The Lurker's Guide to Babylon 5
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  1. <!-- TITLE Crusade -->
  2. <h2><a name="OV">Overview</a></h2>
  3. <blockquote><cite>
  4. This spinoff series deals with the exploits of a Ranger ship, the Excalibur,
  5. and its search for the cure to a plague that threatens humanity.
  6. </cite>
  7. <a href="http://us.imdb.com/Name?Brooks,+David+Allen">David Allen Brooks</a> as Max Eilerson.
  8. <a href="http://us.imdb.com/Name?Cole,+Gary">Gary Cole</a> as (Captain) Matthew Gideon.
  9. Jeff Conaway as Zack Allan (rumored).
  10. <a href="http://us.imdb.com/Name?Dobro,+Carrie">Carrie Dobro</a> as Dureena Nafeel.
  11. <a href="http://us.imdb.com/Name?Holden,+Marjean">Marjean Holden</a> as Dr. Susan Chambers.
  12. <a href="http://us.imdb.com/Name?Dae+Kim,+Daniel">Daniel Dae Kim</a> as Lt. Matheson.
  13. <a href="http://us.imdb.com/Name?Scoggins,+Tracy">Tracy Scoggins</a> as Capt. Elizabeth Lochley.
  14. <a href="http://us.imdb.com/Name?Woodward,+Peter">Peter Woodward</a> as Galen.
  15. </blockquote>
  16. <pre>
  17. Start date: June 9, 1999
  18. <a href="http://www.amazon.com/exec/obidos/ASIN/B00061QJSK/thelurkersguidet">DVD release date</a>: December 7, 2004
  19. Written by J. Michael Straczynski
  20. <a href="http://www.psicorps.cnchost.com/">Fiona Avery</a>
  21. and others
  22. Directed by many people
  23. </pre>
  24. <p>
  25. <hr size=3>
  26. <h2>Episodes</h2>
  27. <p>
  28. Only 13 episodes (of a planned five years) were produced due to creative
  29. differences between TNT and JMS.
  30. <p>
  31. Chronological episode order (ignoring the uniform change in favor of
  32. maintaining as much storyline continuity as possible):
  33. <ol>
  34. <li> <a href="501.html">War Zone</a>
  35. <li> <a href="509.html">Racing the Night</a>
  36. <li> <a href="510.html">The Memory of War</a>
  37. <li> <a href="511.html">The Needs of Earth</a>
  38. <li> <a href="512.html">Visitors from Down the Street</a>
  39. <li> <a href="513.html">Each Night I Dream of Home</a>
  40. <li> <a href="502.html">The Long Road</a>
  41. <li> <a href="503.html">The Well of Forever</a>
  42. <li> <a href="504.html">The Path of Sorrows</a>
  43. <li> <a href="505.html">Patterns of the Soul</a>
  44. <li> <a href="506.html">Ruling from the Tomb</a>
  45. <li> <a href="507.html">The Rules of the Game</a>
  46. <li> <a href="508.html">Appearances and Other Deceits</a>
  47. </ol>
  48. <h2><a name="NO">N</a><a name="BP">o</a><a name="AN">t</a><a name="UQ">e</a>s</h2>
  49. <ul>
  50. <p>
  51. <li>@@@891976541 TNT officially announced the series on April 7, 1998.
  52. JMS confirmed that the series was a go on April 3, 1998 on Los Angeles'
  53. "Hour 25" radio program (which he once hosted.)
  54. <p>
  55. <li>@@@891709627 Shooting began August 3, 1998.
  56. <p>
  57. <li>@@@903390030 The production team enlisted the help of scientists
  58. at NASA's Jet Propulsion Laboratory to help ensure that the series'
  59. alien worlds are consistent with the latest planetary science. See
  60. Netter Digital Entertainment's
  61. <a href="http://biz.yahoo.com/prnews/980817/ca_netter__1.html">press
  62. release</a>
  63. on the subject.
  64. <p>
  65. <li>@@@905812458 NASA's
  66. <a href="http://www.jpl.nasa.gov/releases/98/crusade2.html">press
  67. release</a>
  68. has more detail and includes an image of the Excalibur.
  69. <p>
  70. <li>@@@906450790 <a name="NO.memo">Some behind-the-scenes machinations</a>
  71. which will probably prove
  72. to be good Crusade trivia: On September 8, 1998,
  73. <a href="http://www.aint-it-cool-news.com/">Ain't It Cool News</a>
  74. ran a
  75. <a href="http://www.aint-it-cool-news.com/display.cgi?id=2060">story</a>
  76. describing a memo from TNT containing a list of proposed changes to
  77. Crusade, mostly focused on greatly increasing the amount of sex and
  78. violence. The next day, JMS
  79. <a href="#JS.memo1">posted</a>
  80. on CompuServe and elsewhere that
  81. he couldn't officially confirm or deny the report.
  82. <p>
  83. The fan community's
  84. reaction ranged from hostility to skepticism to alarm. Many
  85. doubted the story was for real, and TNT would only say that no such
  86. memo had been sent to the Crusade producers (but not that it didn't
  87. exist). On September 19, however, JMS
  88. <a href="#JS.memo2">verified</a>
  89. that it had in fact existed, but that it had been withdrawn. He
  90. also announced that TNT had decided to spend some extra money on
  91. Crusade's sets, and for that reason, filming ceased for a month.
  92. <p>
  93. Later, it became clear that the show TNT wanted -- a space shoot-em-up
  94. with lots of sex and violence -- wasn't the show JMS was producing,
  95. and that he wasn't willing to change the flavor of the series just to
  96. satisfy TNT. As the 13th episode was wrapping up filming, TNT
  97. informed Warner Bros. and Babylonian Productions that they weren't
  98. interested in funding any additional episodes, and production stopped.
  99. </ul>
  100. <h2><a name="JS">jms speaks</a></h2>
  101. <h3>About the cancellation and events leading up to it</h3>
  102. <ul>
  103. <p>
  104. <li> <em>1999-01-30: Rumors abound that TNT has pulled the plug
  105. on Crusade production.</em>
  106. <p>
  107. The plug has not been pulled by TNT, which cannot pull the plug
  108. because we don't work for TNT, we work for WB. TNT is a distributor.
  109. <p>
  110. All I can say for now is that, like Oliver Stone's project for
  111. TNT, Witchblade, we have found that TNT (known primarily for westerns,
  112. historical dramas and wrestling) is not SF-friendly in terms of really
  113. getting what SF is about, and it may not entirely reconcile with what
  114. their core audience expects from them...and that a new, more SF
  115. friendly venue is being explored.
  116. <p>
  117. So if folks wanted to drop an encouraging note to, let's say,
  118. the Sci-Fi Channel, for instance, that would certainly be okay by me.
  119. <p>
  120. But in the interim...no, we're not canceled. We're taking off
  121. next week to allow WB to work its magic, but that's about it.
  122. <p>
  123. <li> <em>1999-01-31: How about releasing the series to video or a satellite
  124. service?</em>
  125. <p>
  126. No, you can't do a series to video, it has to be aired. And DTV
  127. is considered a poor man's venue, for stuff that couldn't make it
  128. elsewhere.
  129. <p>
  130. <li> <em>1999-01-31: Can the show move to the WB Network?</em>
  131. <p>
  132. WB Network is out of the question, due to the way WB is
  133. structured. It's a very long, corporate story, just take my word for
  134. it...SFC is the best option for us.
  135. <p>
  136. <li> <em>1999-02-10: What are you doing now? Writing? Working on your
  137. new comic? Sleeping?</em>
  138. <p>
  139. All that...plus working on the show, doing post production on the
  140. episodes already in hand (CGI, music, sound, editing)...I'm actually
  141. about as busy as we are during shooting.
  142. <p>
  143. <li> <em>1999-02-26: Will the episodes already shot be aired?</em>
  144. <p>
  145. All 13 eps produced so far will be shown; we'll be doing post
  146. production (CGI, music other stuff) through April 22nd.
  147. <p>
  148. <li> <em>1999-02-26: Why would TNT change its mind when they'd already
  149. had good success with B5?</em>
  150. <p>
  151. One element to the whole discussion is that B5 was already an
  152. entity in its own right, and taking on the fifth year entailed
  153. basically buying what was already there, as opposed to becoming
  154. involved with the creative process of influencing a new series.
  155. <p>
  156. <li> <em>1999-02-26: The Sci-Fi Channel tried to arrange to pick Crusade
  157. up after TNT decided to only order 13 episodes.</em>
  158. <p>
  159. Well, we took our best shot. Sometimes it works, sometimes it
  160. don't.
  161. <p>
  162. The SciFi Channel programming guys wanted the show; they wanted
  163. it a lot. They crunched numbers for almost two weeks trying to make it
  164. work. But at the end of the day, the problem was that they had already
  165. allocated or spent their budget for the year, and couldn't come up with
  166. the huge chunk of change necessary to get an entire season. Had this
  167. come up prior to January 1st, things would almost certainly have gone
  168. differently. But they have their budget, as we have ours, and it was
  169. already allocated.
  170. <p>
  171. So TNT will now air the full 13 produced, and that's the end of
  172. it for now. I say for now because WB has told us to fold and hold all
  173. the sets, rather than scrap them, because they believe strongly in the
  174. show, and feel that when the ratings come in we may well be able to
  175. pick up a second season. We'll see.
  176. <p>
  177. Meanwhile, I'm taking the day off, and deciding which of a
  178. number of offers from networks and studios, sitting on my desk since B5
  179. finished, to pick up. I had declined to go that route so I could do
  180. Crusade and keep playing in this universe, but absent that, there's no
  181. reason not to go back to the networks and apply there some of what
  182. we've been able to do in B5 and Crusade.
  183. <p>
  184. My thanks to all those who wrote, and called, and emailed, and
  185. lent their support to the process. And I think that when you see the
  186. show, you'll be quite pleased by what we did. We're all very proud of
  187. it.
  188. <p>
  189. <li> Bottom line:
  190. <p>
  191. The reason we've been waiting so long for news is that the
  192. SciFi Channel has been crunching numbers for weeks, trying to
  193. make the deal work with WB, and doing their level best. The
  194. programming folks there loved the show (and special thanks has
  195. to go to Programming Head Tom Vitale at SFC who worked hardest
  196. to make this work).
  197. <p>
  198. The problem is simply this: the money to fund a series is a BIG
  199. chunk of change. SFC had already allocated its budget for the
  200. year as of January 1st, and there simply wasn't enough left in
  201. this year's budget to pull it off. Also, the emphasis now is
  202. on spending money on shows where one owns a piece of it, and
  203. Crusade is owned entirely by WB.
  204. <p>
  205. At the end of they day, they just couldn't make the dollars
  206. work, though they tried their damndest, and are only to be
  207. thanked.
  208. <p>
  209. I'm told that if the ratings are good on the 13 which TNT will
  210. still air, all the eps made so far will be shown, there may be
  211. a second season, but we'll see.
  212. <p>
  213. Meanwhile, I'm taking the day off. There have been seven
  214. offers for overall deals and multiple network pilot deals with
  215. both networks per se and studios on my desk for about a year
  216. now, ever since B5 ended, which I've been putting off to do
  217. Crusade. Now I'll pick one of those deals and make it. So the
  218. next thing from me you see will almost certainly be on one of
  219. the major networks. I'm going back into the deep water
  220. again....
  221. <p>
  222. Meanwhile, my thanks to all those who emailed and wrote and
  223. called and supported. It's a good show, as will be seen when
  224. the shows are aired, and I'd rather lose a show I believed in
  225. than keep one I didn't believe in.
  226. <p>
  227. <li> "So, has the success of B5 brought more offers than before?"
  228. <p>
  229. Definitely. It showed that I could run a series and keep it on
  230. budget and make it an international success. Right now those elements
  231. are in heavy demand at the networks. Even though the pay is half in
  232. cable what you get at the network level, I was content to stay with
  233. Crusade if it meant keeping our team together, and playing in the B5
  234. universe a bit longer. Absent that, then there's every reason to take
  235. up one or two of those offers.
  236. <p>
  237. <li> <em>1999-02-27: A fan asks if a letter-writing campaign would
  238. help.</em>
  239. <p>
  240. What you have to understand at this point is that there's
  241. really no time left. It takes a large amount of money to hold
  242. a cast and crew together while other options are being sought,
  243. and even then options on varoius cast members and others begin
  244. to expire fast.
  245. <p>
  246. WB can't keep spending holding money while they're seeking
  247. another prospect. It's a business decision, but a sensible
  248. one, given the large amounts of money involved. Their approach
  249. now is to believe in the show enough to get it on the air, let
  250. the ratings speak for themselves, and see what happens.
  251. <p>
  252. My only regret is for the cast, who are all uniformly terrific,
  253. and who are caught out in all this.
  254. <p>
  255. <li> <em>1999-03-13: Is there still hope?</em><br>
  256. "There's always hope, because it's the one thing nobody's figured out
  257. how to kill yet." -- Galen.
  258. <p>
  259. <li> <em>1999-03-13: A fan suggests writing to Bonnie Hammer,
  260. senior VP of programming at the Sci-Fi Channel, or to Stephen
  261. Chao, president of television and marketing for SFC's parent
  262. company, USA Networks, in the hopes of convincing SFC to include
  263. the show in their next annual budget.</em>
  264. <p>
  265. Yes, both those would be good choices.
  266. <p>
  267. And the best time for this would be after the episodes start airing in
  268. June. I think we have about 5 weeks before the actors' contracts
  269. expire in July. (They will be running all 13 straight through, or so
  270. they tell me.)
  271. </ul>
  272. <h3>About the series in general</h3>
  273. <ul>
  274. <li> WB has asked for a treatment on a sequel, and TNT is interested in doing
  275. two original B5 movies set during the B5 main story arc, with one of
  276. them a prequel. We'll see....
  277. <p>
  278. <li> I've worked out the details for 1,000 years in either direction
  279. for the B5 storyline in general, and in specific for 100 years in
  280. either direction; there's no chance of anything getting watered down no
  281. matter what happens...there's enough story there for several novels.
  282. And WB is currently very interested in the side-story/sequel series
  283. that I've mentioned from the beginning is a possibility.
  284. <p>
  285. <li> Actually, I've said pretty much from the very beginning of the first
  286. season, that there was a side-story that could go off, which I'd be
  287. interested in telling. And that may be a possibility.
  288. <p>
  289. And it's not Crusaders (which always makes me think of Crusader Rabbit);
  290. it's The Babylon Project: Crusade. (That's the working title, anyway.)
  291. <p>
  292. <li> It would take place after the main B5 arc. As for specifics on
  293. cast, nothing can be said until things get closer to being nailed down;
  294. there's still a lot that can change on this, and it's a question of
  295. what works best for the show, and who wants to move on, and other
  296. aspects.
  297. <p>
  298. <li>@@@878760330 <em>Does the series touch on the Rangers' work on Earth
  299. as shown in
  300. <a href="088.html">"The Deconstruction of Falling Stars?"</a></em><br>
  301. No, that part isn't the crux of the Rangers series,
  302. because that takes place 'way down the road, but monks have always been
  303. around on the show, starting with Brother Theo, so I imagine we'll see
  304. them in future.
  305. <p>
  306. <li>@@@854165337 Yeah, the sequel and the fifth year could conceivably happen at
  307. the same time...or not...or one or the other...it's utterly in flux.
  308. Totally fluxed up.
  309. <p>
  310. <li> It would have an arc, yes, but not as rigorous as the one in B5;
  311. I've kind of done that now, and would like to try something
  312. different...I don't like to try and walk in the same stream twice, to
  313. borrow a metaphor from Greek philosophy.
  314. <p>
  315. <li> <em>But you've already worked on non-arc shows.</em><br>
  316. Well, basically, all there *is* are either arc shows or
  317. stand-alone shows (or maybe somewhat stand-alones with a slight thread
  318. running through them). My feeling for now is that I just don't want to
  319. do the same thing twice in a row...and maybe find some new approaches
  320. along the way to the next project.
  321. <p>
  322. You must understand how hideously difficult and exhausting
  323. telling a 5 year tightly constructed story like this is...basically,
  324. over the course of 4 years, I'll have written 3,000 pages all in one
  325. universe, primarily telling one story. That's the equivilent of 6 or 7
  326. full-size novels in 4 years, telling one story. After something like
  327. that, you want to do something a little different for a bit.
  328. <p>
  329. Four years ago, when I started carrying this elephant, I barely
  330. had a grey hair on my head...now it's gone almost entirely grey, I look
  331. as if I've aged 10 years, and people who see me after a gap of a few
  332. years all say the same thing: "What the hell HAPPENED to you?" I tell
  333. them: Babylon 5.
  334. <p>
  335. <li> I never SAID "Crusade" would not have a story
  336. arc. I have only said that it won't be as *intense* an arc as that on
  337. B5, because the tone is somewhat different, because I don't want to do
  338. the exact same thing twice. But it will have an arc to it.
  339. <p>
  340. <li> My general sense for what comes next for me...assuming the B5
  341. sequel goes...I've done a hard-linked and extremely intense drama with
  342. an adventure component...and now, having done that, and proved that it
  343. *could* be done, despite many who said it couldn't, my feeling now is,
  344. "Okay, we've done that, how can we tweak it so that the sequel has a
  345. different feel to it?" So I'm looking at something that's a little more
  346. in the adventurous mode, with a serious underpinning, with an arc to it
  347. that's not quite as intense in tone, but is still good drama.
  348. Characters that grow and change, a definite ending, several mysteries
  349. enclosed inside other mysteries, with a much larger canvas, and an even
  350. stronger sense of wonder. B5 I did to prove a point, to some extent;
  351. now I'd like to try something where, having achieved that, I can sit
  352. back and, knowing the format now, have some fun with it. Maybe turn
  353. it on its head in a few places.
  354. <p>
  355. As with everything else I do, I try to find what I'd enjoy as a
  356. viewer, and take it from there. That was how B5 came about, and that's
  357. how the new show would come about, should it happen.
  358. <p>
  359. <li>@@@855739129 "Can you tell us if Crusade is going to be a definite length eg B5
  360. is/was supposed to be 5 years (still hanging on for season 5
  361. announcement and sadly for season 4 to start showing in UK)."
  362. <p>
  363. There's a definite ending in mind, yes, but there's some room to play
  364. within that framework. Again, there's an arc, but not quite as rigorous
  365. as with B5.
  366. <p>
  367. <li>@@@864919901 "Crusade" would take place about 3 years
  368. after the events of season 5, in 2265.
  369. <p>
  370. <li>@@@864919901 <em>What years would the story span?</em><br>
  371. 2265-2270.
  372. <p>
  373. <li> In some ways, yeah, I think I will have some real opportunities that
  374. didn't exist with B5, in that for the first 3 years we had to fight to
  375. get ourselves taken seriously by everyone, including WB. Now we have
  376. some credibility, and that gives you a certain freedom.
  377. <p>
  378. Also, the arc was, for me, a relatively new tool which took me about a
  379. year or so to really figure out how to use...then I used it
  380. relentlessly for a very long time. Now it's just one more tool on my
  381. belt, and I can use it with a bit more precision. It's the difference
  382. between using a rapier and a broadsword.
  383. <p>
  384. It'll probably start out looking fairly conventional, as did B5 our
  385. first year, just until the suits get comfortable and start ignoring us
  386. (they're all OVER you in your first year), and then, again as with B5,
  387. we'll start getting really subversive...ah loves being subversive....
  388. <p>
  389. And there'll be the folks who'll say, "Oh, it's just X," just like
  390. they did with B5 in the beginning, saying "Oh, it's just like DS9,"
  391. which is *perfect* because it lets me sneak up behind them and just
  392. WHACK 'em upside the head when they're not looking, as with B5.
  393. <p>
  394. Basically, without saying too much, it'll be a MUCH larger canvas, and
  395. the kinds of stories I can tell will be CONSIDERABLY more varied and
  396. have more opportunities to explore all kinds of interesting stuff, so
  397. I can go a bit more nuts on production values, alien stuff, and other
  398. areas.
  399. <p>
  400. <li>@@@884031252 What I want to do with Crusade is take the tools we
  401. learned to use in B5 and apply them in a different (and in some ways,
  402. more ambitious) manner. It'll have an arc, now that we've shown that
  403. it works, but not as rigorous an arc...less overtly political but more
  404. thematic. Also, after 5 years of angst-driven storytelling, I'd like
  405. to see if I can use the same tools to do something a little more fun.
  406. I've lived in the dark side of the B5 universe for a long time, and
  407. while there's plenty of darkness still out there, I kinda want to go
  408. and do something a bit more adventurous...and which explores all the
  409. places in the B5 universe that we've heard about, but never seen.
  410. <p>
  411. <li> Nothing has yet been finalized (or even near to it) on the cast.
  412. <p>
  413. <li>@@@890000755 <em>Recent reports say you've decided which characters
  414. from the first series will be in Crusade.</em><br>
  415. This is not quite correct, but that's all I can say for now.
  416. There are one or two actors who might slide to Crusade, depending on
  417. circumstances, and we have spoken to them on the QT about it...which is
  418. probably why this was said, because I asked the actors in question not
  419. to say anything until we got closer to seeing how things were going to
  420. work out; the inquiries were mainly of an "if we had this role, would
  421. you be interested in doing it?" nature, checking avails and
  422. possibilities so we could plan accordingly.
  423. <p>
  424. <li>@@@895442605 Though nothing has been set yet about Crusade, I would expect at
  425. least guest appearances by some or many of our previous B5 cast here
  426. and there.
  427. <p>
  428. <li>@@@865288769 <em>Have you given thought to the male/female ratio of
  429. the cast?</em><br>
  430. I never ever give thought to ratios, or making a political
  431. statement, or anything other than the story. If that meant using 100%
  432. female cast in the movie, or 100% male cast, or some variation thereof,
  433. then that's what it'll be. I think the *instant* you start putting
  434. agendas ahead of the creative process, of saying "What is the story
  435. *about*?" then I think you're dead.
  436. <p>
  437. <li>@@@898572188 <em>What's the optimum cast size for a show like
  438. Crusade?</em><br>
  439. There's really no best regular size. B5 generally had about 9-
  440. 11 regulars and recurring (i.e., in the main credits) actors in any
  441. given season, which was necessary because you had 4 different,
  442. competing forces, each of whom required some representation (Earth/B5,
  443. Minbar, Narn, Centauri Prime). With an ambassador plus aide, that's 8
  444. minimum, plus at least one or two others for station operations.
  445. <p>
  446. In Crusade, we're really dealing with one force encountering
  447. others on a per-episode basis (mostly), so we've got 6 regulars/recurs,
  448. with a subset of reappearing characters (a la Morden, Bester or Corwin
  449. in B5). That feels about right to me.
  450. <p>
  451. <li>@@@891976625 <em>Any changes to the production crew?</em><br>
  452. We're not doing a lot of changing. One thing that does tend to
  453. get changed for a new series is the *look* of the show, you
  454. want Crusade to have a different and distinct appearance, to be
  455. its own show. So for instance we're bringing in new graphic
  456. designers to do screen stuff and signage and other related
  457. stuff.
  458. <p>
  459. Other times it's an individual choice. Anne Bruice-Aling
  460. recently had a baby, and she wants to dedicate the next year or
  461. so toward raising her kid, so while she'll remain available for
  462. occasional stuff or consulting, we'll have someone else heading
  463. up the wardrobe department.
  464. <p>
  465. Mainly, you want to hold onto as many of your original people
  466. as you can, because we've trained our folks to work in a
  467. certain, particular way. Nobody else really does things the
  468. way we do them on B5, and it's wiser to hold onto your crew,
  469. and give incentives, to keep them around. (We tend to promote
  470. from within the ranks and reward loyalty rather than bring in
  471. new folks, that sort of thing.)
  472. <p> <em>What's in the series "bible?"</em><br>
  473. I put in it
  474. basically whatever I think will be useful to anyone, as much as
  475. I can think up. Characters' names, backgrounds, descriptions,
  476. the kinds of stories we are looking for, the kinds of stories
  477. we *don't* want to see, what is good SF and what ain't, sample
  478. storylines we plan to develop, that sort of thing.
  479. <p>
  480. I'm now in the process of converting over the "sell treatment,"
  481. done for the network, to a working series bible, which will go
  482. out to those writers with whom I've either worked before, or
  483. whose work I know and have wanted to work with for a while (as
  484. was the case with Neil Gaiman).
  485. <p>
  486. <li>@@@892111238 I imagine we'll keep about 95% of the production crew on
  487. the move to Crusade.
  488. <p>
  489. <li>@@@896374481 <em>How does the new look get decided?</em><br>
  490. It's hard to define...it's a long process of give and take.
  491. John Copeland and I both knew we wanted something different, a
  492. new kind of look, and we went back and forth discussing it
  493. between us until we were ready to talk to the production design
  494. folk. We told them in general terms what we were looking
  495. for...then they went away, and came back with several
  496. preliminary designs. We sat and talked about them, made
  497. revisions and suggestions, threw one thing out, kept the other
  498. thing, got another version done, and on and on until there was
  499. something that we felt worked. Ditto for the CGI version (for
  500. which there is a very early version on the B5 fan club site).
  501. The final look of the CGI is much sleeker and more refined.
  502. <p>
  503. <em>And the costume/makeup design?</em><br>
  504. Same process. I discuss with Optic Nerve and the costume folks what I
  505. have in mind. They go away and come up with drawings. They submit
  506. those drawings; John and I go over them, pick the ones we like, suggest
  507. modifications, toss out what we don't like, and the process of
  508. refinement continues.
  509. <p>
  510. <li>@@@921834231 <em>How will the shuttle bay work? A force field a la
  511. Star Trek?</em><br>
  512. No, there is a definite (and very large) airlock door that closes
  513. after ships enter the flight deck, so it can then be pressurized.
  514. <p>
  515. <li>@@@906450790 <em>Who's doing the music?</em><br>
  516. We haven't yet set a composer for Crusade; we're giving a shot
  517. to Evan Chen, a chinese-born classical composer with a strong jazz
  518. background, on A Call to Arms. How that turns out will determine much
  519. that follows.
  520. <p>
  521. <li>@@@906450790 Evan's an amazing composer...he came out of Shanghai,
  522. studied music in Russia and Germany, was fast becoming a leading,
  523. classically trained composer, and discovered jazz in his twenties,
  524. dropped everything to come to Chicago and study under some of the best
  525. jazz men around (even if it meant washing dishes to get by). His stuff
  526. is the most amazing blend of asian influence, classical instrumentation,
  527. jazz and rock backbeats I've ever heard, even using asian scales
  528. (somewhat different from western musical scales) in unexpected places to
  529. make western music sound totally different.
  530. <p>
  531. For a show as different as this, I wanted a completely
  532. different, totally unique sound, something I've never heard before, and
  533. Evan Chen has it.
  534. <p>
  535. <li>@@@906745365 <em>Is Evan playing with any groups right now?</em><br>
  536. Not that I'm aware of. I think we got in and found him before
  537. anybody else could get their hands on him.
  538. <p>
  539. <li>@@@929221874 "Will a CD of Chen's music be put out? I can't wait..."
  540. <p>
  541. Yep, in fact, I have it right here, having gotten the first
  542. pressing of the thing for approval. Chris's company will be putting it
  543. out.
  544. <p>
  545. <li>@@@906450790 <em><a name="JS.memo1" href="#NO.memo">About the TNT
  546. memo, September 9, 1998</a></em><br>
  547. At this time, officially, I cannot confirm or deny the report.
  548. <p>
  549. <li>@@@906450790 <em><a name="JS.memo2">September 19, 1998</a></em><br>
  550. The TNT memo was apparently real; however, the egregious points
  551. have now been withdrawn, and on top of that, TNT has allocated a big
  552. chunk of change to let us build some new sets and expand stuff.
  553. <p>
  554. <li>@@@906450790 I think that to dwell on the thing would be to just open
  555. wounds that are better left healed.
  556. <p>
  557. <li>@@@906450790 Things are going well overall; we've filmed 5 episodes, and have
  558. just extended a planned 1 week production hiatus (we take two such
  559. hiatuses -- hiati? -- every year, one in the fall, one in the spring)
  560. and added three paid weeks in order to allow time for construction on a
  561. number of new sets.
  562. <p>
  563. <li>@@@906450790 What we've done is to try and expedite this so we can
  564. have the new stuff in hand for the maximum number of episodes as quickly
  565. as possible. We always take a one-week hiatus in every block of
  566. episodes we shoot, all the way through B5's history and now. One week
  567. around the start of October (depending on the start of filming), then
  568. the Christmas break, then another one-week hiatus midway through the
  569. last 10 episodes.
  570. <p>
  571. So what we did here was to add on three weeks to the hiatus,
  572. starting Tuesday. Well, three paid weeks off for most of the crew
  573. directly involved with the actual filming, anyway. Construction, art
  574. department, props, wardrobe and other departments will still be working
  575. away to build and dress the sets and stuff so we can get right back
  576. into shooting on with the new stuff in place.
  577. <p>
  578. We're talking here improvements to the corridors, to the
  579. quarters to enlarge them, adding a wardroom/mess hall, an exercise
  580. area...other stuff. We generally add sets each season, and wanted to do
  581. these down the road, but now we have the chance to do them now.
  582. <p>
  583. <li>@@@906591943 In addition to the Christmas break, we have always taken
  584. a one-week hiatus in the middle of shooting to avoid burning out cast
  585. and crew. This was true of B5 throughout its history. One week in
  586. the fall, one in the spring.
  587. <p>
  588. TNT has allocated additional money to build some major (large) new
  589. sets that we had thought we'd have to wait until season 2 to
  590. implement, and to improve some of the sets. (We were always fighting
  591. to spiff up sets throughout B5, and we always had to bring in our new
  592. sets gradually, like Earharts and the War Room and others.)
  593. <p>
  594. Since they're going to give us the money for that now, we figued we'd
  595. extend the hiatus by a few weeks (a paid break for most of the actual
  596. shooting crew), though we still have the art department, costume,
  597. construction, props and several other departments still working away
  598. to build the sets and stuff.
  599. <p>
  600. We start shooting again October 19th.
  601. <p>
  602. <li>@@@907952425 It's been kinda hectic here, between the new sets under
  603. construction,
  604. meetings, and other stuff, some of which has been hinted around by
  605. others. At this point, we're still on target for filming to start up
  606. on October 19th.
  607. <p>
  608. One of the issues brought up by TNT had to do with a decision we all
  609. made early on that the first episode up, Racing the Night, would just
  610. jump right into the story, without doing the usual pilot-episode thing
  611. of showing the team coming together, which was our other option.
  612. <p>
  613. On reflection, TNT figured that the best thing might be to do that
  614. "coming together" episode after all, to set the stage for all that
  615. follows. It's a lateral change, really, you could have it or not,
  616. either way, it's dealer's choice. But if we're going to do that, we
  617. may as well get the sets and other stuff ready to go for that first
  618. episode and the ones that will immediately follow. We're also making
  619. some adjustments to the wardrobe (and I've come up with a pretty funny
  620. way to make the transition in the story). All of the prior produced
  621. episodes are still in, and still going to be broadcast, nothing's
  622. changed that as far as I know.
  623. <p>
  624. Anyway, things continue to progress, the script for the alternate
  625. first ep is in, and all should be cool from this point on. Which is
  626. not to say there haven't been some knife-fights...but we seem to have
  627. reached some understandings....
  628. <p>
  629. <li>@@@908224277 We're still set to go back into filming on October 19th.
  630. As I mentioned in a prior post, TNT felt the need for an actual
  631. introductory episode, one that sets the story by bringing together our
  632. characters together for the first time, more of a conventional pilot
  633. in that respect. "Racing the Night" was written to take place about 5
  634. months after the Drakh attack, so that we got right into things. The
  635. "bringing people into the story" story will, therefore, take place
  636. shortly after the Drakh attack, two-three days later, to be precise.
  637. <p>
  638. Since we're doing a first introductory episode, TNT kinda wanted to
  639. have the new sets in place for the first few eps (though they can't
  640. appear in the first one for story reasons), and since we're making
  641. some wardrobe adjustments, they figured they may as well have those in
  642. place as well.
  643. <p>
  644. Nothing in the story has been changed. The five episodes already made
  645. will be aired, and you will see that the characters, the story, the
  646. feel of the show is *exactly* the same between those first 5 filmed,
  647. and those that follow. What it comes down to are some cosmetic
  648. changes, some new sets, and an episode that sets things in place.
  649. <p>
  650. As we come back, the first two episodes up to be shot will be scripts
  651. we already had in hand, then the new introductory episode, "War Zone,"
  652. another one we already have, one new one, then another one from
  653. on-hand, which will take us through into the Christmas break.
  654. <p>
  655. No scripts are being thrown out, no episodes are being scrapped...none
  656. of that has taken place, or is taking place. The show is the show is
  657. the show.
  658. <p>
  659. (And on the costumes themselves...no, they're not going to be "skin
  660. tight" things; we're actually kinda going in the opposite direction.
  661. They're more typically military jumpsuits, black, neatly tailored,
  662. similar to some Air Force or Marine uniforms. And the only people who
  663. will be wearing these are the basic technical crew, Captain Gideon
  664. (Gary Cole) and Lieutenant John Matheson (Daniel Dae Kim); the others
  665. are civilians, and thus are not affected.
  666. <p>
  667. Regarding air dates...we have thus far not been told if they want to
  668. push for a January airdate or not. Part of the complication to all
  669. this is that if we make #8 in shooting order the first aired, we have
  670. to do a hideous amount of post-production on CGI to get it ready in
  671. time. Rather than make us rush it, they have said they might consider
  672. waiting until the February sweeps. Another option is to go in March,
  673. if they don't want to go up against the Network sweeps period (which
  674. is traditionally death for basic cable)...but the problem *there* is
  675. that you can only air 4 episodes and then TNT would go into the NBA
  676. playoffs, which means it would be another 6 weeks or so until any new
  677. eps could be shown.
  678. <p>
  679. So on that score, nobody's decided anything yet, we don't know and
  680. haven't been told because they haven't decided where will best serve
  681. us, so we hit the ground with the least network opposition.
  682. <p>
  683. Anyway, that's where things are. Hope this puts to rest some of the
  684. rumors out there.
  685. <p>
  686. <li>@@@914520472 The intro movie, "A Call to Arms," is still slated for
  687. January 3rd; the series initially was going to go in January, then they
  688. moved it to June 2nd to make room for the NBA playoffs, and now that it
  689. looks like the playoffs may not happen, I'm hearing March/April.
  690. <p>
  691. <li>@@@908224277 <em>How much of the CGI for the new initial episode
  692. could be done ahead of time, before filming starts?</em><br>
  693. Zip. Because until it's edited, you don't know how long to make the
  694. shots, or how they'll intercut with the live action...and there's all
  695. the stuff from other eps to deal with as well.
  696. <p>
  697. <li>@@@908606256 <em>Do you provide storyboards with ships and beams
  698. or do the CGI people create something from the script or do you check
  699. it prior to rendering in wireframe form or similar?</em><br>
  700. <p>
  701. Pretty much all of the above, depending on the complexity of the
  702. sequence.
  703. <p>
  704. <li>@@@909090496 To the gazillion or so folks who've asked in email...yes,
  705. we began shooting again on Monday the 19th, as scheduled, making the
  706. show we desired to make, and we're cranking along just fine. Actors
  707. are happy, crew are happy, everybody happy but Zathras...but Zathras
  708. never happy...Zathras happy once, had friend once, but wheels fell
  709. off, very sad....
  710. <p>
  711. <li>@@@856652269 "You have pretty consistently said that you would
  712. *end* B5, and that there
  713. would *never* be a sequel. Instead, you would do something in the B5
  714. universe, but not realated to the B5 storyline. The description sure
  715. sounds like a sequel to me."
  716. <p>
  717. What I have said about this from the beginning, and the ONLY thing I
  718. have ever said about this, was that there was a side-story in the B5
  719. universe that could go off from the main story. That has been quoted in
  720. many different places, and on line, and definitely includes any plans
  721. for "Crusade."
  722. <p>
  723. BTW, that new characters were mentioned does not exclude any current
  724. cast members...doesn't include them, either, but bottom line, that ain't
  725. a complete list of characters. There's room and flexibility in there,
  726. depending on what happens.
  727. <p>
  728. <li>@@@859536035 Actually, there'd be no rush at all in terms of getting a sequel
  729. into prep and out the door. The discussions now are in the area of
  730. fall 97 to shoot and January 98 to air (with or without a simultaneous
  731. S5 of B5). We have a lot of the stuff we'd need for the sequel
  732. (costumes, uniforms, some sets, prosthetics, that sort of thing), so
  733. the lead time would be very short.
  734. <p>
  735. <li>@@@877274170 With luck, we hope to have this puppy finally negotiated
  736. and a Real Deal within the next few weeks.
  737. <p>
  738. <li>@@@883868609 The contract has been sent to me for signing several
  739. times, and each time it has had some problem or another that needed
  740. fixing. (See, this is how the process works: your agent and the studio
  741. negotiate over the phone. Come to terms. Deal memos go out, which
  742. often don't reflect the conversations, but they hope you won't notice.
  743. You catch the "errors" and send back the memos. Next come the actual
  744. contracts, and sonuvagun, more "errors" have slipped through, and now
  745. THEY need to be corrected, if you can find them in the 90 pages of 8
  746. point type. So that's been the only real holdup. It's standard.)
  747. <p>
  748. <li>@@@891976541 As has come out in the press today, CRUSADE: The Babylon
  749. Project, is officially a go project as a series. We start shooting
  750. July 27th to go on the air January 6th. More info will follow over
  751. time.
  752. <p>
  753. <li>@@@911667926 Because 108 is now the slated fist episode, so that we
  754. can use it to introduce the new characters rather than jump in
  755. in-progress, it means it will take longer to complete the CGI and stuff
  756. than 103, since it was shot later. TNT needs the eps a month or two
  757. prior to airdate for critics...and there's the concern about showing
  758. only 4 episodes in March (which is when it would all be ready) and
  759. then being cut off for 8 weeks by the NBA playoffs.
  760. <p>
  761. So they figured going June 2nd would avoid all of the problems, and put
  762. the show out when the network shows were in reruns...meaning it has a
  763. better chance of scoring large numbers, a strategy that worked well
  764. with other shows like 90210.
  765. <p>
  766. <li>@@@882987634 <em>If "Crusade" is made, what will your involvement
  767. be?</em><br>
  768. I'll exec produce, same as with B5, develop the overall
  769. arc, as with B5 (though it's not as rigorous an arc), do all the same
  770. stuff in editing, post, all the same stuff. About the only real
  771. difference I foresee would be my intent to only write about half the
  772. episodes this time around; I'm looking forward to seeing what other
  773. writers can do in the B5 universe.
  774. <p>
  775. <li>@@@883993339 Our first two seasons were roughly 40-50% freelance,
  776. which is a substantially higher average than most shows. Years 3 and
  777. 4 were mine, mainly because of the difficulty in farming out stories
  778. in that situation.
  779. <p>
  780. Crusade will almost certainly to back to the 40-50% freelance mode,
  781. which is frankly my preference, and it's been that way on all the
  782. previous shows I've done.
  783. <p>
  784. <li>@@@891709736 There are many other good writers out there who I have
  785. every confidence can do a good job on Crusade. And bear in mind that
  786. any script that comes in generally gets revised by me, so I'll be in
  787. there. The plan for now is that I'll do about 11 scripts out of 22,
  788. and have freelancers doing the other half.
  789. <p>
  790. <li>@@@921834231 <em>Has Goran Gajic been approached about directing a
  791. Crusade episode?</em><br>
  792. Yes, Goran has been slated for a Crusade episode.
  793. <p>
  794. <li>@@@898572630 <em>Will it start off with a movie?</em><br>
  795. No, the first episode will be of normal length. A Call to Arms
  796. is primarily a B5 movie, which sets the incidents in place that lead to
  797. Crusade, which then hits the ground running with its first episode,
  798. regular length, same as the other 21 TNT has signed for.
  799. <p>
  800. <li>@@@905790074 <em>Is the Biblical reference in Captain Gideon's
  801. name intentional?</em><br>
  802. There are certain reasons for that name choice, yes, which is
  803. all I'll say for now.
  804. <p>
  805. <li>@@@906591943 Peter is superb as Galen, utterly brilliant. I think
  806. we lucked into a character and an actor that is going to be extremely
  807. popular with fans. I couldn't be happier with his work to date; I'd
  808. put his work up there with Peter Jurasik and Andreas Katsulas, easily.
  809. <p>
  810. <li>@@@916729235 <em>Is Matheson's name a reference to horror writer
  811. Richard Matheson?</em><br>
  812. Yup. I fell in love with Matheson's work as a kid, and since we had
  813. Bester in B5, I figured it might be good luck to have Matheson in
  814. Crusade.
  815. <p>
  816. <li>@@@929221492 "But you are saying that dispite the numerical sequence
  817. being disordered, Crusade remains a contining story rather than
  818. standalone episodes?"
  819. <p>
  820. They're somewhat stand alone that was introducing characters and
  821. setting up the details that would kick the arc into gear with #14.
  822. </ul>
  823. <h2>See Also</h2>
  824. A translation of this page in
  825. <a href="http://www.webhostinghub.com/support/by/edu/midwinter-overview-be">Belorussian</a>
  826. is available.