|
|
|
[1][ISMAP]-[2][Home]
|
|
|
|
### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
|
|
List] [7][Previous] [8][Next]
|
|
|
|
_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
|
|
- [13]Notes - [14]JMS
|
|
|
|
_________________________________________________________________
|
|
|
|
Overview
|
|
|
|
Talia is involved in carrying out the sentence of a convicted
|
|
murderer. Dr. Franklin investigates a possible medical scam in
|
|
Downbelow. Londo takes Lennier for a look at the less savory
|
|
sections of the station. [15]June Lockhart as Dr. Laura Rosen.
|
|
[16]Kate McNeil as Janice Rosen. [17]Mark Rolston as Karl Mueller.
|
|
[18]Damian London as the Centauri Senator. [19]Jim Norton as Ombuds
|
|
Wellington.
|
|
|
|
(Originally titled "The Resurrectionist")
|
|
Sub-genre: Suspense/drama
|
|
[20]P5 Rating: [21]7.29
|
|
|
|
Production number: 117
|
|
Original air date: August 17, 1994
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Lorraine Senna Ferrara
|
|
|
|
_________________________________________________________________
|
|
|
|
Backplot
|
|
|
|
* "Spacing" someone (tossing them out an airlock to die) is a
|
|
punishment applicable only in cases of mutiny and treason.
|
|
* Evidence gained from a telepathic scan is inadmissible in court,
|
|
as it violates the principles of due process.
|
|
* Very few members of Psi-Corps are trained to handle criminal
|
|
cases, not for lack of demand, but because it's very a stressful
|
|
field, with lots of burnouts.
|
|
* The station's indigent are denied medical treatment in Medlab if
|
|
they can't afford it (cf. [22]"Believers".)
|
|
* The station's prison is overcrowded already; there's no room for
|
|
someone to serve a life sentence.
|
|
* Earth possesses the technology to brain-wipe people (cf.
|
|
[23]"Grail") and implant new memories; it's used as a punishment
|
|
or rehabilitation measure in certain criminal cases. A Psi-Corps
|
|
member oversees the wipe, performing scans before and after to
|
|
make sure it's complete.
|
|
|
|
Unanswered Questions
|
|
|
|
* What will Dr. Franklin do with the machine? Will it ever be seen
|
|
again?
|
|
* Will Franklin and Janice Rosen continue to see each other in
|
|
subsequent episodes?
|
|
|
|
Analysis
|
|
|
|
* This is the second instance in the series of a mechanism for
|
|
stealing life from one being and giving it to another (cf.
|
|
[24]"Deathwalker".) Perhaps the two are related somehow.
|
|
* Judging by her reactions during the scan, it seems Talia was not
|
|
trained to deal with hardened criminals. Why, then, was she also
|
|
stuck with the job of scanning a murderer on the Mars colony, a
|
|
place that, as a major human settlement, presumably has a
|
|
Psi-Corps presence? (cf. [25]"A Voice in the Wilderness, Part 1,"
|
|
though admittedly the presence referred to there was not public
|
|
knowledge.)
|
|
* The Centauri's claim that Earth was a lost colony (cf.
|
|
[26]"Midnight on the Firing Line") must have been a short-lived
|
|
ruse, given the revelations about Centauri physiology in this
|
|
episode.
|
|
|
|
Notes
|
|
|
|
* June Lockhart and Bill Mumy were in another science-fiction show
|
|
together: "Lost in Space."
|
|
|
|
jms speaks
|
|
|
|
* Of all the scripts I've written, the only one that I'm less than
|
|
absolutely 100% thrilled with is "The Quality of Mercy," because I
|
|
wrote it while absolutely sick with the flu, and have NO memory
|
|
even of writing it. As it is, though, I'm about 90% happy with it,
|
|
particularly the B-story with Londo and Lennier, which came out
|
|
great.
|
|
* In my original thoughts about the episode, there was more of a con
|
|
man ressurectionist angle to the show, which later got dropped.
|
|
* Psi Corps telepaths are ****NOT**** allowed to scan defendants in
|
|
any official way connected to a criminal act. It violates the
|
|
right to due process. Even if requested, it's simply not allowed.
|
|
You do NOT want to even open the door a *crack* in letting a
|
|
government-regulated agency begin making determinations about who
|
|
is and isn't guilty of a crime. That way lies dictatorship,
|
|
Thought Police and Big Brother.
|
|
* The scan is preparatory to the prisoner being mind-blanked. It is,
|
|
as the Ombuds pointed out, the death of personality, the death of
|
|
one's mind. Hence the black band on the Psi symbol.
|
|
* How has your presence on the net affected the series?
|
|
... I was initially going to gloss over some of the legal aspects
|
|
of the Psi Corps in "The Quality of Mercy," but when so many
|
|
people expressed interest in how that worked, and when I saw some
|
|
measure of confusion about it, I took the time to indicate how the
|
|
legal aspects work when it came time to complete that script, thus
|
|
answering the questions.
|
|
* The one major reason I decided to begin this interaction, despite
|
|
CONSIDERABLE discourgement and disbelief from my peers, is that I
|
|
think it may be of some use, and because I think that one should
|
|
be willing to stand publicly with what you create, and because
|
|
though many criticisms are issues of taste or subjective
|
|
preference, sometimes (fairly often, actually), I learn something
|
|
from the discussion, or I'm corrected in something, and that
|
|
realignment is eventually reflected in the show. I'm giving some
|
|
serious thought to either revamping n'grath or killing him off
|
|
given the reaction (paired with my own). I won't be dictated to,
|
|
but in some cases, as with n'grath, I may be uncertain, but
|
|
willing to try and see if the experiment works. Sometimes it does,
|
|
sometimes it doesn't, and the general perception here seems close
|
|
to my own. In addition, I was initially going to gloss over some
|
|
of the legal aspects of the Psi Corps in "The Quality of Mercy,"
|
|
but when so many people expressed interest in how that worked, and
|
|
when I saw some measure of confusion about it, I took the time to
|
|
indicate how the legal aspects work when it came time to complete
|
|
that script, thus answering the questions.
|
|
* About June Lockhart
|
|
No, no scenes with Bill Mumy, though some consideration was given
|
|
to the notion.
|
|
* Bill kept bugging me to put him in a scene with June, but I just
|
|
felt it'd get in the way.
|
|
* It would've worked, but the scene would've forever been about the
|
|
mini-LIS reunion. If it isn't important to the story, it shouldn't
|
|
be there.
|
|
* We do tend to try and stay open to gender stuff; usuall there's a
|
|
reason why someone is male or female, so it's cast that way. But
|
|
as an example...in "Quality of Mercy," the role as originally
|
|
written was for a father/daughter combination. In the process of
|
|
casting, we thought, why not mother/daughter? So that's how it
|
|
ended up. In "Points of Departure," we have one of your requests
|
|
already taken care of...a part of a war cruiser commander who
|
|
could've been male or female...cast female.
|
|
* _Q: What are Londo's appendages called?_
|
|
Tentisticularites?
|
|
* _Are Londo's appendages in addition to or instead of human-type
|
|
"appendages"?_
|
|
That would be instead of, not in addition to.
|
|
* As for the tentacles...well, there's no rules about showing
|
|
tentacles on TV. I think they didn't even want to deal with it.
|
|
There are some moments when they pretend they didn't see it, and I
|
|
pretend I didn't write it.
|
|
* Centauri males have six.
|
|
* Centauri females, btw, have six narrow...ummm...slots on their
|
|
backs, three on either side of the spine, right around the base of
|
|
the spine.
|
|
The awful thing is that the two women in props -- who were having
|
|
FAR too much fun with this -- kept bringing me the tentacle to
|
|
verify the shape, size, consistency, do we see veins or not....
|
|
I tell you here and now: our staff meetings are something else.
|
|
* Actually, Centauri have six. They extend out from the sides of the
|
|
body, and "fold" in over the solar plexus when not in, er, use.
|
|
(We actually saw one extended for other purposes in the first
|
|
season, "The Quality of Mercy.") Female Centauri have
|
|
six...er...slotted areas on either side of the spine, just above
|
|
the hips, three on either side.
|
|
To go any further would probably bring in the FBI.
|
|
* _Does that mean Centauri women have multiple births on a regular
|
|
basis?_
|
|
No multiple births, in that sense, not any different than humans.
|
|
* "What kind of birth control do the Centauri use?"
|
|
Conversation.
|
|
* _Which of the six do they use for urination?_
|
|
That assumes the urinate out of the same organs they use for sex;
|
|
ain't necessarily the case.
|
|
* We used a bullwhip sound effect for the "retraction" in QoM; when
|
|
we were in sound editing, I asked for the hardest whip-crack they
|
|
had...and got it put in REAL loud. Every time I hear it, I'm on
|
|
the floor....
|
|
* While the TP themes in "Quality" go back through the history of
|
|
SF, including the Demolished Man, among others, the basic
|
|
storyline (re: Talia) came out of the pilot. At the time, I was
|
|
asked -- frequently -- "Why didn't Lyta scan Sinclair to determine
|
|
if he had tried to kill Kosh?" My answer then -- which is in some
|
|
of the archives -- was that it would violate the right to due
|
|
process, that a defendant cannot be scanned to determine guilt or
|
|
innocence (in fact, I recall a rather heated debate about that
|
|
here a while back). I promised that this would be elaborated upon
|
|
down the road, and mentally logged in to do a show with that
|
|
premise...and I'd already decided about the death penalty, and the
|
|
use of telepaths in it. So "Quality" came out of that, long before
|
|
"Mephisto" was even written. At one point, knowing that there were
|
|
some common story areas, I called Harlan to tell him the "Quality"
|
|
story, so that if there were any problems, I could revise it, but
|
|
he said he saw no problem.
|
|
* Isn't brainwiping as bad as killing?
|
|
There are actually many issues to get into in all of this. Which
|
|
is really the "person," the mind, the soul, or the body? If a
|
|
person has an accident, getting amnesia, which wipes out his
|
|
entire personality, is that person as good as dead? Is there no
|
|
difference between amnesia and death? If not, why not just kill
|
|
the amnesiac? But obviously there *is* a difference. So what is
|
|
the person? What constitutes death?
|
|
We consider the actual death of the *brain* through the cessation
|
|
of brain activity to be the test for death. But what if you simply
|
|
rearrange those patterns?
|
|
There is also the question of *justice*. If the person is dead,
|
|
then that person cannot do much to correct the ills he visited
|
|
upon society. It is simply a waste of material. So why not take
|
|
someone who, in any decent society, would be executed or forced to
|
|
live in a 6x9 cage the rest of his life, and give the soul, and
|
|
the body, a new chance by giving the person a new personality and
|
|
letting him, as the Ombuds says, "serve the community harmed by
|
|
his actions"?
|
|
Finally, if the person is dead, he's dead; let's say 5 years down
|
|
the road somebody finds evidence that proves the person was
|
|
innocent. There is at least the *chance* to reconstruct some of
|
|
the original memories and personality profile.
|
|
All of this, again, has to be considered in light of the fact that
|
|
we are talking about a *space station* with limited space and
|
|
resources. You cannot warehouse every person who kill somebody in
|
|
a station that small; you would run out of space almost
|
|
immediately. (If you also include basic felons and near-killings.)
|
|
So what *do* you do with them? As was noted, Earth doesn't want
|
|
them and won't pay to have them shipped back...what's left?
|
|
That's the dilemma I wanted to pose in the episode...what *can*
|
|
you do?
|
|
* "...the 'personality' remaining in the body will be punished for a
|
|
crime that 'personality' did not commit."
|
|
1) But again, which is the person...the old personality, the new
|
|
one, or something else?
|
|
2) Part of the new personality would be the delight in serving
|
|
others.
|
|
* You will see the healing machine from "Quality" once more. Part of
|
|
the reason for that story was to set up something within the B5
|
|
universe that will come in handy a long time later (but I'm *not*
|
|
going to have it lying around indefinitely; it would cause lots of
|
|
long-term complications).
|
|
(Some TV shows foreshadow/set-up stuff an act or two ahead of
|
|
time; we do setups a full *year* ahead....)
|
|
* There are limits to what the healing device can do, for starters;
|
|
it can't repair physical damage to the body, mainly it works with
|
|
disease and basic low-energy stuff; also, bear in mind that it was
|
|
a device used for *capital punishment*...meaning that to save one
|
|
person's life, another must sacrifice his or her own, if it's that
|
|
far along, so it's not really something you can trot out everytime
|
|
somebody gets nailed.
|
|
* They cannot carry out the original sentence because the body is
|
|
now dead, which would tend to diminish its social acceptability.
|
|
Dr. Franklin did not know that Mueller had yet found Rosen, or
|
|
even knew of it. There are no Babcom systems in DownBelow
|
|
quarters. To send a security team, when they're out searching,
|
|
without cause, is neither realistic nor sensible. He did the
|
|
correct thing: to go and warn her, while at the same time making
|
|
sure that security knew where he was going, and if they didn't
|
|
hear anything, to send in a team.
|
|
* _Franklin should have had a search warrant._
|
|
Allow me to disagree with you.
|
|
Dr. Franklin did not require a search warrant to enter Rosen's
|
|
quarters. The door was basically open, and he is NOT an officer of
|
|
the law. Only officers of the law are required to have search
|
|
warrants. Neither was he there to arrest her.
|
|
Defense counsel was sitting with the defendant at the table. He
|
|
had no lines, but he was there. The trial had been ongoing; this
|
|
was the part where the verdict is rendered after a decision has
|
|
been reached.
|
|
The pattern of the judge passing sentence is exactly the same as
|
|
when circuit court judges used to work the frontier areas of the
|
|
US. Where would you find a jury on B5? Most civilians are passing
|
|
through, on stop-over for only a day or two...unable to follow a
|
|
long hearing. The only other ones are station personnel, which
|
|
represents a conflict of interest. Your only choice is a circuit
|
|
court style judge whose loyalty is owed to no one.
|
|
The alien device was being used on humans without any kind of
|
|
license, she is not a certified doctor, and it was used in the
|
|
death of a human. Under those circumstances, it is within the
|
|
judge s right to confiscate the device for the greater good. (You
|
|
can have a unlicensed firearm in a state that requires licensing,
|
|
and use it in a righteous self-defense shooting, but it will be
|
|
confiscated afterward. No compensation is required because its use
|
|
is/was unregulated, unlicensed, and she was/is not a working
|
|
doctor.)
|
|
It *is* due process. Even according to 20th century terms. Only
|
|
problem is in understanding what due process actually *is*, as
|
|
opposed to what we think it *should* be.
|
|
* Yes, part of the reason for the QoM episode was to set up the
|
|
notion of an implanted personality as achievable tech.
|
|
* David: "The Quality of Mercy" title is drawn from the same source
|
|
as Compton's book, Shakespeare. It has a lot to do with that
|
|
episode.
|
|
* Yes, absolutely; in "The Quality of Mercy," you'll get a look at
|
|
how the justice system has come to grips with the uestion of how
|
|
to handle violent crimes in an environment like a space station,
|
|
which has limited room for cells, limited resources, and other
|
|
complications. We do plan to get into this area a bit, without
|
|
getting too LA LAW about it.
|
|
* A lot of our episodes are constructed to work as mirrors; you see
|
|
what you put into it. "Believers" has been interpreted as pro-
|
|
religion, anti- religion, and religion-neutral..."Quality" has
|
|
been interpreted, as you note, as pro-capital punishment, and
|
|
anti-capital punishment. We do, as you say, much prefer to leave
|
|
the decision on what things mean to the viewer to hash out.
|
|
A good story should provoke discussion, debate, argument...and the
|
|
occasional bar fight.
|
|
* There's the sense that A, B and sometimes C stories in TV should
|
|
intersect. My attitude: sometimes yes, sometimes no. Depends on if
|
|
you look at this as a real place or not, as opposed to a thematic
|
|
exercise. What I go through in the course of a day has nothing to
|
|
do with what happens to Larry DiTillio across town, except and
|
|
unless it involves our mutual work. Sometimes, as in "Quality,"
|
|
the stories feel like they resonate, and can be used to illustrate
|
|
one another, and so they're linked. In others, what I'm striving
|
|
for is a sense of a "day in thed (the) life" of Babylon 5. The one
|
|
kind of story is neither better nor worse than the other, they're
|
|
simply different. One may like one more than the other, but to say
|
|
they're "better" plots is just silly. There's NO padding in this
|
|
show, no stories put in to fill out time; just stories that we
|
|
want to tell, period.
|
|
* Minbari use base 11, not base 10, so twelve would be
|
|
eleventy-first year, and so on.
|
|
* Minbari base eleven includes fingers and head, from which the
|
|
principle of mathematics comes.
|
|
* You're also looking at this from a strictly English-speaking
|
|
perspective; in German, for instance, 21 is "Ein und Zwanzig"
|
|
(pardon any misspellings in there, it's been a while) which is
|
|
exactly the same structure, albeit reversed, used for Minbari
|
|
counting (and, in fact, is more or less what I based his
|
|
"statement" on).
|
|
* Eleventy-seven = Eighteen base ten.
|
|
* One, two, three, four, five, six, seven, eight, nine, ten, eleven
|
|
Eleventy-one, eleventy-two, eleventy-three, eleventy-four,
|
|
eleventy- five, eleventy-six, eleventy-seven, eleventy-eight,
|
|
eleventy-nine, eleventy-ten, twelfy
|
|
Twelfty-one, twelfty-two, twelfy-three, twelfty-four,
|
|
twelfty-five, twelfty-six, twelfty-seven, twelfty-eight,
|
|
twelfty-nine, twelfty-ten.
|
|
And so on.
|
|
Who here still has a problem with this?
|
|
|
|
|
|
[32][Next]
|
|
|
|
[33]Last update: January 5, 1998
|
|
|
|
References
|
|
|
|
1. file://localhost/cgi-bin/imagemap/titlebar
|
|
2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
|
|
3. file://localhost/home/woodstock/hyperion/docs/lurk/background/021.shtml
|
|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/021.html
|
|
5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/021.html
|
|
6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html
|
|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/022.html
|
|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#OV
|
|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#BP
|
|
11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#UQ
|
|
12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#AN
|
|
13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#NO
|
|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+Lockhart,+June
|
|
16. http://us.imdb.com/M/person-exact?+McNeil,+Kate
|
|
17. http://us.imdb.com/M/person-exact?+Rolston,+Mark
|
|
18. http://us.imdb.com/M/person-exact?+London,+Damian
|
|
19. http://us.imdb.com/M/person-exact?+Norton,+Jim
|
|
20. file://localhost/lurk/p5/intro.html
|
|
21. file://localhost/lurk/p5/021
|
|
22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/010.html
|
|
23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/015.html
|
|
24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/009.html
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/018.html
|
|
26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html
|
|
27. file://localhost/lurk/lurker.html
|
|
28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/021.html#TOP
|
|
29. file://localhost/cgi-bin/uncgi/lgmail
|
|
30. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html
|
|
32. file://localhost/home/woodstock/hyperion/docs/lurk/guide/022.html
|
|
33. file://localhost/lurk/lastmod.html
|