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[1][ISMAP]-[2][Home]
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### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
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List] [7][Previous] [8][Next]
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_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
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- [13]Notes - [14]JMS
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_________________________________________________________________
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Overview
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A violent attack on a Minbari poet rocks B5 and leaves Sinclair
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scrambling to flush out a vicious pro-Earth group. Two star-crossed
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young Centauri lovers seek Londo's protection. Ivanova is shaken
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when a man from her past arrives at the outpost. [15]Nancy Lee
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Grahn as Shaal Mayan. [16]Danica McKellar as Aria Tensus.
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[17]Rodney Eastman as Kiron Maray. [18]Tristan Rogers as Malcolm
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Biggs. [19]Michael Paul Chan as Roberts.
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Sub-genre: Suspense
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[20]P5 Rating: [21]6.82
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Production number: 107
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Original air date: March 9, 1994
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Written by D. C. Fontana
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Directed by Richard Compton
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_________________________________________________________________
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Backplot
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* The Homeguard, a radical pro-Earth group, has wide support among
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humans, and is growing in popularity back on Earth.
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* Shaal Mayan is a renowned Minbari poet. "I create and perform
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Tee'la," she says: "poem songs that attempt to recall old memories
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and prompt new ideas."
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* The only two human beings ever to have direct contact with a
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Vorlon have since been transferred to Earth - Dr. Kyle to work
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closely with the president (cf "[22]Infection"), and the telepath
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Lyta Alexander just a week later. Neither of them shared their
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experiences with anyone on the station. (cf [23]"The Gathering")
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* Londo has [24]three wives, all of them arranged marriages, all of
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them "great sacrifices." "They inspire me! Knowing that they are
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waiting at home for me is what keeps me here, [25]75 light years
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away."
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* Ivanova used to be involved with a fellow named [26]Malcolm Biggs,
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but left him when she enlisted in Earth Force 8 years ago.
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* More insight into Londo's personality and Minbari beliefs:
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_Mayan:_ Ambassador, you should listen to the girl. We Minbari
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consider love to be a most potent force for healing. She cares
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deeply for him. Such feelings can turn the tide when all else
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fails.
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_Londo:_ Oh I see. And if he dies, despite this great power of lo-
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_Mayan:_ _If he dies,_ she will suffer enormous grief, but every
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moment together will make her grief a little less.
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_Londo:_ I would expect such logic from a poet. What can a Minbari
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know about Centauri feeling?
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_Mayan:_ Ambassador, I have traveled far and seen much. And what I
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have seen tells me that all sentient beings are defined by their
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capacity and need for love.
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_Londo:_ And she will learn to live without it!
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_Mayan:_ As you did?
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* [later...]
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_Vir:_ Kiron may die because our "glorious" tradition values
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wealth and power over _love._
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_Londo:_ My shoes are too tight.
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_Vir:_ Excuse me?
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_Londo:_ Something my father said. He was old, very old at the
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time. I went into his room, and he was sitting alone in the dark,
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crying. So I asked him what was wrong, and he said, "My shoes are
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too tight, but it doesn't matter, because I have forgotten how to
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dance." I never understood what that meant until now. _My_ shoes
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are too tight, and I have forgotten how to dance.
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Unanswered Questions
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* The black light camouflage suits worn by the Homeguard henchmen
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were developed by Earth Force; friends of [27]Malcolm's procured
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some prototypes for them. Is a faction of Earth Force actually
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backing the Homeguard for its own reasons?
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* Londo seems to have had a troubled childhood (see [28]Backplot).
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What happened that he's so aggressive and melancholy? None of the
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other Centauri seem particularly so.
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* Why is Kosh studying human history, as [29]Sinclair's conversation
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with him appears to reveal, especially when he says "We have no
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interest in the affairs of others?" Perhaps for some reason Kosh
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does not consider humans "others." Or perhaps by "affairs" he
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meant the passing events of the day, as compared to the millennia
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of a civilization.
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Analysis
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* The Homeguard sign branded onto Shaal Mayan's forehead is a
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combination of male and female symbols from ancient Greek mythos.
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Perhaps it's a contemporary symbol for humankind.
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* Vir passed himself off as the Centauri ambassador in letters to
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his cousins, and later [30]rebukes Londo to his face about his
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decision on the matter. This is quite bold compared to the
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quavering fop he's been before.
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* Londo's nicknames for his wives are "Pestilence, Famine, and
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Death" - three of the four horsemen of the apocalypse from ancient
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Christian mythos. Who is the fourth horseman War? Perhaps Londo
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himself.
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* [31]Talking to Kosh about the attacks on non-humans, Sinclair
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breaks off right after asking him to "lend a hand." Not long later
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Sinclair wonders aloud to Ivanova how an assassin had managed to
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poison Kosh on the "hand," _through_ his encounter suit. (cf
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[32]"The Gathering")
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* Sinclair was brusque and callous to Delenn and the Abbai
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agricultural representative at the diplomatic reception. He also
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declared to the assembled Council that the hate-crime
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investigation was closed, offering neither arrests nor evidence of
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safety. This was part of his ruse to win the Homeguard's trust,
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but he may still have injured his reputation with other races.
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* The Homeguard plot on the station was, according to its leader
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Malcolm Biggs, part of a much bigger plot to kill prominent aliens
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all over the Earth Alliance.
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* Black light camouflage is a similar technology to the chameleon
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net the assassin used in [33]"The Gathering." However, it requires
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an entire body-suit and only works while the user is motionless.
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No mention was made of what was done with the four suits captured
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with the Homeguard henchmen - Garibaldi may have stashed them away
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somewhere. And it's unlikely that those were the only four suits
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in existence; perhaps the technology will be seen again (cf.
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[34]"Babylon Squared".)
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Notes
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* Mayan, a childhood friend of Delenn's, arrived on the station on a
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tour of other worlds. Earth was to have been her next stop.
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* _Mayan_ (of her attacker): "All I could see was a shadow. It was a
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shadow, that is all I know."
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(cf [35]"Signs and Portents", perhaps?)
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* Ivanova is illegally growing coffee in the station hydroponics
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area.
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* Kosh speaks.
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[...]
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_Sinclair:_ Meanwhile it might be helpful if you spoke with the
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other ambassadors.
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_Kosh:_ We take no interest in the affairs of others.
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_Sinclair:_ Well I hope you'll reconsider. If you could give us a
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hand, we -
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_Kosh:_ Yes?
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_Sinclair:_ Nothing. We'll respect your wishes. [pause]
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That's quite a viewer. I've never seen anything like it before.
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What is it?
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_Kosh:_ Efficient.
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_Sinclair:_ Those are images from my world. If I may ask, what are
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you -
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_Kosh:_ I am studying.
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_Sinclair:_ Studying what?
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_Kosh:_ [shuts down]
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* The images on Kosh's levitating viewer were zoom-ins on pictorial
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records from Earth history throughout the span of its
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civilization.
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jms speaks
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* Correct; the title of "The War Prayer" is a nod to [36]Twain's
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piece of the same name, which should be read by *everyone*. Given
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the growing problems with illiteracy, I try to refer not to pop
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society so much, as to literature...Tennyson, Twain, even writers
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whose last names don't begin with T.
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* Of course, you're assuming that a Centauri year is the same as our
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year. The speed of light is constant...but defined by us by our
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own 12-month year. For instance, in one episode, we mention that
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B5 is 12 of our light years from the Narn homeworld, which is
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equal to about 10 of their years.
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So without knowing the Centauri year, the figures are faulty.
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* For those out there who still think the skin tab getting through
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Kosh's encounter suit was an error...we're going to be dealing
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with that, and some other interesting threads in [this] episode.
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Sinclair comments on the whole question of how the poison ever got
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into him...and notes how curious it is that, within weeks of that
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incident, Dr. Kyle was transferred back to Earth to work directly
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with the Earth Alliance President on matters of alien immigration,
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and Lyta Alexander was similarly transferred a week or so after
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that. The only two people to have personal knowledge of a Vorlon
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have been shipped off and possibly locked up.
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* By the way...on the Kosh poisoning thread, which was originally to
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be discussed in "Parliament"...we ended up about 3 minutes long on
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"Parliament," and three minutes short on D.C. Fontana's "War
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Prayer." So we lifted that scene and inserted it into her episode,
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doing a small bit of ADR to facilitate the move. It's now quite
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seamless.
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* _Why was Delenn unfamiliar with poetry in [37]"The Gathering?"_
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For the Minbari, it's tee'la, which is a kind of poem-song, sort
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of. Delenn was mainly just unfamiliar with the term.
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* Y'know...it's a funny old world. And sometimes it just astonishes
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you.
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About 2 months ago, one of our freelancers turned in a script that
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has to do with a hate group, in the course of which a guest
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character -- a Minbari -- is attacked and has her head branded
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with the symbol of the group.
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So you will doubtless understand my astonishment when I turned on
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DS9 and saw the same thing happen.
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Unfortunately, we've already shot that episode, it's in the can,
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so ther nothing we can do about it now. Further -- and let me be
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totally clear about this -- there's no way that DS9 could've
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borrowed the idea from us, or in any way been influence by us, and
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no way we could've been influenced by them. To get on the air now,
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they would've had to shoot their episode some time before the
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writer turned in that draft for our show. And none of us were in
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any way aware of what was going on there until we saw it the night
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of the broadcast...and came in the next day with looks of absolute
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shock.
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These things do happen...and when you're dealing with similar
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general areas -- humans vs. aliens, or one alien group vs. another
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alien group -- then something like this becomes inevitable. And
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given the foreheads on Ferengi, and the foreheads on Minbari, the
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obviousness of that target becomes clear. Still, it's amazing when
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it happens. And I guess I just wanted it to be clear when this
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thing airs that the sequence in our show was in the can and done
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when the DS9 episode aired.
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* We're in discussions to see if there's any way we can cut this
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from the show...the only problem is that the brand stays on
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throughout the show. If it were just in one shot, we'd cut the
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shot and find some other way around it. The only way we can lose
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it now would be if we literally wiped off the brand by going into
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every frame in which it appears and digitally removing it from the
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frame...which is a *real* pain in the butt...but we are
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considering it.
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* The points made above are essentially correct; the brand goes on
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in the very top of the show, in the teaser, and stay on throughout
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the episode...and part of the story is dealing with this, and what
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it means. An offer is made to remove it, but the victim decides
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*not* to have it removed, because there are lessons in these
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things...and it becomes almost a badge of defiance.
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In addition to the notes here, I've received a whole bunch of
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email notes saying to leave it in, on the grounds that it *does*
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happen in real life (or incidents close to it), and how we're
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handling it *is* very different. (Some indicated that it can
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illustrate how the two hows handle their themes in different
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ways.) So it's a tough call ...to change would also mean some
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re-shooting...but given the responses here, I think it's okay to
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leave it in place.
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File this one away the next time someone asks, "What sort of ways
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has the BBS discussion actually affected Babylon 5?"
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* There is some limited life within the garden...some birds (which
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you can hear sometimes), and insects, and the like. (In one shot
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you can see an insect fly off one of our actors. Yeah, sure, like
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we planned that....) It's generally one season in the Garden, and
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plants requiringvariation are raised in a separate hydroponics
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area, such as the orchard (seen in "War Prayer").
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* Lennier is not in the cargo area during the beating, nor is he in
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BG during the negotiations. That's a Minbari of the worker class.
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(You can generally tell from the orange-ish smock-thingie they
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wear.) Sorry.
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_________________________________________________________________
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Originally compiled by Matthew Ryan _matt@uhs.uchicago.edu_
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[43][Next]
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[44]Last update: August 8, 1997
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References
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1. file://localhost/cgi-bin/imagemap/titlebar
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2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
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3. file://localhost/home/woodstock/hyperion/docs/lurk/background/007.shtml
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4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/007.html
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5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/007.html
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6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
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8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html
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9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#OV
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10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#BP
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11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#UQ
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12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#AN
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13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#NO
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14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#JS
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15. http://us.imdb.com/M/person-exact?+Grahn,+Nancy
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16. http://us.imdb.com/M/person-exact?+McKellar,+Danica
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17. http://us.imdb.com/M/person-exact?+Eastman,+Rodney
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18. http://us.imdb.com/M/person-exact?+Rogers,+Tristan
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19. http://us.imdb.com/M/person-exact?+Chan,+Michael+Paul
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20. file://localhost/lurk/p5/intro.html
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22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html
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23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
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31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#NO:4
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32. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
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33. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
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34. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#AN:inv
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35. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html
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36. file://localhost/lurk/making/warprayer.html
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37. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html
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38. file://localhost/lurk/lurker.html
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39. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#TOP
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40. file://localhost/cgi-bin/uncgi/lgmail
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41. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
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42. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
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43. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html
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44. file://localhost/lurk/lastmod.html
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