The Lurker's Guide to Babylon 5
You can not select more than 25 topics Topics must start with a letter or number, can include dashes ('-') and can be up to 35 characters long.

277 lines
16 KiB

  1. [1][ISMAP]-[2][Home]
  2. ### GUIDE ### [3][Background] [4][Synopsis] [5][Credits] [6][Episode
  3. List] [7][Previous] [8][Next]
  4. _Contents:_ [9]Overview - [10]Backplot - [11]Questions - [12]Analysis
  5. - [13]Notes - [14]JMS
  6. _________________________________________________________________
  7. Overview
  8. Londo's career is in jeopardy when a beautiful slave seduces him
  9. and steals a sensitive computer file. Garibaldi investigates an
  10. unauthorized use of a restricted communications channel.
  11. [15]Fabiana Udenio as Adira Tyree. [16]Clive Revill as Trakis.
  12. [17]Robert Phalen as Andrei Ivanov.
  13. [18]P5 Rating: [19]6.79
  14. Production number: 104
  15. Original air date: February 9, 1994
  16. Written by Larry DiTillio
  17. Directed by Bruce Seth Green
  18. _________________________________________________________________
  19. Backplot
  20. * Trakis: "Do you know why a drunken fool like Mollari has the power
  21. he does? Because his family has been collecting dirt on other
  22. families for years, like all the 'noble' houses of the Centauri
  23. republic."
  24. * Londo: "We Centauri live our lives for appearances: position,
  25. status, title. These are the things by which we define ourselves.
  26. But when I look beneath the mask I am forced to wear, I see only
  27. emptiness."
  28. * Centauri law permits individuals to own Centauri slaves. Owners
  29. are legally responsible for the actions of their slaves. This
  30. appears to be a slave system of economics rather than of caste.
  31. According to Trakis, powerlessness and slavery is the fate of all
  32. Centauri who don't play the game of blackmail and backstabbing.
  33. Unanswered Questions
  34. * What was the Euphrates treaty compromise that Sinclair forced
  35. Londo to accept?
  36. Analysis
  37. * Londo and G'Kar agree over a drink that females are the finest of
  38. all things in life. They are much more friendly with each other
  39. now than when last we saw them (cf: [20]"Midnight on the Firing
  40. Line"). The Narn must have been very pacifying in the meantime.
  41. * Intense anger from a couple nearby people is enough to send Talia
  42. away for a breather.
  43. * Londo agrees to Sinclair's compromise on the Euphrates treaty in
  44. exchange for his personal help recovering the purple files.
  45. However, this should not be taken as another example of Londo
  46. putting personal concerns above state concerns. In a profoundly
  47. blackmailable culture like the Centauri, power lost by one
  48. individual or family would always be gained by another. But if an
  49. outsider were to get hold of a treasure trove like Londo's purple
  50. files, all of Centauri would be diminished. There is an
  51. interesting parallel here to the Minbari concern for souls (cf:
  52. [21]"Soul Hunter").
  53. * Ivanova's brother was killed in the Earth/Minbari war, her mother
  54. committed suicide (cf: [22]"Midnight on the Firing Line"), and
  55. she's been estranged from her father for years. Thus it's
  56. unsurprising she's so hard-edged.
  57. * Talia is willing to skirt Psi Corps regulations when a life is at
  58. stake (though she has no concern for Londo's career). The Psi
  59. Corps' hold on remote psis appears to be pretty weak.
  60. * When she was approached about the plan, Talia asked Sinclair if
  61. Londo was serious about a woman's life being at stake. Shouldn't
  62. she have sensed Londo's distress? Strong emotions are difficult to
  63. block out, she says ([23]"Mind War,") and with Adira's life and
  64. his career at stake, Londo would presumably be quite anxious. Of
  65. course, she may have sensed the anxiety but not its reason.
  66. * Ivanova is willing to skirt EA regulations for personal perks.
  67. (cf: [24]"War Prayer")
  68. * When G'Kar meets with Trakis to exchange the information, Trakis
  69. says to him, "You said nothing about a telepath." From this it is
  70. clear that G'Kar was the one who contacted Trakis. However, Trakis
  71. knew through the bug he planted on Londo that Sinclair was onto
  72. him. So, Sinclair must have set up G'Kar's call to Trakis in such
  73. a way that it wouldn't arouse his suspicions.
  74. * Telepath-aided negotiation must make future diplomacy much
  75. different than it is now. No posturing, tailored versions of the
  76. situation back home, empty threats, or hidden agendas. Parties
  77. have the same freedom to make choices for their governments, but
  78. there are vanishingly few tactics left to gain more advantage over
  79. one's adversary than one already has.
  80. Notes
  81. * The episode's title is a term dating back to Roman times, still in
  82. use in Britain. Roman senators in the days of the Republic wore
  83. purple edged togas as a symbol of royalty, since purple dye was
  84. very expensive. Today, members of the House of Lords wear purple
  85. robes for state occasions. When someone is made a peer in the UK
  86. they are said to have been "raised to the purple." Hereditary
  87. peers are "born to the purple". Perhaps this implies that the
  88. purple files are so named because they are what keeps Londo's
  89. family in its preeminent position.
  90. * G'Kar glances no less than four times at the human dancer behind
  91. him when he and Sinclair first confront Londo about the treaty.
  92. * Babylon 5 communications has a priority "Gold Channel" reserved
  93. for emergency communications. Sinclair's express permission is
  94. required to use it, and its existence is known only to the
  95. ambassadors and senior officers.
  96. * Londo's family heirloom, from the earliest days of the Empire, is
  97. a stylized eye-and-teardrop.
  98. * Universe Today main headline: Homeguard Leader Convicted
  99. * "Fresh Air" is the finest restaurant on Babylon 5.
  100. * Talia used to work for the "Political Bureau".
  101. * "I like to know all there is about Babylon 5," Sinclair says, "and
  102. Garibaldi's files are very thorough."
  103. * Ivanova appears to wear only one earring, though it's hard to tell
  104. since throughout the episode we get no more than a glimpse of the
  105. right side of her head.
  106. jms speaks
  107. * We're currently finishing up production on "Born to the Purple,"
  108. with Clive Revell and Fabiana Udeno. It's a very offbeat and funny
  109. story (by Larry DiTillio, natch) which adds a new side to Londo's
  110. character. It puts our characters into different situations than
  111. we're used to, and it's fun seeing how they react to these new
  112. conditions.
  113. * Trakis, Adira's owner, was not a Centauri, but (and this is
  114. something we may bring up at some point down the road), was at one
  115. point a Centauri slave.
  116. * Re: Londo as a romantic character...bless your heart. You are the
  117. first to have nailed it absolutely on the head. If I had to write
  118. a description of the character, I doubt I could have done any
  119. better than what you just wrote. There are a *lot* of episodes
  120. that bring this out in him, including the next one up, "Born to
  121. the Purple," which I suspect will end virtually all of the hair
  122. jokes once and for all.
  123. Anyway...yes, and thank you, that's it *precisely*.
  124. * Let's just say for now that you'll learn something very unusual
  125. about Centauri "intimacy" in "The Quality of Mercy."
  126. * Fabiana didn't shave her head to play Adira; that's a prosthetic
  127. head piece. Ditto with all our Centauri women. (Funnily enough,
  128. the one time we DID have a bald woman as a background extra, those
  129. not in the know on stage kept commenting on how fake the bald-cap
  130. looked....)
  131. * The point you raise is exactly correct; which is why we've set up
  132. the Psi Corps in such a way as to *prevent* them from becoming a
  133. deus ex machina all the time. This is what's always bothered me
  134. about the way "empaths" are treated on ST; it's a terrible
  135. invasion of privacy. The Psi Corps has strict rules about who can
  136. and can't be scanned, and under what conditions. In "Purple," she
  137. couldn't just go scan Trakis; she had to be hired, had to be
  138. already engaged in a business capacity, and had to find it *only*
  139. in surface thoughts, no deliberate poking. And this is the ONLY --
  140. repeat, the ONLY -- time this is done in the entire season, aside
  141. from the accidental run-in with Londo in the pilot episode.
  142. We'll get deeper into the rules and regs of the Psi Corps as we
  143. go, further establishing that there's a lot they're expressly
  144. forbidden from doing by law.
  145. * I confess I don't see the problem. In real life, some women are
  146. scientists, and doctors, and atheletes...and some women dance in
  147. bars, some women hook part- or full-time. Some men are scholars
  148. and diplomats and teachers...and some men are gigolos and thieves
  149. and *also* dance in bars. Where exactly is the problem in
  150. portraying both sides of this? Have we become so concerned with
  151. being politically correct that we can not show a legitimate part
  152. of human existence?
  153. B5 has all kinds, and both sides of all kinds. Male and female,
  154. equally. I "chose" exotic dancers for a kind of sleazy,
  155. not-entirely legitimate operation, a backroom club. What would one
  156. *expect* to find there? Opera singers? You look at the situation,
  157. and you choose what is *appropriate to the situation*.
  158. I would also point out that the dancers didn't "eagerly rush
  159. forward to betray their friend." Londo was trying to find Adira in
  160. hopes of helping her. He didn't say he was going to do anything
  161. bad to her, and he was probably known to more than a few of them.
  162. He was simply trying to find her. The coin was an added incentive.
  163. Back when I was an investigative reporter, I did some research on
  164. strip joints while I was living in SAn Diego. Spent a LOT of time
  165. talking to nude dancers (when they had their clothes on, I hasten
  166. to add). And 99.9% of them had a rule: you want to ask questions,
  167. you pay. That simple. That's how this stuff *works*. My job is to
  168. keep the B5 reality as close as possible to our reality in that
  169. respect.
  170. Some of them probably wanted to help, knowing Londo was okay. Some
  171. probably didn't care. And some probably would've betrayed her at
  172. the tip of a coin. Life's like that. So again, where in this is
  173. the problem?
  174. * Re: the club owner recognizing Sinclair (or not)...this is
  175. something we discussed. Can Sinclair go places in the station and
  176. not be recognized? In some cases, no. In a place like the Dark
  177. Star, maybe so; this isn't the kind of place he generally hangs
  178. out in. It's a question of how much day-to-day interaction
  179. somebody would have with him. Yes, he's an important figure; but
  180. I'm not sure if I'd immediately recognize L.A. Mayor Richard
  181. Riordan at first glance, particularly in different style of dress,
  182. in an unusual location. We're *not* going to do it a lot -- just
  183. once this season -- but we thought it was a reasonable approach.
  184. * This was a bit cut from the script for time; Gold Channels are
  185. ONLY for official use, they're high-priority channels that can go
  186. anywhere back on Earth. Commercial communications are less
  187. reliable and only have a few channels available; you've got to
  188. wait for a call to go through. To use a Gold Channel for personal
  189. communications is a No-No.
  190. * Regarding Ivanova...it's not really an attempt to pull at heart
  191. strings, as it is to establish that this is someone who's had, and
  192. is still having, a pretty rough life. It's a real roller-coaster
  193. for her, and the way she survives it is to absolutely bottle it up
  194. inside. She has had angst throughout her life, and she's in for
  195. more.
  196. We start to track that in little ways that probably no one will
  197. notice, as well as making it the occasional story point. A little
  198. way nobody'll notice: after this episode, she starts messing with
  199. her hair, which we'd deliberately set as extremely tight until
  200. now. Suddenly she doesn't have someone for whom she has to be a
  201. certain way, and she has to start finding her *own* identity, and
  202. it ain't easy.
  203. * Larry DiTillio's episodes this season are "Born to the Purple,"
  204. and "Deathwalker." He's currently working on a third, tentatively
  205. entitled "TKO." And yes, he uses blood instead of
  206. ink...unfortunately, it's mine.
  207. * There will be both sex and romance on B5 (sometimes together,
  208. sometimes not). It's perversely appropriate that in the B5 series,
  209. it's not the Commander who gets laid first, or Garibaldi, or
  210. G'Kar... it's Londo. And it's a very funny, but very touching and
  211. moving episode.
  212. * It's a standard bed, works fine. Though we *did* have a thing in
  213. mind where Londo sits up in bed, having just had wonderful sex,
  214. and his hair is now hanging limp...but in a sudden burst of sanity
  215. we decided against it.
  216. _________________________________________________________________
  217. Originally compiled by Matthew Ryan _matt@uhs.uchicago.edu_
  218. [30][Next]
  219. [31]Last update: January 12, 1998
  220. References
  221. 1. file://localhost/cgi-bin/imagemap/titlebar
  222. 2. LYNXIMGMAP:file://localhost/lurk/maps/maps.html#titlebar
  223. 3. file://localhost/home/woodstock/hyperion/docs/lurk/background/003.shtml
  224. 4. file://localhost/home/woodstock/hyperion/docs/lurk/synops/003.html
  225. 5. file://localhost/home/woodstock/hyperion/docs/lurk/credits/003.html
  226. 6. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
  227. 7. file://localhost/home/woodstock/hyperion/docs/lurk/guide/002.html
  228. 8. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html
  229. 9. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#OV
  230. 10. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#BP
  231. 11. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#UQ
  232. 12. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#AN
  233. 13. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#NO
  234. 14. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#JS
  235. 15. http://us.imdb.com/M/person-exact?+Udenio,+Fabiana
  236. 16. http://us.imdb.com/M/person-exact?+Revill,+Clive
  237. 17. http://us.imdb.com/M/person-exact?+Phalen,+Robert
  238. 18. file://localhost/lurk/p5/intro.html
  239. 19. file://localhost/lurk/p5/003
  240. 20. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html#AN:1
  241. 21. file://localhost/home/woodstock/hyperion/docs/lurk/guide/002.html#AN:2:2
  242. 22. file://localhost/home/woodstock/hyperion/docs/lurk/guide/001.html#BP:6
  243. 23. file://localhost/home/woodstock/hyperion/docs/lurk/guide/006.html
  244. 24. file://localhost/home/woodstock/hyperion/docs/lurk/guide/007.html
  245. 25. file://localhost/lurk/lurker.html
  246. 26. file://localhost/home/woodstock/hyperion/docs/lurk/guide/003.html#TOP
  247. 27. file://localhost/cgi-bin/uncgi/lgmail
  248. 28. file://localhost/home/woodstock/hyperion/docs/lurk/episodes.php
  249. 29. file://localhost/home/woodstock/hyperion/docs/lurk/guide/002.html
  250. 30. file://localhost/home/woodstock/hyperion/docs/lurk/guide/004.html
  251. 31. file://localhost/lurk/lastmod.html