The Lurker's Guide to Babylon 5
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  1. In the Shadows of Madness
  2. A Lovecraftian Look into the Babylon 5 Universe
  3. By Mark W. Chase
  4. "I have seen the dark universe yawning
  5. Where the black planets roll without aim-
  6. Where they roll in their horror unheeded,
  7. Without knowledge or luster or name."
  8. This brief poem named merely "Nemesis" was the opening for the
  9. terrifying story, "The Haunter of the Dark", by Howard Philips Lovecraft.
  10. It was a tale of a universe turned upside down, as were all the "Mythos"
  11. stories of this young, New England writer. The very essence of Lovecraft's
  12. mythos was that our universe was only a twisted delusion of a great, vast,
  13. inescapable darkness, of which mankind was nothing but the merest speck of
  14. insignificant matter. Rarely ever did the tragic hero of a story survive
  15. with his sanity, if he survived at all.
  16. Great, ancient beings, from the stars and beyond,prowl this universe--
  17. their nature and motives far beyond anything our feeble minds could hope to
  18. fathom. Fragments of the unspeakable darkness would float almost by
  19. accident to our world. By chance, some hapless mortal would stumble across
  20. it and his frail perception of reality would be shattered forever.
  21. The ultimate irony of it all was that mankind did in fact make a
  22. difference in the universe despite our apparent infinitesimal worth. The
  23. Great Old Ones did take notice of humans and had tried, and failed, to swat
  24. us from existence. Individuals, though driven mad, did affect the course
  25. of the dark fate within the mocking universe. Men fought against the
  26. darkness and won. Great Old One cults were defeated, Deep One outposts
  27. were destroyed, and unspeakable summonings were subverted.
  28. In possibly one brief glimmer of hope, mankind reached out and
  29. contacted the Elder Gods. They were a distant, but benevolent collection
  30. of entities who opposed the great darkness. They alone stood between our
  31. feeble world and the onslaught of unthinkable horrors.
  32. In the years of H.P. Lovecraft's mythos cycles from 1919-1937 a great
  33. darkness swept through the universe. In the years 2257-2262, it may have
  34. returned.
  35. * * *
  36. Already in its third season, Babylon 5 has taken on a mythos of its
  37. own. As the Babylon 5 saga moves into the Shadow War, the story has grown
  38. darker and more ominous. Or, as Susan Ivanova puts it in the third season
  39. introduction, "The Babylon Project was our last, best hope for peace. It
  40. failed."
  41. But, she goes on to assure, "In the year of the Shadow War, it became
  42. something greater. Our last, best hope for victory." Against all odds,
  43. hope is always present -- unlike Lovecraft's writing where there is no hope
  44. at all.
  45. There are many parallels between Babylon 5 and Lovecraft's works.
  46. These parallels may be intentional, some many have be unconscious, or, they
  47. may all be simply coincidence. Whatever the case may be, I give you the
  48. relationships which I have uncovered.
  49. The most obvious parallel is between the Shadows and Outer Gods or
  50. Great Old Ones. In the Cthulhu Mythos, the Outer Gods were the demonic
  51. pantheon of ultimate, unspeakable darkness. However, the Outer Gods
  52. themselves were the epitome of chaos and madness, without soul or mind.
  53. They twisted and wallowed in the eternal night, playing horribly mocking
  54. sounds with their demonic flutes, and orbited the ultimate nuclear chaos,
  55. Azathoth, who resides at the center of the universe. The Outer Gods have
  56. been stripped of reasoning and ordered thought (as we perceive it anyway)
  57. so they may not be a perfect parallel with the Shadows. However, as we
  58. shall see, some of the Outer Gods are not at all mindless.
  59. If not the ultimate Outer Gods, certainly the Shadows are mirrored by
  60. the Great Old Ones H.P. Lovecraft wrote about. Not nearly as powerful as
  61. the Outer Gods, the Great Old Ones do have ordered reasoning (though still
  62. vastly alien to human reasoning). Cthulhu is the foremost well know Great
  63. Old One, but there are others, such as Hastur, Dagon, and possibly Shub-
  64. Niggurath and Yog-Sothoth.
  65. Some Lovecraftian authorities believe that Shub-Niggurath and Yog-
  66. Sothoth were not Great Old Ones, but were in fact Outer Gods. If this is
  67. the case, it would mean that not all Outer Gods are mindless. In
  68. Lovecraft's stories, both of these god-like beings acted in logical, if not
  69. humanly comprehensible, way. It is important to note that these Outer Gods
  70. still exist as cognitive entities. It is possible that the Shadows are
  71. drawn from this surviving group of hideous gods.
  72. The Great Old Ones are described by Lovecraft as having come to Earth
  73. from the stars. They used technology, as did many other minor races, such
  74. as the Mi-Go, the Elder Things, and the Great Race. They were masters of
  75. all the technologies and sciences, to the point of it being ultimate magic.
  76. Dark, black, sinister magic.
  77. The Shadows of Z'ha'dum are certainly masters of dark technology, as
  78. seen by their unholy Shadow ships. They dominate forbidden areas of space
  79. with godlike powers. Revelations in Babylon 5 episodes such as "Voices of
  80. Authority" tell us that the Shadows can see into souls, but they are apart
  81. from the energy which binds all life together. The Shadows are in our
  82. universe, but forever separated from it. Dark, cold, and ancient, the
  83. Shadows have slept for a thousand years, and are now awakening to renew the
  84. war against the First Ones.
  85. To express this parallel, I will give your a brief quote from the
  86. "Encyclopedia Cthulhiana": "The Great Old Ones were at a time members of a
  87. company of beings titled the Elder Gods. Because they practiced black
  88. magic, or they stole certain of the Elder God's sacred records, or even
  89. that they had the temerity to attack the homes of the Elder Gods
  90. themselves, the Great Old Ones were cast out by their brethren and
  91. imprisoned in various places in the stars, and even other dimensions.
  92. Having done this, the Elder Gods returned to their homes near the star
  93. Glyu'Uho, leaving the Great Old Ones within their prisons. There will come
  94. a time, though, when the Great Old Ones will break free of the strictures
  95. imposed by the Elder Gods, and they will come forth from their jails to
  96. challenge the supremacy of their captors once again."
  97. This almost sounds like something Delenn might say! Replace Great Old
  98. Ones with Shadows and Elder Gods with the First Ones, and you have it.
  99. In Lovecraft's mythos, the Elder Gods are not se, these flying polyps can become
  100. invisible, just like the Shadows. In contrast, the Vorlons were not wiped
  101. out by the Shadows, the Vorlons helped to defeat the Shadows.
  102. It must also be put forward that Morden could very well be the
  103. equivalent of Nyarlathotep. In Babylon 5, Morden appears to be nothing
  104. more than a Shadow/Centauri (and Earth Alliance!) go between. In H.P.
  105. Lovecraft's works, Nyarlathotep was the messenger of the Outer Gods. In
  106. Lovecrafts poem "Nyarlathotep", this dark messenger was a man; a man who
  107. brought final destruction to the human race. In many stories Nyarlathotep
  108. was in the form of a man, though he also had many monsterous forms as well.
  109. In all appearance this "man" was mortal, but he had sinister, dark powers
  110. at his command. If Morden ever becomes some hideous flying monster as
  111. black as the night itself, this parallel will be complete.
  112. Could the Book of G'Quon be the Babylon 5 equivalent to the
  113. Necronomicon? On several occasions, G'Kar has pointed out references to
  114. the Shadows, even pictures of their ships, all with terrifying revelations
  115. behind them. He even gave the book to Garibaldi, telling him that it would
  116. be helpful. I doubt the Book of G'Quon is a forbidden tome written by a
  117. mad Narn named G'abkul G'alkazard; and, as Babylon 5 appears to be much
  118. more optimistic than Lovecraft's tales, I will propose that the book of
  119. G'Quon is a "holy analogue" to the Necronomicon.
  120. As I have stated earlier, these speculations are my own, and in no way
  121. do they express the views of J. Michael Straczynski, Doug Netter, or anyone
  122. working in the production of Babylon 5. These ideas are my own and should
  123. not be taken out of context. Babylon 5 is a unique and completely
  124. innovative universe of possiblities. Like the universe of H.P. Lovecraft,
  125. the Babylon 5 universe has its own dark secrets -- secrets which man was
  126. not be meant to know, and of things which should not be.
  127. And so, I will leave you with a quote from the classic story "The Call of
  128. Cthulhu". The tale which started it all.
  129. "We live on a placid island of ignorance in the midst of black seas of
  130. infinity, and it was not meant that we should voyage far. The sciences,
  131. each straining in its own direction, have hitherto harmed us little; but
  132. some day the piecing together of dissociated knowledge will open up such
  133. terrifying vistas of reality, and of our frightful position therein, that
  134. we shall either go mad from the revelation or flee from the deadly light
  135. into the peace and safety of a new dark age."
  136. Bibliography
  137. Harms, Daniel - "Encyclopedia Cthulhiana" (1994)
  138. Lovecraft, H.P. - "At the Mountains of Madness" (1936), "The Case of
  139. Charles Dexter Ward" (1941), "The Call of Cthulhu" (1928), "Dagon" (1919),
  140. "The Dream-Quest of Unknown Kadath" (1948), "The Haunter of the Dark"
  141. (1936), "Nyarlathotep" (1920), "The Other Gods" (1933), "The Shadow Over
  142. Innsmouth" (1936), "The Shadow Out of Time" (1936), "The Whisperer in
  143. Darkness" (1931)
  144. Straczynski, J. Michael - the "Babylon 5" series (1993-1996), through
  145. Warner Bros. Television.
  146. Special thanks to Jon Fuller and Mathias Russ who assisted in the editing
  147. of this essey.
  148. If you have questions or comments to make, complaints or suggestions,
  149. please contact me at:
  150. mchase@cdc.net
  151. or log on to my web page at:
  152. http://www.cdc.net/~mchase/mearth.html