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							|  |     ### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode | 
						
						
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							|  |                                        | 
						
						
							|  |    _Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis | 
						
						
							|  |    - [13]Notes - [14]JMS | 
						
						
							|  |     | 
						
						
							|  |      _________________________________________________________________ | 
						
						
							|  |                                        | 
						
						
							|  | Overview | 
						
						
							|  | 
 | 
						
						
							|  |      A violent attack on a Minbari poet rocks B5 and leaves Sinclair | 
						
						
							|  |      scrambling to flush out a vicious pro-Earth group. Two star-crossed | 
						
						
							|  |      young Centauri lovers seek Londo's protection. Ivanova is shaken | 
						
						
							|  |      when a man from her past arrives at the outpost. [15]Nancy Lee | 
						
						
							|  |      Grahn as Shaal Mayan. [16]Danica McKellar as Aria Tensus. | 
						
						
							|  |      [17]Rodney Eastman as Kiron Maray. [18]Tristan Rogers as Malcolm | 
						
						
							|  |      Biggs. [19]Michael Paul Chan as Roberts. | 
						
						
							|  |       | 
						
						
							|  | Sub-genre: Suspense | 
						
						
							|  | [20]P5 Rating: [21]6.82 | 
						
						
							|  | 
 | 
						
						
							|  | Production number:  107 | 
						
						
							|  | Original air date:  March 9, 1994 | 
						
						
							|  | 
 | 
						
						
							|  | Written by D. C. Fontana | 
						
						
							|  | Directed by Richard Compton | 
						
						
							|  | 
 | 
						
						
							|  |      _________________________________________________________________ | 
						
						
							|  |                                        | 
						
						
							|  | Backplot | 
						
						
							|  | 
 | 
						
						
							|  |      * The Homeguard, a radical pro-Earth group, has wide support among | 
						
						
							|  |        humans, and is growing in popularity back on Earth. | 
						
						
							|  |      * Shaal Mayan is a renowned Minbari poet. "I create and perform | 
						
						
							|  |        Tee'la," she says: "poem songs that attempt to recall old memories | 
						
						
							|  |        and prompt new ideas." | 
						
						
							|  |      * The only two human beings ever to have direct contact with a | 
						
						
							|  |        Vorlon have since been transferred to Earth - Dr. Kyle to work | 
						
						
							|  |        closely with the president (cf "[22]Infection"), and the telepath | 
						
						
							|  |        Lyta Alexander just a week later. Neither of them shared their | 
						
						
							|  |        experiences with anyone on the station. (cf [23]"The Gathering") | 
						
						
							|  |      * Londo has [24]three wives, all of them arranged marriages, all of | 
						
						
							|  |        them "great sacrifices." "They inspire me! Knowing that they are | 
						
						
							|  |        waiting at home for me is what keeps me here, [25]75 light years | 
						
						
							|  |        away." | 
						
						
							|  |      * Ivanova used to be involved with a fellow named [26]Malcolm Biggs, | 
						
						
							|  |        but left him when she enlisted in Earth Force 8 years ago. | 
						
						
							|  |      * More insight into Londo's personality and Minbari beliefs: | 
						
						
							|  |        _Mayan:_ Ambassador, you should listen to the girl. We Minbari | 
						
						
							|  |        consider love to be a most potent force for healing. She cares | 
						
						
							|  |        deeply for him. Such feelings can turn the tide when all else | 
						
						
							|  |        fails. | 
						
						
							|  |        _Londo:_ Oh I see. And if he dies, despite this great power of lo- | 
						
						
							|  |        _Mayan:_ _If he dies,_ she will suffer enormous grief, but every | 
						
						
							|  |        moment together will make her grief a little less. | 
						
						
							|  |        _Londo:_ I would expect such logic from a poet. What can a Minbari | 
						
						
							|  |        know about Centauri feeling? | 
						
						
							|  |        _Mayan:_ Ambassador, I have traveled far and seen much. And what I | 
						
						
							|  |        have seen tells me that all sentient beings are defined by their | 
						
						
							|  |        capacity and need for love. | 
						
						
							|  |        _Londo:_ And she will learn to live without it! | 
						
						
							|  |        _Mayan:_ As you did? | 
						
						
							|  |      * [later...] | 
						
						
							|  |        _Vir:_ Kiron may die because our "glorious" tradition values | 
						
						
							|  |        wealth and power over _love._ | 
						
						
							|  |        _Londo:_ My shoes are too tight. | 
						
						
							|  |        _Vir:_ Excuse me? | 
						
						
							|  |        _Londo:_ Something my father said. He was old, very old at the | 
						
						
							|  |        time. I went into his room, and he was sitting alone in the dark, | 
						
						
							|  |        crying. So I asked him what was wrong, and he said, "My shoes are | 
						
						
							|  |        too tight, but it doesn't matter, because I have forgotten how to | 
						
						
							|  |        dance." I never understood what that meant until now. _My_ shoes | 
						
						
							|  |        are too tight, and I have forgotten how to dance. | 
						
						
							|  |         | 
						
						
							|  | Unanswered Questions | 
						
						
							|  | 
 | 
						
						
							|  |      * The black light camouflage suits worn by the Homeguard henchmen | 
						
						
							|  |        were developed by Earth Force; friends of [27]Malcolm's procured | 
						
						
							|  |        some prototypes for them. Is a faction of Earth Force actually | 
						
						
							|  |        backing the Homeguard for its own reasons? | 
						
						
							|  |      * Londo seems to have had a troubled childhood (see [28]Backplot). | 
						
						
							|  |        What happened that he's so aggressive and melancholy? None of the | 
						
						
							|  |        other Centauri seem particularly so. | 
						
						
							|  |      * Why is Kosh studying human history, as [29]Sinclair's conversation | 
						
						
							|  |        with him appears to reveal, especially when he says "We have no | 
						
						
							|  |        interest in the affairs of others?" Perhaps for some reason Kosh | 
						
						
							|  |        does not consider humans "others." Or perhaps by "affairs" he | 
						
						
							|  |        meant the passing events of the day, as compared to the millennia | 
						
						
							|  |        of a civilization. | 
						
						
							|  |         | 
						
						
							|  | Analysis | 
						
						
							|  | 
 | 
						
						
							|  |      * The Homeguard sign branded onto Shaal Mayan's forehead is a | 
						
						
							|  |        combination of male and female symbols from ancient Greek mythos. | 
						
						
							|  |        Perhaps it's a contemporary symbol for humankind. | 
						
						
							|  |      * Vir passed himself off as the Centauri ambassador in letters to | 
						
						
							|  |        his cousins, and later [30]rebukes Londo to his face about his | 
						
						
							|  |        decision on the matter. This is quite bold compared to the | 
						
						
							|  |        quavering fop he's been before. | 
						
						
							|  |      * Londo's nicknames for his wives are "Pestilence, Famine, and | 
						
						
							|  |        Death" - three of the four horsemen of the apocalypse from ancient | 
						
						
							|  |        Christian mythos. Who is the fourth horseman War? Perhaps Londo | 
						
						
							|  |        himself. | 
						
						
							|  |      * [31]Talking to Kosh about the attacks on non-humans, Sinclair | 
						
						
							|  |        breaks off right after asking him to "lend a hand." Not long later | 
						
						
							|  |        Sinclair wonders aloud to Ivanova how an assassin had managed to | 
						
						
							|  |        poison Kosh on the "hand," _through_ his encounter suit. (cf | 
						
						
							|  |        [32]"The Gathering") | 
						
						
							|  |      * Sinclair was brusque and callous to Delenn and the Abbai | 
						
						
							|  |        agricultural representative at the diplomatic reception. He also | 
						
						
							|  |        declared to the assembled Council that the hate-crime | 
						
						
							|  |        investigation was closed, offering neither arrests nor evidence of | 
						
						
							|  |        safety. This was part of his ruse to win the Homeguard's trust, | 
						
						
							|  |        but he may still have injured his reputation with other races. | 
						
						
							|  |      * The Homeguard plot on the station was, according to its leader | 
						
						
							|  |        Malcolm Biggs, part of a much bigger plot to kill prominent aliens | 
						
						
							|  |        all over the Earth Alliance. | 
						
						
							|  |      * Black light camouflage is a similar technology to the chameleon | 
						
						
							|  |        net the assassin used in [33]"The Gathering." However, it requires | 
						
						
							|  |        an entire body-suit and only works while the user is motionless. | 
						
						
							|  |        No mention was made of what was done with the four suits captured | 
						
						
							|  |        with the Homeguard henchmen - Garibaldi may have stashed them away | 
						
						
							|  |        somewhere. And it's unlikely that those were the only four suits | 
						
						
							|  |        in existence; perhaps the technology will be seen again (cf. | 
						
						
							|  |        [34]"Babylon Squared".) | 
						
						
							|  |         | 
						
						
							|  | Notes | 
						
						
							|  | 
 | 
						
						
							|  |      * Mayan, a childhood friend of Delenn's, arrived on the station on a | 
						
						
							|  |        tour of other worlds. Earth was to have been her next stop. | 
						
						
							|  |      * _Mayan_ (of her attacker): "All I could see was a shadow. It was a | 
						
						
							|  |        shadow, that is all I know." | 
						
						
							|  |        (cf [35]"Signs and Portents", perhaps?) | 
						
						
							|  |      * Ivanova is illegally growing coffee in the station hydroponics | 
						
						
							|  |        area. | 
						
						
							|  |      * Kosh speaks. | 
						
						
							|  |        [...] | 
						
						
							|  |        _Sinclair:_ Meanwhile it might be helpful if you spoke with the | 
						
						
							|  |        other ambassadors. | 
						
						
							|  |        _Kosh:_ We take no interest in the affairs of others. | 
						
						
							|  |        _Sinclair:_ Well I hope you'll reconsider. If you could give us a | 
						
						
							|  |        hand, we - | 
						
						
							|  |        _Kosh:_ Yes? | 
						
						
							|  |        _Sinclair:_ Nothing. We'll respect your wishes. [pause] | 
						
						
							|  |        That's quite a viewer. I've never seen anything like it before. | 
						
						
							|  |        What is it? | 
						
						
							|  |        _Kosh:_ Efficient. | 
						
						
							|  |        _Sinclair:_ Those are images from my world. If I may ask, what are | 
						
						
							|  |        you - | 
						
						
							|  |        _Kosh:_ I am studying. | 
						
						
							|  |        _Sinclair:_ Studying what? | 
						
						
							|  |        _Kosh:_ [shuts down] | 
						
						
							|  |      * The images on Kosh's levitating viewer were zoom-ins on pictorial | 
						
						
							|  |        records from Earth history throughout the span of its | 
						
						
							|  |        civilization. | 
						
						
							|  |         | 
						
						
							|  | jms speaks | 
						
						
							|  | 
 | 
						
						
							|  |      * Correct; the title of "The War Prayer" is a nod to [36]Twain's | 
						
						
							|  |        piece of the same name, which should be read by *everyone*. Given | 
						
						
							|  |        the growing problems with illiteracy, I try to refer not to pop | 
						
						
							|  |        society so much, as to literature...Tennyson, Twain, even writers | 
						
						
							|  |        whose last names don't begin with T. | 
						
						
							|  |      * Of course, you're assuming that a Centauri year is the same as our | 
						
						
							|  |        year. The speed of light is constant...but defined by us by our | 
						
						
							|  |        own 12-month year. For instance, in one episode, we mention that | 
						
						
							|  |        B5 is 12 of our light years from the Narn homeworld, which is | 
						
						
							|  |        equal to about 10 of their years. | 
						
						
							|  |        So without knowing the Centauri year, the figures are faulty. | 
						
						
							|  |      * For those out there who still think the skin tab getting through | 
						
						
							|  |        Kosh's encounter suit was an error...we're going to be dealing | 
						
						
							|  |        with that, and some other interesting threads in [this] episode. | 
						
						
							|  |        Sinclair comments on the whole question of how the poison ever got | 
						
						
							|  |        into him...and notes how curious it is that, within weeks of that | 
						
						
							|  |        incident, Dr. Kyle was transferred back to Earth to work directly | 
						
						
							|  |        with the Earth Alliance President on matters of alien immigration, | 
						
						
							|  |        and Lyta Alexander was similarly transferred a week or so after | 
						
						
							|  |        that. The only two people to have personal knowledge of a Vorlon | 
						
						
							|  |        have been shipped off and possibly locked up. | 
						
						
							|  |      * By the way...on the Kosh poisoning thread, which was originally to | 
						
						
							|  |        be discussed in "Parliament"...we ended up about 3 minutes long on | 
						
						
							|  |        "Parliament," and three minutes short on D.C. Fontana's "War | 
						
						
							|  |        Prayer." So we lifted that scene and inserted it into her episode, | 
						
						
							|  |        doing a small bit of ADR to facilitate the move. It's now quite | 
						
						
							|  |        seamless. | 
						
						
							|  |      * _Why was Delenn unfamiliar with poetry in [37]"The Gathering?"_ | 
						
						
							|  |        For the Minbari, it's tee'la, which is a kind of poem-song, sort | 
						
						
							|  |        of. Delenn was mainly just unfamiliar with the term. | 
						
						
							|  |      * Y'know...it's a funny old world. And sometimes it just astonishes | 
						
						
							|  |        you. | 
						
						
							|  |        About 2 months ago, one of our freelancers turned in a script that | 
						
						
							|  |        has to do with a hate group, in the course of which a guest | 
						
						
							|  |        character -- a Minbari -- is attacked and has her head branded | 
						
						
							|  |        with the symbol of the group. | 
						
						
							|  |        So you will doubtless understand my astonishment when I turned on | 
						
						
							|  |        DS9 and saw the same thing happen. | 
						
						
							|  |        Unfortunately, we've already shot that episode, it's in the can, | 
						
						
							|  |        so ther nothing we can do about it now. Further -- and let me be | 
						
						
							|  |        totally clear about this -- there's no way that DS9 could've | 
						
						
							|  |        borrowed the idea from us, or in any way been influence by us, and | 
						
						
							|  |        no way we could've been influenced by them. To get on the air now, | 
						
						
							|  |        they would've had to shoot their episode some time before the | 
						
						
							|  |        writer turned in that draft for our show. And none of us were in | 
						
						
							|  |        any way aware of what was going on there until we saw it the night | 
						
						
							|  |        of the broadcast...and came in the next day with looks of absolute | 
						
						
							|  |        shock. | 
						
						
							|  |        These things do happen...and when you're dealing with similar | 
						
						
							|  |        general areas -- humans vs. aliens, or one alien group vs. another | 
						
						
							|  |        alien group -- then something like this becomes inevitable. And | 
						
						
							|  |        given the foreheads on Ferengi, and the foreheads on Minbari, the | 
						
						
							|  |        obviousness of that target becomes clear. Still, it's amazing when | 
						
						
							|  |        it happens. And I guess I just wanted it to be clear when this | 
						
						
							|  |        thing airs that the sequence in our show was in the can and done | 
						
						
							|  |        when the DS9 episode aired. | 
						
						
							|  |      * We're in discussions to see if there's any way we can cut this | 
						
						
							|  |        from the show...the only problem is that the brand stays on | 
						
						
							|  |        throughout the show. If it were just in one shot, we'd cut the | 
						
						
							|  |        shot and find some other way around it. The only way we can lose | 
						
						
							|  |        it now would be if we literally wiped off the brand by going into | 
						
						
							|  |        every frame in which it appears and digitally removing it from the | 
						
						
							|  |        frame...which is a *real* pain in the butt...but we are | 
						
						
							|  |        considering it. | 
						
						
							|  |      * The points made above are essentially correct; the brand goes on | 
						
						
							|  |        in the very top of the show, in the teaser, and stay on throughout | 
						
						
							|  |        the episode...and part of the story is dealing with this, and what | 
						
						
							|  |        it means. An offer is made to remove it, but the victim decides | 
						
						
							|  |        *not* to have it removed, because there are lessons in these | 
						
						
							|  |        things...and it becomes almost a badge of defiance. | 
						
						
							|  |        In addition to the notes here, I've received a whole bunch of | 
						
						
							|  |        email notes saying to leave it in, on the grounds that it *does* | 
						
						
							|  |        happen in real life (or incidents close to it), and how we're | 
						
						
							|  |        handling it *is* very different. (Some indicated that it can | 
						
						
							|  |        illustrate how the two hows handle their themes in different | 
						
						
							|  |        ways.) So it's a tough call ...to change would also mean some | 
						
						
							|  |        re-shooting...but given the responses here, I think it's okay to | 
						
						
							|  |        leave it in place. | 
						
						
							|  |        File this one away the next time someone asks, "What sort of ways | 
						
						
							|  |        has the BBS discussion actually affected Babylon 5?" | 
						
						
							|  |      * There is some limited life within the garden...some birds (which | 
						
						
							|  |        you can hear sometimes), and insects, and the like. (In one shot | 
						
						
							|  |        you can see an insect fly off one of our actors. Yeah, sure, like | 
						
						
							|  |        we planned that....) It's generally one season in the Garden, and | 
						
						
							|  |        plants requiringvariation are raised in a separate hydroponics | 
						
						
							|  |        area, such as the orchard (seen in "War Prayer"). | 
						
						
							|  |      * Lennier is not in the cargo area during the beating, nor is he in | 
						
						
							|  |        BG during the negotiations. That's a Minbari of the worker class. | 
						
						
							|  |        (You can generally tell from the orange-ish smock-thingie they | 
						
						
							|  |        wear.) Sorry. | 
						
						
							|  |         | 
						
						
							|  |      _________________________________________________________________ | 
						
						
							|  |                                        | 
						
						
							|  |    Originally compiled by Matthew Ryan _matt@uhs.uchicago.edu_ | 
						
						
							|  | 
 | 
						
						
							|  |    [43][Next]  | 
						
						
							|  |     | 
						
						
							|  |       [44]Last update: August 8, 1997 | 
						
						
							|  | 
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							|  | References | 
						
						
							|  | 
 | 
						
						
							|  |    1. file://localhost/cgi-bin/imagemap/titlebar | 
						
						
							|  |    2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar | 
						
						
							|  |    3. file://localhost/home/woodstock/hyperion/docs/lurk/background/007.shtml | 
						
						
							|  |    4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/007.html | 
						
						
							|  |    5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/007.html | 
						
						
							|  |    6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php | 
						
						
							|  |    7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html | 
						
						
							|  |    8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html | 
						
						
							|  |    9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#OV | 
						
						
							|  |   10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#BP | 
						
						
							|  |   11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#UQ | 
						
						
							|  |   12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#AN | 
						
						
							|  |   13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#NO | 
						
						
							|  |   14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#JS | 
						
						
							|  |   15. http://us.imdb.com/M/person-exact?+Grahn,+Nancy | 
						
						
							|  |   16. http://us.imdb.com/M/person-exact?+McKellar,+Danica | 
						
						
							|  |   17. http://us.imdb.com/M/person-exact?+Eastman,+Rodney | 
						
						
							|  |   18. http://us.imdb.com/M/person-exact?+Rogers,+Tristan | 
						
						
							|  |   19. http://us.imdb.com/M/person-exact?+Chan,+Michael+Paul | 
						
						
							|  |   20. file://localhost/lurk/p5/intro.html | 
						
						
							|  |   21. file://localhost/lurk/p5/007 | 
						
						
							|  |   22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html | 
						
						
							|  |   23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html | 
						
						
							|  |   24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#AN:3 | 
						
						
							|  |   25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#JS | 
						
						
							|  |   26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#AN:6 | 
						
						
							|  |   27. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#AN:6 | 
						
						
							|  |   28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#BP:7 | 
						
						
							|  |   29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#NO:4 | 
						
						
							|  |   30. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#BP:7 | 
						
						
							|  |   31. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#NO:4 | 
						
						
							|  |   32. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html | 
						
						
							|  |   33. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html | 
						
						
							|  |   34. file://localhost/home/woodstock/hyperion/docs/lurk/guide/020.html#AN:inv | 
						
						
							|  |   35. file://localhost/home/woodstock/hyperion/docs/lurk/guide/013.html | 
						
						
							|  |   36. file://localhost/lurk/making/warprayer.html | 
						
						
							|  |   37. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html | 
						
						
							|  |   38. file://localhost/lurk/lurker.html | 
						
						
							|  |   39. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html#TOP | 
						
						
							|  |   40. file://localhost/cgi-bin/uncgi/lgmail | 
						
						
							|  |   41. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php | 
						
						
							|  |   42. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html | 
						
						
							|  |   43. file://localhost/home/woodstock/hyperion/docs/lurk/guide/008.html | 
						
						
							|  |   44. file://localhost/lurk/lastmod.html
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