is Londo so anxious to find out what she saw that he'd resort
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to threatening her?
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* What was Lyta's mission for Kosh? Why does he want an aide all of
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a sudden, when he hasn't had one before?
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Analysis
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* If Garibaldi and Sheridan are any indication, mindwipes are widely
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considered to be insufficient punishment for serious crimes. How
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widespread that perception is isn't known.
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* Could the techniques used to put a mindwipe in place be related to
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the method used by Bureau 13 to implant hidden personalities
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([21]"Divided Loyalties" and, more ominous, comic #8, [22]"Silent
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Enemies?") Both seem to involve submerging one personality and
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causing another to become dominant, though in the case of Control,
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it's not clear which was the original.
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* Edward's execution was not only a sort of crucifixion (notice how
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he's suspended from the metal frame) but also resembles Sheridan's
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suspension from what looks like the same kind of frame in
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[23]"Comes the Inquisitor."
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* Might Valen have been a Vorlon, or a Minbari under Vorlon
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influence? If, as Lennier says, he was truly not born of Minbari
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parents, that strongly suggests he wasn't Minbari at all, and
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Vorlons certainly have the power to appear as Minbari.
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* If Minbari consider the universe to be a manifestation of a single
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soul, how did they ever find it conscienable to fight the
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Earth-Minbari War? (see [24]jms speaks)
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* The Vorlons didn't hear, or didn't respond, to Lyta's signals, and
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took five days to respond to her telepathic broadcast. What's
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interesting is that they apparently didn't come until she was
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nearly unconscious. Could that be related to what happened to
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Sheridan in [25]"All Alone In the Night?" Maybe she was only able
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to make contact when, as Kosh said of Sheridan, her mind was quiet
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enough to hear the Vorlons. Or, of course, it could simply have
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taken them several days to locate and reach her, in which case
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they could even have been responding to the non-telepathic
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signals.
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* Why didn't Franklin notice Lyta's gills? Perhaps he did and didn't
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feel they were worth mentioning (gill implants aren't completely
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alien concepts; G'Kar has them, as noted by the assassin in
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[26]"The Gathering.") It's also possible she didn't get them until
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her errand in the middle of the episode. Franklin did note that
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she had elevated oxygen levels in her bloodstream, though, which
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would tend to indicate both that she had the gills before he
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examined her and that he didn't notice them. Given the powers of
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illusion Vorlons have demonstrated, covering up gills would
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probably have been a small matter with Kosh's help.
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* Whatever left Lyta to enter Kosh's suit looked a lot like the
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creature inhabiting Sheridan in [27]"Knives." Could Sheridan have
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inadvertently been inhabited by a Vorlon? Certainly it would be
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consistent with him being made to see things that weren't there;
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Kosh clearly has that power.
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* Psi Corps may have strict rules against unauthorized scans, but
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Sheridan and Garibaldi don't hold those rules in particularly high
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esteem. Now that they have a non-Corps telepath at their disposal,
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someone whose loyalty is presumably above reproach thanks to her
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association with Kosh, will they begin calling her in on a regular
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basis?
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* The Centauri telepath, likewise, seemed to show contempt for the
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Corps' regulations. What regulations, if any, are Centauri
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telepaths obligated to follow? Clearly they're not simply allowed
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to roam freely, since Londo had this particular telepath's name on
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a list.
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* If Lyta can implant nightmares, other psis can presumably do the
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same. We've seen one nightmare: Londo's prophetic dream. Is it
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possible that someone or something implanted it in him? (He says,
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in [28]"Midnight on the Firing Line," that Centauri have such
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dreams as a matter of course, but that doesn't rule out an
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external influence.)
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Notes
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* The title, as noted in the episode, is a Biblical reference. In
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the New Testament, [29]Matthew 26:30-50, Jesus goes to Gethsemane
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with Peter and two others to pray and contemplate his imminent
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betrayal. They fail to keep watch over him, and Judas is able to
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lead the Romans to Jesus. Gethsemane is also referred to, not
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always by name, in [30]Mark 14:32-52, [31]Luke 23:39-51, and
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[32]John 18:1-13.
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* Delenn's opinion of Garibaldi's eye-for-an-eye attitude echoes
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that of Gandhi, who said, "An eye for an eye leaves the whole
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world blind."
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* Malcolm, Edward, and Charles are all names of rulers of Scotland.
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* The names Edward and Charlie may also be a reference to two H.P.
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Lovecraft stories. In "The Thing On the Doorstep," a character
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named Edward falls in love with a woman whose grandfather has
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shifted his soul into her body, replacing hers. In "The Strange
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Case of Charles Dexter Ward," the title character becomes obsessed
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with the memory of an ancient ancestor.
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* Shooting began on September 11, 1995.
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jms speaks
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* I'd rather not say anything at all about "Gethsemane," because a
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large part of the plot turns on something you need to discover
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mid-viewing, and anything I might say would only detract from it.
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It's a lovely, sad, very moving story; it's kind of my Twilight
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Zone story in the B5 universe, with some very strong emotional
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twists as we go along. It's not the kind of story I get to do
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within the B5 structure very often, and I'm extremely pleased with
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this one (and Adam Nimoy did a *bang-up* job directing it; he
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thinks it may be his best work ever).
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* Thanks. Adam did a great job interpreting the script on that one,
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and it's definitely one of our most successful episodes...though
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today I took a look at another, more completed version of episode
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8, "Messages," and *man* is this amazing...just a
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knockout...trouble is we keep raising our own bar and won't accept
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anything less...so the pressure becomes quite astonishing after a
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while.
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* Adam was great in that he's a *very* serious director who sits
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down and really thinks through the subtext of the episode, the
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thematic aspects, the underlying symbology, and then sits with the
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actor and *really* works with them so that they fully understand
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the nuances of the scene. A lot of TV direction can be
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rushed...you're always under the gun...so it's rare to find
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someone who really takes his time and prepares the cast.
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* "Gethsemane" isn't a horror-type story at all, though it does have
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a very TZish [Twilight Zone] feeling, so it doesn't owe to any of
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those. Best to just let you see it when it airs.
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* Brad read the script, fell in love with the part, and dived for
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it.
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* Two things on the upcoming episode ("Gethsemane")....
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1) This is episode #5 in shooting order; I'd originally planned to
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end the first batch of new episodes with #4, "Voices of
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Authority," which is a major -- and I mean major -- wham episode.
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But the EFX requirements were pretty hideous (though not as bad as
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"Messages"), so I moved "Gethsemane" into that slot, which is a
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very strong episode, though not an arc'er.
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2) On the story question...yes, this was the story that someone
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else (don't want to use names, no sense in blaming anyone) had
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accidentally suggested while I was working on it early in season
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two. So I had to scuttle the script for nearly a year. Finally,
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very chagrined over what happened, the individual gave me a
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notarized form explaining the situation. At that point, I was able
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to reactivate the story. So no, it's not any kind of "it's okay to
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do this" notion about story ideas; as it is, the story was tied up
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for about a year, and might never have seen the light of day had
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not the other person made great efforts to set the situation
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straight.
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* On another service, someone without considering what he was saying
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(not his fault, it just happened) said, in essence, "What if
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somebody on B5 found out that he had been mind-wiped, and used to
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be something awful previously?" Well, I'd had "Passing Through
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Gethsemane" on the wire at that time, but when I saw this, I had
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to scuttle the story. It lay there, untouched, for over a year,
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until I could finally meet the fellow and get a signed release
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indicating what'd happened. If that fan had not been fair and
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reasonable, that episode -- which many consider one of our best --
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would never have been made.
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* _Was there any nod to the person who suggested the idea, and what
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was the story originally like?_
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No, no nod to the person who suggested it, since this isn't a
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competition, and the suggestion cost me a year where I couldn't do
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the story. (So I wasn't in the cutest frame of mind about this for
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a long time, even though it wasn't really his fault.)
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Basically, it would've been a one-shot, with two monks arriving to
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scope out B5 for the arrival of the rest later on. (You'll notice
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that none of the other monks get into the story here; that's a
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hold-over from the original outline, which I saw no need to change
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at this point.) So this would've been folded into an introduction
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to the order as they come to check out B5's facilities.
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* They would've gotten the info in a different way, without
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resorting to a telepath.
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* Carol: *exactly* the right point. In his earlier talk about
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Gethsemane, Edward mentioned that old JC had to go through all
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that to atone for the sins of others; when he sees Theo later,
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through the grate, he uses the same notion of atonement for the
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acts of another, in this case, *his* other. The logical parallel
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parses pretty closely.
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* Not sure he *wanted* to die, as much as he felt it was *necessary*
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in order to atone for the sins of another...his own "other," in
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this case.
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* _Where was Malcolm's mind wiped?_
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We established in "The Quality of Mercy" that the equipment to
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handle mindwipes is there on-station, locked away until mandated
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by a court. A court assigned telepath is usually brought in to do
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a preliminary scan before it happens and to verify the wipe
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immediately afterward. In that same episode, Talia was used only
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because a court teep wasn't available.
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* Yes, B5 has a court system, authorized by the Earth Alliance
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Judicial System, to conduct trials of this sort (which we've seen
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before). And in this case, again, there wasn't a trial per se as
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Ivanova noted; he pleaded guilty from the start, quite proud of
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what he'd done. So all that remained was the sentencing.
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* I'd say there were extenuating circumstances here that made it
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more than just a simple murder (and not all murders get wiped,
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esp. in cases like second-degree or manslaughter). He'd stalked
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Edward for years; arranged to break the mindwipe; and engaged in
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slow, deliberate, methodical torture unto death. The degree of
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premeditation is staggering.
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* No, the other brothers aren't mind-wiped.
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You're mis-remembering "The Quality of Mercy." Telepaths do NOT
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perform mindwipes. A court appointed teep makes a scan before and
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after for purposes of comparison, but the wipe is done by a device
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held under lock and key until ordered out by a court. The only
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reason Talia did it in QoM was because they couldn't get a court
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teep there in the required time (which was also stated in the
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episode). So here the court appointed telepath would have come and
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gone by now.
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* _Mindwiping was presented too positively._
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I'm not sure I presented it positively; I just presented it,
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didn't make a moral judgement about it. Some of those in the show
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did, but then we had Edward saying it *isn't* moral, that it's a
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monstrous thing to do. Like any form of punishment it can seem
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fair to those not facing it.
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* There are templates used, with some variations. In a government
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monitored situation (which this wasn't, they thought he was dead),
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mindwipes are kept in servile positions, not allowed to achieve,
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as that would be a kind of reward. Those guys you see along the
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roadsides picking up trash and putting them in bright orange bags?
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Mindwipes.
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* Re: mindwipes no longer considered people...this really is not
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that much different from prison inmates, who are given numbers,
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have no real civil rights, and are treated like cattle. (And many
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of them deserve it; a few deserve worse; a few deserve better.)
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* _About the moral ambiguity_
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Thanks. That's really the intent; to get people to talk about the
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issues raised, and to examine the issues. We won't tell you what
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to think about an issue, because I don't have an answer
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myself...but if it made you stop and consider this stuff, and
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decide for yourself where you fall in the discussion, then it's
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done its job.
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* It's a hard thing to walk the line between not being effective and
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being heavy-handed...I think it worked quite well in that respect.
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* The Centauri did not steal the bag; he had left long before Edward
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lost it (we see him drop and leave it behind in the hallway). As
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Garibaldi said, someone found it and tried to sell it.
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* If the Centauri teep had had more time to react he probably would
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have gone after Garibaldi...but Lyta came in too fast, and she
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took his attention quickly.
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* Re: the Centauri...note that Edward wasn't killed where they found
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him. He was taken and killed elsewhere, in a area they'd more or
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less secured for that purpose. That was the area he knew about.
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* Re: the use of Lyta to extract the info...this is the main reason
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why there's a Psi Corps, and there are exacting rules, otherwise
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it can easily become deus ex machina. We won't ever do this sort
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of thing trivially, and here it was definitely meant to be a
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little disturbing...it was a sheer matter of life or death, the
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guy was a creep, and somewhere Edward was bleeding to death. Even
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after so many viewings, and even having written the thing, I find
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that one scene vaguely scary.
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It's the best of the first four, I think. But better is coming....
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* _The interrogation scene was disturbing._
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Yes, that's definitely the sense I was going for. That scene
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frankly unsettles and scares me a little, because it does show our
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characters skirting the line...yes, it's absolutely necessary,
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every moment is precious if they're going to try to save Edward's
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life...but it's still a bit creepy.
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* How Sheridan and Garibaldi got away with it?
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"Telepath? What telepath? Never happened. Can you describe her?
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No? I see. Well, I don't remember seeing anyone in there, Mr.
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Garibaldi, do you? We'd check the logs to be absolutely sure,
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because we'd hate for this sort of thing to happen, but we had a
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small glitch in the software, and the recorders didn't
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work...still, we're working on it, and we hope to have it taken
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care of in the next few months. Would you like some more tea,
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Ambassador?"
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* What Kosh was doing with Lyta (that sounds vaguely suggestive)
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wasn't a one-time event. There was a transference going on, and
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that aspect will be heard from again.
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* _Why did it take Lyta so long to get to the Vorlons?_
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Well, she didn't go directly into Vorlon space; she left, went
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around a bit, had to find a pilot willing to take her...it was a
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time consuming process.
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* Contacting the Vorlon government isn't the hard part; getting into
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and out of their space is what's hard. We showed in the pilot that
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B5 and Earth were in *contact* with the Vorlons; Lyta was trying
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to get inside their turf, and they aren't exactly neighborly in
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that respect.
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* _Why did it take so long for a med team to get to Edward?_ They
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were in a pretty distant part of DownBelow, and in B5 you don't
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have trains or cars; there's just the transport tubes, and the
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central core shuttle. Even if they gave a damn about what happens
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to lurkers in DownBelow (and they generally don't), it would still
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take at least 5-10 minutes to get a trauma team down there, and he
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was dead within about 3. (I was once mugged half a mile from a
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police station and a mile from a hospital; took 'em 30 minutes to
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get there.)
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Sheridan and Theo didn't *discover* that Edward was using the
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computer; Theo was concerned that he was looking into it in
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general. And if they had blocked the computer in his quarters, he
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would have been able to access one somewhere else. They didn't
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know he'd actually done it until after the fact.
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* The absolution scene, based on what used to be called the rites of
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extreme unction, or last rights, is now called the "celebration"
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of passing, and I went to the Catholic church's information
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office, and got the actual text. I made a few adjustments here,
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condensing it a bit (on the logic that Edward didn't have a lot of
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time), and modifying a few small points here and there, on the
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second logical point that in 250 years, such might have taken
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place (as the current ritual has been adjusted a bit here and
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there over the years). So if it felt right, it was.
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* One caveat here overall...it's been complimented and commented
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upon that I would expose a belief system in my show which I do not
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personally agree with (presenting the face of religion even though
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I'm an atheist). That I could be this tolerant is apparently
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praiseworthy.
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I would just suggest that at some point, when and if I should
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offer a point of view from another perspective, which one watching
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might not personally agree with, the same tolerance is given,
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since the virtue of tolerating divergent attitudes has been deemed
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praiseworthy...and is something ever to strive for....
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* Basically, Sheridan believes in a lot of things; he's very
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eclectic in his views, can incorporate lots of different
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perspectives, and has a respect for all views. In one of the early
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season 3 eps, in fact, one character upbraids him for having "no
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clearly defined pattern of faith," to which Sheridan replies, "I'm
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eclectic, open-minded."
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* "The themes of faith and forgiveness were worthy of a theologian.
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Are you sure there isn't something you'd like to tell us?"
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Never shoot pool at a place called Pop's. Never eat food at a
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place called Mom's. The difference between horses and humans is
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that they're too smart to be on what *we'll* do.
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And I have lost people. Too many people. Lost them to chance,
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violence, brutality beyond belief; I've seen all the senseless,
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ignoble acts of "god's noblest creature." And I am incapable of
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forgiving. My feelings are with G'Kar, hand sliced open, saying of
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the drops of blood flowing from that open wound, "How do you
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apologize to them?" "I can't." "Then I cannot forgive."
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As an atheist, I believe that all life is unspeakably precious,
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because it's only here for a brief moment, a flare against the
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dark, and then it's gone forever. No afterlives, no second
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chances, no backsies. So there can be nothing crueler than the
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abuse, destruction or wanton taking of a life. It is a crime no
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less than burning the Mona Lisa, for there is always just one of
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each.
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So I cannot forgive. Which makes the notion of writing a character
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who CAN forgive momentarily attractive...because it allows me to
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explore in great detail something of which I am utterly incapable.
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I cannot fly, so I would write of birds and starships and kites; I
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cannot play an instrument, so I would write of composers and
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dancers; and I cannot forgive, so I would write of priests and
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monks and minbari....
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* In legal terms, in order to qualify for "a crime of passion" there
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cannot be premeditation; it happens suddenly, in the heat of the
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moment. By virtue of stalking Edward for nine years, the "crime of
|
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passion" defense quickly goes by the boards.
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* From what Ivanova tells Lyta, about two weeks have passed since
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the apprehension of Edward's killer; and yes, with slight
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modifications to prevent mindwipes from running into one another,
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they usually use preset templates in creating a basic history for
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the person to be wiped.
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* _Why did Ivanova tolerate Lyta?_
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Real simple. Lyta has proven that she was telling the proof about
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the traitor; and she's on the run from the Psi Corps herself,
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putting her and Ivanova on the same side; and she helped when she
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|
was asked to try and find Edward.
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* If there were just one pure and unchanged universal soul running
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through everything, there wouldn't be any point in breaking itself
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|
into pieces and investing itself in different species/people...it
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|
would just keep running into identical versions of itself.
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So the soul form in Minbari is different from the soul form in
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|
humans; also, in their view, having been civilized longer than us,
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|
their soul form is more elevated, more evolved...and thus the
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|
pieces are more precious, to them, and to the Soul Hunters.
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* No, there's really just the one Minbari religion, and the warrior
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caste tends to follow it, but not lead it.
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|
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[38][Next]
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[39]Last update: May 29, 1997
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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|
2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
|
|
3. file://localhost/home/woodstock/hyperion/docs/lurk/background/048.shtml
|
|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/048.html
|
|
5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/048.html
|
|
6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/047.html
|
|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
|
|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#OV
|
|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#BP
|
|
11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#UQ
|
|
12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#AN
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|
13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#NO
|
|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+Dourif,+Brad
|
|
16. http://us.imdb.com/M/person-exact?+Turenne,+Louis
|
|
17. http://us.imdb.com/M/person-exact?+Tallman,+Patricia
|
|
18. file://localhost/lurk/p5/intro.html
|
|
19. file://localhost/lurk/p5/048
|
|
20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html
|
|
21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/041.html
|
|
22. file://localhost/lurk/comic/008.html
|
|
23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/043.html
|
|
24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#JS.souls
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/033.html
|
|
26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
|
|
27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/039.html
|
|
28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html
|
|
29. http://www.gospelcom.net/bible?passage=Matthew+26:30-50
|
|
30. http://www.gospelcom.net/bible?passage=Mark+14:32-52
|
|
31. http://www.gospelcom.net/bible?passage=Luke+23:39-51
|
|
32. http://www.gospelcom.net/bible?passage=John+18:1-13
|
|
33. file://localhost/lurk/lurker.html
|
|
34. file://localhost/home/woodstock/hyperion/docs/lurk/guide/048.html#TOP
|
|
35. file://localhost/cgi-bin/uncgi/lgmail
|
|
36. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
37. file://localhost/home/woodstock/hyperion/docs/lurk/guide/047.html
|
|
38. file://localhost/home/woodstock/hyperion/docs/lurk/guide/049.html
|
|
39. file://localhost/lurk/lastmod.html
|