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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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An old friend of Garibaldi's arrives and tries to take part in a
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dangerous alien combat sport. A rabbi helps Ivanova come to terms
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with her father's death. [15]Theodore Bikel as Rabbi Koslov.
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[16]Greg McKinney as Walker Smith. [17]Soon-Tek Oh as The Muta-Do.
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[18]Don Stroud as Caliban.
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Sub-genre: Drama
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[19]P5 rating: [20]6.41
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Production number: 119
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Original air date: May 25, 1994
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Written by Larry DiTillio
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Directed by John Flynn
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_________________________________________________________________
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Backplot
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* Ivanova's brother Ganya was killed in the Earth-Minbari war a year
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after her mother committed suicide.
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Unanswered Questions
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Analysis
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* The fact that aliens of several races -- including a Centauri --
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all seemed to agree that humans had no business fighting in the
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Mutai seems to indicate that there is a lot of resentment toward
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humans among the other races, enough that they see the distinction
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between humans and themselves as much greater than the
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distinctions between each other.
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Notes
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* Walker Smith was the real name of famed boxer Sugar Ray Robinson.
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jms speaks
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* At one point, there was a discussion in the scene about the whole
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gills/scales/fins issue, to define kosher...but it *really*
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brought the scene to a screaming standstill, and we needed to
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concentrate on the relationships at that moment. In addition, as
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we looked at it, you would have to get into the question of how
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alien gills/scales/fins compare to earthly gills/scales/fins,
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because they're going to be very different in many ways. In short
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order it became a massive Talmudic discussion, and we only have an
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hour for the show....
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* Babylon 5 (the show) got not a dime for sticking in the [21]Zima
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sign. We just thought...well, it'd be funny.
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* Yes, slappers = skin tabs, for introducing medication. The ones in
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TKO had been stolen from B5 medsupplies.
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* Through a miscommunication, Warners thought TKO was in the slot in
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which we'd placed Quality [of Mercy], so that went out to TV
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Guide, and it's now too late to change the order back. Doesn't
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matter; neither are really arc-stories, though it was hoped to
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hold back some of Susan's development in TKO just a tad longer.
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* It was Larry's idea to name the character Walker Smith, after
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Sugar Ray Robinson.
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* If the deceased has been dead for quite a while, the period during
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which one must sit shiva is greatly reduced to a day or so, I'm
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told.
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* Larry wrote the shiva stuff all on his lonesome. As for being an
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abbreviated version...apparently shiva lasts 3 days for someone
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recently deceased. If it's been months since the death, the
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service is usually much shorter, and again, there was only Ivanova
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and Koslov who actually were part of or knew the deceased.
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* I'm told that shiva need not last 7 full days, if the death was
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not recent, and if the body has already been buried.
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* Now, on the samovar issue...whatever your background, if your
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family grew up in Russia and has been there for several hundred
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years or more -- and the Ivanov family has been there since at
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LEAST the 1800s -- you do become part of the culture. That, as I
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always understood it, was part of the reason for making sure
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children learned hebrew, yiddish *and* the dominant language of
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the culture, to give their kids a fighting chance in a difficult
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world. It's not so much a case of the culture assimiliating the
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individual (though certainly that happens as well), but the
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individual INCORPORATING the culture.
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Ivanova is jewish. Ivanova is russian. Of the two, she tends to
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see herself as a russian first. There's no value statement there,
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that's just the way she is. Her parents were both russian, going
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back many generations on both sides. Some in her family tree were
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jewish, and some were not; there was some intermarrying. That may
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be part of why she sees herself as more russian than jewish, but
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it may be just a quirk.
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(And to the protest of, "Well, you created her," yes, I did. But
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there comes a time, if you've done your job right as a writer,
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when the character more or less takes over, and starts telling YOU
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who and what he or she is. There are times I mentally turn to
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Ivanova and say, "Okay, what do *you* think?" And she talks to me
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in my head, as do all of my characters. It's part of making your
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characters real.)
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When she went off to boarding school overseas -- part of an
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ongoing international system put into place by EarthGov to help
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its various member nations get along with one another -- she
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identified most strongly with that russian aspect in relation to
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those around her. She learned to speak English without a
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perceptible accent.
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The samovar is a valued and valuable part of russian life. It is
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the family hearth, on one level, a possession passed on from
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generation to generation. Knowing that Ivanova was not terribly
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religious herself, he would generally not leave her any of his
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personal religious artifacts, but would dnate them to the local
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synagogue, while some, like a menorah, might go to other
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relatives. People who could appreciate them and use them. The
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samovar is a very personal object; to the correspondent with a
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fiance who is russian...*I* am byeloruss, white-russian,
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one-and-a-half generation American born. And I can tell you that
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the biggest fights I've ever seen over bequeaths were over a)
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money, and b) the samovar.
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The problem with this discussion is that it has very little to do
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with who Susan Ivanova *is*, and more to do with the politics of
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what a russian or a jew or a russian jew *should be*. She is what
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she is, like it or not.
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* "The remark: '...pouting in that way that only 13 can...'"
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. . . the comment is essentially correct; ain't nobody can pout
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like a 13 year old.
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* To the problems some have with Theodore Bikell's accent not
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sounding real...it's my understanding that he was raised in
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Russia.
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Ivanova does not have an accent because she was educated overseas,
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her father wanting her to have certain advantages the rest of her
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family did not.
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Nowhere did we say that Andrei or the rest of the Ivanov family
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ever emigrated. They didn't. They live in Russia. Or lived, in any
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event. Not everyone migrates to the US or to Israel, and not
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everyone wants to.
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On the treel/kosher discussion...I can only shrug. Nobody's ever
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shown that jews go forward into the future, placed them at the
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heart of a science fiction show as a regular character, nobody's
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shown shiva before in (and possibly out of) an SF series...and
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some folks are complaining that not every aspect of a treel's
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kosher-ness was discussed at dinnertime.
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Some days, you just can't win....
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Feh.
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* _What was that Harlan Ellison book Ivanova was reading?_
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The book is Harlan's autobiography, which he plans to write around
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the year 2000, and yes, that's his photo. (He borrowed the prop
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when we were finished and casually carried it with him to a few
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places, just to make people nuts thinking there was a book out
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they'd missed....)
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* [Posted 28 May 1994] BTW, there's an interesting couple of
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articles about this episode in this week's Jewish Journal, for
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another perspective on the show.
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* _Channel 4 in the UK didn't show "TKO" during the initial run_
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TKO's main importance is to the Ivanova arc, as she finally comes
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to terms with her father's death. Do I have an opinion on C4's
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decision not to show TKO?
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Absolutely.
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* If the problem is showing bare-kunckle fighting to the death, then
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somebody should point out to C4 that *nobody dies* in the match.
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* The Mutari are those who fight in the Mutai; and you *did* see
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Narns and Centauri and others hanging around the ring. The only
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ones you won't see there are Minbari. It ain't their thing.
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* As I've noted before, over the long haul, as you watch episodes,
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you will see things you didn't see before. Sometimes they're
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clues, and sometimes they're comments which now read a different
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way than they did the first time you saw them. There's been a
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number of the latter very subtly sprinkled through the episodes
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aired so far...lines that everyone jumped on as meaning one thing,
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but which will mean something else, and lines which nobody thought
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much of the first time out...but which will elicit a wince of
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irony later on.
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There's a corker in "TKO," but at the moment, it's absolutely
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invisible. It's not a clue, it's not necessary for the story, it's
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just one of those things that, after you've seen all the rest of
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this season's episodes, you will go "Ouch," when you see it next.
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* Actually, the idea of Zima lasting even into 1995 is hysterical. I
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keep fighting the urge to have some guy show up on B5, "Zo then I
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zays to him, nize ztation"...and five Narns just jump on him and
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beat the shit out of him, WHAMWHAMWHAMWHAMWHAM!
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* We've killed off all of Ivanova's close family, yes. Maybe some
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cousins are left, but that's about it.
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* There's a Billy Joel song, where one particular lyric (and I'm
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quoting from memory) says, "You still have a pain inside you /
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That you carry with a certain pride / It's the only part / Of a
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broken heart / You could ever save." That's Ivanova.
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She's had her heart stomped on a lot. And she's been holding it
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in. Even with her father's death, she sucked in the pain, fought
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back the tears. There is one episode, which will be right at the
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end of the year, where she finds she can't run from her pain
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anymore...can't run from the tears...and deals with them in a
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scene that's very moving and absolutely brings tears to the eyes.
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[27][Next]
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[28]Last update: January 28, 1998
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/014.shtml
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4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/014.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/014.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
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8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/015.html
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9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#OV
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10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#NO
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14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#JS
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15. http://us.imdb.com/M/person-exact?+Bikel,+Theodore
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16. http://us.imdb.com/M/person-exact?+McKinney,+Gregory
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17. http://us.imdb.com/M/person-exact?+Oh,+Soon-Tek
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18. http://us.imdb.com/M/person-exact?+Stroud,+Don
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19. file://localhost/lurk/p5/intro.html
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20. file://localhost/lurk/p5/014
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21. http://www.zima.com/
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22. file://localhost/lurk/lurker.html
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23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/014.html#TOP
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24. file://localhost/cgi-bin/uncgi/lgmail
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25. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
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27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/015.html
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28. file://localhost/lurk/lastmod.html
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