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FROM 4/11/95 to 4/30/95
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"But imagine what Joe could do if he had access to our nation's defense
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budget."
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I dunno...that's one hell of a lot of Ring Ding Jrs.
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jms
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I mentioned this elsewhere, but I figured I'd note it here as
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well...... In a few days we will begin shooting the final episode of
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season two: "The Fall of Night." In terms of action, this is the
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biggest thing we've ever attempted. Where normally our scripts have
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50-80 scenes/shots (as noted in numerical sluglines), this one has 134;
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of which 64 are EFX shots, some in combinations. To understand the
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weight of that, there were 60 EFX shots in the entire two-hour pilot.
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In addition, this has more and more *complex* CGI than the first 13
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episodes of our first season put TOGETHER. Nothing on quite this scale
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has ever been attempted in series TV before, and the irony is that the
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major part of this covers only a few minutes in the fourth act.
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This stuff is going to involve every one of our EFX divisions,
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compositing, makeup, prosthetics, costuming, practical effects, mattes,
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CGI; the visual EFX meeting was the biggest we've ever had, and
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everyone's both sober and excited. Because there are only two options
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when you go for something this substantial: either you're going to do
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something truly amazing, or you're going to massively fall on your
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face. For our EFX people, this is kinda like boarding the wildest ride
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at Magic Mountain and leaving off your seatbelt on a dare...it's one
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hell of a ride, but boy is it dangerous.
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But as Ron Thornton pointed out: no guts, no glory.
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This is also going to be a Janet Greek-directed episode, who for
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various reasons was only available to do our first episode prior to
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this, but she's kind of our good luck charm, and we wanted someone
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who's done as much for us as she has to come in here and helm
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this...because it could probably break a less experienced (on B5)
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director.
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One last item, unrelated: the month of May is a good one for final
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conversions. We're going to have some of our strongest episodes during
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that month, and the first one up in May (second new episode) makes for
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a very good recap/introduction to the show for newbies. Starting with
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that one, we're going balls-to-the-wall on the arc from that point on
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through the rest of the season, with only one exception, which is a
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very intense episode but in a different way.
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Up through "The Coming of Shadows" we were still warming up; with CoS
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we really hit our stride on the show, and now we're going flat-out from
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here on out. We stop for nobody.
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jms
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[What does "our demographics remain extremely good" mean?]
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Ratings tell you how many people are watching your show. Demographics
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tell you *who* is watching your show: age, gender, income, that sort of
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thing. And B5's demographics are quite stellar; we attract a bright,
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educated, high-class sort of audience.
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Why none of them ever show up here is anyone's guess.
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jm(it's a joke, I swear, it's a joke)s
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[In a recently published viewing figures for week ending April 2 in
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Britain, B5 was in Channel 4's top 30 shows. It hit #27 with 2.07
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million viewers.]
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That's good to know, thanks.
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jms
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Delenn *was* to be a male in the pilot. We changed the one "he" in a
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voice-over to "she," and left her voice as was, rather than changing
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it. I just wasn't happy with the voice- change.
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jms
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[I'd like to see just how the fighters get from the docking port
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opening back to the cobra bays.]
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In "Survivors," we showed the furies being lowered down into the bays
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for recharge, then replacement into the hangar.
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jms
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[What's the difference between Earth Alliance, Earth Force, and Earth
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Dome?]
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Earth Alliance is the government that encompasses all the colonies
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we've settled, other protectorates, plus Earth.
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Earthforce is the military arm of the Earth Alliance.
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Earthdome is the seat of EA government, located in Geneva.
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jms
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[ *How* is Earthdome in Geneva? Its an obvious place for a world
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capital, but last time I was there (10 yrs ago) there wouldn't have
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been room for even a small parliament-type building - except in the
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lake. <g>]
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Amazing what a few wrecking balls and an absolute disdain for matters
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historical can do for urban renewal....
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jms
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[Those of us that follow B-5 closely would like to know if anything
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might be in the planning stage. All of us are asking for information
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about anyone who might have one of these <fake Big Bang> Jackets.]
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Thanks. This is a real problem, but I don't feel comfortable making
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fans feel responsible for tracking down and reporting this stuff; I
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don't think it's appropriate to ask that, or expect that.
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For my part, while the pirated jackets, patches and other material are
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real issues for us, oddly enough the one I'm most troubled by are the
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posters, made from B5 artwork. The posters say that all profits go to
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"Project Starfury," a supposed charity *that does not exist*. The idea
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that people are buying these things, believing they were supporting B5
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and/or a charitable cause, when it wasn't true, just burns the hell out
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of me.
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I understand there are currently discussions between cast members and
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some other fan- run cons in the midwest, so with luck there may be some
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more apperances in that area.
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jms
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There have been long and agonizing discussions about the whole Big Bang
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issue in- house. The greatest concern is with the realization, made
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after the prior announcement, that many people had bought
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non-refundable airline tickets, and might be unable to secure refunds
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for VIP tickets. Several of the cast members, though very concerned
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about how the con was being run, were equally concerned about the fans
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who might get burned. We've talked about this at length over the last
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week or so, and though the concerns remain, they feel that it's
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important to do all they can to make sure that the interests of the
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fans are protected.
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Personally, I share with many of them these grave concerns. They know
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the risks, but have decided to go in, in order to show their open
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concern for the fans. Because those involved with this convention have
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infringed our copyrights and otherwise misled us, Babylonian
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Productions cannot in any way sanction the convention, and because of
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our concerns, will not provide any support in any way because, frankly,
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it's been misused before, and we cannot risk this happening again.
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Consequently, I will not and can not attend, as that would amount to an
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endorsement by B5. The actors are free agents, and can take this
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chance independently; they are not representatives of the company.
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We have outlined to them steps to take to protect their interests, and
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those of the fans. I have to say that I'm amazed and stunned by their
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willingness to take a chance on something that has already burned many
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of us here, and to do so for the sake of those attending. Most casts
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wouldn't do this. I *very* much hope that those involved with this
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convention fully understand the degree to which they are on probation
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and keep everything above-board, because we're going to be watching
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with *extreme* attention.
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Though I cannot take part in Big Bang, I am currently concluding
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discussions with Chicago ComicCon to appear there a week later, at my
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own expense, no fees, for any Chicago B5 viewers who might want to say
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hello.
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jms
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(This post may be copied freely to other services.)
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[What your usual requirments are to attend cons? I work with
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InConJunction in Indianapolis. I would like to sugest you to the Chair
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as a GoH at a future InCon.]
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Whatever your usual GoH's get is probably more than fine; the main
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determining factor is time and schedule.
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jms
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[At the time, I was wondering why you were lurking around the edges of
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things (during the discussions, and afterwards) with a highly
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suspicious look in your eye.]
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I was kind of hoping that my expression at the Planet Hollywood thing
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didn't betray what was going on behind the scenes; it appears I was
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wrong. My sense is that the audience (stage, film, gathering) should
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never have to know what's going on behind the scenes, it should just go
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well, no excuses.
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The worst of it was during the teaser, when not one word of the show
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could be heard, and I was in the back, yelling at the sound guy, then
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the general manager, to fix it, that fans had paid good money to come
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here and see this episode, and by god they were GOING to see it or
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somebody was going to be minus a limb. And later, the nonsense with no
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microphone being available, and everybody having to shout to be heard
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over the music from the rest of the club, and fans on the fringe not
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being able to hear *anything*...I was furious beyond the telling. But
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I always tried to cover it up when approached, because that's my
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problem, not the fans' problem, and they deserved the best night
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possible. Next time I'll work harder at curbing my face.
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jms
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The information you were told does not touch reality at any two
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contiguous points. "Tom claims that he merely sold (the jackets) 9
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days earlier than he was authorized...(and) insisted that he had
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approval to sell them just 9 days later."
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This is, flatly, a lie. No license agreement whatsoever had been
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entered into between him and Warners. No meetings had taken place
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between those two. No authorization of ANY kind had been given.
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Warners was not even aware of the jackets until it came out that he was
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selling them.
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"Tom also claims that he showed JMS all of the artwork/patches he
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prepared and claimed witnesses to support his contention."
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True. We provided him with artwork to make sample patches for THE DEMO
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ONLY, which he said he was going to show to Warner Bros. as indication
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of the promised quality of the final product. He showed them to me,
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and I repeated to him that these were ONLY for the demo, nothing else.
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He agreed, and made quite a big deal out of the fact that he was
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keeping them secret, showing no one else. They were not for sale, he
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agreed. And, subsequently, sold them.
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Re: fines and charges...Warners is still investigating the problem, and
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may very well bring further charges.
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"(Tom) gave me the name and phone number of the person in charge of the
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Star Fury project who would (allegedly) confirm where the proceeds
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would go."
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I would be very interested in knowing who this person is, because there
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IS no Starfury project. If someone says he is involved with any such
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project, this person is either directly lying, misinformed, or engaging
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in deliberate fraud. Where the money was going is one issue currently
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being investigated; the other is stating that there WAS a Project
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Starfury, and putting this information on posters, to make it look like
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a charitable function, when no such entity existed, or had been
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approved.
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If you have this information, please give it to me so that I can pass
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it along to Warner Bros. Legal Affairs. We have now heard from several
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people who have been told about this supposed "Project Starfury," and
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who have donated resources for it, even as late as last week, without
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ever being told that this does not exist.
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There is no such thing as Tom's side of the story, given that the
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issues at hand are matters of record. No agreement whatsoever existed
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between Warners and his company at ANY time. Ever. Never entered
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into, never negotiated, never even had a MEETING with Warner Bros. If
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he says he had approval, let him produce the document, because there is
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always a signed document giving approval. It's that simple. Major
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studios don't just say over the phone, "Oh, sure, Tom, go ahead, we'll
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get the paperwork on this later." Deals are signed, and exchanged.
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So either Tom can produce this document, or he can't. If he can't,
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he's lying. This is a simple equation.
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jms
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We were approached by CMC about Project Starfury, and they had spoken
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with Louise Kleba about this as well. The notion of building a working
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Starfury was appealing, but we wanted to know exactly what was being
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discussed.
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In Chicago, in a meeting, Louise talked about the technical aspects,
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then Tom got into the financial aspects, which were *very* fuzzy and
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very unclear. What sounded on the one hand as a scientific endeavor
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suddenly was being presented as a money-making venture for CMC, making
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rides. There was no really clear plan of action, and at that meeting,
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I said that this was all very interesting, but it didn't all add up. I
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emphasized that before anyone could endorse this project, we would have
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to receive a *detailed* business plan. We had come there under the
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assumption that we were looking at a scientific exploration of the
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issue; what we left with was the sense that this was going to be a
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private, money-making venture. Either way, it was made ABSOLUTELY
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clear that there was no deal in place, that there were some real
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concerns, and this was a very problematic issue.
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(Louise, btw, is a separate issue; she and her associates would like to
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see a Starfury someday, but my sense is that they were kind of taken
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advantage of in this.)
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Next thing I knew, I get a fraudulent poster in my hands with a
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notation on the thing saying ALL PROFITS GO TO PROJECT STARFURY.
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Again, at that point there was no such project, there IS no such
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project, and you cannot legally promote a private venture as a
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charitable cause.
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I'm sure that Louise and her associates in the space program will
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continue to promote the idea of a working Starfury, but that is totally
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separate and apart from CMC's "Project Starfury," which doesn't exist.
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jms
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[I just got a catalog from 800-TREKKER today. Are their B5 t-shirts and
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caps licensed?]
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I believe that that material is licensed, yes.
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jms
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Last episode's going great. We wrap tomorrow afternoon. (We shot an
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extra day for the first time because there's *so* much heavy EFX work
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in this thing.)
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jms
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[So, with "There all the Honor Lies," is Sheridan on his way down the
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well, or is he still teetering precipitously on the edge?]
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Sheridan really starts down the well in about two more weeks.
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jms
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