|
|
|
[1][ISMAP]-[2][Home]
|
|
|
|
### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
|
|
List] [7][Previous] [8][Next]
|
|
|
|
_Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
|
|
- [13]Notes - [14]JMS
|
|
|
|
_________________________________________________________________
|
|
|
|
Overview
|
|
|
|
An archaeologist smuggles ancient artifacts onto the station,
|
|
unleashing a living weapon. [15]David McCallum as Dr. Vance
|
|
Hendricks. [16]Marshall Teague as Nelson Drake.
|
|
|
|
Sub-genre: Action
|
|
[17]P5 Rating: [18]6.33
|
|
|
|
Production number: 101
|
|
Original air date: February 18, 1994
|
|
|
|
Written by J. Michael Straczynski
|
|
Directed by Richard Compton
|
|
|
|
_________________________________________________________________
|
|
|
|
Backplot
|
|
|
|
* Ikarra 7, now a dead world, was a thousand years ago home to a
|
|
highly advanced space-faring society. Their technology was
|
|
organic: tools and artifacts made of living tissue yet immune to
|
|
decay. Invaded over a dozen times, they finally built 12
|
|
devastating organic warriors to protect them. Programmed to
|
|
destroy any but "pure Ikarrans", those warriors repelled the last
|
|
invasion and went on to kill any Ikarran who deviated from the
|
|
ideal (ie all of them). A [19]transcript of the scene in which
|
|
this is discussed is available.
|
|
* Organic technology is, according to archaeologist Vance Hendricks,
|
|
"The one trick Earth hasn't been able to crack. The ability to
|
|
create living ships that thrive in the vacuum of space, to create
|
|
weapons that produce their own power through internal generation,
|
|
like a firefly lights up at night."
|
|
* The Vorlons have organic technology, and it's suspected that the
|
|
Minbari do as well.
|
|
* _Sinclair:_ "The last time I gave an interview they told me just
|
|
to relax and say what I really felt - ten minutes after the
|
|
broadcast I got transferred to an outpost so far off the star maps
|
|
you couldn't find it with a hunting dog and a Ouija board." It's
|
|
not clear whether or not this was a joke.
|
|
* _Garibaldi:_ (to the reporter) "...and after walking 50 miles, we
|
|
finally made it out of the desert. Later when he was put in charge
|
|
of Babylon 5, Commander Sinclair asked if I'd come work security.
|
|
I said yes - it's been a great time..."
|
|
* Garibaldi has been fired from 5 different jobs for "unspecified
|
|
personal problems". His assignment on Babylon 5 is probably his
|
|
last shot in Earth Force.
|
|
* Garibaldi was in Earth Force during the E/M war, but not on the
|
|
Line.
|
|
|
|
Unanswered Questions
|
|
|
|
* Who invaded Ikarra so many times? What was so valuable about it?
|
|
* Why is Sinclair so prone to heroism (read: suicidal bravery)? He's
|
|
deliberately put his life on the line three times now in the past
|
|
year (cf [20]"The Gathering", [21]"Soul Hunter"). Garibaldi
|
|
suggests an answer: when the war ended it took away the direction
|
|
it gave his life, as happened to many veterans. So now he's
|
|
"looking for something worth dying for because it's easier than
|
|
finding something worth living for." Sinclair's not entirely
|
|
satisfied with that answer, and resolves to give it more thought.
|
|
|
|
Analysis
|
|
|
|
* A "Bio-weapons" supplier backed Hendricks' original expedition to
|
|
Ikarra - they must have had advance information about what was to
|
|
be found there.
|
|
* Ivanova has little faith in the ethics of big government
|
|
organizations (cf [22]"Mind War", [23]"Deathwalker").
|
|
* Franklin appeared to seriously ponder the image of great wealth
|
|
Hendricks offered, before the guards took him away.
|
|
* A team from Earth Force Defense, Bio-weapons Division confiscated
|
|
the Ikarran artifacts just as the dust from the weapon-chase was
|
|
settling. Earth now has bio-tech of its own to study.
|
|
|
|
Notes
|
|
|
|
* _Garibaldi:_ "The commander's a hands-on kind of guy, he'll grab
|
|
any chance he can get to take out a ship - he's like that."
|
|
* This episode occurs right around the 2nd anniversary of Babylon 5
|
|
going on-line.
|
|
* In a poll, 75% of "Interstellar Network News" said B5 wouldn't
|
|
last 5 minutes. Lloyd's of London put the odds at 500 to 1 against
|
|
it lasting one year.
|
|
* The "Narn-Centauri negotiations" are to occur in the near future.
|
|
* _Sinclair:_ "How sharper than a serpent's tooth." (His reply to
|
|
Garibaldi's joking guess that Sinclair's interview would get him
|
|
shipped off the station and himself promoted into Sinclair's
|
|
position.) This is a quote from Shakespeare (King Lear.)
|
|
* Dr. Hendricks says to Franklin, "There's a Martian war machine
|
|
outside, and it wants to speak to you about the common cold."
|
|
That's a reference to H. G. Wells' "The War of the Worlds," in
|
|
which the Martian invaders are killed by common microbes.
|
|
* _Sinclair:_ "When you become obsessed with the enemy, you become
|
|
the enemy."
|
|
* At the last, the Ikarran begs forgiveness from the "Great Maker".
|
|
* _Franklin:_ "I'm starting to wonder if what we just saw is a
|
|
preview of things to come" (re: Pro-earth groups).
|
|
* _The Interview_
|
|
_Reporter:_ "After all that you've just gone through, I have to
|
|
ask you the same question a lot of people back home are asking
|
|
about space these days. Is it worth it? Should we just pull back,
|
|
forget the whole thing as a bad idea, and take care of our own
|
|
problems, at home?"
|
|
_Sinclair:_ "No. We have to stay here, and there's a simple reason
|
|
why. Ask ten different scientists about the environment,
|
|
population control, genetics - and you'll get ten different
|
|
answers. But there's one thing every scientist on the planet
|
|
agrees on: whether it happens in a hundred years, or a thousand
|
|
years, or a million years, eventually our sun will grow cold, and
|
|
go out. When that happens, it won't just take us, it'll take
|
|
Marilyn Monroe, and Lao-tsu, Einstein, Maruputo, Buddy Holly,
|
|
Aristophanes - all of this. All of this was for nothing, unless we
|
|
go to the stars."
|
|
* Ikarra may be an Australian Aboriginal word.
|
|
The Australian DSTO (Defence Sciences and Technology Organisation)
|
|
developed the anti-submarine weapon "Ikara" in the 1950's. It is
|
|
no longer in use in the Australian Navy, having been fired for the
|
|
last time in 1990. The Brazilian Navy may still use a variation of
|
|
it.
|
|
Since the DSTO has a tradition of naming its products after
|
|
warlike Aboriginal animals, it's plausible that the word refers to
|
|
an animal.
|
|
* A slight visual gaffe: When the bioweapon self-destructs and falls
|
|
to the ground, its head is facing to the left (away from the
|
|
camera.) But when Sinclair watches him turn human again, Nelson's
|
|
head is facing to the right (toward the camera.)
|
|
|
|
jms speaks
|
|
|
|
* We'll definitely be dealing with the aspects of how fighting in a
|
|
war can affect you. And this isn't just a vague promise: watch the
|
|
end of the third (currently) scheduled episode, "Infection," for a
|
|
scene between Sinclair and Garibaldi that really deals very
|
|
straightforwardly with this issue. It's a conversation you
|
|
wouldn't expect to see in a show like this.
|
|
* [Infection] has a lot of action, which you'd expect, and a big
|
|
conclusion, which you'd expect. What you *won't* expect, I think,
|
|
is what happens afterward, in a conversation no one generally has
|
|
in TV after big action stuff has gone down. And it's something to
|
|
chew on, I think....
|
|
* Thanks. Sinclair's final speech there is the simplest truth about
|
|
space exploration that I can think of...and the most
|
|
compelling..and the most overlooked. As Henry Kissinger once said,
|
|
"It has the added benefit of being true."
|
|
* Sorry; there's no one more critical of my work than me, and when
|
|
it comes to "Infection," I'd just kinda prefer it if it kinda
|
|
vanished in the night. I feel that way about only two episodes out
|
|
of 22, so that's not too bad, I suppose.
|
|
* "Infection" is definitely not indicative of the season overall;
|
|
that is, in my view, one of our weaker, possibly weakest episodes.
|
|
* And like I said...I have problems with "Infection" as well, so
|
|
there is no flame from me. I guess part of it is knowing what was
|
|
in the script that should've been carried off better, but wasn't.
|
|
And part of it is my fault; I tried to use the Nelson/machine as a
|
|
metaphor; it wasn't supposed to be about the Nelson/machine, but
|
|
about the kind of people who would create it, the kind of people
|
|
who would sell it, and the kind of people who would confiscate it
|
|
even KNOWING what it was (and of course the kind of people who
|
|
would *use* it). Unfortunatly, when you put somebody in that kind
|
|
of suit, that *becomes* the story, and from that point on you're
|
|
pretty much doomed. It was also in places too much an obvious
|
|
metaphor, and the "hand of the author" is showing too much. It was
|
|
the first script written for this season, after the long break
|
|
after the pilot, and I think I was trying to find the characters'
|
|
"fingerprints" and getting into the flow of the series, which took
|
|
a script or two.
|
|
* The problem with "Infection" from a writing POV is that it was the
|
|
FIRST one written for this season, and I was having a hard time
|
|
finding the "fingerprints" of the characters again after so much
|
|
time had passed after the pilot (it was nearly a year between the
|
|
revising/ shooting of the pilot, and the writing of the first
|
|
series script). As on *any* show, it takes a while to get up to
|
|
speed once you hit series. That was the real problem, and there
|
|
wasn't any real way to get past it except to write it, re-acquaint
|
|
myself with the characters, and move on. I probably would have
|
|
opted out of doing it had we had more scripts on hand, but we
|
|
didn't. And oddly, many on the production team *liked* the script
|
|
quite a lot, and kept saying it had to be done.
|
|
* I'd slice this a little finer and suggest that it wasn't so much
|
|
the *stupidity* of racism and the whole genetic purity aspect, but
|
|
the IMPRACTICALITY of such ideas. If you follow the idea to its
|
|
logical conclusion, *nobody* is pure. Which was kind of the point.
|
|
And oddly enough, there's a pro-genocide discussion in
|
|
"Deathwalker."
|
|
* I allow a small smile...in the course of any given script, I put
|
|
in little things that I figure nobody will ever notice, but which
|
|
for me help just a bit to keep on track with the character, and
|
|
which may resonate to anyone paying attention. You cite Sinclair's
|
|
line about joining Garibaldi "on the LINE," and Garibaldi noting
|
|
that Sinclair keeps putting his life "on the LINE," and the
|
|
similarity to the phrase "the Battle of the Line."
|
|
It was a throwaway...but a conscious one.
|
|
He's still fighting the same battle. He's never stopped. In one
|
|
way or another, he keeps putting himself out there, caught in a
|
|
loop....
|
|
* Actually, the reporter's question was *not* (from a 2258 point of
|
|
view) stupid. Earth is far enough from the other major races not
|
|
to have to worry about iminent invasion. At the time of the story,
|
|
there is a VERY strong isolationist movement growing back home,
|
|
which you'll hear more about as we go in. Space travel is
|
|
*expensive*, even in 2258, and there are still a lot of problems
|
|
to be resolved back home. While the Earth administration in
|
|
Earthdome keeps pressing to go further and further, various
|
|
nation/states in the Earth senate are taxed further to finance
|
|
explorations which they don't always share in equally, the Mars
|
|
Colony is threatening secession...things are falling apart by
|
|
degrees. So in light of all that, the question is *absolutely*
|
|
valid.
|
|
* The ONLY reason that they were able to pick up the blasts in
|
|
"Infection" was because they were SO powerful that they registered
|
|
on the station's sensors. Ordinary PPG blasts don't show up.
|
|
* I have nothing to do with the description applied to the show by
|
|
others. In that episode, the affected person isn't "turned into" a
|
|
machine. It is sort of a living armor-like compound that grows
|
|
over the person's body, and begins to influence the person in
|
|
question. That is the sum and substance of it; he isn't
|
|
transmuted, his biology isn't changed, his brain isn't replaced,
|
|
and so on.
|
|
My suggestion: judge the episode based on the episode, not on what
|
|
choice of words someone else used in trying to synopsize the
|
|
episode. Because Moby Dick can be summed up as, "A nut chasing a
|
|
big fish." But there's obviously more to the story than that, and
|
|
it's not entirely accurate.
|
|
|
|
_________________________________________________________________
|
|
|
|
Originally compiled by Matthew Ryan _matt@uhs.uchicago.edu_
|
|
|
|
[29][Next]
|
|
|
|
[30]Last update: January 9, 1998
|
|
|
|
References
|
|
|
|
1. file://localhost/cgi-bin/imagemap/titlebar
|
|
2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
|
|
3. file://localhost/home/woodstock/hyperion/docs/lurk/background/004.shtml
|
|
4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/004.html
|
|
5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/004.html
|
|
6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html
|
|
8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/005.html
|
|
9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#OV
|
|
10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#BP
|
|
11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#UQ
|
|
12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#AN
|
|
13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#NO
|
|
14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#JS
|
|
15. http://us.imdb.com/M/person-exact?+McCallum,+David
|
|
16. http://us.imdb.com/M/person-exact?+Teague,+Marshall
|
|
17. file://localhost/lurk/p5/intro.html
|
|
18. file://localhost/lurk/p5/004
|
|
19. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.weapons.html
|
|
20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/000.html#AN:10
|
|
21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/002.html#AN:3
|
|
22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
|
|
23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/009.html
|
|
24. file://localhost/lurk/lurker.html
|
|
25. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html#TOP
|
|
26. file://localhost/cgi-bin/uncgi/lgmail
|
|
27. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
|
|
28. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html
|
|
29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/005.html
|
|
30. file://localhost/lurk/lastmod.html
|