The Lurker's Guide to Babylon 5
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  1. <HTML>
  2. <HEAD>
  3. <TITLE>Babylon 5 Edit Decision List Description</TITLE>
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  5. <BODY>
  6. <H1 align="center"><I>Babylon 5</I> Edit Decision List Description</H1>
  7. In the world of professional video editing, decisions have to be made as to
  8. what will end up in the final result. Editing a television program like
  9. <I>Babylon 5</I> is a very complicated process. A process that is beyond the
  10. scope of this page. Editing can be done off-line or on-line, where off-line
  11. editing will not produce the final product. While it may produce a video tape,
  12. the tape will only be a rough cut and may not include any special effects, not
  13. even fades. On-line editing will produce the final product. On-line editing
  14. can be done manually or automatically. The automatically is what requires an
  15. EDL. An EDL is used for manually editing as well and an EDL is the normal
  16. result from an off-line edit.
  17. <P>
  18. The EDL is the list of all the elements that make up the final result, and the
  19. position those elements will take in the final result. Those elements will
  20. also be described in some fashion, so that the editor will know what the piece
  21. is (this is production house dependent). But, the important part is that the
  22. EDL will contain a list of SMPTE (Society of Motion Picture and Television
  23. Engineers) time codes. Those time codes exactly describe the position of the
  24. elements within the final result. The EDL for a program like B5 is very
  25. complicated.
  26. <P>
  27. Then we get into the EDL for putting together the hour that makes up the tape
  28. used to broadcast <I>Babylon 5</I>. This EDL is what makes up the program
  29. segments and the commercial breaks. What I am providing here is a reverse
  30. engineered EDL, i.e., I take the actual satellite fed tape and work backworks,
  31. making the EDL from the final result.
  32. <P>
  33. The times listed in the EDLs for the uplinked <I>Babylon 5</I> episodes are
  34. fairly accurate, since I use professional Umatic-SP decks equipped with
  35. SMPTE-LTC time code. Don't even think about trying to do an EDL from consumer
  36. VHS video decks, unless you have an external SMPTE-VITC time code
  37. generator/reader. The EDLs provided allow you to determine when the commercial
  38. breaks will arrive and how long they will be. Many of you hit the pause
  39. control when recording B5 from your local TV station. I tape the Warner
  40. Brothers satellite feed the Sunday morning before the stations are allowed to
  41. air the episode (starting the following day, Monday).
  42. <HR>
  43. <ADDRESS>
  44. <A HREF="mailto:brown@vidiot.com">brown@vidiot.com</A><BR>
  45. Last modified on October 22, 1995
  46. </ADDRESS>
  47. </BODY>
  48. </HTML>