The Lurker's Guide to Babylon 5
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  1. JMS messages on GEnie, May 15-30, 1995. Collected by David Strauss
  2. <dss2k@poe.acc.Virginia.EDU>.
  3. ------------
  4. SFRT II RoundTable
  5. Category 18, Topic 1
  6. Message 814 Thu May 18, 1995
  7. STRACZYNSKI [Joe] at 01:43 EDT
  8. The odds of B5 ending up on the WB network are slim and none. You have
  9. to step back a second and realize the corporate structure of Warner Bros.
  10. Rather than one monolithic structure (a la Paramount), Warner Bros. is
  11. actually kind of a hive mind, with something like 40 or 50 different
  12. departments, arms, jurisdictions, companies and approaches, all of them
  13. mutually competitive. PTEN and WB, for instance, are two totally different
  14. arms, and *very* competitive with one another. I suspect either side would
  15. slit their respective wrists before letting a show go from one to the other.
  16. jms
  17. ------------
  18. SFRT II RoundTable
  19. Category 18, Topic 1
  20. Message 825 Thu May 18, 1995
  21. STRACZYNSKI [Joe] at 19:36 EDT
  22. I'm going to put this up now, while I'm thinking about it.
  23. Next week, "Confessions and Lamentations" airs. It is a very strong,
  24. uncompromising episode. It occured to me that parents of young kids (and
  25. there are surprisingly a lot that watch) should *maybe* consider watching this
  26. one on their own first, to make sure it's okay for their kids, and to maybe be
  27. ready to discuss it afterward. Just a thought....
  28. jms
  29. ------------
  30. SFRT II RoundTable
  31. Category 18, Topic 26
  32. Message 553 Thu May 18, 1995
  33. STRACZYNSKI [Joe] at 19:39 EDT
  34. Just a reminder that Claudia, Bill Mumy and I will be at the big SF
  35. convention in Anaheim next weekend (of the 28th). Don't know which day
  36. they'll be there at the Creation con, but I'm slated for Sunday.
  37. jms
  38. ------------
  39. SFRT II RoundTable
  40. Category 19, Topic 41
  41. Message 9 Mon May 15, 1995
  42. STRACZYNSKI [Joe] at 01:27 EDT
  43. Yes, the characters were named after the actors who brought them to life.
  44. The cap is an Agamemnon crew cap, with a silhouette of the Aggie,
  45. underneath EAS Agamemnon, and above OCG 5 (for Omega Construction Group 5, as
  46. is traditionally done). There are only three of these caps in existence:
  47. Bruce has one, John Copeland has one...and I have one. (I actually wore it
  48. recently to a Lasfs (local SF gorup) party a couple of weeks ago.
  49. jms
  50. ------------
  51. SFRT II RoundTable
  52. Category 18, Topic 26
  53. Message 573 Sat May 20, 1995
  54. STRACZYNSKI [Joe] at 16:40 EDT
  55. The next con that is closest to being a B5 convention is The Gathering,
  56. in Manchester England this coming September.
  57. Here in the states, nothing yet that approaches that; B5 is still a
  58. subset of other conventions.
  59. jms
  60. ------------
  61. SFRT I RoundTable
  62. Category 13, Topic 5
  63. Message 446 Sat May 20, 1995
  64. STRACZYNSKI [Joe] at 04:56 EDT
  65. Been busy with post-production on B5, and without much traffic in here
  66. before, hadn't checked in for a while.
  67. The revisions on the writing book are virtually done; there's just a bit
  68. more tinkering to do with the stage/playwriting chapter, and it'll be done.
  69. Four years in the works....
  70. For those who've inquired about other works...you can find some of my
  71. short stories in the SHADOWS 6 anthology, the MIDNIGHT GRAFITTI anthology
  72. (with the same story appearing in an issue of PULPHOUSE), and AMAZING STORIES.
  73. Some digging may be required.
  74. One of the main difficulties with exec producing a series is that it
  75. leaves time for *nothing* else. Haven't done any fiction or prose work in a
  76. couple of years, not counting the issues of the B5 comic that I've written/am
  77. writing. The only time I even get to see a movie is if I'm on a plane
  78. (assuming I'm not writing on the plane). (On the trip to and from the UK I
  79. saw FORREST GUMP, TRUE LIES, ED WOOD, MARY SHELLEY'S FRANKENSTEIN and
  80. INTERVIEW WITH A VAMPIRE, just kept grabbing tapes from the flight attendents,
  81. who kept asking, "Don't you EVER get out?")
  82. Strongly considering publishing either a B5 script or a Murder, She
  83. Wrote script in the scriptwriting book, in its totality. Haven't yet decided
  84. which.
  85. jms
  86. ------------
  87. SFRT II RoundTable
  88. Category 19, Topic 44
  89. Message 11 Mon May 22, 1995
  90. STRACZYNSKI [Joe] at 03:01 EDT
  91. Funny thing is, I've received several emails from medical professionals
  92. who said the hesitation was exactly dead-on to when they've been in situations
  93. of possible contamination. Until somebody breaks the inertia and just *does*
  94. it, as Franklin was about to.
  95. BTW, on the Marcabs, we've seen them frequently before, not just in
  96. "Knives," but also in "The Long Dark" as the one who spoke about "soldiers of
  97. darkness" to the Council, and elsewhere.
  98. Check out some of the isolation zone scenes, btw, and you'll see as many
  99. as 40-50 Marcabs, in full costume and full prosthetic, the biggest of any
  100. single race we've ever done.
  101. jms
  102. ------------
  103. SFRT II RoundTable
  104. Category 19, Topic 44
  105. Message 13 Mon May 22, 1995
  106. STRACZYNSKI [Joe] at 05:25 EDT
  107. It's *possible* you have the Marcabs confused with the Brikiri, who are
  108. somewhat similar in look, until you get close; it was a Marcab, again, who in
  109. very good english explained the soldiers of darkness in "The Long Dark." On
  110. the other hand, we might've shown somebody grunting, I could be wrong. Not
  111. all Marcabs are fluent in English, certainly.
  112. jms
  113. ------------
  114. SFRT II RoundTable
  115. Category 18, Topic 2
  116. Message 746 Wed May 24, 1995
  117. STRACZYNSKI [Joe] at 00:12 EDT
  118. Leaving our sector of space to go beyond the rim doesn't necesarily
  119. equate with strength; it's harder to stay, and act against what's coming, than
  120. to just run away. Also there may be reasons they chose to stay.
  121. jms
  122. ------------
  123. SFRT II RoundTable
  124. Category 18, Topic 1
  125. Message 536 Tue May 30, 1995
  126. STRACZYNSKI [Joe] at 17:43 EDT
  127. Though I worked for a while on ALIEN WORLDS, no, the Markab name wasn't a
  128. nod there; I'd totally forgotten about any bunch with a name like that. (It
  129. was 16 or so years ago, remember.)
  130. jms
  131. ------------
  132. SFRT II RoundTable
  133. Category 18, Topic 1
  134. Message 558 Wed May 31, 1995
  135. STRACZYNSKI [Joe] at 05:19 EDT
  136. Actually, Dennis did not appear in "Acts," he appeared in "Comes the
  137. Inquisitor." This is stuff yet to come.
  138. jms
  139. ------------
  140. SFRT II RoundTable
  141. Category 18, Topic 23
  142. Message 240 Sun May 28, 1995
  143. STRACZYNSKI [Joe] at 03:31 EDT
  144. No, I've never made any bones about the fact that, should B5 run its full
  145. 5-year course, barring any side-stories that might spin off, my intent is to
  146. probably get out of TV and go back to novels and plays. I have the next novel
  147. outlined already -- it'll be a 1,000+ page whopper -- but haven't had time to
  148. write any of it. It'd take probably a year full tilt to write it. After
  149. that, probably back to plays.
  150. jms
  151. ------------
  152. SFRT II RoundTable
  153. Category 18, Topic 23
  154. Message 243 Mon May 29, 1995
  155. STRACZYNSKI [Joe] at 00:26 EDT
  156. I actually started out in theater. I was writing small, one-act plays in
  157. high school, which got performed around campus for classes by a kind of
  158. traveling troupe put together by some of the teachers when they discovered,
  159. kinda startled, that I could write. First commissioned work was a full-length
  160. comic play I wrote at the request of the school which was performed in front
  161. of a full assembly. (Prior to then noboby noticed I existed. Suddenly I was
  162. noticed.)
  163. My last year of high school, I started sending out one-act and full
  164. length plays to various theaters. One local theater decided to produce one of
  165. them, and sent a letter suggesting a meeting. I went to it, and they kept
  166. waiting for my dad to show up or something; finally I was able to convince
  167. them that no, I really *was* the person who wrote the play. (And they did do
  168. it.) When I made it to Southwestern College in Chula Vista (after a quick run-
  169. around at schools in Chicago and Dallas), at age 18, I wrote a bunch of one-
  170. acts for the college, and was commissioned to write another full-length play
  171. which was performed for 20 some weeks in summer stock, and later published in
  172. book form by a leading play publisher (and no, I'm not telling you which
  173. publisher, even though it's still in print, because I was 18 and it was dumb).
  174. I started getting one-acts and full length plays produced in a variety of
  175. theaters, but eventually kind of got out of it when I got more into fiction,
  176. working as a journalist, and other venues. I have a tendency to drift in and
  177. out of venues.
  178. jms
  179. ------------
  180. SFRT II RoundTable
  181. Category 18, Topic 23
  182. Message 247 Mon May 29, 1995
  183. STRACZYNSKI [Joe] at 02:51 EDT
  184. Yeah, probably 1,000 manuscript pages, figure about 250,000 words, but
  185. that's a conservative estimate; it may go longer once I get into it (it's a
  186. contemporary dark fantasy story, fairly involved). I'd probably get more if I
  187. extended it into a trilogy, in terms of advances, but I just don't really
  188. think in those terms. It's, "What does the story require?" Then that's what
  189. you do. I've always worked this way.
  190. 1,000 pages ain't really that much, either, when one stops to realize
  191. that in just the 15 scripts I've written for year two of B5, that's about 750
  192. pages by itself.
  193. Don: yeah, a playwright, and lots of other stuff. My problem is that I
  194. like all kinds of writing; I *learn* from all kinds of writing. So I'm
  195. constantly drifting from one to the other. For years I worked as a journalist
  196. for major papers and magazines (over 500 article (articles) published; a
  197. reviewer; an investigative reporter; radio drama writer; playwright; on-air
  198. talk show host; short stories; novels; songs; you name it.
  199. Basically...I flit.
  200. jms
  201. ------------
  202. SFRT II RoundTable
  203. Category 18, Topic 23
  204. Message 252 Mon May 29, 1995
  205. STRACZYNSKI [Joe] at 19:00 EDT
  206. Actually, 1,000 manuscript pages generally equals about 750 printed book
  207. pages.
  208. jms
  209. ------------
  210. SFRT II RoundTable
  211. Category 18, Topic 23
  212. Message 255 Tue May 30, 1995
  213. STRACZYNSKI [Joe] at 00:53 EDT
  214. I wrote a 4-hour miniseries script based on the true story I spent over a
  215. year researching. Put it out on the market. I've had something like a half
  216. dozen offers to produce the thing, but only if I cut it down to 2 hours. To
  217. do so would violate the story, because it's too involved and too astonishing.
  218. You'd be left with nothing. So I'm just holding onto it until the right
  219. person finds it, and does it.
  220. jms
  221. ------------
  222. SFRT II RoundTable
  223. Category 19, Topic 44
  224. Message 37 Fri May 26, 1995
  225. STRACZYNSKI [Joe] at 20:48 EDT
  226. Pilots are used to putting themselves into dangerous situations on a
  227. daily basis. That's their *job*. Doctors don't generally do that, and to
  228. expect them to just dive in uniformly is patently unrealistic. One of the
  229. primary emails I've gotten on this ep has been from medical health
  230. professionals who say that when they're put in this kind of situation with
  231. some patients, there *is* a momentary hesitation on many occasions. It's a
  232. natural reaction. It happens. There's a quantum difference between the way
  233. we *think* people should act, and the way they *do* act.
  234. Re: the joke...it's another part of humanity. Any time there's a
  235. disaster, after the initial shock has worn, off...jokes start to appear. I
  236. suspect it's part of the way we try to bring large events down to a level
  237. where we can deal with them. Yes, they're tasteless. But that's what we do.
  238. Less than 4 weeks after the shuttle went down, there were jokes. It happens.
  239. Hence, it's inclusion.
  240. Humans are sometimes afraid. Or less pleasant or honorable than we would
  241. imagine ourselves to be. We try to show both sides. This is not a universe
  242. where humans are without blemish, or where everyone is willing to instantly
  243. fling himself or herself into harm's way. It doesn't exist. Courage is
  244. noteworthy because it is the exception, not the rule.
  245. jms
  246. ------------
  247. SFRT II RoundTable
  248. Category 19, Topic 44
  249. Message 47 Sat May 27, 1995
  250. STRACZYNSKI [Joe] at 03:34 EDT
  251. Nobody said it was marital fruit. The line is, "It's a rebirth ceremony
  252. that sometimes doubles for a marriage ceremony." Naturally, everybody glommed
  253. onto the second interpretation, the lesser one, while ignoring the primary
  254. interpretation, rebirth (as in what Delenn was planning to do with the
  255. chrysalis). (Well, correction, not everybody went for the misdirection, but
  256. most did.)
  257. jms
  258. ------------
  259. SFRT II RoundTable
  260. Category 19, Topic 44
  261. Message 49 Sat May 27, 1995
  262. STRACZYNSKI [Joe] at 05:48 EDT
  263. The fighters aren't *inexpensive*, but not hideously costly either.
  264. Also, the pilots like to spend as much time out on patrol as possible, to
  265. garner more flight pay. Keffer's squad was already out earlier (as noted by
  266. Sheridan); Keffer chose to stay out a little longer doing a bit of
  267. reconnaisance. Most of the hassle is in prepping the ship for launch,
  268. maintainance and so on; once it's out, it's just a matter of a bit more fuel.
  269. If he left *strictly* for this purpose, then yeah, they'd nail his butt to the
  270. flight deck. But since he was out anyway, it's not as big an issue.
  271. jms
  272. ------------
  273. SFRT II RoundTable
  274. Category 19, Topic 44
  275. Message 84 Mon May 29, 1995
  276. STRACZYNSKI [Joe] at 00:10 EDT
  277. There was no change in Delenn's attitudes. They're two different
  278. circumstances. In "Believers" Delenn was being asked to mediate in a dispute
  279. between Franklin and the family, over essentially matters of the soul (as she
  280. put it). They do not interfere in matters of the soul, she explains. This
  281. wasn't such a situation.
  282. jms
  283. ------------
  284. SFRT II RoundTable
  285. Category 19, Topic 44
  286. Message 99 Tue May 30, 1995
  287. STRACZYNSKI [Joe] at 00:49 EDT
  288. We joked a few times about having a mass burial for the Markab
  289. prosthetics and costumes behind the stage....
  290. jms
  291. ------------
  292. SFRT II RoundTable
  293. Category 19, Topic 44
  294. Message 105 Tue May 30, 1995
  295. STRACZYNSKI [Joe] at 03:23 EDT
  296. A man is shot by a gun. Now, you can either do a story about the guy and
  297. his life up to the moment he was shot and killed, or you can do a story about
  298. the people who are affected by his death. The former story ends kinda fast.
  299. But both are perfectly valid. The main thrust is how this story AFFECTS our
  300. main characters. Would they have been more affected if it were the Drazi
  301. rather than the Markabs? No. It would've been just the same. My job is not
  302. to sit here and say, "Hmm...do I think audience members like the Drazi or the
  303. Markabs more?" and thus base my decision based on that. I write my stories
  304. based on what's right for the story, period. In this case, I knew it had to
  305. be one of the League races, and in particular, those prosthetics capable of
  306. expressing broad ranges of emotion, potentially sympathetic characters. The
  307. instantly cut out the pak'ma'ra as primary characters. I considered the
  308. Drazi, but my sense was that the prosthetics couldn't convey the depth of
  309. emotion I needed. Finally, that led me to the Markabs.
  310. Enough terrible things happened, and continue to happen, to our major
  311. races; best to give them a break and see how they react when it's someone
  312. else.
  313. jms