|  | <h2><a name="OV">Overview</a></h2> | 
						
						
							|  | 
 | 
						
						
							|  | <blockquote><cite> | 
						
						
							|  | Ambassador G'Kar is desperate to get off Babylon 5, and in his rush to | 
						
						
							|  | leave, ends up kidnapping Garibaldi. Now Sheridan and a strange Narn | 
						
						
							|  | must begin a frantic search to find the two before tragedy strikes. | 
						
						
							|  | </cite></blockquote> | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Issue 9 (October 1995) | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Setting: Between | 
						
						
							|  | <a href="/lurk/guide/025.html">"The Geometry of Shadows"</a> | 
						
						
							|  | and | 
						
						
							|  | <a href="/lurk/guide/026.html">"A Distant Star."</a> | 
						
						
							|  | 
 | 
						
						
							|  | <pre>    Writer: David Gerrold | 
						
						
							|  |  Penciller: Rebecca Guay | 
						
						
							|  |      Inker: Rick Bryant</pre> | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | <hr> | 
						
						
							|  | <p> | 
						
						
							|  | 
 | 
						
						
							|  | <h2><a name="SY">Synopsis</a></h2> | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Ivanova clears a Narn ship, the D'Vordo, for docking.  An urgent call from | 
						
						
							|  | G'Kar comes in; he demands immediate clearance to depart the station from | 
						
						
							|  | bay four.  When she refuses, he sets his ship to launch anyway; Ivanova warns | 
						
						
							|  | the D'Vordo to abort its approach.  Garibaldi rushes to bay four to try to | 
						
						
							|  | stop G'Kar, but when he arrives, G'Kar stuns him. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | G'Kar takes Garibaldi with him, but Garibaldi wakes up and fires a starweb, | 
						
						
							|  | a sort of net made of energy, at G'Kar, entangling him. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | G'Kar's ship nearly collides with the D'Vordo as it rockets full speed away | 
						
						
							|  | from the station. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Ivanova tells Sheridan that Garibaldi is nowhere to be found; she believes | 
						
						
							|  | G'Kar has taken him off the station.  Sheridan heads for a shuttle to | 
						
						
							|  | pursue G'Kar. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Garibaldi and G'Kar float in a cylindrical area.  G'Kar is still caught in | 
						
						
							|  | the starweb, and Garibaldi sings annoying songs to him, threatening to | 
						
						
							|  | continue until G'Kar reveals what's going on. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | On his way to the shuttle, Sheridan is intercepted by Greegil, a Narn who | 
						
						
							|  | claims to be a relative of G'Kar's, newly arrived on the D'Vordo.  He | 
						
						
							|  | says he can help Sheridan catch | 
						
						
							|  | G'Kar.  Sheridan reluctantly brings him along.  As they fly in pursuit, Sheridan | 
						
						
							|  | tries to find out exactly how Greegil is related to G'Kar.  Greegil won't | 
						
						
							|  | offer any information unless Sheridan offers something in exchange. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Garibaldi continues to sing.  Eventually, G'Kar falls asleep.  Garibaldi | 
						
						
							|  | wakes him up and asks where the food is; G'Kar answers that he doesn't need | 
						
						
							|  | to eat, as Narns can hibernate six days at a time.  "I'll be happy to watch | 
						
						
							|  | you starve to death," G'Kar says.  "At least it'll be quieter."  When Garibaldi | 
						
						
							|  | points out that G'Kar will die, too, trapped in the starweb, G'Kar answers, | 
						
						
							|  | "There are worse things than death.  Dishonor is one." | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Garibaldi continues to search for food, but he's never seen a ship like the | 
						
						
							|  | one he's in: no food, no controls, just solid walls encircling them.  He begins | 
						
						
							|  | to sing "It's a Small World," which causes G'Kar to surrender. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Sheridan and Greegil haggle over the value of information.  Finally, Greegil | 
						
						
							|  | tells Sheridan how he's related to G'Kar, but the Narn familial ties he | 
						
						
							|  | describes are meaningless to Sheridan. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | G'Kar shows Garibaldi where his food, a Narn delicacy called phroomis, is | 
						
						
							|  | stashed.  He notes that Garibaldi does seem to have some negotiating skills. | 
						
						
							|  | On Narn, he says, negotiation is an art.  Garibaldi asks G'Kar about the | 
						
						
							|  | ship, but G'Kar says it's better he doesn't know.  Garibaldi convinces him | 
						
						
							|  | to play a game of "laser-mirror-starweb," loser tells all. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Sheridan and Greegil catch up with G'Kar's ship, which doesn't respond to | 
						
						
							|  | Sheridan's signals.  Greegil tells Sheridan that G'Kar is possessed by a | 
						
						
							|  | Lokvar, a seizure of the mind, that may cause G'Kar to be violent.  Greegil | 
						
						
							|  | predicts that Sheridan will have to shoot G'Kar. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Garibaldi wins two games of laser-mirror-starweb, but G'Kar still refuses | 
						
						
							|  | to talk about the ship. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Sheridan grapples G'Kar's ship while Greegil tries to get him to put up | 
						
						
							|  | the shuttle's shields in case G'Kar fires at them. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | G'Kar and Garibaldi hear a loud clanking sound from one end of their chamber. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Sheridan and Greegil approach the airlock through a docking tube they've | 
						
						
							|  | extended from Sheridan's shuttle.  They open the door. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | The end of the cylinder swings open as G'Kar and Garibaldi watch apprehensively. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | Sheridan and Greegil enter G'Kar's ship... and find it empty.  Greegil | 
						
						
							|  | concludes that G'Kar never left the station. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | A cleaning robot enters the cylinder.  G'Kar set his ship on autopilot; they | 
						
						
							|  | are actually in Babylon 5's core.  G'Kar shouts that it's Garibaldi's fault -- | 
						
						
							|  | with just G'Kar's mass in the axis tube, the cleaning robot wouldn't have | 
						
						
							|  | come ahead of schedule.  The two of them flee through the other end of the | 
						
						
							|  | cylinder, but the axis tube runs the length of the station, five miles, and | 
						
						
							|  | there are apparently no exits along the way. | 
						
						
							|  | 
 | 
						
						
							|  | <p> | 
						
						
							|  | G'Kar's ship begins to self-destruct.  He and Greegil flee.  Greegil gets to | 
						
						
							|  | Sheridan's ship first, and promptly turns around and pushes the airlock door | 
						
						
							|  | shut as Sheridan floats toward it.  G'Kar's ship explodes before Sheridan's | 
						
						
							|  | shuttle can escape; the shuttle's occupant screams... | 
						
						
							|  | 
 | 
						
						
							|  | 
 | 
						
						
							|  | <H2><A NAME="BP">Backplot</A></H2> | 
						
						
							|  | <ul> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Narn children are taught the art of negotiation at an early age; the | 
						
						
							|  | 	Narn consider themselves master hagglers. | 
						
						
							|  | 
 | 
						
						
							|  |    <li> If Greegil is to be believed, the Narn kinial system has several ranks | 
						
						
							|  | 	denoting levels of family obligation:  this-kini, val-kini, dar-kini, | 
						
						
							|  | 	on-kini, dru-kini, bas-kini, and ini-darka.  Ini-darka is the highest | 
						
						
							|  | 	rank. | 
						
						
							|  | 
 | 
						
						
							|  | </ul> | 
						
						
							|  | 
 | 
						
						
							|  | <H2><A NAME="UQ">Unanswered Questions</A></H2> | 
						
						
							|  | <ul> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Did Sheridan make it onto the shuttle? | 
						
						
							|  | 
 | 
						
						
							|  |    <li> What does Greegil really want, and how is he related (familially or | 
						
						
							|  | 	otherwise) to G'Kar? | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Why is G'Kar trying to avoid him, if that's what's happening? | 
						
						
							|  | 
 | 
						
						
							|  | </ul> | 
						
						
							|  | 
 | 
						
						
							|  | <H2><A NAME="AN">Analysis</A></H2> | 
						
						
							|  | <ul> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Why would G'Kar drag Garibaldi all the way from the docking bay to | 
						
						
							|  | 	the core of the station?  Clearly Garibaldi wasn't conscious for | 
						
						
							|  | 	most of the trip or he would have known he wasn't on G'Kar's ship, | 
						
						
							|  | 	so G'Kar could have left him in the docking bay or in a closet and | 
						
						
							|  | 	nobody would have been any the wiser. | 
						
						
							|  | 
 | 
						
						
							|  | </ul> | 
						
						
							|  | 
 | 
						
						
							|  | <H2><A NAME="NO">Notes</A></H2> | 
						
						
							|  | <ul> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> This story takes place in early spring 2259, between the episodes | 
						
						
							|  | 	<a href="/lurk/guide/025.html">"The Geometry of Shadows"</a> | 
						
						
							|  | 	and | 
						
						
							|  | 	<a href="/lurk/guide/026.html">"A Distant Star."</a> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Laser-mirror-starweb is rock-paper-scissors with different names. | 
						
						
							|  | 
 | 
						
						
							|  |    <li> At one point (just after they haggle) Sheridan calls Greegil "Greelig." | 
						
						
							|  | 
 | 
						
						
							|  |    <li> This issue features a computer-generated cover picture by Foundation | 
						
						
							|  | 	Imaging, a rendering of G'Kar's ship nearly hitting the D'Vordo. | 
						
						
							|  | 
 | 
						
						
							|  |    <li> During one of the negotiation scenes, Greegil says, "You'd have me cut | 
						
						
							|  | 	my own throat, you dibbler".  This is probably a reference to Terry | 
						
						
							|  | 	Pratchett's Discworld series of novels, which feature a salesman called | 
						
						
							|  | 	"Cut-me-own-throat Dibbler." | 
						
						
							|  | 
 | 
						
						
							|  |    <li> This story introduces a lot of gadgets we've never seen in the series | 
						
						
							|  | 	(and probably never will.)  The starweb and "shields" on Earth ships | 
						
						
							|  | 	are two that seem like they would have appeared in the show if | 
						
						
							|  | 	they were part of the canonical B5 universe.  The maintenance robot in | 
						
						
							|  | 	the station's core is questionable, though it at least isn't | 
						
						
							|  | 	inconsistent with anything in the series.  The stun gas used by G'Kar | 
						
						
							|  | 	might be the same as the "morph gas" mentioned in | 
						
						
							|  | 	<a href="/lurk/guide/012.html">"By Any Means Necessary."</a> | 
						
						
							|  | 
 | 
						
						
							|  | </ul> | 
						
						
							|  | 
 | 
						
						
							|  | <H2><A NAME="JMS">jms speaks</A></H2> | 
						
						
							|  | <ul> | 
						
						
							|  | 
 | 
						
						
							|  |    <li> Ron did a CGI cover, though I've only seen a B&W repro, and | 
						
						
							|  | 	can't vouch for it in detail. | 
						
						
							|  | 
 | 
						
						
							|  | </ul> | 
						
						
							|  | 
 | 
						
						
							|  | <pre> | 
						
						
							|  | 
 | 
						
						
							|  | </pre> | 
						
						
							|  | 
 |